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Social Alchemy Symposium Program (April 10-13, 2022)

Social Alchemy Symposium Program (April 10-13, 2022)

The Social Alchemy Symposium is a participatory gathering April 10-13 in New Harmony, a town twice the site of utopian experiments. Conversations — led by more than 20 authors, artists, designers, and philosophers from around the world — will look at the role of utopian thinking: yesterday, today, and tomorrow. Attendees are welcome to join any parts of the free symposium in person, online, or both. Organized by Big Car Collaborative and the University of Southern Indiana. And made possible by Indiana Humanities, the Efroymson Family Fund, and New America.

You can still register and are welcome to arrive in person. More info here.

If you haven’t already, this audio story we made as part of our overall Social Alchemy project is an entertaining primer on how New Harmony began.

Note: New Harmony is in the Central Time Zone.

Symposium locations in New Harmony
New Harmony Inn & Conference Center Great Room, 504 North St.
New Harmony Gallery of Contemporary Art, 506 Main St.
Atheneum, 401 Arthur St.
Thrall’s Opera House, 612 Church St.
Rapp Owen Granary, 413 Granary St.

Sunday, April 10

Sunday, April 10 @7:30 PM ET/6:30 PM CT || New Harmony Inn Great Room (at registration area) Emily St. John Mandel [author of Station Eleven] in conversation via zoom with an in-person viewing party. Join virtually here.

Emily St. John Mandel is a Canadian novelist and essayist. She’s written numerous essays and five novels, including Station Eleven (2014) and The Glass Hotel (2020). Station Eleven, translated into 33 languages, has been adapted into a series on HBO Max. The Glass Hotel was selected by Barack Obama as one of his favorite books from 2020.


Monday, April 11

Monday, April 11 @ 1 PM ET/12-1 PM CT|| New Harmony Inn Great Room (at registration area) Cara Courage [placemaking/contemporary art expert & author] in conversation with Jim Walker [Big Car Collaborative co-founder] via zoom and in-person viewing party. Join virtually here.

Dr. Cara Courage is the executive director at the Museum of Contemporary Art Detriot. Courage has published widely on these art, activism, and placemaking and is editor of The Routledge Handbook of Placemaking (Routledge, 2020), co-editor of Creative Placemaking and Beyond (Routledge, 2018), and author of Arts in Place: The Arts, the Urban and Social Practice (Routledge, 2017).


Monday, April 11 @6:30 PM ET/5:30-7:30 PM CT|| New Harmony Gallery of Contemporary Art. Reception: Visualizing Spaces exhibition. At 5:30, Visualizing Spaces exhibition conversation with Nasreen Khan & Janie Stamm [artists]. Moderated by Iris Williamson [director & curator of New Harmony Gallery of Contemporary Art]. Join virtually here.

Nasreen Khan is an Indianapolis-based artist primarily working in wood. Her art is grounded in her cultural experience as an immigrant mother and she draws the most inspiration from the clash of the natural world and the urban landscape that she inhabits.

Janie Stamm is a craft-based artist currently residing on the western banks of the Mississippi River in Saint Louis, Missouri. Her work focuses on preserving Florida’s environmental and Queer history in the face of climate change.

Iris Williamson is a curator, arts administrator, and educator. She currently directs and curates the New Harmony Gallery of Contemporary Art at the University of Southern Indiana. At the same time, she directs the gallery HOLDING Contemporary in Portland and is a 2021-22 Curator-in-Residence at the University of Oregon’s Center for Artistic Research. She’s worked on several curatorial projects nationally.


Tuesday, April 12

Tuesday, April 12 @10 AM ET/9-9:30 AM CT|| Atheneum Welcome remarks & New Harmony Intro video. Join virtually here.

Tuesday, April 12 @10:30 AM ET/9:30-10:15 AM CT || Atheneum Utopic Public Places & Inclusive Communities, Small Towns, & Cities Learning from Each Other with Lora Arneberg [New Harmony community leader], Chris Merritt [landscape architect with Merritt Chase], moderated by Shauta Marsh [director of Big Car’s affordable housing program]. Join virtually here.

Lora Arneberg moved to New Harmony, IN with her family at the age of 10. She’s been a leader on the Harmony Way Bridge Restoration Project, and participated in town government and several non-profit boards and organizations. She currently splits her time between community projects, real estate work, and raising her family in New Harmony.

Chris Merritt is a landscape architect & founding Principal of Merritt Chase. His work focuses on the design of culturally significant public spaces in social, ecological, and infrastructural contexts. He’s received recognition for his work with awards from the Urban Land Institute, the American Society of Landscape Architects, the American Institute of Architects, and more.


Tuesday, April 12 @ 11:30 AM ET/10:30-11:20 AM CT || Atheneum Dystopian Utopia in Practice with David Rubin [landscape architect of Land Collective]. Join virtually here.

David Rubin is the founding principal of DAVID RUBIN Land Collective. Rubin is also a recipient of the 2011-12 Garden Club of America Rome Prize in Landscape Architecture from the American Academy in Rome and is a Fellow of the American Society of Landscape Architects. His visionary contribution to the field of “empathy-driven design” is a hallmark of the studio, earning increasing renown for fusing issues of social justice in cities with excellence in the design of public spaces.


