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X-WR-CALDESC:Events for Big Car
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TZID:America/Indiana/Indianapolis
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TZOFFSETFROM:-0500
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DTSTART:20220313T070000
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DTSTART:20221106T060000
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220317T080000
DTEND;TZID=America/Indiana/Indianapolis:20220801T170000
DTSTAMP:20260612T015341
CREATED:20220317T204219Z
LAST-MODIFIED:20220317T210105Z
UID:9661-1647504000-1659373200@www.bigcar.org
SUMMARY:pLopLop Vol. 14 Submission Form
DESCRIPTION:Are you a writer? Have something to say? Want to put it in print? Submit your work to PLopLop! 100 word limit. Submissions are due by August 1.\npLOpLop is an “Antholozine” of Poetry\, Prose and Artwork published by Indianapolis\, IN based visual artist\, Big Car co-founder and writer John Clark since 1992.\npLopLop has published the work of writers like Kurt Vonnegut\, Charles Bukowski\, Jack Kerouac\, Fielding Dawson\, Eileen Myles\, Gerald Locklin and more.\nInfluences: Surrealism\, Dada\, Henry Miller\, Patchen\, lo-fi indie rock\, DIY activities\, indie publishers and bookshops\, British Invasion\, mimeo-revolution\, underground writers\, garage rock and improvisation.
URL:https://www.bigcar.org/event/ploplop-vol-14-submission-form/
LOCATION:IN
CATEGORIES:Downtown Indy,Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2022/03/IMG_9429.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220506T180000
DTEND;TZID=America/Indiana/Indianapolis:20220613T150000
DTSTAMP:20260612T015341
CREATED:20220221T193910Z
LAST-MODIFIED:20220526T174041Z
UID:9554-1651860000-1655132400@www.bigcar.org
SUMMARY:Mary Ann Michna-Art Influenced By The Road
DESCRIPTION:May 6-22 Guichelaar Gallery\n“I have been a longtime enthusiast of American roadside culture that began with childhood trips with my family in the 1950s and 60s. One summer car trip in our 1961 Comet took us to Panama City\, Florida and in the following year a western trip to Yellowstone Park to see Old Faithful geyser.\nMy most memorable journey was riding a Greyhound bus with my mother to visit a cousin from Decatur\, Georgia. The bus seemed to stop quite frequently in small towns along the way and it gave me a small window of opportunity to experience those\ncommunities while they were still in good condition. I was given a moment in time to glance at the neon signs\, diners serving “Good Food\,” and movie theater marquees advertising Jerry Lewis in “The Bellboy.”\nFor the last twenty years\, my painting and photography have been influenced by my ongoing search for these roadside remnants of the past. My process usually involves spending a block of time shooting photographs during a road trip and then editing the imagery that works for me. Recently\, I spent a week traveling Route 66 through Illinois and Missouri and took a second trip this past summer on the Lincoln Highway in lowa. Usually\, I use my photo references for producing acrylic paintings\, but I have also been experimenting with various computer programs such as Corel Painter and have produced a body of work consisting of digital paintings. For me it has been a way to combine an artist’s skills as a painter and a photographer.”-Mary Ann Michna\n\n“Mary Ann Michna won an award for her short documentary Remembering James Dean\, 1989. The recognition\, given by Video Review magazine\, was titled the “Real Life” award. How apropos of her American art. The reviewer cited Michna’s care and poignancy in portraying the sincere admiration fans expressed for the late actor.This care for the past is key to Michna’s art; she seeks moments\, events\, icons of our past that still speak. Her worlds embrace ordinary life in America and her bond to the everyday makes Michna part of the long history of American artists seeking to commemorate aspects of life in our country. Robert Henri and the Ashcan School over one hundred years ago challenged the Academy for the right to paint everyday life in America Michna proves what Henri wrote in 1923 (updated)\, “Painting is the expression of ideas in their permanent form. It is the giving of evidence. It is the study of our lives\, our environment. The American who is useful as an artist is one who studies her own life and records her experiences; in this way she gives evidence. Fleeting evidence expressed in permanent form.”–Rusty Freeman\n\nPart of our Social Alchemy Project in partnership with University of Southern Indiana & The New Harmony Gallery of Contemporary Art- this exhibit was made possible by Indiana Humanities\, Allen Whitehill Clowes Charitable Foundation\, The Arts Council of Indianapolis\, The City of Indianapolis and The Efroymson Family Fund.
