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The People’s 500

The People’s 500 is a celebration of the relationship between the Indianapolis Motor Speedway and the people of Indianapolis, marking the 100th Running of the Indianapolis 500 presented by PennGrade Motor Oil. The exhibit will run through July 16.
In October of 2015, Sugarmann chose 100 residents of the Indianapolis community from a pool of applicants to drive two laps in a pace car — the drivers uniting to complete the equivalent of a single running of the Indianapolis 500. Sugarmann and his crew photographed and interviewed each of the drivers, the resulting documentation serving as the material of the exhibition. Some of the drivers are featured among the 16 large scale photos in the exhibit. There is also video, and a sculptural piece.
“The Indianapolis Motor Speedway serves as a cultural beacon within Indianapolis, a location of shared history and civic identity for all strata of Indianapolis society. Members of the Indianapolis community feel ownership of the Speedway,” says Sugarmann. “In this exhibit, the pace car is the vehicle through which this mutual connection is furthered, the civilian/citizen being able to immerse him or herself in the environment of a professional IndyCar driver. The People’s 500 uses pace cars to bridge the viewer and professional driver and create an even stronger sense of civic ownership.”
This exhibit is the first at Tube Factory, Big Car Collaborative’s new cultural center with a contemporary art exhibition area. Located in what was a boarded-up factory building on a residential street in the Garfield Park neighborhood, Tube Factory will host a variety of conversations, performances, and events — while also serving as the workshop and home base for Big Car artists.
The People’s 500 is curated by Shauta Marsh, funded by The Andy Warhol Foundation for the Visual Arts and Creative Capital, and coordinated by Big Car Collaborative staff in partnership with the Indianapolis Motor Speedway. Framing provided by Editions Limited.

About Jesse Sugarmann: Sugarmann is an interdisciplinary artist working in video, photography, and sculpture. His work has been exhibited both nationally and internationally in venues such as the Getty Institute, Los Angeles; el Museo Tamayo, Mexico City; the Portland Institute for Contemporary Art, Oregon; the Banff Center, Canada; el Museo de Arte Moderno de Santander, Spain; and both the Paris and Berlin installations of Les Recontres Internationales. Jesse’s work has been written about in publications including ArtForum, Art Papers, the Atlantic, Frieze Magazine, the Huffington Post, and The New York Times. Jesse lives and works in Bakersfield, CA. You can learn more about his work at www.jessesugarmann.com.

About The Andy Warhol Foundation for the Visual Arts: The Foundation was established in 1987. In accordance with Andy Warhol’s will, its mission is the advancement of the visual arts. The Foundation’s objective is to foster innovative artistic expression and the creative process by encouraging and supporting cultural organizations that in turn, directly or indirectly, support artists and their work. The Foundation values the contribution these organizations make to artists and audiences and to society as a whole by supporting, exhibiting and interpreting a broad spectrum of contemporary artistic practice. http://warholfoundation.org/

About Big Car: An Indianapolis-based 501c3 nonprofit, Big Car uses creativity as a catalyst to a better city. By providing and supporting unique, educational, participatory, playful and personal experiences, Big Car engages people of all ages and backgrounds in art making and creative problem-solving — inspiring them to be creative thinkers and involved, connected citizens. Learn more at www.bigcar.org and see examples of our projects at www.bigcar.org/work.

About Creative Capital: Creative Capital supports innovative and adventurous artists across the country through funding, counsel and career development services. Our pioneering approach—inspired by venture-capital principles—helps artists working in all creative disciplines realize their visions and build sustainable practices. http://www.creative-capital.org/

About Indianapolis Motor Speedway: Established in 1909, the Indianapolis Motor Speedway is the world’s largest spectator sporting facility and has long prevailed as an icon of motorsports excellence. After celebrating its Centennial Era in 2009-11, IMS and racing fans now look forward to the 100th Running of the Indianapolis 500 Mile Race this year. In 2016, get ready for an unprecedented celebration of the human pursuit of progress as the world’s eyes turn toward the Speedway. For more information, visit indianapolismotorspeedway.com.

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Flannelly’s of the Future Festival

To celebrate their marriage and the role music played in bringing them together, artists Brelyn Gerard and John Flannelly organized an experimental music festival. Flannellys of the Future Festival will take place April 30, 4-10 p.m. at Tube Factory artpace, 1125 Cruft St. Several musical acts were part the formation of their relationship so the pair wanted to share the music with Indianapolis by means of a free concert. The bands that will be featured are: Bad Psychic (Bloomington), DJ Littletown, Duncan Kissinger, Exploding Head Scene (Philadelphia, PA), Glitter Brains (Bloomington), Oreo Jones & Sirius Blvck, Jeron Braxton & the Tamagotchis (Bloomington), Rev//Rev (Lafayette), Rob Funkhouser, Sedcairn Archives, Skything (Marlboro, Vermont), Teen Brigade (Lafayette).

“Both of us are the kind of people who strive to view life from as many angles as possible, to feel from all those angles even if it means crawling around the floor of the house to feel the space usually reserved for our knees and ankles, or chilling in the bathroom for a shift in perspective,” says Gerard.