Tuesday, April 12 @ 12:30 PM ET/11:30 AM-12 PM CT || Atheneum Co-operative Ownership for Healthy Communities with Jacob Bower-Bir [political scientist-policy specialist] & Nathan Bower-Bir [sustainable housing specialist]. Join virtually here.

Jacob Bower-Bir is an Affiliated Faculty at the Ostrom Workshop in Political Theory and Policy Analysis at Indiana University. He is a frequent consultant and field researcher for international development and governance agencies. He is the Founding Designer at Terran Robotics, a startup that uses artificial intelligence and flying robots to build houses out of mud. He is the Founder of Design Anarchy, an architectural worker co-operative focused on building affordable homes and community spaces. Despite his best efforts, he is – like pretty much everyone today – a shill for the Market System. He’s working on it.

Nathan Bower-Bir was born and raised in Indianapolis. A housing co-operative Nathan co-found proved the place of much of his education, a site of great learning and unlearning. His experiences have led him to believe that people know what they need and what they aspire to in their own lives. People work better and do better when they work together towards shared goals. Professionally, he works to help people attain power and coordinate their work through co-operative organizational structures. In the long game, he hopes that more co-operative lives will build a society oriented around care and responsibility for all the worlds we share. In the meantime, Nathan will always support the strike.


Tuesday, April 12 @12:10-1 PM CT || Opera House LUNCH & Listening party


Tuesday, April 12 @ 2:15 ET/1:15-2 PM CT || Atheneum New Harmony in Historical Context – 19th century American Utopian Communities with Claire Eagle [Historic New Harmony], Tom Guiler [Oneida Community Mansion House], Jon M. Childers [Executive Director of Amana Heritage Society]. Join virtually here.

Thomas A. Guiler is Director of Museum Affairs at the Oneida Community Mansion House. A scholar of intentional and utopian communities, Guiler has published and presented on a wide variety of intentional communities including Byrdcliffe, Roycroft, and Rose Valley in addition to extensive work on the Oneida Community. He is currently working on a book, The Handcrafted Utopia: Arts and Crafts Communities in America’s Progressive Era.

Jon M. Childers joined the Amana Heritage Society (AHS) in 2016. He is dedicated to the vision of telling Amana’s story in new ways that will lead to the sustainability of AHS’s collections and historic properties.  This effort has led to several capital campaigns and a vision for Amana’s future that include a number of new, and improved, heritage sites to engage visitors in Amana’s 300-year heritage. 

Claire Eagle is the Interim Assistant Director of Historic New Harmony. As part of the Historic New Harmony team, she has led a number of programs including the celebration of the 250th anniversary of Robert Owen’s birth and Water/Ways, a Smithsonian Museum on Main Street exhibit. She earned her Bachelor of Science in history from the University of North Alabama and her Master of Arts in history with a historical administration emphasis from Eastern Illinois University.


Tuesday, April 12 @3:15 ET/2:15-3 PM CT || Atheneum Contemporary Utopias & Planned Communities with Silvia Rode [USI Center for Communal Studies] & Jennifer Greene [USI University Archivist]. Moderated by Leslie Townsend [Director of Community Engagement and Historic New Harmony at the University of Southern Indiana]. Join virtually here.

Jennifer Greene is the Associate Professor of Library Science and University Archivist at the David L. Rice Library, University of Southern Indiana. She serves on the Center for Communal Studies Advisory Board and manages the communal studies collections.

Silvia Rode received her Ph.D. in Germanic Studies from the University of California, Los Angelos. She serves as Assistant Dean of the College of Liberal Arts and Director of the Center for Communal Studies at the University of Southern Indiana. Her research focuses on the Harmonists, communal history, and utopian theory.

Leslie Townsend is the Director of Community Engagement and Historic New Harmony at the University of Southern Indiana. She brings 25+ years of experience working with heritage-based outreach programs focusing on the areas of cultural/heritage tourism, historic preservation, history education, and community engagement.


Tuesday, April 12 @3:15-3:45 PM CT || Atheneum Activity: Who Are You & What Do You Want? Brief introductions by attendees: whatever you’d like to share about your work or interests.


Tuesday, April 12 @5PM ET/4-5 PM CT || Atheneum New Harmony Meets Columbus, Indiana with Richard McCoy [Landmark Columbus Foundation], Kathryn Armstrong [Columbus Area Arts Council], & Kent Schuette [professor of landscape architecture & planning at Purdue]. Moderated by Chris Merritt. Join virtually here.

Richard McCoy is the founding Executive Director of Landmark Columbus Foundation, a non-profit organization dedicated to caring for, celebrating, and advancing the world-renown cultural heritage of Columbus, Indiana. He has a long history of creating unique solutions to complex cultural heritage challenges and occasionally writes about his work.

