Big Car

Have You Seen This? …. Hold Up Let Me Find It Real Quick
2018-05-28 19:00 - 21:00, 2018-04-30 19:00 - 21:00 (America/Indiana/Indianapolis) | Listen Hear, 2620 Shelby St, , Indianapolis, IN, 46203, United States
Grab a beer, share a laugh, shed a tear and share internet videos on the big screen. “Have You Seen This? …. Hold Up Let Me Find It Real Quick” is a new installment into which we hand you the reigns to the fabulous world wide web. Attendees will be free to contribute to a sign up sheet where you will present that one Youtube video that captivates your soul. Got this wild Kpop music video you’ve been dying to share? Let it rip! You have this weird mini doc about recycling sea trash gathering in our oceans? Seems pretty chill.
The evening will begin with a few videos curated by professional Youtube watchers.
Image still from ZIBER by Andrey Kasay

De Aquí y De Allá (From Here and There): featuring artist Eddie Calaca
2018-05-26 13:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
A monthly series hosted by Eduardo Luna interviewing artists who have immigrated to Indianapolis from other countries.

The Immigrant Yarn Project-KnitNight
2018-05-24 17:30 - 18:30 | IN
Would you like to be part of a nation-wide community art project?
Hundreds of artist / knitter / activists from around the country are collaborating in a single, magnificent gesture of unity, solidarity, and yarn-based creativity in a celebration of our nation’s glorious diversity. Organized nationally by Enactivist, a San Francisco-based 501(c)(3), the project is brought to Indianapolis by Mary Jo Bayliss. There is no cost at all to be part of this project and it is a purely democratic (by the people) and colossal work of public art, representing a cross section of the American experience. We think it’s time to rise above division and come together to celebrate what we all have in common – citizenry in a nation composed of diverse backgrounds, families, politics, faiths, identities and ideas.
Countless small squares and pieces have come into the studio, and more knitted by immigrants and their descendants arrive everyday. From high schools to retirement centers, from California to Maine, we have collected these works of art, representing a personal or familial story. The pieces are compiled, sewn together and fashioned into over 100 sculptural columns, in a single colossal work of yarn-based art. First displayed at Fort Point National Historic Site, at the foot of the Golden Gate Bridge in San Francisco in May 2019, and then in locations throughout the USA, the Immigrant Yarn Project will provide a testament to the creative spirit of our shared immigrant heritage. It is a celebration of our national gestalt, where the whole is different and as magnificent as the sum of its parts.
See https://enactivist.org/ to learn more about the organization behind this nationwide public art project.

Landscape in the Mist
2018-05-23 18:30 - 21:30 | IN
“Landscape in the Mist,” the final chapter in Angelopoulos’ ‘Trilogy of Silence’, was both a political film and a personal one. This mesmerizing, heartbreaking and hauntingly beautiful allegorical tale was a poignant portrait of the perennial yet futile search for identity and a compassionate father figure by the people of Greece, a country tormented along the better part of 20th century by political turbulence and disillusionment. The story chronicles the journey of two kids – Voula (Tania Palaiologou), a prepubescent girl, and her little brother Alexandros (Michalis Zeke) – in search of their father who, they believe, is residing in Germany. For Theo the destination was far less important vis-à-vis the incredible leap of faith that these two kids take with hope as their sole driving force. Along the road they face moments of gut-wrenching tragedy, as when Voula is callously violated by a truck driver, as well as simple joy, as in their motorbike ride with a young, lonely actor named Orestes (Stratos Tzortzoglou), and profound catharsis, as when Voula, who had been maintaining an impassive demeanour till then, finally breaks down in the arms of the young guy. The film was, therefore, also a fascinating coming-of-age tale – a personal one for the kids, and a political one for the rootless, disenchanted generation they symbolized. Washed-out vistas of Greek countryside, marvelous long takes, and the evocative score, laced the layered, lyrical storyline with pathos and melancholia, as did the devastatingly brilliant turn by the young Tania. Interestingly, the theatre troupe of The Travelling Players made a brief return in it, perhaps signifying the inherently cyclical nature of both life and history.
Rated R
2 hours 17 minutes
Release date: September 14, 1990 (New York City)
Director: Theo Angelopoulos
Music composed by: Eleni Karaindrou
Cinematography: Giorgos Arvanitis
Free, discussion will follow.

