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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20230303T180000
DTEND;TZID=America/Indiana/Indianapolis:20230507T220000
DTSTAMP:20260611T101152
CREATED:20230209T162802Z
LAST-MODIFIED:20230209T163806Z
UID:10649-1677866400-1683496800@www.bigcar.org
SUMMARY:Chelsea Flowers: Grief Etiquette
DESCRIPTION:When my dad was alive\, he never really saw any of my artwork. \nHe heard me give one lecture. \nBut I’m not really sure he knew I was an artist.\nI wonder what he’d think now that the work is about him?\nI wonder what he’d think if he knew I laughed when I found out he died?\nI wonder what he’d think if he knew I laughed during his funeral?\nI was told I had no etiquette for grieving.\nTwo years later and I’m still trying to figure it out.\nIn an exploration of this concept\, “Grief Etiquette” is an immersive installation about the non-linear stages of my grief\, shown through archival imagery and sound.\n\nLive performance by Flowers at 7:30pm on March 3.\n\nAbout Chelsea Flowers\nBased in Detroit\, Chelsea A. Flowers is an artist who holds an MFA in sculpture from Cranbrook Academy of Art\, and a BFA from Denison University in studio art\, with a concentration in Black Studies. She has shown work and performed at various galleries including; ACRE Projects Space (Chicago\, IL)\, Red Bull Arts (Detroit\, MI)\, Roots and Culture (Chicago\, IL)\, Vox Populi (Philadelphia\, PA)\, The Sculpture Center (Cleveland\, OH)\, Trout Museum of Art (Appleton\, WI)\, The Gray Center for Arts and Inquiry (Chicago\, IL)\, Torrance Museum (Torrance\, CA)\, and the Museum of Contemporary Art Detroit\, (Detroit\, MI).\nShe has expanded her skills and research by attending ACRE (Steuben\, WI)\, Ox-Bow School of Arts and Artist Residency (Saugatuck\, MI)\, Real Time and Space (Oakland\, CA) residencies. And is an alum of Skowhegan School of Painting and Sculpture. Her practice explores subversion to popular culture\, how “otherness” is created through social and cultural critique of her environment. She explores these ideas through grief etiquette\, comedic tropes\, and participatory performance.\n\nImage: “Untitled II: Grief Etiquette”\nDetail image.\n\nWednesday-Friday 9 a.m. to 6 p.m.\nSaturday & Sunday 9 a.m. to 3 p.m.\nOpen until 10 p.m. each First Friday.\nClosed Holidays
URL:https://www.bigcar.org/event/chelsea-flowers-grief-etiquette/
LOCATION:Listen Hear\,  2620 Shelby St\, \, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2023/02/Untitled-I.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20230407T180000
DTEND;TZID=America/Indiana/Indianapolis:20230407T220000
DTSTAMP:20260611T101152
CREATED:20230209T164030Z
LAST-MODIFIED:20230209T164030Z
UID:10655-1680890400-1680904800@www.bigcar.org
SUMMARY:First Friday Night Market
DESCRIPTION:Join us again for this upcoming First Friday for a wonderful evening in Garfield Park. We are celebrating local artists\, musicians\, food trucks and vendors by featuring them in our night market. \nCome check out our creative endeavors here around Cruft Street\, where you will have the opportunity to purchase local goods from amazing artists and food vendors here at the Tube. \nDuring the winter months\, the Night Market is held inside Tube Factory artspace. In the fall\, spring\, and summer months\, vending is located outside. \nIf you are a local artist or maker\, please contact email hidden; JavaScript is required for more information.
