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X-WR-CALDESC:Events for Big Car
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TZID:America/Indiana/Indianapolis
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DTSTART:20220313T070000
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220317T080000
DTEND;TZID=America/Indiana/Indianapolis:20220801T170000
DTSTAMP:20260611T213759
CREATED:20220317T204219Z
LAST-MODIFIED:20220317T210105Z
UID:9661-1647504000-1659373200@www.bigcar.org
SUMMARY:pLopLop Vol. 14 Submission Form
DESCRIPTION:Are you a writer? Have something to say? Want to put it in print? Submit your work to PLopLop! 100 word limit. Submissions are due by August 1.\npLOpLop is an “Antholozine” of Poetry\, Prose and Artwork published by Indianapolis\, IN based visual artist\, Big Car co-founder and writer John Clark since 1992.\npLopLop has published the work of writers like Kurt Vonnegut\, Charles Bukowski\, Jack Kerouac\, Fielding Dawson\, Eileen Myles\, Gerald Locklin and more.\nInfluences: Surrealism\, Dada\, Henry Miller\, Patchen\, lo-fi indie rock\, DIY activities\, indie publishers and bookshops\, British Invasion\, mimeo-revolution\, underground writers\, garage rock and improvisation.
URL:https://www.bigcar.org/event/ploplop-vol-14-submission-form/
LOCATION:IN
CATEGORIES:Downtown Indy,Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2022/03/IMG_9429.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220804T190000
DTEND;TZID=America/Indiana/Indianapolis:20220804T230000
DTSTAMP:20260611T213759
CREATED:20220727T212124Z
LAST-MODIFIED:20220727T212149Z
UID:10145-1659639600-1659654000@www.bigcar.org
SUMMARY:Thursdays on the Mall Film Series
DESCRIPTION:Spider-Man: Into The Spider-Verse Thursday\, August 4\, 2022\, 7-11 PM \nThe Indiana War Memorials Foundation in partnership with Indy Film Fest and us at Big Car invite everyone to gather in Indy’s backyard\, American Legion Mall (700 N Pennsylvania St.) for a summer evening and free movie screening of Rocky IV on July 7. Enjoy food trucks\, beer from Sun King Brewing\, popcorn\, games\, and more. Bring a lawn chair or blanket\, soak in city views\, and spend time with your neighbors. The fun kicks off at 7 pm\, movie starts at dusk! \nSpider-Man: Into The Spider-Verse: Bitten by a radioactive spider in the subway\, Brooklyn teenager Miles Morales suddenly develops mysterious powers that transform him into the one and only Spider-Man. When he meets Peter Parker\, he soon realizes that there are many others who share his special\, high-flying talents. Miles must now use his newfound skills to battle the evil Kingpin\, a hulking madman who can open portals to other universes and pull different versions of Spider-Man into our world. \nPlease be aware this event is outdoors. Check back on the Indiana War Memorials Foundation page for weather updates.
URL:https://www.bigcar.org/event/thursdays-on-the-mall-film-series/
LOCATION:Indiana War Memorial\, 55 N Michigan Ave\, Indianapolis\, IN\, 46204\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2022/07/spiderman.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220805T080000
DTEND;TZID=America/Indiana/Indianapolis:20220805T180000
DTSTAMP:20260611T213759
CREATED:20220608T215226Z
LAST-MODIFIED:20220803T151147Z
UID:10027-1659686400-1659722400@www.bigcar.org
SUMMARY:Qahar Behzad: The Colors of Afghanistan
DESCRIPTION:Opening in Tube Factory artspace’s Guichelaar Gallery is a collection of works by Behzad created between the years 2011-2022 in Afghanistan and the US.\nBehzad grew up in Kabul in a family of book publishers\, surrounded by centuries-old historical texts and rare books of poetry in his father’s libraries and bookstores. Behzad remembers reading traditional Afghan storybooks his father published that directly influence the art he creates.\nBehzad paints about life in Afghanistan\, often from observation\, depicting places like Kabul’s busy bazaars and Afghanistan’s picturesque mountain ranges. He paints with depth and expressive color\, drawing inspiration from one of his favorite Western painters\, Claude Monet. Through these influences\, Behzad expresses his take on the rich and storied culture of his country.\nBehzad’s journey as an artist began in the mid-1990s\, when he was six years old. The Taliban had first emerged in his home country\, and Behzad’s family found safety in Pakistan. Not able to attend school yet\, he spent his days drawing. Here\, he completed his first artwork\, a drawing of former Afghan king\, Mairwais Naika\, after studying his portrait in a history book.\nHis family encouraged him to pursue development as an artist. “I had no real training or instruction in art\,” says Behzad. “I just sat down and began to draw. Everyone who looked at my drawings appreciated what my artwork stood for\, and pushed me to continue.”\nA few years later\, his family was able to resume life in their home country\, and Behzad began to explore painting in oil and watercolor. After the establishment of US military base Camp Eggers in Kabul\, Behzad became the first artist to display and sell artworks there. From 2005-2015\, he created daily in his studio on base\, producing thousands of drawings\, oil paintings\, and watercolors. Behzad’s studio became a haven of peace amid an otherwise hectic atmosphere. Soldiers and other military personnel could drop in for tea\, to observe Behzad’s creative process\, commission a painting\, or take a lesson with the artist.