URL:https://www.bigcar.org/event/mary-ann-michna-art-influence-by-the-road/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2022/02/michna-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220506T180000
DTEND;TZID=America/Indiana/Indianapolis:20220717T180000
DTSTAMP:20260612T015341
CREATED:20220407T171905Z
LAST-MODIFIED:20220504T142936Z
UID:9851-1651860000-1658080800@www.bigcar.org
SUMMARY:Juan Chawuk: Iridiscencia Cultural
DESCRIPTION:Juan Chawuk invites viewers to experience his home state of Chiapas\, Mexico through paintings\, photography\, sculptures and murals. As part of an ongoing series\, this work shines light on the multicultural citizens of Chiapas\, how they’ve coexisted for centuries\, and how conflict there has fostered new ways of creating.\nAs an indigenous Maya Tojobal artist\, Chawuk’s photographs show how cultures fuse together a shared iconography including some imposed by outside cultures with what remains from traditions of the past — including from the land’s ancient cultures. These icons generate dialogue and reflect emotional colors and shapes\, leading to surprises. The series of small paintings are more mythical with a touch of the magical realism often linked with Latin American art and literature. Featuring live models and jungle animals\, the paintings’ brushstrokes suggest the magnificent handicrafts of the Chiapas region. And the sculpture is made of mud and fibers from the jungle that the Lacandones people once used for tunics. This piece encourages viewers to experience the Chiapas cultures and their nature.\nChawuk’s interpretations transform perceptions of Chiapas and allow viewers to experience the creative iridescence (a reflection of various colors\, similar to a rainbow) that his senses capture in these works.\n\nThe exhibit is a partnership with Arte Mexicano en Indiana and curated by its founder\, Eduardo Luna. Luna is a social practice artist\, cultural promoter and advocate for Mexican identity and Latina/o/x culture. Luna hails from the state of Guerrero\, the city of Acapulco\, in the Costa Chica region of southern Pacific Mexico. Since 2012\, he has been curating events featuring artists of Mexican and Latina/o/x heritage for diverse Indiana audiences. Eduardo is a co-founder of Nopal Cultural\, La Sardina Gallery\, and Radio Calaca (formerly Espanglish Night)\, and has served for many years as Big Car staff artist. Arte Mexicano en Indiana was founded in 2020\, with a mission to encourage and promote Mexican art\, music\, and culture in Indiana through collaborations and by organizing and promoting public events. “Our vision is that people of Mexican heritage develop pride in their cultural heritage\, and that native Hoosiers develop a richer perspective on the Mexican people and the culture we contribute to Indiana\,” says Eduardo. He is a member of the international Mexican Cultural Art Alliance (MCAA)\, a group of Mexican and Mexican-American arts administrators started by Carlos Tortolero\, founder of the National Museum of Mexican Art.\n\nJuan Chawuk: Iridiscencia Cultural\nLa percepción de la cultura de Chiapas se transforma con las interpretaciones. Ahí surge la iridiscencia (Reflejo de colores distintos\, generalmente como los del arco iris)creativa que captan mis sentidos y que se manifiesta a través de estas obras.\nEn esta muestra de tres series\, hago referencia a esas interacciones en el tiempo que muestran a Chiapas como hogar de varias culturas milenarias en gran agitación global\, con una identidad en constante conflicto que se expresa en nuevas maneras de crear.\nLa serie de fotografías es una muestra clara de una combinación de filosofías y creencias religiosas; la interpretación de las imágenes impuestas por una cultura externa con lo local\, el pasado remoto de una cultura milenaria\, pero que en la actualidad tienen interlocución y genera los prismas que reflejan colores emocionales y formas que sorprenden a la vida diaria.\nEsta serie de fotos se hizo reflexionando sobre las emociones que provoca las fusiones de iconografías.\nLa serie de obras pequeñas es más mítica y su toque de realismo mágico identifica a Latinoamérica con los procesos creativos\, desde modelos en vivo hasta animales de la selva. Sus pinceladas recuerdan las energías de la naturaleza que se mezclan con las magníficas obras artesanales de la región Chiapaneca.\nAsimismo\, la serie de piezas de barro y fibras de la selva que antes utilizaban los lacandones para túnicas\, juega con las estampas de los textiles sin ser tan obvias pero pretende llevar al espectador a rememorar un Chiapas que\, si ya lo conoce\, se transforma en experiencia que revive. Y si aún no lo conoce\, transporta al espectador a Chiapas y sus textiles en un contexto contemporáneo\, fantástico y creativo que invita a una experiencia de vida con estas culturas y su naturaleza.\nQue esta muestra sea una manera de conocer una parte de México que se identifica con lo global contemporáneo pero con una raíz muy valiosa de su pasado milenario.\n\n\nMade possible by Arte Mexicano en Indiana\, The Arts Council of Indianapolis\, The City of Indianapolis and The Andy Warhol Foundation for the Visual Arts.
