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Tube Factory expansion to address Indy’s need for contemporary art museum

Tube Factory expansion to address Indy’s need for contemporary art museum

Since 2016, Tube Factory artspace — a project of the 20-year-old nonprofit Big Car Collaborative — has served as a contemporary art mainstay that shares top-quality commissioned exhibitions while reimagining the role of cultural institutions in the community. 

Tube Factory is quadrupling its footprint by adding 40,000 square feet for art in a 125-year-old former dairy barn and industrial space adjacent to its current location just south of Downtown Indianapolis. 

In this building expected to open in 2025, visitors will experience five exhibition spaces for contemporary art — including an expansive main gallery for large-scale, immersive installations, 20 studios for artists, a large commercial kitchen offering culinary training and serving the on-site restaurant and bar, five business incubator storefronts, two audio recording studios (including the new home for Big Car’s 99.1 WQRT FM), and a large performing arts and event space.  

The sprawling historic building — already stabilized thanks to $1.8 million from a Lilly Endowment Inc. grant Big Car received in 2019 — will anchor the Tube Factory campus that includes a new sculpture park and 18 affordable homes for artists who give back to support the community through their work. 

Filling a contemporary art need

With this $8 million expansion, Big Car is making a focused investment in multi-disciplinary contemporary art by going all in to expand its 20-building Tube Factory campus as its city’s contemporary art museum. 

“We see now as the perfect time for us to further build a place that reimagines the role of the museum in the community while welcoming visitors from across the street and around the world,” said Big Car co-founder and director of programs and exhibitions, Shauta Marsh. “Pittsburgh has Mattress Factory. Bentonville has The Momentary. Detroit has MOCAD. Cleveland has SPACES. Indianapolis has Tube Factory.”

An important aspect that sets Tube Factory apart from other art spaces in Indianapolis is its approach to curated and commissioned art exhibitions. Tube Factory pays artists directly for producing their shows in the space (and has since its opening in 2016). This approach does not rely on gallery sales for compensating artists.

While the expansion of the Tube Factory builds a place for everyone Marsh said the additional building is also specifically planned to further support artists — with a strong emphasis on supporting artists of color. “This is a continuation of our long-term investment in artists and in strengthening our city overall,” Marsh continued. “Art is a great way to bring people together and help us see new perspectives. Artists are able to address topics and issues that aren’t always easy to talk about.” 

In many cities around the world — including Indianapolis — artists have worked hard to boost their neighborhoods and invest time and energy into studio buildings, only to be priced out once they’ve made the spaces more desirable. “That won’t happen here,” said Jim Walker, Big Car’s co-founder and executive director. “Ours is a long-term place, one of very few in our city where the arts nonprofit owns the real estate — ensuring the long-term sustainability of our artist-led campus as a civic commons for culture, creativity, and community.”

Making a long-term investment in art and artists

Many foundations and individuals have generously supported this contemporary art expansion. Major donors to this capital project so far include Lilly Endowment Inc., Allen Whitehill Clowes Charitable Foundation, Efroymson Family Fund, Herbert Simon Family Foundation, The Indianapolis Foundation, Seybert Family Foundation, and Tube Processing Corporation. The project is also supported with financing through the City of Indianapolis’ New Markets Tax Credits program, managed by Indy CDE.

“We believe that these funds-and the amazing things that Big Car Collaborative will do with them-will help us in our aim to establish Indianapolis as a true center for the arts. A center that will not only bring more artists and art appreciators to our city, but also greatly benefit our existing communities,” Indianapolis Mayor Joe Hogsett said at the building’s groundbreaking event on June 18. 

“This project is hugely important for our city for a number of reasons. Chief among them is the fact that the Tube Factory fills a significant gap in the art landscape of Indianapolis. It provides a space dedicated to contemporary art and its creators, who make up a crucial part of any thriving art scene,” Hogsett continued. 

