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Now Hiring!

Now Hiring!

Big Car Collaborative is now hiring a Grants & Communications Coordinator 

Title: Grants and Communications Coordinator

Reports to: Executive Director, with support from the CAMi Director

Status: Full-time, 40 hours/week, salaried — exempt

Pay: $45,000–$55,000 per year, commensurate with experience, plus benefits

Location: Contemporary Art Museum of Indianapolis (CAMi) campus, 1125 Cruft St., Indianapolis, IN 46203, with occasional work across Big Car Collaborative sites

Skills: Well organized, observant, and detail oriented; a strong communicator, reader, and researcher; a good listener; a skilled writer and editor; and a positive team player who is excited about the cause of supporting community through art and creativity. This position succeeds through exceptional organization, anticipation, attention to detail, and consistent follow-through.

Experience and Education: We prefer a degree and 1–3 years of experience in a related field — nonprofit administration, philanthropy, writing and communications, fundraising, grant writing, marketing/communications, or research. Basic graphic design and photography skills are a plus.

Benefits: Full-time staff members are eligible for 15 days of paid time off, in addition to the nine national holidays recognized by Big Car Collaborative. The benefits package also includes 100%-funded high-deductible insurance covering medical, dental, vision, long-term disability, and life. Staff who elect coverage may open a Health Savings Account; staff who decline employer-provided health insurance receive a monthly stipend toward coverage instead. Salaried staff also receive a $50/month stipend to support the use of their mobile phones for work. Performance reviews are conducted annually, with the possibility of raises or bonuses.

Position Summary: Big Car Collaborative’s Grants and Communications Coordinator researches, writes, submits, and manages grant proposals, funding requests, and grant reports in support of Big Car Collaborative and the Contemporary Art Museum of Indianapolis (CAMi). This role also supports broader fundraising, basic marketing and communications, board relations, membership, and administrative work — including the capital campaigns, the Power Plant Grant Program, and day-to-day support for the Executive Director. The Grants Coordinator must understand Big Car and CAMi’s work in the community and experience it directly whenever possible. For this reason, and to stay connected with other staff and to greet donors and funders in person, this person will help with on-site operations for programs, exhibitions, community events, and fundraising events, including First Fridays and other public programs on the CAMi campus. This position reports to the Executive Director, who leads or co-leads grants, fundraising, and development work, with support from the CAMi Director and Chief Curator and the Director of Operations. The Grants Coordinator does not directly supervise other staff, but will collaborate with other staff members in various ways and may need direction, requests, or reminders — so the position requires strong organization, including scheduling, written and verbal follow-up, and consistent communication. The Grants Coordinator is responsible for fulfilling assignments of the Executive Director in a timely manner, meeting assigned deadlines, and informing the Executive Director and other lead staff of issues or roadblocks as soon as they arise. This person keeps track of grant and sponsorship leads shared by other staff (including the Executive Director), tracks hours in the organization’s timekeeping system, and stays current on deadlines.

Specific Responsibilities

• Research, write, submit, and manage grant proposals, funding requests, and grant reports

• Research prospective funding opportunities and track grant deadlines, reporting requirements, and compliance

• Maintain donor and funder databases and online giving platforms, and support donor stewardship through acknowledgments and communications

• Support fundraising initiatives, including the CAMi Capital Campaign, Cabinet activities, and other development efforts

• Develop and manage marketing and communications content for social media, websites, email newsletters, print materials, radio promotions, and other digital and print platforms

• Write and distribute press releases and coordinate media relations

• Support our work with social media

• Update and maintain organizational websites, event information, and other online content

• Coordinate Board communications, meetings, agendas, materials, and related requests

• Provide administrative support to the Executive Director, including scheduling, communications, meeting preparation, and donor and funder support

• Assist with administration of the Power Plant Grant Program, including applicant communications, review coordination, grant tracking, and reporting

• Assist with on-site operations for programs, exhibitions, community events, and fundraising events

• Collect, organize, and analyze organizational data — including attendance, demographics, surveys, program participation, financial information, and other organizational metrics — to support grant reporting, program evaluation, and organizational planning

