Prerequisite – Shop Safety Part 1
Tools used – table saw, jointer, planer
Materials (all provided) – Wood!
Class time – 3.5 hours
Heritage is a pressing concern to our generation. Should we allow the past to influence us—are we bound to ancient tools, materials and techniques? Or should we endeavor to make work that is specific to our time, embracing technology and its untested, ambivalent ramifications? If we do, are we at risk of becoming complicit in a catastrophe, or a pale reflection of something fleeting?
In her solo exhibition Under Influence at Tube Factory Artspace in Indianapolis, Audrey Barcio explores these questions in a new series of paintings that examines where the heritage of Modernism intersects with the tools of the Virtual Industrial Age. Her starting point for this body of work is the iconic grey and white checkerboard pattern recognized by contemporary digital designers as a symbol for emptiness waiting to be filled. Transforming that virtual nothingness into concrete form, Barcio employs it to empower interpretations of the iconographic legacy of our Modernist forbearers.
This is a vision of an aesthetic symbology as futuristic as it is rooted in the constructed languages of the past: Suprematism, Geometric Abstraction, Futurism, Orphism, Color Field Painting, Post-painterly Abstraction, Minimalism. The work transcends the accepted cultural raison d’être of this century—the cult of self—to evoke instead the universal.
Under Influence speaks to something ancestral, universal, infinite, and essential. It is a conversation arising not from coteries but from the unifying elements of a common world: shape, color, line, form, material, surface, and the infinite potentialities that arise from relationships.
Commission of these new works were made possible by the Herbert Simon Family Foundation.
Audrey Barcio received her BA from Herron School of Art and Design and her MFA from the University of Nevada, Las Vegas. She attended the Pont-Aven School of Contemporary Art in Brittany, France, and completed a residency at the Vermont Studio Center in 2017. Her work has been published in New American Paintings and has been featured in multiple group exhibitions around the U.S., including Art in America at the Art Miami Satellite Fair and GLAMFA at UC Long Beach. She has had solo exhibitions at Syracuse University in New York, in the Las Vegas Government Center, and at the University of Nevada, Las Vegas. Her work is included in several private collections and in the permanent collection of the Barrick Museum of Art. She currently lives and works in Chicago.
Image: Audrey Barcio, Second Choice, 2017
Comedian Krish Mohan returns to Indianapolis, IN with his new hour of comedy, “Empathy On Sale”.
Featuring Tyson Cox & Nick Witten
Hosted by Carson Tumey
Doors at 8pm. Show at 8:30pm.
Empathy On Sale: Stepping out our bubbles can be hard. Touring Comedian, Krish Mohan is exploring bubble culture and the current divide in today’s political climate. He uses his sharp wit & comedy to illustrate how race, identity politics, and misunderstanding progressivism has led to splitting us apart. He explores Native American culture, effective ways to treat mental illnesses and western culture’s obsession with war and violence – all of which pushes us further into our bubbles. Find out if he can figure out how we can get out of our bubbles!
About Krish: Krish Mohan is a socially conscious, Indian standup comedian and writer who regularly tours the country. He performs at small theaters, bars, comedy clubs, colleges and DIY venues with his quirky attitude, charming personality, and intelligent humor. Krish captivates and engages audiences of all backgrounds, tackling hot button topics like race, religion, war, immigration, while adding an optimistic philosophical & sociological twist! Mohan has also been featured on NPR and performed at several Fringe Festivals (IndyFringe, Pittsburgh Fringe, Capital Fringe, Philly Fringe Arts), where he has been an audience favorite with his unique brand of comedy & social vigilantism. He has also opened for nationally touring headliners like Stewart Huff, Redacted Tonight’s Lee Camp and Hari Kondabolu. Krish is also the host of the weekly socio-political commentary web show, “Fork Full of Noodles” and the podcast “Taboo Table Talk”.