“These artists also play a huge role in our communities. Through their art, they provide our residents with new avenues of understanding new ways of looking at the world around them. The art serves to bring us together and to help us understand one another. And this is paramount in today’s day and age, when we are simultaneously the most connected and the most divided we have ever been.”

Big Car utilized a bridge loan through IMPACT Central Indiana — a multi-member LLC created by Central Indiana Community Foundation (CICF), The Indianapolis Foundation, and Hamilton County Community Foundation — to get the next phase of construction rolling as Big Car continues to fundraise another $2 million. This fundraising is for repaying the bridge loan and starting a maintenance endowment. 

Individual donors who support the project now can see their contributions doubled by Efroymson Family Fund, which has committed a $50,000 matching grant. 

“We’re so very grateful and appreciative of the incredible, transformative support we’ve received so far,” said Big Car board president Jenifer Brown. “Our board and campaign committee have stepped up to help guide us through what’s really our first fundraising effort for a major capital project.” 

Indianapolis-based Jungclaus-Campbell is the general contractor on the renovations. Blackline Studio architects worked with Big Car staff on the design.

Another key aspect of Big Car’s Tube Factory expansion is that supporters can see their investment as benefiting Indianapolis artists for many years to come. The Tube Factory buildings aren’t part of another development that could someday change focus. 

“It’s very important that our nonprofit organization owns our buildings and that our galleries are dedicated to exhibitions,” said Marsh. “If we were filling a space for a real-estate developer or located in a privately-owned building, our long-term future would always be out of our control. And we might be asked to compromise on how we use the space or censor the content of our exhibits. That won’t happen here. This is a lasting investment in art and artists. It’s not about real estate or making money.”

Space for expanded exhibitions, programs

Backed by an array of local and national funders, Tube Factory has been commissioning work by artists from Indianapolis and around the world since it opened in 2016. Tube Factory’s commissioned artists receive Marsh’s support as a curator in addition to being paid to make new work that might not be possible to sell. Big Car will invest $10,000 to $50,000 in its exhibits that stay up for multiple months.

With a changing landscape for contemporary art that includes the Indianapolis Museum of Contemporary Art (iMOCA) dissolving as an organization in 2020, Big Car and its supporters see a need to focus even more on bringing innovative and engaging work by today’s artists to a place visitors can enjoy.

As the former executive director and curator at iMOCA, Marsh brought contemporary art museum experience from the very beginning at Tube Factory. As they formed plans and launched programs on the Tube Factory campus, Marsh and Walker visited and researched contemporary art spaces all over the world — many of them adaptive reuse projects

The result is that a large portion of the bigger Tube Factory building will be dedicated to sharing even more of the kind of contemporary art exhibitions rarely seen in Indianapolis. Like Tube Factory now — which is open for visitors five days a week, including Saturdays and Sundays — this will all happen in a dedicated contemporary art building with regular museum hours for visits.

For example, in 2024, Tube Factory will share a major exhibition by Tulsa-based indigenous-American artist Elisa Harkins. Funded by the National Endowment for the Arts, the Andy Warhol Foundation, Ruth Arts, and the Institute of Museum and Library Services, this commissioned show will fill multiple galleries in Tube Factory for six months. Harkins, who recently received a $100,000 Creative Capital grant for a connected project, has been working with Marsh on this for six years.

The expansion will allow Tube Factory to offer more exhibitions like the one by Harkins — and keep them on display for longer.  Like many contemporary art museums around the world, Tube Factory commissions exhibits but does not typically collect work.

Additionally, the new space will offer a flexible, black box space for performing arts groups to put on shows, as well as for special events and mini conferences. The culinary center will provide an opportunity for a unique nonprofit restaurant and bar that will function as an ongoing community-focused art project.
“Artists aren’t always painters or musicians. Chefs, cooks, bakers, bartenders, and baristas are some of the most important and most loved artists in our lives every day,” Walker said. “Food brings people together like nothing else. It’s vital for sharing and celebrating our cultures and our creativity in delicious ways we enjoy.” 