• Maintain organizational records, files, and documentation

Physical Demands & Work Environment: The physical demands and work environment characteristics described here are representative of those that must be met by an employee to successfully perform the essential functions of this job. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions. While performing the duties of this job, the employee is occasionally required to stand, walk, sit, use hands, reach with hands and arms, climb stairs, balance, talk or hear, and taste or smell. The employee must occasionally lift and/or move up to 25 pounds. Specific vision abilities required by this job include close vision, distance vision, color vision, peripheral vision, depth perception, and the ability to adjust focus. The noise level in the work environment is usually moderate. The role is based on CAMi’s 5-acre campus in the Garfield Park neighborhood, across galleries, studios, and administrative spaces.

Big Car provides equal employment opportunities to all employees and applicants for employment and prohibits discrimination and harassment of any type without regard to race, color, religion, age, sex, national origin, disability status, genetics, protected veteran status, sexual orientation, gender identity or expression, or any other characteristic protected by federal, state or local laws. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation and training.

APPLY ONLINE VIA CHARITABLE ADVISORS

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Big Car Collaborative Awarded $1.5 Million Through READI 2.0 Arts & Culture Initiative

Big Car Collaborative Awarded $1.5 Million Through READI 2.0 Arts & Culture Initiative

We are excited to share that Big Car Collaborative has been awarded $1.5 million through the READI 2.0 Arts & Culture Initiative!

This transformative investment supports next-phase work on the CAMi campus by helping us improve and activate additional outdoor spaces, boost visitor access and experience, expand artist residency opportunities on our block, and further strengthen CAMi as a restorative place where contemporary art, community, creativity, and opportunity meet.

We’re deeply grateful to the Indiana Economic Development Corporation (IEDC), Lilly Endowment Inc., and the dedicated people — including the Indiana Arts Commission team — who made the READI 2.0 Arts & Culture Initiative possible. And we’re honored to be part of this statewide investment in Indiana’s creative future.

Learn more about READI 2.0 and the many inspiring arts and culture initiatives selected across Indiana here.

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CAMi in the New York Times

CAMi in the New York Times

Our CAMi expansion received full-page coverage in The New York Times, with an excellent story by Sarah Bahr published in its annual museum section in the Sunday edition on April 19, 2026. Read the story here: In Indianapolis, a New Contemporary Art Museum Comes With a D.J.

Get all the details about our opening weekend here.

We’re honored to see our work resonating nationally. And we’re grateful for the recognition of our efforts to bring art to people and people to art. 

Find links to additional media coverage of CAMi and more here.

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Celebrate the CAMi Main Building Grand Opening Weekend!

Celebrate the CAMi Main Building Grand Opening Weekend!

Big Car Collaborative has spent the last 10 years looking over at this imperfectly beautiful 100-year-old building along Bean Creek and dreaming of all the ways it could invigorate Central Indiana with contemporary art while supporting artists from our city and around the world. Fast forward through a global pandemic and other worldwide challenges and we arrive in 2026 to celebrate years of planning, fundraising, and hard work that transformed a crumbling and flooded industrial shell into a welcoming, light-filled space for art and connection.

The CAMi Main Building grand opening weekend welcomes the community into our newly renovated 40,000-square-foot main building to explore and enjoy our varied inaugural exhibitions. Spanning three days of art, performances, and public celebration, Opening Weekend — which is free for visitors as CAMi will remain free to the public — introduces this exciting adaptive reuse project as a cultural destination for visitors from Central Indiana, the Midwest, and beyond.

Friday, May 1 | First Friday + Public Opening Day | 6-10 p.m.

Visitors will be able to socialize, meet exhibiting artists, and check out inaugural shows in our six gallery spaces that total more than 10,000 square feet in the new building.

Campus exhibits will include:

On First Friday visitors will be able to grab dinner from Chef Dan’s Cajun and Southern cooking food truck, and buy wine, beer, or coffee from our bar and cafe in CAMi, Stall, and Normal Coffee.

Saturday, May 2 | Neighborhood Celebration | noon – 3 p.m.