The People’s 500 is a celebration of the relationship between the Indianapolis Motor Speedway and the people of Indianapolis, marking the 100th Running of the Indianapolis 500 presented by PennGrade Motor Oil. The exhibit will run through July 16.
In October of 2015, Sugarmann chose 100 residents of the Indianapolis community from a pool of applicants to drive two laps in a pace car — the drivers uniting to complete the equivalent of a single running of the Indianapolis 500. Sugarmann and his crew photographed and interviewed each of the drivers, the resulting documentation serving as the material of the exhibition. Some of the drivers are featured among the 16 large scale photos in the exhibit. There is also video, and a sculptural piece.
“The Indianapolis Motor Speedway serves as a cultural beacon within Indianapolis, a location of shared history and civic identity for all strata of Indianapolis society. Members of the Indianapolis community feel ownership of the Speedway,” says Sugarmann. “In this exhibit, the pace car is the vehicle through which this mutual connection is furthered, the civilian/citizen being able to immerse him or herself in the environment of a professional IndyCar driver. The People’s 500 uses pace cars to bridge the viewer and professional driver and create an even stronger sense of civic ownership.”
This exhibit is the first at Tube Factory, Big Car Collaborative’s new cultural center with a contemporary art exhibition area. Located in what was a boarded-up factory building on a residential street in the Garfield Park neighborhood, Tube Factory will host a variety of conversations, performances, and events — while also serving as the workshop and home base for Big Car artists.
The People’s 500 is curated by Shauta Marsh, funded by The Andy Warhol Foundation for the Visual Arts and Creative Capital, and coordinated by Big Car Collaborative staff in partnership with the Indianapolis Motor Speedway. Framing provided by Editions Limited.
About Jesse Sugarmann: Sugarmann is an interdisciplinary artist working in video, photography, and sculpture. His work has been exhibited both nationally and internationally in venues such as the Getty Institute, Los Angeles; el Museo Tamayo, Mexico City; the Portland Institute for Contemporary Art, Oregon; the Banff Center, Canada; el Museo de Arte Moderno de Santander, Spain; and both the Paris and Berlin installations of Les Recontres Internationales. Jesse’s work has been written about in publications including ArtForum, Art Papers, the Atlantic, Frieze Magazine, the Huffington Post, and The New York Times. Jesse lives and works in Bakersfield, CA. You can learn more about his work at www.jessesugarmann.com.
About The Andy Warhol Foundation for the Visual Arts: The Foundation was established in 1987. In accordance with Andy Warhol’s will, its mission is the advancement of the visual arts. The Foundation’s objective is to foster innovative artistic expression and the creative process by encouraging and supporting cultural organizations that in turn, directly or indirectly, support artists and their work. The Foundation values the contribution these organizations make to artists and audiences and to society as a whole by supporting, exhibiting and interpreting a broad spectrum of contemporary artistic practice. http://
About Big Car: An Indianapolis-based 501c3 nonprofit, Big Car uses creativity as a catalyst to a better city. By providing and supporting unique, educational, participatory, playful and personal experiences, Big Car engages people of all ages and backgrounds in art making and creative problem-solving — inspiring them to be creative thinkers and involved, connected citizens. Learn more at www.bigcar.org and see examples of our projects at www.bigcar.org/work.
About Creative Capital: Creative Capital supports innovative and adventurous artists across the country through funding, counsel and career development services. Our pioneering approach—inspired by venture-capital principles—helps artists working in all creative disciplines realize their visions and build sustainable practices. http://
About Indianapolis Motor Speedway: Established in 1909, the Indianapolis Motor Speedway is the world’s largest spectator sporting facility and has long prevailed as an icon of motorsports excellence. After celebrating its Centennial Era in 2009-11, IMS and racing fans now look forward to the 100th Running of the Indianapolis 500 Mile Race this year. In 2016, get ready for an unprecedented celebration of the human pursuit of progress as the world’s eyes turn toward the Speedway. For more information, visit indianapolismotorspeedway.