Kathryn Armstrong is an arts and cultural leader and visual artist, whose work is centered around making communities stronger through place-based activation and civic engagement. Kathryn has served as the executive director of the Columbus Area Arts Council (CAAC) since 2016. Her work has been exhibited nationally and internationally, including in several project-based residencies.

Kent Schuette is a professor emeritus of architecture and urban design at Purdue University based in New Harmony. As a landscape architect, Schuette has studied the Athenaeum extensively.


Tuesday, April 12 @5:15-6:15 PM CT || Opera House DINNER & Listening party


Tuesday, April 12 @7:30 PM ET/6:30-7:30 PM CT || Atheneum Utopian Architecture with Marsh Davis [president, Indiana Landmarks], Lourenzo Giple [deputy director of planning, preservation, & design, City of Indianapolis], Adam Thies [associate VP for capital planning at Indiana University]. Moderated by Anne Laker [writer & Social Alchemy symposium team member]. Join virtually here.

Lourenzo Giple is the Deputy Director of Planning, Preservation, and Design for the Department of Metropolitan Development. Through his work, he oversees the visionary, long-term projects of city development, day-to-day planning, historic preservation, transportation planning, and urban design. Lourenzo has poured his time, energy, and heart into helping others feel more connected to people, places, and spaces in the city.

Marsh Davis is President of Indiana Landmarks, the nation’s largest statewide preservation organization. Davis has served as a trustee of the National Trust for Historic Preservation and Chairman of Preservation Action, the nation’s grass-roots public policy organization. For his work in historic preservation, Davis was named a Sagamore of the Wabash by Governor Frank O’Bannon.

Adam D. Thies is the vice president for capital planning at Indiana University. Thies has led and managed many of Indiana’s premier planning and design projects, including planning for the 2012 Super Bowl Legacy Neighborhood Project, the redesign of Indianapolis’ Monument Circle, and the creation of a plan for midtown Indianapolis.


Tuesday, April 12 @7:30 PM ET/6:30-7:30 PM CT || Townwide Choice of activities: tours, walks, performance. In-person or join virtually via Instagram live @bigcarpix


Wednesday, April 13

Wednesday, April 13 @10 AM ET/9-9:45 AM CT || Rapp-Owen Granary Inclusion & access with the Indianapolis Cultural Trail & Neighborhood Development with DeAmon Harges [neighborhood organizer] & Brian Payne [CEO, Central Indiana Community Foundation & driving force behind the Cultural Trail]. Join virtually here.

DeAmon Harges is a faculty member of the Asset-Based Community Development (ABCD) Institute, Community Organizer, Creator of the Learning Tree, and chairperson of the Grassroots Grantmakers Association Board , and featured in the new documentary “The Antidote: On Kindness in America” – is a frequent speaker on ABCD in secular and religious groups around the world, and is a layperson at Broadway UMC, Indianapolis.

Brian Payne is the president and CEO of Central Indiana Community Foundation (CICF) and The Indianapolis Foundation. Payne is also the founder and founding artistic director of the Indianapolis Cultural Trail: A Legacy of Gene & Marilyn Glick, a project that has been recognized as the best North American example of a big, bold, transformative project that is changing the way we think of cities and city life. As one of six community foundation executives on the design task force of NEON – Nexus for Equity + Opportunity Nationwide and CICF, Payne is part of a national effort in dismantling structured and systemic racism to achieve economic and cultural mobility.


Wednesday, April 13 @11 AM ET/10-10:50 AM CT || Rapp-Owen Granary Utopian Literature/Writing in New Harmony with Susan Neville [fiction writer/essayist], Matthew Graham [Indiana Poet Laureate], Adrian Matejka [poet & IU professor] & Kevin McKelvey [poet & UIndy professor]. Join virtually here.

Susan Neville is the author of seven books of creative nonfiction and three collections of short fiction. Her most recent book, The Town of Whispering Dolls, won the Catherine Doctorow Prize for Innovative Fiction and her first book, Invention of Flight, won the Flannery O’Connor Award. She is the Demia Butler Professor of English Emeritus at Butler University and has written about New Harmony in several essays.

Adrian Matejka is the author of six books, most recently a mixed media collection inspired by Funkadelic, Standing on the Verge & Maggot Brain (Third Man Books, 2021) and a collection of poems Somebody Else Sold the World (Penguin, 2021). His book “The Big Smoke” (Penguin, 2013). His first graphic novel, Last On His Feet, is forthcoming from Liveright/Norton in February 2023. He is the Ruth Lilly Professor of Poetry at Indiana University Bloomington and was Poet Laureate of the state of Indiana in 2018-19.

Matthew Graham is the author of four collections of poetry and is the recipient of awards and fellowships from the Academy of American Poets, Pushcart, the Indiana Arts Commission and the Vermont Studio Center. Graham is a Professor Emeritus of English at the University of Southern Indiana and is the current Indiana State Poet Laureate. He is married to the painter Katie Waters.

