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TZID:America/Indiana/Indianapolis
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DTSTART:20260308T070000
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DTSTART:20261101T060000
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DTSTART;TZID=America/Indiana/Indianapolis:20260206T080000
DTEND;TZID=America/Indiana/Indianapolis:20260318T150000
DTSTAMP:20260404T121301
CREATED:20250801T134345Z
LAST-MODIFIED:20260319T203410Z
UID:13661-1770364800-1773846000@www.bigcar.org
SUMMARY:Pavlina Vagioni: AVÁSIMO (BASELESS)
DESCRIPTION:Friday\, Feb. 6 – Wednesday\, March 18\, 2026 | Tube Video Gallery\n\n\nStock market data from the 2008 financial collapse — Dow Jones\, Nikkei\, Nasdaq\, and S&P 500 — is translated into a musical score. An electronic female voice\, processed through vocoder\, follows the score with precision. The voice is feminine\, like the voices designed to assist us\, to serve\, to comply. When algorithms are built to help\, they are so often given women’s voices. The system speaks through the voice it expects obedience from. A human voice enters\, not in obedience but in lament. It responds to the data\, departs from it\, grieves what the numbers cannot feel. It exists within the system while refusing to be ruled by it. The video displays symbols from the Phaistos Disc\, an undeciphered Minoan script possibly from a matriarchal Bronze Age society\, now scrolling in the format of a stock ticker: ancient mystery conscripted into capitalism’s visual language. Beneath the voices\, a sustained drone sounds: the ison of Byzantine chant tradition\, a single fixed pitch that served as tonal anchor for sacred music. Here it becomes the cost basis\, the entry point\, the fixed reference against which all market movement is measured\, the illusion of stable ground in a system without foundation. Matriarchal symbols forced into patriarchal economic display. Female robot voice obeying the algorithmic score. Human female voice refusing\, responding\, lamenting. The drone continues beneath it all\, as cost basis always does\, indifferent to what rises or falls above it. At the close\, the human voice fades; the machine inherits its tremor. Nothing holds still. Avásimo: without basis. The ground was never there.\n\n\n2026\, Single channel audio & video animationAudio duration: 3’17”\nConcept\, Artistic Direction: Pavlina VagioniOriginal Score: Audra Verona LambertArrangement & Transcription: Pavlina VagioniVocoder & Electronic Processing: Vangelis YalamasVocals: Pavlina VagioniMixing: Vangelis YalamasVideo Animation: Tasos Tsiaboulas\n\n\nAbout the Artist: Pavlina Vagioni is a Greek-born interdisciplinary artist based in Houston\, TX\, whose work spans sculpture\, painting\, sound\, and digital art. She has exhibited at notable venues across the US and Europe\, including the Byzantine Museum\, Hellenic American Union\, Kappatos Gallery (Athens)\, TANK Space\, Lawndale Art Center (Houston)\, Carillon Gallery (Fort Worth)\, and Opening Gallery (New York). Vagioni completed a residency at the School of Visual Arts and created a public art project at Houston’s ION Building. Her work is recognized internationally and held in multiple private and public collections\, including the MOMus–Museum of Contemporary Art (Thessaloniki\, Greece).
URL:https://www.bigcar.org/event/avasimo-baseless-pavlina-vagioni/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
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DTSTART;TZID=America/Indiana/Indianapolis:20260206T180000
DTEND;TZID=America/Indiana/Indianapolis:20260315T150000
DTSTAMP:20260404T121301
CREATED:20260204T150428Z
LAST-MODIFIED:20260204T193455Z
UID:14317-1770400800-1773586800@www.bigcar.org
SUMMARY:Blue Blood: Félix Labisse's Goddesses\, Demons\, and the Space Between
DESCRIPTION:Friday\, Feb. 6 – Sunday\, March 15 | Tube Main Gallery \nFrench Surrealist Félix Labisse created something strange starting in the 1960s: a universe where women pilot impossible machines through realms that don’t follow normal physics. His iconic blue women — the “Selenides” — are warrior goddesses. And they’re navigating more than space. They move through desire\, mythology\, and what might be parallel dimensions of time. \nOn the south wall of the gallery are three pieces from Labisse’s Selenide series: La Femme avec un couteau (The Woman with a Knife)\, La Reine de Saba (The Queen of Sheba)\, and Judith\, referencing the stories and myths behind each warrior. \nOn the east and west walls are 16 prints from his Histoire naturelle series (1944)—hybrid creatures blending human\, animal\, and vegetable forms\, each with Labisse’s own descriptive poems. These fantastical beings prefigure his later libidoscaphes (1962)\, desire-vessels that merge spacecraft with sexual organs and mythological beasts\, navigating inner realms of “inadmissible desires masked by propriety.” \nPart Jules Verne\, part surrealist fever dream\, part absurdist comedy\, Labisse uses consciousness itself as a vehicle for traveling through forbidden dimensions where eroticism could actually warp reality. The nudity of Labisse’s female subjects is an armor. These women are preparing — for ceremonies\, for magic\, for battle. Their landscapes exist nowhere and everywhere at once: moon\, ocean\, future city\, ancient temple. Set in