\nOne of the paintings featured in this exhibition\, Behzad Bookstore and Afghan Burqas was originally created by Behzad in 2009. In this piece\, a group of women dressed in traditional burqas read from shelves of books in his father’s shop in Kabul. The piece celebrates the new freedoms available to women after the first Taliban regime ended\, when they could leave their homes\, pursue education and learn their rights. In 2021\, these freedoms were again taken away. The Taliban is again denying the education and enlightenment of Afghan people\, and Behzad Bookstore has closed due to their threats. Behzad recreated this painting in 2022 to highlight this tragic regression\, and to remember better times in his country.\nBehzad’s works have gained international recognition. Some of these works include portraits of Queen Elizabeth ll commissioned by the British Ambassador to Afghanistan\, former US President George W. Bush\, for which Behzad received a personal letter of appreciation\, and former US President Barack Obama\, commissioned by his election campaign staff. The US Navy also commissioned a large canvas mural featuring a fleet of ships stationed in San Diego\, California. Behzad has completed many paintings for U.S diplomats and advisors\, NATO representatives\, and the government of Afghanistan.\n\nQahar Behzad Bio\nA self-taught artist from Kabul\, Afghanistan\, Abdul Qahar Behzad is now based in Indianapolis\, Indiana\, where he works as a Legal Assistant for Exodus Refugee Immigration. He earned a degree in Law and Political Science from Rana University in Kabul in 2020.\nBehzad was the first artist to display and sell his paintings at Camp Eggers\, a US military base in Kabul. From 2005 to 2018\, he operated painting studios there\, as well as at Camp Phoenix\, NKC (New Kabul Compound) Base\, ISAF (International Security Assistance Force) “Resolute Support” Headquarters\, Camp Cobra\, and Camp Qula House\, where he created artworks for soldiers and military personnel.\nWhen Kabul fell to the Taliban in August 2021\, Behzad was working as an artist in Kabul. Amidst the chaos and violent takeover\, former commanding US officials\, many of whom served in the Indiana National Guard\, wrote letters of support to bring him to safety in the US. Behzad evacuated to Camp Atterbury\, Indiana\, where he volunteered as an interpreter for 4 months.\nBehzad is committed to helping other refugees like himself. He is working to bring the rest of his family to safety in the US\, and advocating for the evacuation of other Afghans who still live under threat of the Taliban every day.
URL:https://www.bigcar.org/event/qahar-behzad-the-colors-of-afghanistan/
LOCATION:IN
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2022/06/IMG_0404.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220805T180000
DTEND;TZID=America/Indiana/Indianapolis:20220805T220000
DTSTAMP:20260611T213759
CREATED:20220718T203008Z
LAST-MODIFIED:20220718T203025Z
UID:10109-1659722400-1659736800@www.bigcar.org
SUMMARY:CA Davis:A Jungle\, Interrupted
DESCRIPTION:What did the jungles of Vietnam sound like before\, during\, and after the war from 1965 to 1995?\nA Jungle\, Interrupted is an experimental audio documentary and timelapse that features key moments—reimagined and repurposed through sound—over roughly thirty years before\, during\, and after the Vietnam War. Davis asks: what does the deep rumble of the free market sound like and how did it overtake the otherwise undisturbed Vietnamese rainforests? What would propel a decade of extreme\, confused violence\, and was it worth the bloodshed?\nIn his first solo exhibit\, Davis creates a room-shaking\, fifteen-minute surround sound piece that traces the tragic and deadly ironies\, lies\, and realities comprising the Vietnam War. This\, staged among ephemera and original illustrations by Chicago-based visual artist Keith Couture\, are laid bare for us to sit with and listen through in hopes that we may gain a clearer understanding of the relationship between capitalism and the endless conflicts that occur for or against its profits.\nAbout the artist:\nCA is a Black-Filipino-Italian-American multimodal storyteller and documentarian from Carmel\, Indiana currently completing his graduate degree at Northwestern University. His most recent documentary\, Inhuman Figures: Robots\, Clones\, and Aliens\, was released by the Smithsonian Asian Pacific American Center\, and he is also the creator and host of a LATTO Thought\, an audio documentary series exploring the histories and social developments of interracial life central to the United States. His work has been featured by TriQuarterly Magazine\, Filmscalpel\, and RØDE Microphones. See more of CA’s work at CADavis.me.\n“Through sound and image I explore forgotten\, overlooked\, and complex histories of racial colonialism and imperialism perpetrated by the United States to better understand mixed racial American identities in the present. The nature of race is not biological\, but it is material—our bodies are the historical evidence of oppression\, economics\, love\, war\, social justice\, and moral bankruptcy. As such\, I captivate my audiences with intricately edited stories\, sound designs\, and films so as to better invite people to learn from otherwise difficult history.”\nCurator: Sylver Wallace\nMade possible by The Andy Warhol Foundation for the Visual Arts.