Kevin McKelvey is a place-based poet, writer, designer, and social practice artist. McKelvey has been a writer-in-residence in the Long-Term Ecological Reflections program at the H.J. Andrews Experimental Forest in Oregon and at Isle Royale National Park in Lake Superior. This inspired him to bring this model to Indiana, working with local land trusts to create annual, centuries-long creative and scientific reflections on natural areas, including NICHES Land Trust and ACRES Land Trust. His work in novels, essays, social practice, and placemaking continue to explore the intersections of art, writing, ecology, gardening, food, and farming.


Wednesday, April 13 @ noon ET/11 AM-12 PM CT || Rapp-Owen Granary Utopic Cultural Projects Conversation – Visual Art, Music & Movement with Keesha Dixon [Asante Arts Institute of Indianapolis], Docey Lewis [designer], Lauren Curry [Indy Movement Arts Collective] & Oreo Jones [musician & Big Car artists & WQRT FM manager]. Join virtually here.

Sean Oreo Jones is an Indianapolis-based artist. Jones founded “Chreece,” one of the Midwest’s largest hip-hop festivals. In 2015, he became the sound artist in residence at Big Car Collaborative’s Listen Hear, curating and managing exhibitions and developing the low-power radio station, 99.1 FM WQRT. Oreo Jones has released over 9 studio albums, participated in artist residencies, and received awards for his work in the hip-hop community.

Docey Lewis began her career in San Francisco as an artist, weaver and yarn designer, developing fabrics for fashion and interiors. Lewis is the chief design consultant for 3form, Inc’s Full Circle product line and is an advisor to the Madagascar artisan and farmer focused Conservation for Poverty Alleviation. Lewis also sits on the boards of Robert Lee Blaffer Foundation, the New Harmony Business Associates, and on the Advisory Committee of the New Harmony Gallery of Contemporary Art.

Lauren Curry is the executive director at Indianapolis Movement Arts Collective. After returning to Indianapolis from Texas, she worked with No Exit Performance, Phoenix Rising Dance Company, and performed at the Regional Alternative Dance Festival in Kalamazoo, Michigan. She is most proud of her work with Indy Movement Arts; programming weekly classes, presenting national artists in Indy, and investing in local dance-makers.

Keesha Dixon is the executive director of the Asante Art Institute of Indianapolis, Inc. She has been a teaching/performing artist for the past 19 years and serves on local and national committees to further the tradition of Black storytelling or to improve the quality of life for others. She is a conscious-minded culture worker striving to preserve and protect the true history of Africans, enslaved Africans, and African Americans. Outside of work, Keesha’s hobbies include textile artist, ethnic clothing designer, gardening, vocalist, Yoruba drumming, and motorcycling.


Wednesday, April 13 @12-1 PM CT || Rapp-Owen Granary LUNCH & Listening party


Wednesday, April 13 @2:15 PM ET/1:15-2:15 PM CT || Atheneum Dreaming of New Worlds: World Building for Community Work with Maurice Broaddus [author]. Join virtually here.

Maurice Broaddus is a community organizer and teacher. His work has appeared in places like Lightspeed Magazine, Black Panther: Tales from Wakanda, Weird Tales, Magazine of F&SF, and Uncanny Magazine. Some of his stories have been collected in The Voices of Martyrs. His books include the sci-fi novel Sweep of Stars; the steampunk works, Buffalo Soldier and Pimp My Airship; the middle grade detective novels, and The Usual Suspects and Unfadeable. His project, Sorcerers, is being adapted as a television show for AMC. He’s also an editor at Apex Magazine.


Wednesday, April 13 @3:30 PM ET/2:30-3:30 PM CT || Atheneum Imaginary Cities – Utopia & Dystopia in Thought, in Art, & in Culture with Darran Anderson [author] (via zoom). Join virtually here.

Darran Anderson is an Irish writer residing in Scotland focused on the intersections of urbanism, culture, technology, and politics. Anderson is the author of Imaginary Cities (chosen as best book of 2015 by the Financial Times), The Guardian, the A.V. Club, and other publications. A work of creative nonfiction, Imaginary Cities roams through space, time, and possibility, mapping cities of sound, melancholia, and the afterlife, where time runs backward or which floats among the clouds. In doing so, Imaginary Cities seeks to move beyond the cliches of psychogeography and hauntology, to not simply revisit the urban past, or our relationship with it, but to invade and reinvent it. Anderson has also co-edited the journals The Honest Ulsterman, 3:AM Magazine, Dogmatika, and White Noise.


Wednesday, April 13 @7:30-9:30 PM CT || Atheneum Outdoor movie screening of Black Panther (indoors at the Atheneum in case of bad weather).


Some tips if you’re joining us in person

Mornings: While we plan to have coffee and water available, we also encourage you to get breakfast at one of multiple excellent options in town: Main Cafe at Capers (602 Main St. enter at the side door) has a great and affordable diner-style breakfast and excellent cinnamon rolls, Black Lodge (610 Church St.) offers great coffee roasted on site as well as local pastries, and Sara’s (500 Church St.) which offers breakfast options. Sara’s is closed Tuesdays. The Main opens at 6 am and the others open at 8 am.