History of Big Car and the Tube Factory campus

Added to in phases, the building under renovation started small in the late 1800s as a culinary space of sorts — a barn for Weber Dairy. It wound up part of a complex of properties owned by Tube Processing Corporation, a company still located in the neighborhood. Tube Processing donated the building to Big Car in 2021.

Big Car’s current community art center, Tube Factory, was originally a dairy bottling plant and, later, another of the buildings in the complex — also donated by Tube Processing to Big Car in 2015. Tube Factory is now a place where community organizations meet and people gather for cultural programs. 

“As a family and company with deep ties to the Garfield Park community and as longtime supporters of the arts, we’re thrilled to support Big Car’s important work at the Tube Factory campus,” said Katie Jacobson, President of Tube Processing and co-chair, with Ken Honeywell, of Big Car’s capital campaign committee. “And we’re glad the Nelson building — with so much history — is being preserved and adapted to be a one-of-a-kind place for art, artists, small business owners, and visitors from the neighborhood and beyond.”

In addition to hosting museum exhibits from artists based in Indianapolis and around the world, the current Tube Factory serves as home base with wood, print, and ceramics shop space for Big Car staff and resident artists in its housing program. Tube Factory is open five days a week with a coffee shop and events like artisan markets that encourage visits by people who might ordinarily participate in the arts. 

In addition to fixing up formerly vacant houses on the block since 2015, Big Car also joined three large backyards adjacent to Tube Factory and the big building being renovated now to create a Terri Sisson Park: A Shrine for Motherhood. This restorative place — also made possible with the support of Allen Whitehill Clowes Charitable Foundation, Efroymson Family Fund, and others — includes living artworks related to nature including Sam Van Aken’s Tree of 40 Fruit and Juan William Chavez’s Indianapolis Bee Sanctuary. It also includes an amphitheater for performances and The Chicken Chapel of Love, a sacred art project led by Marsh to honor the divine feminine and belief systems that center around nature. 

Led by Walker and Marsh, who have lived in the Garfield Park neighborhood for 14 years, Big Car has made a deep investment in the near southside since starting work there in 2011. This work includes co-leading a major quality-of-life planning process and offering Tube Factory for gatherings like Garfield Park and Bean Creek neighborhood meetings. Tube Factory is located within both official boundaries.  

Throughout its 20-year history, Big Car was often a mobile organization — temporarily filling vacant spaces. The organization learned the importance of owning spaces from taking on projects in buildings Big Car didn’t control — a former tire shop outside then half-empty Lafayette Square Mall and a popular art gallery and music venue in Fountain Square — only to later have to leave those spaces. 

A group of artists and neighbors started Big Car in Fountain Square on the near southside of Indianapolis in 2004 as an all-volunteer organization. Still artist run, Big Car now employs 12 people and has operated with an annual budget of about $1 million for the last several years. 

By the numbers

  • $13 million in planned investment for expansion
  • $7.3 million invested so far on the Tube Factory block
  • Year Big Car started working on the near southside: 2004
  • Year Big Car began its focus on Garfield Park: 2011
  • Year Big Car started working on the Tube Factory block: 2015
  • Acres owned: 6
  • Number of affordable artist homes on the Tube Factory block: 18
  • Artists and family members in the affordable homes: 25 

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Video Premiere: WASTE

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Comedian Krish Mohan: Empathy on Sale  

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Comedian Krish Mohan returns to Indianapolis, IN with his new hour of comedy, “Empathy On Sale”.
Featuring Tyson Cox & Nick Witten
Hosted by Carson Tumey

Doors at 8pm. Show at 8:30pm.
Empathy On Sale: Stepping out our bubbles can be hard. Touring Comedian, Krish Mohan is exploring bubble culture and the current divide in today’s political climate. He uses his sharp wit & comedy to illustrate how race, identity politics, and misunderstanding progressivism has led to splitting us apart. He explores Native American culture, effective ways to treat mental illnesses and western culture’s obsession with war and violence – all of which pushes us further into our bubbles. Find out if he can figure out how we can get out of our bubbles!