URL:https://www.bigcar.org/event/first-friday-night-market-3/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2023/02/may-2018-first-friday-night-market_41854956872_o.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20230407T180000
DTEND;TZID=America/Indiana/Indianapolis:20230407T220000
DTSTAMP:20260611T101154
CREATED:20230329T145520Z
LAST-MODIFIED:20230329T192150Z
UID:10766-1680890400-1680904800@www.bigcar.org
SUMMARY:em elise: aegis(us)
DESCRIPTION:aegis(us): a moving image refuge for feminine endurance and holistic body reclamation \nWhile her present artistic practice grew roots in classical cello and midnight poetry\, Em Elise has always been fascinated by the body and its languages. She sees patterns of birth and death as ever present: from ephemeral relationships between lovers to the synchronicity between menstruation and la luna. In an age of shallow social media presentation and the dissociative “new normal” induced by a global pandemic\, Elise has become obsessed with a search for depth which she often finds in grainy film\, candid renderings\, and recollection of guttural feelings. Featuring moving image projection\, performance\, immersive sound\, and remnants of ritual\, aegis(us) intertwines somatic experience\, emotional perception\, and spectral influence to mesmerize and purify. \naegis(us)\, Em Elise’s undergraduate thesis and debut solo exhibition\, serves as a psycho-spiritual testament to feminine endurance and holistic body reclamation. Aegis\, /ˈējəs/\, being an emblem of protection\, and us\, a community bound by collective belonging. How does the body act as a conduit? When might the mundane become mystic? What happens when we slow down and surrender to the intuitive rhythms of the (super)natural world? Fueled by Elise’s tender affinity for sacred corporeal movement\, nostalgic image making processes\, and the liberation of rebirth\, aegis(us) invites viewers to bathe in contemplation of the relationship between physical and energetic phenomena.  \n\nArtist Biography:  \nEm Elise approaches art making as alchemical therapy: a vessel for self embalming\, transmuting grief\, and holistic body reclamation. Driven by the heart pangs\, moments of remembrance\, and spiritual visitations she frequently encounters in transit\, on the cusp of sleep\, sky gazing\, or when peering into the soul of another\, Elise’s artwork provides an anchor for those that feel as alien in this world as she often does. Elise creates to embrace emotional excavation\, reintegrate traumatic experience\, and root in tender vulnerability. Whether immortalizing feelings of intimacy on instant film\, divulging ancestral and gender-based wounds using analog video\, or purging pain during ritual performance\, Em Elise’s work fuels collective healing and vital authenticity in the face of oppressive social conditioning. Em Elise is native to and currently based out of Indianapolis\, Indiana but frequently practices in Copenhagen\, Denmark.  \ncontact + connect: email hidden; JavaScript is required / @sin__atras / https://emelisecreating.tumblr.com/   \nLocated in the Guichelaar Gallery\, this exhibit is part of a Herron School of Art and Design Photography Senior Thesis series curated by Jane Sun Kim\, a visual artist in our long term residency program\, APLR. \nThe Guichelaar Gallery and Residency House located next door to Tube Factory at 1135 Cruft St. is a contemporary art space operated by Big Car Collaborative APLR artists. It also serves as a home for visiting artists.
URL:https://www.bigcar.org/event/em-elise-aegisus/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2023/03/Copy-of-aegisus10.25x13.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20230407T180000
DTEND;TZID=America/Indiana/Indianapolis:20230521T150000
DTSTAMP:20260611T101155
CREATED:20230307T204820Z
LAST-MODIFIED:20250212T165026Z
UID:10732-1680890400-1684681200@www.bigcar.org
SUMMARY:Jason Gray: Cthutopia
DESCRIPTION:“I remember sitting in church one Sunday near Easter\, trying to pay attention to the sermon but failing. I was six or seven\, maybe. My mind wandered as I looked around the sanctuary. I started to think about these two hallways that led away from the main room. The one to the right was familiar to me; the choir room was down there and I found myself there often\, waiting for my grandparents to hang up their robes after service. The hallway to the left was a mystery. I had never been down it\, nor seen many people go in or come out. This particular Sunday I started to imagine what was down there. I pictured the hall itself to be similar to the other side\, with white walls and a white door. Opening this white door would lead you somewhere else\, though. It led to a cave of sorts\, with gray stone walls and a dusty floor: Jesus’ tomb. Jesus was in there too\, frozen in carbonite like Han Solo.