URL:https://www.bigcar.org/event/ca-davisa-jungle-interrupted/
LOCATION:Listen Hear\,  2620 Shelby St\, \, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2022/07/cajungleinterrrupted.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220805T180000
DTEND;TZID=America/Indiana/Indianapolis:20221016T180000
DTSTAMP:20260611T213759
CREATED:20220701T141032Z
LAST-MODIFIED:20220724T162745Z
UID:10079-1659722400-1665943200@www.bigcar.org
SUMMARY:LaShawnda Crowe Storm-Sister Song:The Requiem
DESCRIPTION:Sister Song: The Requiem is a community-based project that examines how art and community co-creation processes can be used to heal the intergenerational trauma associated with enslavement and its aftermaths. The project\, led by artist LaShawnda Crowe Storm\, blurs the lines between the public and private by transforming mundane places into sacred spaces through public rituals.  \n A requiem is an act of remembrance for the dead. How does honoring the dead give life to the living? How do the living remember their histories while creating new futures? How does embracing  history help us release specific traumas and move toward a future where healing is possible? We explore these questions through the community co-creation process that is at the heart of Requiem: womb making. \n Each womb is handcrafted and designed in wax by Crowe Storm\, then cast in aluminum. After casting is completed\, Crowe Storm invites artists and community members to choose a womb. Womb makers then adapt and modify the womb by following these simple directions: Make this into a talisman or spiritual object to heal your/our histories\, be willing to allow what needs to emerge to emerge\, and transform the womb to reflect a vision of healing. Each womb maker must also be willing to continuously ask themselves the question\, “How do I reclaim the ‘spirit of the womb’ when that spirit has been stolen\, harmed\, wounded?”  \n Requiem is the second iteration of Sister Song. The first included 8 wombs that were installed as part of the exhibit Keeper of My Mothers’ Dream (2017\, Indianapolis).   Requiem incudes nearly 50 vessels on exhibition: the wombs by the original 8 participants along with 40 others\, some invited by the original womb makers and others identified by Crowe Storm. In addition\,  some of the original 8 womb makers created new wombs. The exhibit also includes newly commissioned poems by Maria Hamilton Abegunde. \nParticipating womb makers include: Abegunde\, Afriye We-Kandodis\, Alice Berry\, Ariana Beedie\, Bambi Aldridge\, Breon Tyler\, Clare Wildhack-Nolan and Ezmae Wildhack-Cain\, D. Olivia Jones\,  Joyce Moore\, Juaquita Callaway\, Julia Rodreguiz \, Keesha Dixon\, Kianga Jinaki\, LaToya Marlin\, Lillis Taylor\, Malaika Baxa\,  Marilyn Kunkle\, Melissa Larimer\, Monica Johnson\, N’dieye Gray Danavall\, Phyllis Boyd\, Ronda Chapman\, Samantha Horton\,  Sharon Clark\, Shauta Marsh\, Stacia Murphy\, Stephanie Roberston\, Trish Williams\, Tysha Ahmad\, Uzuri Asad\, Val Tate\, Veronica Schwartz DeFazio\, Viola Moten Ratcliffe\, Yolanda Echols and Yvette Upton. \nLaShawnda Crowe Storm is a mixed media and community-based artist\, activist\, community builder and occasionally an urban farmer. Whether making artwork or sowing seeds\, she uses her creative power as a vehicle for dialogue around topics such as racial and gender violence\, social change and justice. At the core of her practice is a desire to create community; any community in which the process of making art creates a space for difficult discussions with an eye towards community healing. She has received numerous awards for art and community activism. Crowe Storm received an M.F.A. from The School of the Art Institute of Chicago in 2004. \nImage: LaShawnda Crowe Storm\, “Mother At The Crossroads\,” bronze\, 2021. Photographer: Polina Osherov. \nMade possible by Mr. & Mrs. Craig E Von Deylen and Laurel S Judkins with support from The Andy Warhol Foundation for the Visual Arts\, The Arts Council of Indianapolis\, The Arts Council of Indianapolis and The Efroymson Family Fund.