URL:https://www.bigcar.org/event/juan-chawuk-iridiscencia-cultural/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2022/04/IMG_4060.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220509T090000
DTEND;TZID=America/Indiana/Indianapolis:20220710T233000
DTSTAMP:20260612T015341
CREATED:20220506T164351Z
LAST-MODIFIED:20220506T164351Z
UID:9918-1652086800-1657495800@www.bigcar.org
SUMMARY:Power Plant Grants are back for 2022! Visual artists\, teams\, artist-run spaces apply for grants up to $10\,000
DESCRIPTION:Power Plant Grants are back for 2022! Visual artists\, teams\, artist-run spaces apply for grants up to $10\,000\n\nHow it works: A panel of out-of-state and local jurors will select artists to receive Power Plant grants between $2\,000-$10\,000. Applications will be available online May 9 and are due July 10\, 2022. Eligible applicants are…\n\n\nVisual/multidisciplinary artists who create original work in painting\, drawing\, sculpture\, book art\, ceramics\, fiber\, printmaking\, digital media\, film\, video\, photography\, performance art\, sound art\, social practice\, interdisciplinary practice of any/all of the above.\n21 or over at the time of the application\, and not full-time students.\nArtists who live and/or work in Indianapolis.\nTeams\, partnerships\, and unincorporated individuals running spaces.\n\nFunding for Power Plant comes to Big Car via a grant from the Andy Warhol Foundation for the Visual Arts through its Regional Re-Granting Program\, the Warhol Foundation supports partners like us across America to\, in turn\, support visual artists.\nPower Plant grants are facilitated by the nonprofit arts organization\, Big Car Collaborative and are made possible by funding from the Andy Warhol Foundation for the Visual Arts. \nFor more information\, and to apply\, visit powerplantgrant.org
URL:https://www.bigcar.org/event/power-plant-grants-are-back-for-2022-visual-artists-teams-artist-run-spaces-apply-for-grants-up-to-10000/
LOCATION:IN
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2021/01/BigCar-PowerPlantGrant-logo_rev3_horizontal.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220602T110000
DTEND;TZID=America/Indiana/Indianapolis:20220602T130000
DTSTAMP:20260612T015341
CREATED:20220506T165124Z
LAST-MODIFIED:20220531T153400Z
UID:9922-1654167600-1654174800@www.bigcar.org
SUMMARY:Lunchtime at Lockerbie Returns
DESCRIPTION:This summer\, we’ll welcome local musicians\, artists sharing creative activities\, and food trucks at Lockerbie Marketplace — a lovely downtown greenspace next to Needler’s Fresh Market. Ping pong\, foosball\, and giant jenga are always available for additional entertainment as we enjoy live music and local food. \nWe’re also looking for food and art vendors! \nIf you’re interested in being a featured food truck at Lockerbie Marketplace for lunchtime on Thursdays from mid May until mid October. We don’t charge any fees and you can use the space to operate beyond lunch hours if you’d like. If you’re interested in being a featured food truck\, email us. Also\, we’re going to be hosting some after-work happy hour mini-markets. So if you are an artisan vendor let us know if you’d be interested. Lastly\, let us know if you’d like to bring your food truck or vendor table to Tube Factory as we look forward to expanding as construction winds down this summer on our outdoor space.