\n\nAs we get older\, there seems to be less time for our imaginations to wander. We get bogged down with responsibilities and thoughts about what we need to do next. Our sense of wonder diminishes as we learn more about the world; we know the chances of discovering monsters or hidden worlds are slim. A lucky few get to live in their imagination\, like writers and filmmakers\, but most of us are stuck\, grounded by real life.\n\nThe philosopher Michael Foucault used the term “heterotopia” to describe places that deviated from the normal world. A greek word meaning “other place”\, a heterotopia is neither a utopia nor a dystopia\, but something in between\, a parallel world that is contrary to expected society and that can\, at times\, be disturbing. Foucault cited examples such as prisons\, hospitals\, and religious sanctuaries\, where one is expected to perform certain rituals to enter. These spaces are an accepted part of society\, places we deem necessary in order to exclude those that can disrupt our attempt at a utopia. What if there were places hidden from us that go beyond societal expectations and exist outside of our rules of physics and nature as we understand it?\n\nIn this body of work\, I am exploring the dream that there are still places and things we have not discovered\, things we may not even comprehend. Inside of familiar volumes such as instrument cases and terrariums\, I am creating spaces that give a glimpse of some other world\, somewhere weird and wrong. This is Cthutopia.”\n\nAbout the artist\nJason Gray is a furniture maker residing in Indianapolis. Wood is the medium most often used\, but he also dabbles in slip cast ceramics and looks for inspiration in found objects. He earned a BFA at Herron School of Art and an MFA at The University of Wisconsin – Madison.\nGray is the Lead Builder at Big Car Collaborative. He is the designer behind campus projects such as The Chicken Chapel of Love\, The Chicken Palace\, and Wandering Grove.\n\nThis exhibit is made possible by The Arts Council of Indianapolis\, The City of Indianapolis and Allen Whitehill Clowes Foundation.\n\nJeremy Efroymson Gallery\nOpening events April 7\, 6-10pm & May 5\, 6-10pm
URL:https://www.bigcar.org/event/jason-gray-cthutopia-2/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2023/02/Cthutopia.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20230407T180000
DTEND;TZID=America/Indiana/Indianapolis:20230625T150000
DTSTAMP:20260611T101155
CREATED:20230307T205352Z
LAST-MODIFIED:20250212T165039Z
UID:10735-1680890400-1687705200@www.bigcar.org
SUMMARY:Yeabsera Tabb-Tezeta
DESCRIPTION:tezeta (teh-zeh-tah): an Amharic word that roughly translates to memory\, nostalgia\, or longing \nThis body of work is an exploration of the physical and figurative aspects of “place.” On one hand\, the word “place” refers to our built environment\, choices of design\, and our interactions with the physical world. On the other hand\, it refers to a sense of belonging that is cultural and emotional–still deeply tied to the physical world\, but able to exist without it through memory. I invite the viewer to step into the threshold separating “here and now” from”‘then and there.”  \nPhysical spaces such as markets\, homes\, and schools are where most of our memories are made\, and the physicality of a space is significant in shaping our upbringing. I am deeply influenced and inspired by the colors\, textures\, and sounds that surrounded me during my childhood in Ethiopia.  \nWhen I came to the U.S. from Addis Ababa as a teenager\, I found myself existing in a liminal space. I longed for the outdoor markets\, casual coffee gatherings\, and kids kicking soccer balls on narrow streets. This was where my sense of place rested and suddenly it was nowhere to be found. I had to completely reframe my understanding of place. By acknowledging the importance of place in shaping our identity\, I explore what happens when we are separated from our places by distance and time. – Yeabsera Tabb \nAbout the Artist  \nYeabsera Tabb is an interdisciplinary visual artist with a focus in printmaking and textiles. Her work explores the intersectionalities and liminal space contained within one’s personal identity.  \nAs an artist\, Yeabsera often struggles to reconcile her pain\, bewilderment\, and anger with societal expectations to create beauty. Acknowledging anger\, joy\, and resistance\, her work exists in a complicated middle ground\, invoking the recognition and appreciation of disparate feelings and experiences. \nAfter graduating with degrees in both Design for Social Impact and Fine Arts\, Yeabsera held multiple solo and group shows in Indianapolis including a group show at Newfields. Additionally\, she was one of 10 Black woman artists named as an Emerging Visionary Artist by Shea Moisture. \n\n\nMain Gallery\nVISIT US\nWednesday -Friday 9 a.m. to 6 p.m.\nSaturday & Sunday 9 a.m. to 3 p.m.\nTube is also open until 10 p.m. each First Friday.\nClosed Holidays\n\nThis exhibit is made possible by The Arts Council of Indianapolis\, The City of Indianapolis and Allen Whitehill Clowes Foundation.