mythic space\, the women are real–piloting libidoscapes\, navigating time\, and fighting wars. Labisse enables us to see them through our own myths and knowledge of history. And imagine that perhaps because we see them\, they are real. Imagine they are waiting\, blue-skinned and patient\, for the rest of us to catch up. \nLabisse connected to science fiction\, painting and drawing what he imagined. But in his work can be found an idea more radical—that artists might actually access non-linear temporal streams\, tapping into futures and parallel timelines. \nAbout the Artist \nFélix Labisse (1905-1982) was a painter\, illustrator\, and theater designer who transformed mythology into what he called a “personal demonology.” Born in Northern France\, he spent his early years in Douai and later Ostend\, Belgium\, where he met his mentor James Ensor while studying at the École de Pêche. \nHis childhood shaped everything: the Gayant carnival with its giant mannequins\, living through WWI occupation from ages 9-13\, and obsessively reading 19th-century science fiction. By 1933 he’d moved to Paris\, where he quickly made a name designing theater sets (for Jean-Louis Barrault and later Jean-Paul Sartre) while painting and befriending other Surrealists—Robert Desnos\, Max Ernst\, René Magritte\, Paul Delvaux. But Labisse never quite fit André Breton’s official Surrealist movement. He was doing his own thing: Flemish Expressionism meets occult symbolism meets erotic mythology. He was elected to the Académie des Beaux-Arts in 1966 and kept working until he died in 1982. \n—-Curator Shauta Marsh \nResearch assistance: Louise Martin \nPart one of a four part exhibition series on the artist.
URL:https://www.bigcar.org/event/blue-blood-felix-labisses-goddesses-demons-and-the-space-between/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
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DTSTART;TZID=America/Indiana/Indianapolis:20260306T180000
DTEND;TZID=America/Indiana/Indianapolis:20260306T220000
DTSTAMP:20260404T121301
CREATED:20260226T212552Z
LAST-MODIFIED:20260302T160425Z
UID:14446-1772820000-1772834400@www.bigcar.org
SUMMARY:March 2026 First Friday at the Contemporary Art Museum of Indianapolis (CAMi)
DESCRIPTION:Join us at the Contemporary Art Museum of Indianapolis (CAMi) (formerly known as Tube Factory) campus on March 6 from 6-10 p.m. for First Friday! \nWe have one new exhibit opening: \n\nCrossroads in Guichelaar Gallery (curated by CAMi long-term artist resident India Hines)\n\nAnd we have two exhibits continuing: \n\nBlue Blood: Félix Labisse’s Goddesses\, Demons\, and the Space Between in the Tube Main gallery\nPavlina Vagioni: AVÁSIMO (BASELESS) in the Tube Video gallery\n\nFood will be available for purchase from the Frank N Steam hot dog cart. Rob Funkhouser and Clockwork Janz’s 2024 Creative Risk project\, Frank N Steam — a calliope funded by the Herbert Simon Family Foundation — makes it’s Maiden Voyage March First Friday at CAMi. A true culinary and artistic delight\, Frank N Steam offers $5 Hot Dogs\, $7 Coney Dogs\, and free a soundscape. \nAlso enjoy Sun King beer\, wine\, and coffee available for purchase from Normal Coffee.
URL:https://www.bigcar.org/event/march-2026-first-friday-at-the-contemporary-art-museum-of-indianapolis-cami/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
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DTSTART;TZID=America/Indiana/Indianapolis:20260306T180000
DTEND;TZID=America/Indiana/Indianapolis:20260419T150000
DTSTAMP:20260404T121301
CREATED:20260226T224921Z
LAST-MODIFIED:20260309T180812Z
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SUMMARY:Crossroads
DESCRIPTION:Guichelaar Gallery at CAMi \nIndiana is known as the “Crossroads of America.” Curator India Hines selected 18 artists whose work explores Indianapolis and Indiana as intersections of place\, culture\, and identity. Through their work Hines highlights the complex dimensions of life here through artists’ relations to local histories\, community spaces\, inner landscapes\, and the city’s influence on their lived experiences. \nAva Tankersley\nBri Powell\nCameron Omega\nFernando Casanova (Fernando)\nJesús Andrade Mares\nJoshua Mark Phillippe\nKC Coverdale (KC)\nSophie Sturgeon\nKionne Bybee\,\nKipp Coverdale\nKyle Bob Morgan\nSofia Casanova\nMatt Fertig\nMazzy Booth\nTristan Roy\nRobert Bentley (Hanz One)\nNeil Cain (Neil Clifton Cain)\nSunshine Gambill (Sunshine Ray)\nQuintin Griffin \nCurator – India Hines \nIndia Hines is part of the Contemporary Art Museum of Indianapolis (CAMI) Long Term Artist Residency. Self-taught\, their work is rooted in intuition\, spirituality\, and the subconscious\, treating art as a transformative experience rather than purely an aesthetic object. \nWorking across ink\, gouache\, watercolor\, oil\, and mural\, India creates figurative forms and organic shapes that feel both dreamlike and ancestral. Their process is deeply meditative and often begins without a fixed plan\, allowing emotion\, memory\, and spiritual guidance to lead the work. Through this intuitive approach\, their art explores balance\, lineage\, and the unseen forces that shape identity. \nThis exhibition was made possible by the Indy Arts Council and the City of Indianapolis. \nImage: Cameron Omega\, I won’t forget\, I remember\, Acrylic on Canvas\, 24×36\, 2025.