On Saturday, we’ll focus on celebrating with our Garfield Park and Bean Creek neighbors, as CAMi sits within the boundaries of both neighborhoods. We’ll enjoy live music at noon by The Roundups, activities and conversations with artists, and a group tour with neighbors at 1 p.m. This is aligned with the Garfield Park Art Walk organized by neighborhood artist Jennifer Meeker, which is sponsored by CAMi. This celebration also coincides with the opening day of the Garfield Park Farmers’ Market in the adjacent Garfield Park.

Sunday, May 3 | Levitt VIBE Concert | 9 a.m. – 3 p.m.

Opening Weekend rounds out with our Levitt VIBE Indianapolis concert hosted outdoors on the CAMi campus — transforming our outdoor amphitheater and pocket park into a place for live music, dance, and community celebration. This free concert will feature a multi-genre lineup of local and national performers, including Virginia-based jazz musician JJJJJerome Ellis as the headliner, with additional performances by local traditional Mexican folk dance group Grupo Folclórico Macehuani, and Indianapolis-based classical ensemble A.K.A. Beyond the stage, the event will include vendors from the Indy Gay Market and food for purchase from the Pi Indy pizza food truck. And, Stall and Normal Coffee will be open selling beer, wine, coffee, soda, and other refreshments.

Thank you to our opening week presenting sponsors Herbert Simon Family Foundation, Central Indiana Community Foundation, and 12 Stars Media; signature sponsor Glick Philanthropies; and supporting sponsors, Cunningham Restaurant Group, Sun King Brewing, MIBOR REALTOR Association, Indianapolis Airport Authority, Levitt Family Foundation, and Agile CFO Solutions!

Visit Information

Address: 1125 Cruft St. Indianapolis, IN 46203

Admission is free

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6 Years of ‘The Purple Crown’

6 Years of ‘The Purple Crown’

A Q&A with Mr. Kinetic

One of WQRT’s most beloved weekly shows ‘The Purple Crown’ celebrates 6 years this month. Mr. Kinetik is a DJ, emcee, singer-songwriter, musician, and producer who has been making music in Indianapolis since 2008 — thirty projects and counting. His influences run deep into the tradition he calls “The One,” that foundational groove running through blues, funk, soul, hip-hop, and jazz. He is the creator and host of The Purple Crown Show, airing every Saturday night at 9pm on WQRT-LP 99.1 Indianapolis, and the writer and publisher of the newsletter Exist In The Infinite. A featured artist with Red Bull House of Art and the Arts Council of Indianapolis, he has also been the in-game emcee for Butler University Men’s Basketball since 2009. March 28 marks the sixth anniversary of The Purple Crown Show.

Shauta Marsh: The name — The Purple Crown Show. Where does it come from and what does it mean to you?

Mr. Kinetik: Ok so, the name is interesting. I’d go to some of my family member’s houses, and I remember seeing these purple and gold bags with drawstrings. The bag said “Crown Royal” but I really didn’t know what that meant. I just liked the bags. So I found out that it was a drink that some of my family members liked. I remember seeing it at family parties and so on. So when I got ready to do the show, I wanted a name that reminded me of those parties. I obviously can’t call it the Crown Royal Show, so I flipped it to “The Purple Crown” because I liked the way that sounds. It’s a nod to my family, drinkers and non-drinkers, and all of our parties as family.

SM: Six years in, how has the show changed from what you originally imagined it would be?

MK: It’s taken on a life of its own. It is something that has become a greater part of my career than I could’ve realized. I didn’t know what to expect. I just wanted to keep going so I could have a way to connect with people. I think of it as having a conversation, sharing thoughts and feelings through the music I play.

SM: The Purple Crown Show launched in April (actually March 28, 2020) 2020, at the start of the pandemic. What was the impulse behind starting it at that particular moment — what need were you trying to meet, in yourself or in the community?

MK: I had a DJ gig at Luna Music the Saturday before most places started to close. It became very clear to me that I wouldn’t be DJing in public for an indefinite amount of time. The show became my outlet for DJing. I needed to be able to continue my craft because I love DJing. It became a meeting place, an opportunity for people to come kick it for a bit and listen to some funkysoul music. I figured somebody would dig it and need it the same as me.

SM: You describe your major influences as “The One” — that foundational groove that runs through blues, funk, soul, hip-hop, and jazz. How do you hear “The One” in the music you play, and how do you build a show around it?