URL:https://www.bigcar.org/event/yeabsera-tabb-tezeta/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2023/03/tabbsmall.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20230412T193000
DTEND;TZID=America/Indiana/Indianapolis:20230412T210000
DTSTAMP:20260611T101155
CREATED:20230329T150003Z
LAST-MODIFIED:20230329T150003Z
UID:10771-1681327800-1681333200@www.bigcar.org
SUMMARY:African Dance with Uzuri Asad
DESCRIPTION:Join Uzuri Asad\, artist in Big Car’s Public Life Residency\, for a dose of culture\, self-care\, and community as we explore rhythms from West Africa and other parts of the Diaspora. Give your body and soul a moment to reflect and progress all at once\, meet Asad on the floor!
URL:https://www.bigcar.org/event/african-dance-with-uzuri-asad-2/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2023/01/IMG_7049.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20230414T180000
DTEND;TZID=America/Indiana/Indianapolis:20230414T220000
DTSTAMP:20260611T101155
CREATED:20230329T140218Z
LAST-MODIFIED:20230329T192231Z
UID:10752-1681495200-1681509600@www.bigcar.org
SUMMARY:Miera Thoroughgood: Through My Eyes: A multimedia archive
DESCRIPTION:I’ve lived in Indianapolis for almost 4 years\, it’s my home. I’ve explored many depths of this city. It’s a blur to me now. I see the same buildings and people every other day.  \nWith my work\, I explored the streets of Indianapolis that feel as if they were anywhere else in the world. It’s my escape. Time and space are limited in the photos. Indianapolis has been a lovely home\, but I’m ready to leave and find other places\, people\, and spaces. —Miera Thoroughgood \nLocated in the Guichelaar Gallery\, this exhibit is part of a Herron School of Art and Design Photography Senior Thesis series curated by Jane Sun Kim\, a visual artist in our long term residency program\, APLR. \nThe Guichelaar Gallery and Residency House located next door to Tube Factory at 1135 Cruft St. is a contemporary art space operated by Big Car Collaborative APLR artists. It also serves as a home for visiting artists.
URL:https://www.bigcar.org/event/miera-thoroughgood-through-my-eyes-a-multimedia-archive/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2023/03/Miera_Poster_Template-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20230419T193000
DTEND;TZID=America/Indiana/Indianapolis:20230419T210000
DTSTAMP:20260611T101155
CREATED:20230329T151025Z
LAST-MODIFIED:20230329T151025Z
UID:10773-1681932600-1681938000@www.bigcar.org
SUMMARY:African Dance with Uzuri Asad
DESCRIPTION:Join Uzuri Asad\, artist in Big Car’s Public Life Residency\, for a dose of culture\, self-care\, and community as we explore rhythms from West Africa and other parts of the Diaspora. Give your body and soul a moment to reflect and progress all at once\, meet Asad on the floor!
URL:https://www.bigcar.org/event/african-dance-with-uzuri-asad-3/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2023/01/IMG_7049.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20230421T180000
DTEND;TZID=America/Indiana/Indianapolis:20230421T220000
DTSTAMP:20260611T101155
CREATED:20230329T140452Z
LAST-MODIFIED:20230329T192258Z
UID:10755-1682100000-1682114400@www.bigcar.org
SUMMARY:Selena Ward: Sentida- A visual memoir
DESCRIPTION:Sentida is a collection of Selena Ward’s recent installation pieces that serves as a visual memoir for her surge in personal reflection and self discovery within recent years. Bookmaking\, quiltmaking and image making all feature to dissect her feelings of displacement within her own Chicana identity\, explore her obscured ancestral history\, and question conflicting ideas on beauty\, womanhood\, love\, domesticity\, and loss.  \nSelena is an undergraduate photographer and artist who uses multi-media image making\, video\, and installation as a way to look within and ground herself. From embroidering quilts with childhood memorabilia to creating colorful and indulgent images\, she is inspired by her own emotive life experiences and intricacies of life as a Mexican-American woman in this generation\, and seeks to discover and slowly reveal herself through her work. She was born in Cleveland\, Ohio\, and is based in Indianapolis\, Indiana. \nFind her on Instagram: @selenaward \nLocated in the Guichelaar Gallery\, this exhibit is part of a Herron School of Art and Design Photography Senior Thesis series curated by Jane Sun Kim\, a visual artist in our long term residency program\, APLR. \nThe Guichelaar Gallery and Residency House located next door to Tube Factory at 1135 Cruft St. is a contemporary art space operated by Big Car Collaborative APLR artists. It also serves as a home for visiting artists.