URL:https://www.bigcar.org/event/lunchtime-at-lockerbie-returns/
LOCATION:Lockerbie Marketplace\, 320 N New Jersey St\, Indianapolis\, IN\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2022/05/lockerbie.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220603T180000
DTEND;TZID=America/Indiana/Indianapolis:20220603T220000
DTSTAMP:20260612T015342
CREATED:20220526T174320Z
LAST-MODIFIED:20220526T174355Z
UID:9985-1654279200-1654293600@www.bigcar.org
SUMMARY:Tsanavi Spoonhunter Select Short Films
DESCRIPTION:“Purple Flower Girl”\nRaised from humble beginnings in a rural town\, artist Jean LaMarr celebrates her cultural traditions while making a name for herself in the larger art world. Purple Flower Girl will take viewers into a space meant for those who are unfamiliar with LaMarr’s legacy and its impact.\nDirector and Producer: Tsanavi Spoonhunter\nCinematographer and Colorist: Christian Lee Collins\nComposer and Re-Recording Mixer: Conor Chee\nEditor: James Tensuan\n“Sagebrush Heathen”\nJack Malotte’s work showcases the Native American experience by way of art\, and challenges Nevada’s political landscape around extraction and nuclear test sites on tribal lands. From his remote reservation in rural Nevada\, Malotte presents a unique perspective of what it means to be\, what he describes\, a Sagebrush Heathen.\nDirector and Producer: Tsanavi Spoonhunter\nCinematographer and Editor: Tim Lenard\nComposer: Sage Romero\nTsanavi Spoonhunter was born and raised in Payahuunadü— “the land of flowing water\,” homelands of her Paiute people— located in Owens Valley\, California. She is also a proud citizen of the Northern Arapaho Tribe of the Wind River Indian Reservation in Wyoming.\nHer ancestry and upbringing in Indian Country have strongly informed her storytelling and artistic vision. Some of her published works have included federal government funding for tribes\, jurisdictional issues between governing agencies and economic development on tribal lands.\nSpoonhunter’s educational background is rooted in journalism. She earned her Bachelor of Arts degree from the Reynolds School of Journalism at the University of Nevada\, Reno; and a Masters of Journalism degree from the Graduate School of Journalism at the University of California\, Berkeley with a focus on documentary film.\nHer master’s thesis film\, Crow Country: Our Right to Food Sovereignty (2020)\, has screened at festivals and selected venues across the country and has won numerous awards including Best Documentary Short from the American Indian Film Festival. In all\, her short films have screened on Alaska Airlines\, at the National Museum of the American Indian\, The Redford Center\, art museums and PBS affiliates.\nShe serves as director and producer on her first feature-length documentary titled Holder of the Sky (2023). The film has received support from SFFilm\, the International Documentary Association\, Sundance Institute\, the National Endowment for the Humanities\, the Center for Independent Documentary\, the Native American Media Alliance and the Logan Nonfiction Program. It is currently in production.\nSpoonhunter is a 2022 Sundance Institute Humanities Sustainability Fellow\, SFFilm FilmHouse Resident and First People’s Fund Fellow. As a Native American reporter and filmmaker\, her goal is to pursue the highest levels of accuracy and ethical standards when telling stories about communities across the United States\, and abroad.\n\nImage from artist Jean LaMarr.
URL:https://www.bigcar.org/event/tsanavi-spoonhunter-select-short-films/
LOCATION:IN
CATEGORIES:Film,Garfield Park,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2022/05/2020_LaMarr_004-888x796.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220603T180000
DTEND;TZID=America/Indiana/Indianapolis:20220724T150000
DTSTAMP:20260612T015342
CREATED:20220426T180956Z
LAST-MODIFIED:20220426T180956Z
UID:9870-1654279200-1658674800@www.bigcar.org
SUMMARY:Rob Funkhouser- Study In Place
DESCRIPTION:Study in Place is a set of interactive sound sculptures and instruments that celebrate the everyday sounds and objects around us. An attempt to unify diverse threads in his creative practice\, daily life\, and occupation\, Funkhouser seeks a reckoning with the tension between falling into routine and cultivating long-term personal growth. \n“Moving to Indianapolis caused in me this profound\, almost cosmic\, sense of being in the right place at the right time. It afforded me both the right economic circumstances\, and artistic community to begin a period of joyful exploration into my own art and identity. Having lived the better part of a decade here\, changes in all aspects of life have surfaced a need to take an inventory and rediscover my place in life– both literally and artistically\,” says Funkhouser who previously lived in his hometown of Richmond\, Indiana. \nThis show also features the first exhibition of a collaboration between Funkhouser and his neighbor and visual artist\, Justin Cooper (both are residents in Big Car’s Artist and Public Life housing program). Each piece they made together features a flower found in the Garfield Park neighborhood\, many of which have taken up residence in their respective yards.“ \nThe kalimbas and sound boxes represent the fruit of many conversations had on one porch or another\, and approximately 55 gallons of coffee between us\,” says Funkhouser. “Living close to each other\, we were able to slowly build a set of instruments that both pushed into new aesthetic territory and helped grow a shared language of form.”In a time where content is being created and served on a bigger scale than any one person can possibly keep up with\, Funkhouser shares with his audience the possibilities that music affords us as a medium to connect to place and each other. \nAbout the artist \nRob Funkhouser is a composer\, performer\, and instrument builder who can never quite sit still. His work is concerned with ideas of place\, memory\, and pattern and he is interested in interrogating the interstitial spaces between established genres. He holds an M.M. from Butler University in Music Composition\, and most recently completed Peace of Mind\, Speed of Thought for Classical Music Indy. He has released recordings\, curated performances\, and installed works in many places both around Indianapolis and in many other parts of the country. In 2020\, he began a long-term living residency with Big Car as part of their APLR program\, and served as a resident artist for Cat Head Press in collaboration with Landon Caldwell. He also serves as Education Manager for the Rhythm Discovery Center\, where he runs public programming for schools and community members. He has collaborated with diverse groups including Forward Motion\, Los Angeles Percussion Quartet\, No Exit Theater\, and Chicago-based director Ryan Gleason. \nMade possible through the generous support of The Efroymson Family Fund. Additional support provided by The Andy Warhol Foundation for the Visual Arts\, The Arts Council of Indianapolis and the City of Indianapolis.