MK: “The One” is that funk, that landing, that energy that keeps coming back. It’s an infinite thing. “The One” sets everything else in motion while holding it together. I want my shows to give energy to listeners and create a connection. I’m always thinking about music that can do that and how I can arrange it so the experience is on “The One.”

SM: You’re an emcee, singer, producer, multi-instrumentalist, and DJ. When you’re behind the board on The Purple Crown Show, which of those selves is most present?

MK: The producer. Putting everything together in the way it should be, in that moment, is how I see myself as a producer. The other selves are tools to make the show work.

SM: You’ve built your own cosmology — LoveTron, the Highlands, #existintheinfinite, #jaaamaccordingly. How does that world connect to the show, and what does it mean to broadcast from it every week?

MK: The Purple Crown Show is my way of sharing where I’m from, how I hear and how I feel music. Broadcasting is a direct way of connecting with other people. The show is a signal that I’m living well, nourished by “The One” and funkysoul music. And I’m inviting folks to come spend some time with me for a bit.

SM: Six years is a long time to show up every Saturday night. What keeps you coming back?

MK: The response from listeners is what makes the show worth doing. Yes, it fulfills a part of myself and I’m very thankful for that. But ultimately, it wouldn’t mean anything without the listeners and the community that has been built via the show.

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SPARK is Art: Curated Encounters for the City by Dr. Cara Courage

SPARK is Art: Curated Encounters for the City by Dr. Cara Courage

When SPARK first appeared on Monument Circle in downtown Indianapolis in 2015, it may have been easy to mistake for a summer program of casual activities. Look a little past the first impression and you’ll see SPARK is not a backdrop to life in the Circle, it is art unfolding through play, encounter, and exchange.

A Curated Social Practice

SPARK is curated and authored by Big Car Collaborative, the Indianapolis arts organization long recognised for its leadership in socially engaged art and placemaking. SPARK — an ongoing partnership with the City of Indianapolis and the Downtown Indy Alliance — is not merely incidental sociability, nor public entertainment. It’s much more.

Big Car’s team of staff artists, working in design, writing, performance, and more, builds a framework in the circle’s expanse that is treated as both canvas and stage. Objects, seating, and interventions are placed not for decoration but as everyday props that spark interaction. From a ping pong table to lunchtime poetry, to a procession, to a making workshop, SPARK shifts art’s focus from the object — what is made — to the encounter — what happens between people.

Big Car’s authorship is visible in this structuring. The choices of what to install, who to invite, and how to pace the unfolding of the program are aesthetic decisions. Just as a curator arranges artworks in a gallery, Big Car arranges conditions for people to encounter one another differently in public space. This is not accidental conviviality. It is a designed and durational art practice, steeped in reflexivity, artistic judgment, and collaborative authorship.

Claiming Place in the Canon

Social practice art (put very simply, creative work where the process of people coming together is the art) has often been under-recognised in comparison to architecture or design when it operates in public space. The architect of a plaza may be celebrated, while the artist who activates, nurtures and evolves its use is overlooked. SPARK challenges this imbalance by demonstrating that curating social life is itself an art form, no less rigorous than sculpture or painting.

In the lineage of socially engaged art in the States, SPARK belongs alongside projects such as Allan Kaprow’s 1960s “happenings” where audiences became the artwork and Suzanne Lacy’s “new genre public art” in the 1980s and ‘90s, where artists worked directly with communities on issues that mattered to them. This is seen also with Rick Lowe’s Project Row Houses in Houston and Theaster Gates’ Rebuild Foundation in Chicago.

SPARK’s  contribution is distinctive. It reimagines a civic monument not through permanent alteration but through temporary inhabitation. The monument remains unchanged in stone, but profoundly altered in meaning as people experience it as a place of play, dialogue, and co-creation. It resonates with American philosopher and educator John Dewey’s idea of “art as experience,” where meaning is made in doing, and where everyday life is reframed through creative encounters.