URL:https://www.bigcar.org/event/lashawnda-crowe-storm-sister-songthe-requiem/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2022/07/lashawnda2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220806T150000
DTEND;TZID=America/Indiana/Indianapolis:20220806T170000
DTSTAMP:20260611T213759
CREATED:20220724T163036Z
LAST-MODIFIED:20220724T163036Z
UID:10121-1659798000-1659805200@www.bigcar.org
SUMMARY:Sister Song Womb Makers Artist Talk
DESCRIPTION:Hear from some of the artists and community members that LaShawnda Crowe Storm invited to create a womb. Womb makers adapted and modified the womb by following these simple directions: “Make this into a talisman or spiritual object to heal your/our histories\, be willing to allow what needs to emerge to emerge\, and transform the womb to reflect a vision of healing.”\nEach womb maker had to continuously ask themselves the question\, “How do I reclaim the ‘spirit of the womb’ when that spirit has been stolen\, harmed\, wounded?”\nWomb makers: Abegunde\, Afriye We-Kandodis\, Alice Berry\, Ariana Beedie\, Bambi Aldridge\, Breon Tyler\, Clare Wildhack-Nolan and Ezmae Wildhack-Cain\, D. Olivia Jones\, Joyce Moore\, Juaquita Callaway\, Julia Rodreguiz \, Keesha Dixon\, Kianga Jinaki\, LaToya Marlin\, Lillis Taylor\, Malaika Baxa\, Marilyn Kunkle\, Melissa Larimer\, Monica Johnson\, N’dieye Gray Danavall\, Phyllis Boyd\, Ronda Chapman\, Samantha Horton\, Sharon Clark\, Shauta Marsh\, Stacia Murphy\, Stephanie Roberston\, Trish Williams\, Tysha Ahmad\, Uzuri Asad\, Val Tate\, Veronica Schwartz DeFazio\, Viola Moten Ratcliffe\, Yolanda Echols and Yvette Upton\nMade possible by Mr. & Mrs. Craig E Von Deylen and Laurel S Judkins with additional support from The Andy Warhol Foundation for the Visual Arts.
URL:https://www.bigcar.org/event/sister-song-womb-makers-artist-talk/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2022/07/motheratthecrossroads-sm.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220817T190000
DTEND;TZID=America/Indiana/Indianapolis:20220817T203000
DTSTAMP:20260611T213759
CREATED:20220712T234340Z
LAST-MODIFIED:20220712T234340Z
UID:10101-1660762800-1660768200@www.bigcar.org
SUMMARY:Amy Kligman and Ish Muhammad In Conversation
DESCRIPTION:Learn more about two of the artists selecting this year’s Power Plant Grant recipients!\nAmy Kligman has been the Executive Artistic Director at Charlotte Street Foundation in Kansas City\, MO since 2015. Kligman’s career and experience as an exhibiting artist and grassroots curator/arts administrator spans 20 years of studio & exhibition work\, independent curating and organizing\, and artist-run projects. In 2011 Kligman was one of a team of 5 artist-curators who established Plug Projects\, an artist-run project space in Kansas City’s West Bottoms that hosted a robust & nationally recognized calendar of exhibitions and artist-centered programming.\n\nIsh Muhammad is a self-taught artist residing in Northwest Indiana. Muhammad’s work\, post-graffiti abstract expressionism\, is exhibited in galleries\, museums\, and site-specific installations nationally. He is a founding member of Crazy Indiana Style Artists (CISA). CISA is recognized as Indiana’s first Latino Art Collective.