Many of the musicians in the festival were part of Gerard and Flannelly falling in love. Flannelly’s music was the first time experimental music clicked for Gerard. “Sitting in our friend’s living room, watching John deliver the experience of his art, I had an ethereal space to sort through my feelings. It was a space that somehow managed to be safe and challenging at the same time,” says Gerard. “After his set at Free House, he threw the flower he’d been wearing on his vest to the audience. I seized it. To this day, that flower still graces my bookshelf.”

Soon after that, on Valentine’s Day 2015, Gerard and Flannelly enjoyed their first date — at the Fountain Square music venue Grove Haus. Gerard sang back up for the band Memory Foam. She found out that Flannely had toured with one of her favorite bands, Shame Thugs, and that he was in the music video for her favorite Sirius Blvck songs. Eventually, Flannelly moved from Bloomington to Indianapolis into Gerard’s friend’s house. After a recommendation from their mutual friend, artist Erin K. Drew, Flannely got a job at the same place where Gerard worked.

“Now, we’re getting married and we’re doing it our way. With all the art projects in the community we’re involved with, neither of us are interested in fussing over centerpieces and flowers. We want to celebrate our love by sharing the music we love, made by the people we love,” says Gerard. “We can’t wait to groove with Indianapolis at the Flannellys of the Future Festival!”

Gerard has a new book, iForgot, out and Flanney a new album, Peace and Quiet now available. For their honeymoon after the festival celebration, the two will travel the country to promote their works.

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Prince Rama

Prince Rama is the musical duo of sisters Taraka and Nimai Larson. They have lived in ashrams, worked for utopian architects, written manifestos, delivered lectures from pools of fake blood, conducted group exorcisms disguised as VHS workouts, installed art installations at The Whitney, Art Basel and various galleries across the U.S. And now they return to Big Car April 9, 8 p.m. at the Tube Factory artspace, 1125 Cruft St. in the Garfield Park neighborhood on the south end of downtown.

They will perform Xtreme Now, an album about extreme sports with Indianapolis-based The Icks opening for them. The cost of the performance is $10 and tickets can be purchased on-line (https://www.eventbrite.com/e/prince-rama-indianapolis-us-tour-the-icks-tickets-21012549100) or at the door.

Xtreme Now is the most extreme album Prince Rama has ever made. Writing for Xtreme Now began while the Larson sisters were living on a black metal utopian commune on Vȫrmsi, a remote island off the coast of Estonia during the summer of 2012. There, Taraka had a near death experience inside an ancient Viking ruin, which sparked a recurring sense of time-schizophrenia, or the physical sensation of existing in multiple time periods simultaneously.

In this case, she experienced a joint-existence in both the medieval ages and the year 2067. In one of her prophetic visions she describes, “In the year 2067, I witnessed an aesthetic landscape where art museums are sponsored by energy drink beverages and beauty is determined by speed. I saw a vision of ancient tapestries stretched across half-pipes and people base-jumping off planes with the Mona Lisa smiling up from their parachutes. I saw art merge with extreme sports to form a new aesthetic language of ‘Speed Art.’ I realized that time travel was possible via the gateway of extreme sports, and I wanted to make music that would provide the score.”

Perceiving a great void in the world of extreme sports for music that could match the metaphysical intensity of these death-defying feats, Prince Rama set forth to make Xtreme Now, the first real foray by any musician to create a new “extreme sports genre.” For inspiration, the sisters looked to their own flirtations with death and time-dilation, along with countless hours of obsessively watching extreme sports videos and consuming dangerous quantities of Monster Energy drink.

Working with acclaimed dance producer Alex Epton of XXXChange (Gang Gang Dance, Björk, Spank Rock, Panda Bear, The Kills), the new songs take on a more powerful, confident, fierce, infectious, all-encompassing, and accessible dance-club feeling than any other Prince Rama record – a fearless, visionary pop tour de force for the ghost-modern era that celebrates the ephemerality of life, dancing just at the edge of death’s gilded smile.

About The Icks

The Icks utilize electricity to power their instruments. What if John Hughes directed Blade Runner?

John Caldwell-guitar and vocals

Cameron Holloway-farfisa

Joe Ferguson-bass

Amanda Case-vocals

$10

https://www.eventbrite.com/e/prince-rama-indianapolis-us-tour-the-icks-tickets-21012549100

This concert is made possible by The Andy Warhol Foundation for the Visual Arts. About The Andy Warhol Foundation for the Visual Arts: The Andy Warhol Foundation for the Visual Arts was established in 1987. In accordance with Andy Warhol’s will, its mission is the advancement of the visual arts. The Foundation’s objective is to foster innovative artistic expression and the creative process by encouraging and supporting cultural organizations that in turn, directly or indirectly, support artists and their work. The Foundation values the contribution these organizations make to artists and audiences and to society as a whole by supporting, exhibiting and interpreting a broad spectrum of contemporary artistic practice.