I first experienced SPARK in its opening year, 2015, when I was in Indianapolis researching Big Car’s practice for my PhD. I spent days at Monument Circle, observing how a civic landmark was reshaped through everyday encounters. What I saw was not a temporary festival but a carefully curated artwork that treated public life itself as material. Since then, I have followed Big Car’s work closely, writing about SPARK in Arts in Place (2017) and keeping in touch with the organization as it has evolved. This long view allows me to see SPARK not just as a series of seasonal programs, but as a sustained contribution to the international conversation on socially engaged art.

Social Benefit Through Artistic Means

SPARK is not an isolated festival but part of Big Car’s long trajectory of socially engaged work across Indianapolis. The collaborative has cultivated a deliberate aesthetic strategy that invites participation and, in the process, leaves people seeing both themselves and each other differently.

Big Car’s ethos is that even brief engagement can be transformative. A passer-by who joins in painting or conversation may, in that moment, see themselves differently: I am an artist today. Yet too — participants do not need to name their actions as art to benefit from them. What matters is that the process is conceived and held by artists, who use aesthetic tools to generate access, reduce barriers, and open civic dialogue.

SPARK reshapes how people imagine their role in public life and how they relate to their city long after the moment has passed. This authorship matters. Without Big Car’s framing, SPARK would be simply a civic amenity. With it, SPARK is part of the canon of socially engaged art, offering both social benefit and artistic innovation.

As socially engaged art has matured internationally, it has faced the risk of being absorbed into policy jargon or reduced to instrumental outcomes. SPARK resists this by remaining rooted in artistic process. It is art first, even as it delivers civic and social benefits. Its success lies in holding these together, and in doing so it has helped shape new understandings of what art in public space can be.

Looking Forward

Ten years on, SPARK still reimagines the Circle. Each season it remakes the familiar into something alive: a monument that becomes a meeting place, a plaza that becomes a playground, a civic space that becomes a stage. In both the US and the UK, public spaces have become increasingly contested, with rising polarisation, social isolation, and pressures on civic life.

Against this backdrop, SPARK matters all the more. It models a different possibility: people sharing space without barriers, talking to strangers, and seeing themselves as part of a larger whole. These encounters may seem modest, but they are acts of civic imagination. They suggest that another kind of public culture is possible, one based not on division, but on participation and care.

In a cultural landscape that can overlook the value of socially engaged art, SPARK is proof of its power. It does not monumentalize form; it monumentalizes encounter. And in doing so, it secures its place in the canon of socially engaged art — not as footnote, but as exemplar.

Dr. Cara Courage is a culture, communities, and place consultant, and placemaking practitioner, writer, and broadcaster. Her PhD research (2014–2017) focused on Big Car, the Indianapolis-based socially engaged art and placemaking organisation with which she has continued to collaborate and research ever since. She is Editor-Convenor of the Routledge Handbook of Placemaking (2021) and Co-Editor-Convenor of Trauma-Informed Placemaking (Routledge, 2024).

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SPARK Lives Here: The Spirit of Indianapolis by Dr. Cara Courage

SPARK Lives Here: The Spirit of Indianapolis by Dr. Cara Courage

A recent visit to Indianapolis reminded me all over again how special this city is — its people, its energy, its generosity of spirit. Retracing familiar ground, I found myself once more thinking about SPARK and how it transforms the iconic heart of the city that is Monument Circle into something more than a landmark — into a place alive with the rhythm of everyday life.

Indianapolis has always had a strong sense of community, that “Midwest neighborliness” visitors (myself very much included) notice and residents treasure. And SPARK celebrates this. The lunchtime regulars, the office workers, the musicians and poets, the volunteers who make the space sing.

I first experienced SPARK in its opening year, 2015, when I was in Indianapolis researching Big Car Collaborative’s practice for my PhD. I spent days at Monument Circle, observing how a civic landmark was reshaped through everyday encounters.

What I saw was not a temporary festival but a carefully curated artwork that treated public life itself as material. Since then, I have followed Big Car’s work closely, writing about SPARK in Arts in Place (2017) and keeping in touch with the organization as it has evolved. This long view allows me to see SPARK as a sustained contribution to the international conversation on placemaking and socially engaged art.