URL:https://www.bigcar.org/event/rob-funkhouser-study-in-place/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2022/04/RFunkhouser-Study-In-Place-Postcard-sm.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220614T180000
DTEND;TZID=America/Indiana/Indianapolis:20220614T190000
DTSTAMP:20260612T015342
CREATED:20220531T154337Z
LAST-MODIFIED:20220531T154444Z
UID:10012-1655229600-1655233200@www.bigcar.org
SUMMARY:Power Plant Grant Information Session
DESCRIPTION:In 2022\, we’ll host several outreach sessions to add clarification and insight to the Power Plant Grant process. Join virtually or in-person: \nJune 14\, 2022 at 6 p.m. (EST) via Zoom. Join here. \nJune 29\, 2022 at 6 p.m. (EST) at Tube Factory artspace (1125 Cruft St\, Indianapolis\, IN 46203)
URL:https://www.bigcar.org/event/power-plant-grant-information-session-4/
LOCATION:IN
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2021/01/PowerPlantGrant-icon-sqr.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220629T180000
DTEND;TZID=America/Indiana/Indianapolis:20220629T190000
DTSTAMP:20260612T015342
CREATED:20220531T154629Z
LAST-MODIFIED:20220531T154629Z
UID:10016-1656525600-1656529200@www.bigcar.org
SUMMARY:Power Plant Grant Information Session
DESCRIPTION:We’re hosting several outreach sessions to add clarification and insight to the Power Plant Grant process. Join virtually or in-person: \n\n\nJune 14\, 2022 at 6 p.m. (EST) via Zoom. Join here. \n\n\nJune 29\, 2022 at 6 p.m. (EST) at Tube Factory artspace (1125 Cruft St\, Indianapolis\, IN 46203)
URL:https://www.bigcar.org/event/power-plant-grant-information-session-5/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2021/01/PowerPlantGrant-icon-sqr.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220630T110000
DTEND;TZID=America/Indiana/Indianapolis:20220630T130000
DTSTAMP:20260612T015342
CREATED:20220627T205126Z
LAST-MODIFIED:20220627T205148Z
UID:10058-1656586800-1656594000@www.bigcar.org
SUMMARY:Lunchtime at Lockerbie Marketplace
DESCRIPTION:Join us on Thursdays at Lockerbie Marketplace — a lovely downtown greenspace next to Needler’s Fresh Market. Ping pong\, foosball\, and giant Jenga are always available for additional entertainment as we enjoy music and local food by That Vegan Joint. \nAll events are free at 320 N New Jersey Street in the greenspace right off the Cultural Trail \nCheck out bigcar.org/lockerbie for details and updates. \n\nWe’re also looking for food and art vendors! \nIf you’re interested in being a featured food truck at Lockerbie Marketplace for lunchtime on Thursdays from mid May until mid October. We don’t charge any fees and you can use the space to operate beyond lunch hours if you’d like. If you’re interested in being a featured food truck\, email us. Also\, we’re going to be hosting some after-work happy hour mini-markets. So if you are an artisan vendor let us know if you’d be interested. Lastly\, let us know if you’d like to bring your food truck or vendor table to Tube Factory as we look forward to expanding as construction winds down this summer on our outdoor space.
URL:https://www.bigcar.org/event/10058/
LOCATION:Lockerbie Marketplace\, 320 N New Jersey St\, Indianapolis\, IN\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2022/06/IMG_146122.jpg
ORGANIZER;CN="Big Car Collaborative":MAILTO:info@bigcar.org
END:VEVENT
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