About Krish: Krish Mohan is a socially conscious, Indian standup comedian and writer who regularly tours the country. He performs at small theaters, bars, comedy clubs, colleges and DIY venues with his quirky attitude, charming personality, and intelligent humor. Krish captivates and engages audiences of all backgrounds, tackling hot button topics like race, religion, war, immigration, while adding an optimistic philosophical & sociological twist! Mohan has also been featured on NPR and performed at several Fringe Festivals (IndyFringe, Pittsburgh Fringe, Capital Fringe, Philly Fringe Arts), where he has been an audience favorite with his unique brand of comedy & social vigilantism. He has also opened for nationally touring headliners like Stewart Huff, Redacted Tonight’s Lee Camp and Hari Kondabolu. Krish is also the host of the weekly socio-political commentary web show, “Fork Full of Noodles” and the podcast “Taboo Table Talk”.

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Heritage is a pressing concern to our generation. Should we allow the past to influence us—are we bound to ancient tools, materials and techniques? Or should we endeavor to make work that is specific to our time, embracing technology and its untested, ambivalent ramifications? If we do, are we at risk of becoming complicit in a catastrophe, or a pale reflection of something fleeting?

In her solo exhibition Under Influence at Tube Factory Artspace in Indianapolis, Audrey Barcio explores these questions in a new series of paintings that examines where the heritage of Modernism intersects with the tools of the Virtual Industrial Age. Her starting point for this body of work is the iconic grey and white checkerboard pattern recognized by contemporary digital designers as a symbol for emptiness waiting to be filled. Transforming that virtual nothingness into concrete form, Barcio employs it to empower interpretations of the iconographic legacy of our Modernist forbearers.

This is a vision of an aesthetic symbology as futuristic as it is rooted in the constructed languages of the past: Suprematism, Geometric Abstraction, Futurism, Orphism, Color Field Painting, Post-painterly Abstraction, Minimalism. The work transcends the accepted cultural raison d’être of this century—the cult of self—to evoke instead the universal.

Under Influence speaks to something ancestral, universal, infinite, and essential. It is a conversation arising not from coteries but from the unifying elements of a common world: shape, color, line, form, material, surface, and the infinite potentialities that arise from relationships.

Commission of these new works were made possible by the Herbert Simon Family Foundation.

Read more about Barcio in this Pattern Magazine story.

Audrey Barcio received her BA from Herron School of Art and Design and her MFA from the University of Nevada, Las Vegas. She attended the Pont-Aven School of Contemporary Art in Brittany, France, and completed a residency at the Vermont Studio Center in 2017. Her work has been published in New American Paintings and has been featured in multiple group exhibitions around the U.S., including Art in America at the Art Miami Satellite Fair and GLAMFA at UC Long Beach. She has had solo exhibitions at Syracuse University in New York, in the Las Vegas Government Center, and at the University of Nevada, Las Vegas. Her work is included in several private collections and in the permanent collection of the Barrick Museum of Art. She currently lives and works in Chicago.

Image: Audrey Barcio, Second Choice, 2017

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Shop Safety and Orientation II is the second installment that will cover basic and safe use of the jointer, planer, and table saw.

This 2-hour class will act as a refresher or as an orientation to our specific equipment models. Limited hands-on practice will accompany the demonstrations.

A few things to note:

*Pre-requisites: Shop Safety and Orientation I.

*If you are new to the table saw, jointer, and planer, please take Woodworking I which will cover these machines more in depth and include more hands-on practice.

*Open to ages 16+. For those 16-18, plan to have a parent/guardian on-site for waiver signatures.