SPARK has never been about spectacle. Its beauty lies in the ordinary, the small, human moments that make Indy feel like home. Whether it’s a game of ping pong, a quiet poem at lunchtime, or children drawing with chalk under the monument’s shadow, SPARK reminds us that creativity lives beyond galleries or stages.

It’s here in the ways people use and care for their city. And it’s not about changing the city. It’s about seeing the city and its people at their best. It doesn’t import ideas from elsewhere. It grows them from the ground up.

Big Car’s current work at the Circle — in partnership with the Downtown Indy Alliance and the City of Indianapolis — shows how art can bring out the pride that already lives here. The sound of laughter across the plaza, a smile between strangers, a family lingering a little longer: these are the markers of a city that knows its worth.

I’ve heard SPARK described as a “living room” for downtown. But perhaps it’s better thought of as Indy’s front porch — that very American place of welcome, hospitality, and easy connection. Just as the porch has long been where neighbors meet, share stories, and watch the world go by, Monument Circle becomes a shared threshold between public and private life, where everyone is welcome to sit for a while and feel part of this place they call home.

With SPARK, every visitor — whether a lifelong Hoosier or someone just passing through — finds a sense of belonging. It shows that joy itself is a civic strength, and that pride in place isn’t something to be built. It’s something to be felt. Success isn’t measured in visitor numbers alone, but in smiles, conversations, and the quiet sense that downtown is ours. Big Car’s artists have always understood that these moments are anything but trivial. They are what give a city its heart.

And so, as I walk Indy again, I see SPARK in the spirit of the place, in the way Indianapolis carries itself: confident, kind, and quietly proud. In celebrating the everyday — the shared bench, the impromptu chat, the laughter over a lunchtime poem — SPARK celebrates Indianapolis itself.

Dr. Cara Courage — a culture, communities, and place consultant based in the United Kingdom — has published three books on placemaking and socially engaged art with Routledge. Named in the top 10 of place thinkers worldwide, Courage has studied Big Car’s work in Indianapolis since 2015.

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With gratitude and hope, as the year ends

With gratitude and hope, as the year ends

As we pause to celebrate the holidays and turn the page to a new year, we’re contemplating the moments that meant so much in 2025 — and what we’re thrilled about for 2026.

We’re thinking about families dancing to music in our amphitheater surrounded by native plants flowering in purple and yellow, varied voices on our radio station sharing songs and poems and talking about art and design, friends smiling across a chess table or doing absolutely nothing as they cool under umbrellas at Monument Circle, friendships forming between neighbors and artists as they paint murals together, tables shared by a father and daughter sipping coffee and doing crosswords on a Sunday morning or by artists spending hours dreaming and sketching in their notebooks.

Big Car Collaborative — now more than 20 years old — is and has always been made of people and the vision, passion, and care they bring to our work and our places and spaces. Artists and neighbors. Visitors and listeners. Staff artists, board members, partners, volunteers, funders, and donors. We’re so grateful for all of you!

Big Car is made of people who give, who believe in and practice reciprocity — passing on gifts we receive to visitors to our CAMi campus and to SPARK at Monument Circle, listeners to 99.1 FM WQRT, artists we feature in exhibits and performances, long-term and visiting residents in our affordable artist housing program, neighbors in Bean Creek and Garfield Park who we’ve supported through many projects and approaches since 2011.

This year asked us to pay attention — to one another, to the work, to the responsibility of caring for a place rooted in community. As always, we learned, adapted, repaired, and kept going together.

As we look ahead, we’re preparing for what comes next. We don’t know what the future holds. But we do know the values that guide us: gratitude, collaboration, intention, flexibility, and an open invitation to be part of something shared.

If you’re able to make a year-end gift, please know that your support helps sustain this work and the people who make it possible. And whether you give, visit, listen, volunteer, or simply hold us at Big Car in your thoughts — thank you.

We’re glad you’re here and we look forward to seeing you in the new year.

With gratitude,

Jim Walker, Shauta Marsh, and everyone with Big Car Collaborative 

Learn more about:

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Big Car’s Public Art in 2025

Big Car’s Public Art in 2025

In 2025, Big Car Collaborative completed a range of public art projects across Indianapolis, advancing our mission of bringing art to people and people to art. From restoring long-standing neighborhood landmarks to creating new murals shaped by artists, neighbors, and partners, this work reflects our ongoing commitment to collaboration, care, and place-based creativity.