Evenings: While everyone who is around Tuesday evening is invited to a big communal meal at the Opera House, other evenings are dining on your own. Sunday night, most things are closed other than the higher-end restaurant, Mary Scott’s. We will have snacks at the Emily St. John Mandel zoom watch party at the Inn on Sunday evening. On Monday, Tuesday, and Wednesday nights, the best option is the Yellow Tavern at 521 Church St. It offers a variety of good bar food and excellent bread pudding. The American Legion at 516 Church St. is closed Monday and Tuesday nights but open Wednesday and also has good food, including pizza. The public is welcome there. Also, the west side of Evansville is a 30-minute drive. We really like Gerst Bavarian Haus at 2100 W Franklin St. It is open until 9 pm on Sunday, closed Monday, and open until 10 pm Tuesday/Wednesday.

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Sounds Like a Place to Call Home

Sounds Like a Place to Call Home

Support our affordable homes for artists on the block around Tube Factory and our on-air and online home of art and music at WQRT 99.1 FM as we wrap up the year.

Rebound, Rebuild, and Be Better

The world has changed. But we’re more certain than ever about the importance of artists in society — and of our role in Indianapolis as an artist-run organization. Our world needs to rebound, rebuild, and be better. And, to do this right, we need the risks, the laughter, the creativity, the critique, the challenges, and the beauty that art and artists provide. 

We at Big Car believe humanity has a collective soul. And it’s the artists who manifest it into a tangible reality. That’s why we’re focused on offering long-term affordable housing for artists and providing an on-air, pandemic-proof approach to sharing their work through our radio station, WQRT, that also produces online audio content.

But we need your help as we face financial shortfalls and uncertainty with both programs in 2021.This isn’t just about you supporting Big Car. It’s about supporting artists, our neighborhood, and our city. The future of Indianapolis depends on organizations like ours not only surviving, but thriving. 

More Than Survive, Thrive

We’re asking for your donation to help us with these important aspects of what we do: 

Artist and Public Life Residency artist, Justin Cooper, painting a boarded up house on Cruft Street, summer 2020.

• Provide affordable housing for artists working with our dedicated staff and board to turn a block from half vacant to vibrant. We know artists are struggling now more than ever due to the pandemic. Our affordable artist housing program offers discounted home ownership or rent to artists who support the community. So far, we’ve placed artists in ten houses with two more currently taking applications. And we’ve recently purchased two more formerly vacant houses to be turned into affordable homes for artists. We now have 21 new artists and their family members living on the block in what had been vacant houses. Some are poets, some painters, some musicians, some dancers. It’s an amazing group, but we need your help to keep the program going. Check out recent articles about this program featured in Indianapolis Monthly. To learn more about affordable artist housing, click here

TeenWorks teens using the WQRT studio to learn how to write and produce radio shows during their summer program at Tube Factory/Listen Hear.

• Bring cultural content to the airwaves that you won’t hear anywhere else via our noncommercial broadcast radio station, WQRT 99.1 FM, that also streams at wqrt.org. Throughout the pandemic, we’ve learned just how important radio is for connecting people to the resources they need and to each other. So the station — which reaches pretty much the whole city — has turned out to be a great way of not only bringing safe, quality arts programming to households around Indianapolis, but also to support artists, musicians, and writers. In 2021, we’re expanding our programming with two series produced by our staff that highlight Indiana writers and Indiana’s utopian history. To learn more about WQRT, click here

These programs are far more than an affordable housing initiative and a cultural radio station. This work is building a truly connected community — and a better tomorrow. 

How YOU Can Help!

We need your help to make it happen!

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Call to artists, arts and community organizations — and you!

Call to artists, arts and community organizations — and you!

During this challenging time, Big Car Collaborative is supporting the community in general and artists and arts audiences by utilizing the very democratic platform of FM broadcast radio with our community- and art-focused station, 99.1 FM. This FCC-licensed broadcast station covers most of the city and beyond and streams worldwide from wqrt.org. We’re opening up unlimited free air time to community and arts partners, to neighbors, and to local artists of all kinds — especially musicians — to share important messages and provide enjoyable programming that draws people of all backgrounds together at a time when we’re facing a health crisis and a crisis of social isolation.

We’re also utilizing our social media platforms with a combined audience of more than 50,000 to share public service announcements and other important information — including what we and other arts organizations and artists are doing in response to the pandemic and social distancing. We’re also working on citywide projects like #FirstFridayFromHome where we encourage people to share art from their own homes on social media and talk about why it means so much to them.

More details here:

Call for 99.1 WQRT FM contributions: We’re seeking audio content to broadcast and share online from Indianapolis artists, musicians, and community builders – generally, the creative community. This content can be as short as a few seconds or as long as an hour. It could be as simple as a radio-friendly song, poem, quote, short story, or even tips or words of encouragement. Or you could propose and then create shows that might include things like panel discussions, community conversations, interviews, curated playlists (we can play all clean licensed music), arts education opportunities, community updates, self-guided walking tours or narrated walks, and health and wellness aspects such as meditations. 