URL:https://www.bigcar.org/event/amy-kligman-and-ish-muhammad-in-conversation/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2022/07/Amyishjpg.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220819T190000
DTEND;TZID=America/Indiana/Indianapolis:20220819T210000
DTSTAMP:20260611T213759
CREATED:20220517T185013Z
LAST-MODIFIED:20220517T204005Z
UID:9981-1660935600-1660942800@www.bigcar.org
SUMMARY:Milford Graves-Full Mantis
DESCRIPTION:MILFORD GRAVES FULL MANTIS is the first ever feature-length portrait of renowned percussionist Milford Graves\, exploring his kaleidoscopic creativity and relentless curiosity.\nGraves has performed internationally since 1964\, both as a soloist and in ensembles with such legends as Albert Ayler\, Giuseppi Logan and Sonny Sharrock. He is a founding pioneer of avant-garde jazz\, and he remains one of the most influential living figures in the evolution of the form.\nThe film draws the viewer through the artist’s lush garden and ornate home\, into the martial arts dojo in his backyard and the laboratory in his basement – all of this just blocks from where he grew up in the housing projects of South Jamaica\, Queens.\nGraves tells stories of discovery\, struggle and survival\, ruminates on the essence of ‘swing\,’ activates electronic stethoscopes in his basement lab to process the sound of his heart\, and travels to Japan where he performs at a school for children with autism\, igniting the student body into an ecstatic display of spontaneous collective energy.\nOscillating from present to past and weaving intimate glimpses of the artist’s complex cosmology with blistering performances from around the globe\, MILFORD GRAVES FULL MANTIS is cinema full of fluidity\, polyrhythm and intensity\, embodying the essence of Graves’ music itself.\nLive performance by Tyler Damon.\nPresented in partnership with Rhythm! Discovery Center and Kan Kan Cinema.
URL:https://www.bigcar.org/event/milford-graves-full-mantis/
LOCATION:Kan-Kan Cinema\, 1258 Windsor St.\, Indianapolis\, IN\, 46201\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2022/05/1920sm.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220820T150000
DTEND;TZID=America/Indiana/Indianapolis:20220820T170000
DTSTAMP:20260611T213759
CREATED:20220724T163504Z
LAST-MODIFIED:20220724T163504Z
UID:10123-1661007600-1661014800@www.bigcar.org
SUMMARY:Dear Black Girl with Tamara Winfrey Harris
DESCRIPTION:A public reading and discussion around the book “Dear Black Girl: Letters from Your Sisters About Stepping Into Your Power.”\n\nTamara Winfrey-Harris is a writer who specializes in the ever-evolving space where current events\, politics and pop culture intersect with race and gender. She says\, “I want to tell the stories of Black women and girls\, and deliver the truth to all those folks who got us twisted—tangled up in racist and sexist lies. I want my writing to advocate for my sisters. We are better than alright. We are amazing.”\nTamara is the author of two books: The Sisters Are Alright: Changing the Broken Narrative of Black Women in America (Berrett-Koehler Publishers 2015) and Dear Black Girl: Letters From Your Sisters On Stepping Into Your Power (Berrett-Koehler Publishers 2021). The award-winning Sisters\, now in its second edition\, has been optioned by Wise Entertainment and Gabrielle Union’s production company I’ll Have Another to be turned into a dramedy for television.\nTamara’s work has been published in media outlets\, including including The New York Times\, The Atlantic\, Cosmopolitan\, New York Magazine and The Los Angeles Times. And her essays appear in The Lemonade Reader: Beyonce\, Black Feminism and Spirituality (Routledge\, 2019); The Burden: African Americans and the Enduring Impact of Slavery (Wayne State University Press\, 2018); Black in the Middle: An Anthology of the Black Midwest (Black Belt Publishing\, 2020); and other books.\nTamara is co-founder of Centering Sisters\, LLC\, an organization that unapologetically addresses the needs and issues of Black women and girls; and the Black Women’s Writing Society\, a monthly virtual space for Black femme creatives. She is also a certified yoga teacher who focuses her work on the healing and well-bring of her sisters.\nTamara is a native of Gary\, IN\, and a proud member of Alpha Kappa Alpha\, Sorority\, Inc. She graduated with a BA degree from the Greenlee School of Journalism at Iowa State University.\n\nMade possible by Mr. and Mrs. Craig E Von Deylen and Laurel S Judkins with additional support from the Andy Warhol Foundation for the Visual Arts.
URL:https://www.bigcar.org/event/dear-black-girl-with-tamara-winfrey-harris/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:conference,Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2022/07/dearblackgirl.jpg
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