Welcome to Garfield Park

In 2025, Big Car Collaborative worked with the Garfield Park Neighbors Association (GPNA) and artist Andy Fry to restore the Welcome to Garfield Park mural on Shelby Street, renewing a well-known gateway into the neighborhood. Originally created in 2012 with input from neighbors and painted by more than 50 community volunteers, the mural has long served as a symbol of local pride. The recent restoration, thanks to support from the City of Indianapolis through the Indy Arts Council, ensures the mural continues to welcome residents and visitors for years to come.

Waterways

Continuing our partnership with Citizens Energy Group, Big Car collaborated with Indianapolis-based artist John Moore on Waterways, a mural at Municipal Gardens celebrating the DigIndy Tunnel System and its role in protecting the city’s waterways. Painted alongside Citizens staff during the annual Sharing the Dream project, the mural’s flowing blue and green forms reflect the movement, transformation, and environmental impact of this major infrastructure investment.

Take Flight

Take Flight, designed by Indianapolis-based artist Julie Xiao, brings a moment of color and calm to East Street in the Garfield Park neighborhood. Featuring peonies and hummingbirds — symbols of joy, beauty, and perseverance — the mural offers a bright visual pause for drivers, pedestrians, and families passing through the area. Commissioned by Tube Processing Corporation and created in partnership with Big Car Collaborative, the mural was painted with support from Ess McKee and Big Car staff.

A Celebration of Bean Creek & Garfield Park

Working alongside GPNA and the Bean Creek Neighborhood Association (BCNA), Big Car collaborated with seven local artists to create A Celebration of Bean Creek & Garfield Park at the Safeway grocery store on Shelby and Raymond streets. Safeway serves as a key gateway between the Bean Creek and Garfield Park neighborhoods, making it a meaningful site for a shared, community-driven artwork. Inspired by the “exquisite corpse” drawing technique, the mural brings together individual designs into a unified composition celebrating local history, creativity, and neighborhood pride. Painted together by neighbors and artists, the project reflects the collective spirit at the heart of Big Car’s public art work. The project was made possible with support from the Indy Arts Council, the City of Indianapolis, and the Allen Whitehill Clowes Charitable Foundation.

Mural designs, left to right: India Hines ( Bean Creek), James Kelly (Garfield Park), Justin Cooper (Bean Creek), Julie Xiao (Big Car staff artist), Andrea Haydon (Garfield Park), Alejandra Carrillo (Bean Creek), Chris Tower (Garfield Park).

Rooted in collaboration with artists, neighbors, and partners, this year’s public art work highlights the role creativity can play in strengthening shared spaces and neighborhood identity.

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Big Car’s application leads to City of Indianapolis designating Garfield Park a Cultural District

Big Car’s application leads to City of Indianapolis designating Garfield Park a Cultural District

The City of Indianapolis recently announced the Garfield Park neighborhood as a Cultural District. This came as a direct result of the application we at Big Collaborative submitted to the City in August. Our application included letters of support from City Councilman Frank Mascari, the Garfield Park Neighbors Association (GPNA), Friends of Garfield Park, and Chreece. 

In a recent follow-up meeting between Big Car staff and the City, we discussed next steps that include working out a plan with our community leaders for how to approach and benefit from the new designation by the City. 

Read the City’s announcement here.

Read news coverage in the Urban Times here.

Who Made the Garfield Park Cultural District? 

This designation is made possible by cultural leaders and neighbors working for many decades with anchors like the Garfield Park Art Center (which opened in 2006) and the McAllister Center operated by Indy Parks, the Garfield Park  and us at Big Car Collaborative leading efforts to boost the neighborhood through public art and cultural events since 2011. 

Big Car has also brought many additional art experiences — including First Fridays — to the neighborhood starting with the opening of Tube Factory in 2016. Likewise, Big Car has invested in long-term affordable housing for artists with 18 homes on the block surrounding Tube Factory. By 2026, the block surrounding Tube Factory will have seen a total investment of $13 million. 