Start by sharing your idea to info@wqrt.org. We will also share with you tips for recording at home on WQRT.org. Once you have an MP3, you’ll send it also to info@wqrt.org with the subject headline Community Content. If you are sharing a lengthy segment, start the conversation off by introducing yourself to the listeners as well as a reminder of where they are tuning into. “You’re listening to 99.1 WQRT-LP Indianapolis” should be at the intro of your segment.  

We’re seeking content that people can make from the safety of their homes or within safe physical distance of others. We have suggestions for online tools to use for interviews and conversations. This content will also be shared through a variety of online platforms such as Instagram and Facebook to further help alleviate social isolation.

Call for Social Media Visual Art Shows and Performances: Have an idea for a virtual art show or performance? We’re open to supporting your ideas — visual, audio, or video. Please email us at info@bigcar.org.

Call for Classes through Zoom: Have an idea for a class but need an audience? You can e-mail info@bigcar.org and you can use our upgraded Zoom account to host your class. Currently, we offer West African Dance and Zumba classes.

Open to anyone: First Friday From Home Art Share: We normally show new art at our spaces each First Friday. Now we’re asking you to show us yours! Whether you made it or bought it, use your phone to share photos and videos with us and others by posting pictures or video on social media and using the hashtag #FirstFridayFromHome and tag Tube Factory artspace. Maybe even consider going live through Instagram, Facebook, or another platform. We will select different people who share their collections to win Normal Coffee gift cards, a ceramic piece from Soyong Kang Partington, and T-shirts from Big Car.

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Walk/Bike/Places conference releases call for proposals

Walk/Bike/Places conference releases call for proposals

The premier conference in North America for walking, bicycling, and placemaking professionals from the public and private sectors.

Held every two years, Walk/Bike/Places is a unique conference experience that combines experiential learning from walking and biking the streets of the host city, and learning from its most vibrant places, with nearly 100 expert-led breakout sessions and locally-led workshops. The conference is produced by Project for Public Spaces. 2020’s event will take place in Downtown Indianapolis at the Indiana Convention Center and Big Car is a partner!

The 2020 convening of the Walk/Bike/Places conference will focus on implementation. We seek — with your help — to build a program that will move government from the local to the federal level to build a transportation system which preserves the health and safety of all users, promotes social connections, and reduces the environmental impact of our travel. We invite proposals from the public, private, non-profit/NGO, and academic sectors. We invite ideas large and small. We invite new voices. And once we have our program chosen we will invite 1,500 planners, designers, advocates, and public health professionals to Walk/Bike/Places 2020 to entertain, to inspire, and to challenge ourselves to simply do better. Our time is now.

Please complete your proposal by January 3, 2020 @ 5pm EST.

START YOUR PROPOSAL HERE

FORMATS

We are offering three formats from which to choose from this year: Breakout Presenter, Peer Coach, and Poster Presenter. However a huge change this year is that we are only soliciting proposals for single presenters. Each format is unique so please review the characteristics and expectations of each and then choose the one that’s best for your content.

Breakout Presenter

The breakout is a conference staple and it constitutes the majority of Walk/Bike/Places programming. We expect it will be the most competitive format thus this format requires more of its applicants. Applicants must answer evaluative questions and define learning outcomes for the audience.

In a departure from past conferences the breakout program, tracks, and individual sessions will be assembled by Project for Public Spaces and a series of teams who will oversee each track. As a Breakout Presenter you may become part of a facilitated discussion, you may serve on a panel, you may be asked to deliver a presentation, or depending on your expertise, you may even be asked to lead a field exercise.

Note: Once again, we are only soliciting proposals for single presenters; no teams or pre-formed panels will be accepted.

Peer Coach

Each of us has something to offer our peers. Your knowledge could help our attendees navigate a politicized project, find a design solution for a tricky intersection, access funding for a project, or provide some needed perspective. What we offer depends on who applies, so what’s your Expertise?

Peer Coaches will lead a small group discussion about their topic. There will be no need to prepare a presentation, just come ready with your knowledge, some scratch paper, and business cards. We will provide the eager learners. You can expect to devote about an hour of your time at the conference to being a Peer Coach.‍

Poster Presenter

Some topics are best presented on paper and explained in person. For those reasons this format is a favorite for presenters of technical information, those who desire a more intimate connection with their audience, despisers of PowerPoint, and/or students seeking feedback on research projects.

Successful applicants will be assigned an 8’ x 4’ freestanding display area, a table of same/similar dimension, and be provided a minimum of an hour of display time. Additional details will be conveyed in the presenter welcome kit.

CONFERENCE TRACKS

Our focus on implementation is reflected in the conference tracks: they are simple and practical. A list of keywords, phrases and topics follows each track name to suggest appropriate Content.