URL:https://www.bigcar.org/event/crossroads/
LOCATION:Guichelaar Gallery\, 1125 Cruft Street\, Indianapolis\, IN\, 46203\, United States
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DTSTART;TZID=America/Indiana/Indianapolis:20260312T200000
DTEND;TZID=America/Indiana/Indianapolis:20260312T223000
DTSTAMP:20260404T121302
CREATED:20260113T211330Z
LAST-MODIFIED:20260304T154158Z
UID:14228-1773345600-1773354600@www.bigcar.org
SUMMARY:www . RachelOrmont . com Film Screening
DESCRIPTION:Join us at CAMi for a special free screening of Peter Vack’s film www.RachelOrmont.com on Thursday\, March 12 from 8 to 10:30 p.m. \nThe film is an unflinching psychedelic techno-satire about a woman who unknowingly grows up in captivity working for an advertising agency\, starring Betsey Brown (Assholes\, The Sweet East)\, Dasha Nekrasova (Succession\, The Beast\, Materialists)\, and Chloe Cherry (Euphoria). \n“Boasting a daring lead performance and a wicked sense of humor\, this satirical sci-fi comedy delves into themes of performance\, digital existence\, consumer culture\, and contemporary sexuality\, offering a provocative and unsettling reflection of our hyper-connected society.” — BLEEDING EDGE \n“A filthy and absurd midnight movie determined to fry brains and flip stomachs; a film so terminally online that even the milder scenes would\, as the kids say\, “kill a Victorian child.” — Pop Matters \n\n\nContent Warning: This film contains graphic sexual content and nudity. This screening is 21+ only.\n\nRun Time: 120 min.
URL:https://www.bigcar.org/event/film-screening-www-rachelormont-com/
LOCATION:Contempory Art Museum of Indianapolis (CAMi)\, 1125 Cruft St\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Film,Garfield Park,Visual Art
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DTSTART;TZID=America/Indiana/Indianapolis:20260313T150000
DTEND;TZID=America/Indiana/Indianapolis:20260313T170000
DTSTAMP:20260404T121302
CREATED:20260226T211948Z
LAST-MODIFIED:20260226T211948Z
UID:14443-1773414000-1773421200@www.bigcar.org
SUMMARY:Sketch Club with India Hines
DESCRIPTION:If you love sketching and are looking for community\, hang out and draw with Big Car long-term artist-in-residence\, India Hines. Open to all levels and artists of any kind! Beginners are welcome. Just drop by and draw 🙂
URL:https://www.bigcar.org/event/sketch-club-with-india-hines-12/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
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DTSTART;TZID=America/Indiana/Indianapolis:20260318T063000
DTEND;TZID=America/Indiana/Indianapolis:20260318T210000
DTSTAMP:20260404T121302
CREATED:20260227T155741Z
LAST-MODIFIED:20260302T144932Z
UID:14459-1773815400-1773867600@www.bigcar.org
SUMMARY:NIGHTJAR: Auboni
DESCRIPTION:Doors at 6:30 pm\, Reading at 7 pm \nFeatured Poet: Auboni \nOpen mic prompt: Write a poem that describes the world you want to live in.\n \nRead a poem or short piece that is 317 words maximum\, and challenge yourself to share new work! \n— \nAbout the Featured Poet: Auboni Essence is adaptable and agile but above all\, Auboni is authentic. Auboni is the difference between writing about sadness and having the scars that show she lived through it. She’s the difference between pondering joy and her cheeks being sore from smiling. From performing in quaint\, cozy rooms to dazzling stages\, every platform turns into Polaris because she’s always headed north and the mic is forever warm. They love music. You can catch Auboni out dancing until their feet get weary\, singing until their voice is hoarse or wringing their hands stained with ink from the last writing session. They never have to find the right thing to say because the truth doesn’t care who tells it. \nNIGHTJAR creates an inclusive space for all by bringing together spoken-word performers and page-based poets writing in narrative\, lyric\, and experimental forms. Every third Wednesday\, C.S. Carrier and Michelle Niemann host a reading and invite audience members to share their own poetic responses.
URL:https://www.bigcar.org/event/nightjar-auboni/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2026/02/Auboni-pic.jpg
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