Our neighborhood has a strong history of working together, including with Big Car serving as a convening organization. Leaders from Big Car, for instance, helped form the neighborhood association as one for both south sides of the park that became a nonprofit organization, officially, in 2017. 

Big Car did the same as the convening organization for the South Indianapolis Quality of Life Plan for five years (2017 to 2021). Big Car worked with the SoIndy board that provided guidance and oversight. And we helped oversee SoIndy’s finances and provided support for its staff. 

Since SoIndy ceased to exist as a separate organization, GPNA and Big Car have continued to collaborate to keep our neighborhood moving forward in a positive direction. The formation of the Garfield Park Cultural District will be a major step forward. 

How CAMi Factors into this Designation  

A significant emerging opportunity within the district is the opening of Big Car’s new contemporary art museum within a renovated former industrial building located on our campus east of Shelby Street between Cruft Street and Nelson Avenue. 

Opening in spring of 2026, visitors will experience five exhibition spaces for contemporary art — including an expansive main gallery for large-scale, immersive installations; 18 studios for artists; a large commercial kitchen offering culinary training and serving the on-site cafe and bar; five storefronts for creative small businesses; two audio recording studios (including the new home for WQRT); and a performing arts and event space that can accommodate 500 people standing and 300 seated. 

This publicly accessible art museum and community space will significantly boost cultural development in Garfield Park. Featuring high-quality, commissioned exhibitions by notable local, regional, national, and international artists, the new contemporary art museum will offer educational and interactive elements for visitors of all ages. 

Our $7 million expansion will serve as a hub for community development. With our campus, we’re reimagining the role of a museum as a place to improve social health, foster dialogue, and ensure long-term stability for artists and other creative workers. 

Exhibitions will address timely, relevant topics that encourage meaningful conversations among visitors. Classes and programs will bring people together in a collaborative, creative environment. Just as importantly, the physical environment will be designed to feel welcoming with comfortable seating, lots of natural light and warm lighting, and a peaceful atmosphere that invites all community members to gather and connect.

This expansion will also be a catalyst for economic development. A central part of this impact will come from the five small business storefronts, which will support local creative entrepreneurs. These businesses will benefit from the steady foot traffic of museum visitors while paying affordable rent — reducing barriers to stability and growth. 

As a cultural destination, the museum will attract both local residents and visitors. Arts and entertainment tourism is a growing sector in Indianapolis, and our expanded campus will complement this trend while boosting nearby businesses. 

More About our History in Garfield Park

Big Car began working in Garfield Park when two of our co-founders moved here in 2011. From the start, we began utilizing our tools, experience, and network to collaborate with and support the neighborhood through the tools of art and design. Some of that early work included:

  • Identity and wayfinding signage for the neighborhood (these include a community gateway mural, the logo used by the neighborhood and other murals).
  • Safety and economic development and connectivity on Shelby Street (we co-led two Better Blocks and other events at what’s now the Garfield Brewery) and temporary safety improvements after the Red Line opened.
  • Overall planning as a co-leader convening organization on the South Indy Quality of Life Plan
  • Cultural and community programming and hosting neighborhood meetings at our Tube Factory campus.

We first moved into a physical space in 2015 after purchasing the Listen Hear space on Shelby Street. We opened Tube Factory in 2016 after doing much of the renovations ourselves. Both the Tube Factory and Listen Hear were supported by Community Development Block Grants through the City of Indianapolis, DMD. We then began to buy and renovate vacant and abandoned houses on the same block in partnership with INHP and Riley Area Development. 

After receiving a $3 million grant from Lilly Endowment in late 2018, we began work on our expansion into the large building on our block — a brownfield site that has presented many challenges. This project is a $7 million investment in the arts, our community, and our neighborhood.

At Big Car, we’re proud of our deep connection to the Garfield Park neighborhood. We work tirelessly — as neighbors ourselves — to support this place we call home. And, with the long-term help of so many neighbors, artists and partners, we’re excited about so much more to come.

We’re proud to play a major role in the continued success and revitalization of our neighborhood. Through our work, we’ve helped establish Garfield Park’s lasting artistic identity and bright future. And, with our expansion complete in spring, the neighborhood is poised to solidify its place as one of the city’s premier cultural districts.