  1. Infrastructure – The streets, sidewalks, multi-use trails, and information that moves us. Woonerfs, Shared Spaces, Traffic Calming, Bike Parking, Multi Use Trails, Sidewalks, Streets, Cycle Tracks, Bike Lanes, Advisory Bike Lanes, Rapid Implementation.
  2. Planning – Setting the vision, goals, objectives and process for moving us towards a more just and sustainable society. Zoning, Land Use, Form-Based Code, Data, Modeling, Outreach, Public Engagement, Project Evaluation, Economic Development.
  3. Advocacy – Simply put: getting what we want. Funding, Referendums, Legislation, Public Policy.
  4. Excellence – Building the organizations and building the skills of those who will fiercely defend the public interest. Running for Office, Registering a Non-Profit, Ethics, Professional Responsibility, Strategic Planning, Campaigns, Budgeting, Fundraising.
  5. Health – Creating environments where people of all ages, backgrounds, and abilities can lead healthy, happy and productive lives. Active Living, Injury Prevention, Environmental Justice, Education, Mental Well-Being, Social Capital, Friendships, Physical Health, Violence Prevention, Nutrition.
  6. Transit – The management and operation of vehicles and infrastructure for the most efficient movement of people. Micro mobility, Ride Hailing Apps, Bike Share, Transit Oriented Development, Multimodal Hubs, Congestion Pricing, Demand Management, BRT, First/Last Mile.
  7. Place – The streets, corners, buildings, neighborhoods and locations that are special to us, that anchor a community. Placemaking, Tactical Urbanism, Parklets, Public Markets, Downtowns.

We recognize that not every topic is easily fit into a track; for example, Vision Zero, Safe Routes to School, Social Media, Autonomous Vehicles, and Equity straddle multiple tracks. If your topic is not easily categorized, then choose the track that is the closest fit.

RULES FOR APPLICATION

For us to assemble a program which advances the cause of Walking, Biking and Placemaking, we ask that you follow these rules when submitting your application to present:

  1. You may submit up to three proposals — regardless of format.
  2. You may not submit nor will we accept proposals that are obviously commercial or self-promotional. If you wish to advertise then we suggest purchasing exhibit space or sponsoring the event.
  3. You propose, you present. We will not accept proxies or substitutions.
  4. Your content must be available to attendees. Studies, reports, and articles that are behind paywalls must be made available to Walk/Bike/Places attendees.
  5. We want to be a welcoming community where discussion is spirited, humorous, fun, and respectful of differences. We have a responsibility to our community to support diversity and we will make program choices to support that objective.

All presenters are expected to register. We have priced registration to meet nearly every budget, and rates will be announced towards the end of the year. Submission of a proposal is not an obligation to attend Walk/Bike/Places 2020 (but we really hope you come!).

REVIEW PROCESS

Proposals received will be scored by our Program Review Committee. The Committee is composed of your peers in planning, advocacy, health, engineering and placemaking, and drawn from the public, private and non-profit sectors. Each proposal will be evaluated and scored by the criteria indicated above. Presenters will be chosen and tracks assembled to create a program that “gets it built!”.‍

If you have any questions about your proposal, or the application and review process, please reach out to us at: program@walkbikeplaces.org

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Call For Proposals

Call For Proposals

We are accepting proposals through March 31 from artists for our exhibition spaces at Listen Hear, the Guichelaar Gallery in our residency house next door to Tube Factory, and the Jeremy Efroymson Gallery in Tube Factory. All of these locations are found on the same block in the Garfield Park neighborhood just south of downtown Indianapolis and participate in our First Friday opening night each month.

About Listen Hear gallery: Selected by curator Oreo Jones, preference is given to sound art proposals (750 square feet). Must have sound component to be considered for this space. 

About Jeremy Efroymson Gallery: Selected by the Big Car curatorial team, this space is ideal for emerging contemporary art solo or group exhibitions (1390 square feet and a video room). 

About the Guichelaar Gallery: Selected by the Big Car curatorial team, preference is given to small painting/photography shows, room size installation, solo and group proposals (486 square feet).

Create your own user feedback survey

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Sunny Side Up: Building Community Through Food and Friendly Fowls

Sunny Side Up: Building Community Through Food and Friendly Fowls

Here at Big Car Collaborative we’re preparing to expand our Garfield Park base of operations with a new crowdfunding campaign. Sunny Side Up: Building Community Through Food and Friendly Fowls is our second undertaking with with Indiana Housing and Community Development Authority’s CreatINg Places program (IHCDA). And we need your help!

“We know that one of the best ways to bring people together is with food,” says Big Car CEO and Lead Artist Jim Walker. “Our Garfield Park neighborhood currently offers little in the way of spaces with food and drink where people of all ages can gather. Still, our neighbors – including several of our staff artists – strongly support the weekly farmer’s market, and food trucks and art vendors at our monthly First Friday night market. So we’re very excited to expand the idea of an arts-based cafe culture that brings more people together informally.”

Our vision includes an artist-built “Chicken Chapel of Love” that will serve as a wedding and meditation space, and as a hangout for our growing flock of chickens. Inside the Tube, we’re making plans for a social kitchen and a serving space. Sunny Side Up will further enhance our calendar with free programs about food, nutrition, and urban agriculture.

“We’ll work with artists who working with food as part of their social practice, visiting chefs and other restaurant partners to prepare community meals together,” says Walker. “Plus we’ll build an iconic home for our chickens that doubles as a one-of-a-kind piece of functional public art.”