URL:https://www.bigcar.org/event/selena-ward-sentida-a-visual-memoir/
LOCATION:IN
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2023/03/Copy-of-Selena_guicelaar-promo-poster10.25x13-.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20230426T193000
DTEND;TZID=America/Indiana/Indianapolis:20230426T210000
DTSTAMP:20260611T101155
CREATED:20230329T151117Z
LAST-MODIFIED:20230329T151117Z
UID:10775-1682537400-1682542800@www.bigcar.org
SUMMARY:African Dance with Uzuri Asad
DESCRIPTION:Join Uzuri Asad\, artist in Big Car’s Public Life Residency\, for a dose of culture\, self-care\, and community as we explore rhythms from West Africa and other parts of the Diaspora. Give your body and soul a moment to reflect and progress all at once\, meet Asad on the floor!
URL:https://www.bigcar.org/event/african-dance-with-uzuri-asad-4/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2023/01/IMG_7049.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20230428T180000
DTEND;TZID=America/Indiana/Indianapolis:20230428T220000
DTSTAMP:20260611T101155
CREATED:20230329T144719Z
LAST-MODIFIED:20230329T192325Z
UID:10760-1682704800-1682719200@www.bigcar.org
SUMMARY:Benji Dorocke:Matters in E-6- Drawings From The Well 
DESCRIPTION:Drawings From The Well explores sources of individual creative spirit and drive. Within the well lies all parts of the self; from the surface we draw from daily\, to depths seldom acknowledged. At the point of overflow\, the depths begin to rise allowing those motives and feelings to become visible. I find these periodic wellings to be helpful in self understanding\, and important to growth. Every well contains all of our influences\, memories\, and perspectives; the fibers of the self held at varying depths. Multifaceted in our nature; humans take on more interests\, roles\, and traits than we are often aware of. Trips to the depths of the well can feel treacherous\, however with exploration comes clarity upon surfacing. \nBenji Dorocke is an Indianapolis based artist currently working in photo\, audio\, and video. They have been working in digital imaging since early childhood\, largely focusing on photography and design. In 2019\, they began attending the Herron School of Art and Design\, majoring in photography. Much of their work deals with themes of identity and documenting their experiences\, presented typically with a hybrid analog-digital process.  \nFind them on Instagram: @stp.lte \nLocated in the Guichelaar Gallery\, this exhibit is part of a Herron School of Art and Design Photography Senior Thesis series curated by Jane Sun Kim\, a visual artist in our long term residency program\, APLR. \nThe Guichelaar Gallery and Residency House located next door to Tube Factory at 1135 Cruft St. is a contemporary art space operated by Big Car Collaborative APLR artists. It also serves as a home for visiting artists.
URL:https://www.bigcar.org/event/benji-dorockematters-in-e-6-drawings-from-the-well/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2023/03/Copy-of-BenPromosized.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20230430T100000
DTEND;TZID=America/Indiana/Indianapolis:20230430T150000
DTSTAMP:20260611T101155
CREATED:20230402T231129Z
LAST-MODIFIED:20230403T171703Z
UID:10786-1682848800-1682866800@www.bigcar.org
SUMMARY:DUKE'S INDY + NORMAL Burrito Brunch
DESCRIPTION:Meat and Vegetarian burritos made with Tube Factory Artspace Art Chicken eggs. A Vegan option too! 10am until we run out.
URL:https://www.bigcar.org/event/dukes-indy-normal-burrito-brunch/
LOCATION:IN
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2023/04/Corrected_DukexNormalBrunchCartoon-02.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20230430T150000
DTEND;TZID=America/Indiana/Indianapolis:20230430T180000
DTSTAMP:20260611T101155
CREATED:20230329T133841Z
LAST-MODIFIED:20230329T153159Z
UID:10746-1682866800-1682877600@www.bigcar.org
SUMMARY:Current State
DESCRIPTION:Featuring more than 20 performers\, Current State is a live concert event putting the talent of IUPUI Music students on full display. Students from the undergraduate music technology program at IUPUI will present original works drawn from a wide array of musical styles including electronic pop\, house\, hip-hop\, noise\, experimental\, and beyond.
URL:https://www.bigcar.org/event/current-state-2/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2023/03/CurrentStateLogo2022.jpg
END:VEVENT
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