*Class size is limited, so register early.

*$75

For further information and inquiries, please contact Brent at email hidden; JavaScript is required.

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Ramps, Steps and Rails

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Ramps, steps, and rails are important things for homeowners and skateboarders alike to know how to make. At Bottom Level Tool Shop you can learn how to make these over a series of classes and be part of a small crew who’ll help neighbors in need.

During the class you’ll build small skate and home items for Tube and elsewhere. By taking the class, offered free in exchange for your help, we’ll supply wood and hardware needed so you can also take what you make home for your own mini skate park or maybe to help around your house or the house of a neighbor of your choosing.

This class requires the prerequeisite Shop Safety class offered in the morning before this class. Shop safety usually has a cost but this is waived, also, with your commitment to help with this summer community home repair project we’re piloting at Big Car Collaborative with support from INHP.

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Shop Safety and Orientation Part I

Shop Safety and Orientation Part I

Shop Safety and Orientation I is an introduction to The Shop at the Tube Factory Artspace. This 2-hour class will cover basic and safe use of standard stationary machinery, which includes: miter saw, band saw, and drill press.
A few things to note:
*No prior shop experience is necessary; however, this class is required before taking any woodworking classes using Open Shop hours. It is also a prerequisite for Shop Safety and Orientation II.
*Open to ages 16+. For those 16-18, plan to have a parent/guardian on-site for waiver signatures.
*Class size is limited, so register early.
*a $25 fee is obtained for this class on the day of class, however (fee waived if taken in conjunction with Steps, Ramps and Rails/home repair project class)
For further information and inquiries, please contact Brent at email hidden; JavaScript is required.
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Woodworking I – Dimensioning Lumber

Woodworking I – Dimensioning Lumber

Woodworking I is an introduction to dimensioning wood- how to take rough sawn lumber and turn them into usable boards.

This 3-hour class will include demonstrations and discussion on wood selection, local suppliers, as well as limited hands-on practice with sample material at the end of the class.

Afew things to note:

*Pre-requisites: Shop Safety and Orientation Part I.

*Woodworking I covers these machines more in depth and includes more hands-on practice than Shop Safety and Orientation II. If you are totally new to the table saw, and jointer, this class is for you.

*Open to ages 16+. For those 16-18, plan to have a parent/guardian on-site for waiver signatures.

*$75

For more information or inquiries, please contact Brent at email hidden; JavaScript is required

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View Post
Shop Safety and Orientation Part II

Shop Safety and Orientation Part II

Shop Safety and Orientation II is the second installment that will cover basic and safe use of the jointer, planer, and table saw.

This 2-hour class will act as a refresher or as an orientation to our specific equipment models. Limited hands-on practice will accompany the demonstrations.

A few things to note:

*Pre-requisites: Shop Safety and Orientation I.

*If you are new to the table saw, jointer, and planer, please take Woodworking I which will cover these machines more in depth and include more hands-on practice.

*Open to ages 16+. For those 16-18, plan to have a parent/guardian on-site for waiver signatures.

*Class size is limited, so register early.

*$75

For further information and inquiries, please contact Brent at email hidden; JavaScript is required.

0
View Post
Shop Safety and Orientation II

Shop Safety and Orientation II

Shop Safety and Orientation II is the second installment that will cover basic and safe use of the jointer, planer, and table saw.

This 2-hour class will act as a refresher or as an orientation to our specific equipment models. Limited hands-on practice will accompany the demonstrations.

A few things to note:

*Pre-requisites: Shop Safety and Orientation I.

*If you are new to the table saw, jointer, and planer, please take Woodworking I which will cover these machines more in depth and include more hands-on practice.

*Open to ages 16+. For those 16-18, plan to have a parent/guardian on-site for waiver signatures.

*Class size is limited, so register early.

*$75

For further information and inquiries, please contact Brent at email hidden; JavaScript is required.