Our goal is to raise $50,000 via the crowdfunding platform Patronicity by October 19, 2018. Once we reach our goal, IHCDA will provide a matching grant bringing the total amount of funding for Sunny Side Up to $100,000. “This means that, if you donate $100, we receive $200,” says Walker. “And, in the end, we’ll have collected a transformational $100,000 to further build community through food and drink.”

Rewards – including original chicken art from Big Car staff artists, and invitations to special events and happenings – are available at every level of support. But if we don’t collect $50,000 by October 19, then we receive nothing. “With everyone’s help,” says Walker, “we know we can do this!”

To learn more and become a supporter of Sunny Side Up, visit patronicity.com/sunnysideup. We’re also accepting cash donations at Tube Factory or Listen Hear.  To make donations by check, make payable to Big Car Collaborative, include “Sunny Side Up Campaign” in the memo line, and mail to:

Tube Factory artspace
1125 Cruft St.
Indianapolis, IN 46203

For more information, contact jim@bigcar.org or stop by the Tube Factory.

 

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How To Get To Us During Construction

How To Get To Us During Construction



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Scale it up at TEDxIndianapolis

On April 25, 2017 movers, shakers and placemakers from all over Indiana and the world will speak at TEDxIndianapolis, a locally organized conference that aims to celebrate and share Big Ideas. The theme of TEDxIND 2017 is Scale it Up, and will focus on how ideas can expand, replicate, multiply, and drive positive change. The day will be divided into four sessions, as follows:

Session 1: Starting Points

  • Cara Courage on Placemaking and Community
  • Natalie Schneider on Innovation Going from Zero to One
  • Dr. Zaneta Thayer follows on Epigenetics and Cultural Anthropology, and Stress
  • James Veitch (prerecorded)
  • an interactive performance by Justin Wade of Young Actors Theater
  • Carlos Gutierez on how Latin America became an International Epicenter of Cinema.

Session 2: Representation

  • Performance by Oreo Jones
  • Rodney Foxworth on Why We Need to Combat the Growing Racial Wealth Chasm
  • Jamila Raquib on The Secret to Effective Nonviolent Resistance (prerecorded)
  • Joyce and John Moore of the Urban Patch on Informal Scalability of Organic Farming in an Urban Context
  • Maryori Duarte-Sheffield of the Immigrant Welcome Center
  • Naomi Tsu of the Southern Poverty Law Center who asks the key question of "Did I Get Here Legally?
  • TED Fellow Keolu Fox on the need for More Diversity in Genetic Research (prerecorded)

Session 3: Young and Old, Public and Private

  • performance from Caldwell/Tester
  • Kristin Van Busum on Why Allyship is the New Leadership
  • Justin Wade on Youth Empowerment Through Art
  • Jean Makesh on Disrupting Alzheimer’s and Dementia Care
  • David Harris of the Mind Trust on Urban Education Reform
  • Wanda Legrand on the role of Interpreters Bridging Art and Public Education

Session 4: The Data of Power and the Power of Data

  • Jay Hermacinski of MISO on The Power Grid – Innovation Driving an Electrical Revolution
  • Santosh Mathan on scaling artificial intelligence to be more adaptable
  • Rob Knight on How Microbes Make Us Who We Are (prerecorded)
  • Kevin Desouza on Simple Solutions to Scale Intrapreneurship
  • William Mougayar on What You Need To Know about the Blockchain Economy
  • performance by Derek Johnson

Find more information about this event at TEDxIndianapolis’ offical website, and get tickets here.

 

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2016 in review: The power of placemaking

2016: The Power of Placemaking from Big Car Collaborative on Vimeo.

A look back at a very exciting year of art, placemaking, and creative community building by the team at Big Car Collaborative in Indianapolis. Video by staff videographer Kurt Nettleton. Thank you to everyone who participated in and supported our work this year!

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Jessica Kartawich’s Dear Somebody

On Friday, December 2 at Listen Hear, 21 year old Herron School of Art and Design student Jessica Kartawich displayed her original piece Dear Somebody, an audio piece that revolves around the motif of loss. Kartawich’s art includes a recording of someone telling their story of loss in each corner of the room. When standing in the middle of the room, the sorrow of each story overlaps and intermingles. However, if the listener interacts with the piece and walks to each corner of the room they can hear each story of loss individually. Kartawich recommended doing this first and then sitting in the center of the room and listening to the stories all at once.

Dear Somebody provided an outlet for those who have experienced loss to find solace with and connect to others by accepting rolling submissions of writing or audio from viewers’ personal experiences of grief, reflecting the ever changing emotions which surround the different losses human beings suffer. This documentation of “emotional residue” provides a layer of subtle solidarity to the participatory work.

“I feel like my art lately has been kind of introspective. Whether that’s labels people put on me, how I think of myself and my own identity, or something that has happened in my life that I feel like has had an effect on me, my strongest work comes from a personal place. As far as what I do when I create art, I don’t know how to answer that one. I just try and figure out how I feel about the subject and how I want other people to feel about it and how I can achieve that.” – Jessica Kartawich (Herron Photography Club)

See more from this event here.