Red Line Craft Fair
2018-05-23 09:00 - 12:00 | IN
Big Car and The University of Indianapolis are teaming up to throw a free craft market at the UIndy Christel Dehaan center. This event will be a way for Big Car staff to engage with the University Heights and Carson heights to gain useful feedback on our Red Line Public Art Project.
There will be music, games and free art activities in addition to our vendors!
Become a vendor! local art/craft/vintage vendors are encouraged to apply! There is no vending fee and we will not ask a percentage of your sales. https://www.surveymonkey.com/r/DRPSLLH

The DOJO-Presented by Old Soul Entertainment
2018-05-18 19:00 - 22:30 | Listen Hear, 2620 Shelby St, , Indianapolis, IN, 46203, United States
The DOJO; a (MONTHLY) Hip-Hop showcase that highlights the art of REAL MCing. The DOJO honors tradition and provides a platform to strengthen the local HIP-HOP CULTURE.
Friday, May 18, 2018 at Listen Hear
2620 Shelby St. Indy, 46203
7-10pm. $7. All ages welcome. Appropriate for ages 16 & over.
​Hosted by Indy artists, Gritty N’ The Craftman.
Every month, they will feature the best Indy emcees.

Red Line Movie Night-My Neighbor Totoro
2018-05-17 20:00 - 23:00 | Safeway, 2176 Shelby St., IN, 46203, United States
The Red Line is coming to South Indianapolis and Garfield Park. And to help us get into the mindset of celebrating and thinking about transit we’ll show “My Neighbor Totoro” in the parking lot of Safeway, transit related arts activities and a short film of stuntman Evel Knievel jumping 14 buses on his red, white and blue motorcycle preceding the movie. Safeway will be open so you can grab dinner at the cafe to enjoy with the movie.
Follow the adventures of Satsuki and her four-year-old sister Mei when they move into a new home in the countryside. To their delight, they discover that their new neighbor is Totoro, a mysterious forest spirit who can only be seen by children. Totoro introduces them to extradordinary characters — including a cat that doubles as a bus! — and takes them on an incredible journey.
There will be around 50 chairs that are free to use but we also recommend you bring your own if you are arriving later.
Special thanks to Safeway, The Arts Council of Indianapolis, and Transit Drives Indy, and Public House Cinema for making this event possible. Learn about other Ready for The Red Line projects here.

The Immigrant Yarn Project-KnitNight
2018-05-17 17:30 - 18:30 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States

Brick Street Poetry Series:Joan Colby
2018-05-16 19:00 - 21:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Brick Street South Poetry Series is organized by JL Kato. The series features a poet and an open mic the third Wednesday of every month. May features poet, Joan Colby.
Joan Colby has published widely in journals such as Poetry, Atlanta Review, South Dakota Review, The Spoon River Poetry Review, New York Quarterly, the new renaissance, Grand Street, Epoch, and Prairie Schooner. Awards include two Illinois Arts Council Literary Awards, Rhino Poetry Award, the new renaissance Award for Poetry, and an Illinois Arts Council Fellowship in Literature. She was a finalist in the GSU Poetry Contest (2007) and Nimrod International Pablo Neruda Prize (2009, 2012) and received honorable mentions in the North American Review’s James Hearst Poetry Contest (2008, 2010). She is the editor of Illinois Racing News and lives on a small horse farm in Northern Illinois. Her published books include The Lonely Hearts Killers and The Atrocity Book.

Sabado Latino: Learning about latino culture while drinking coffee
2018-05-12 13:00 - 15:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Drink coffee with artist Eduardo Luna and learn about Latino culture.

The Immigrant Yarn Project-KnitNights
2018-05-10 17:30 - 18:30 | Listen Hear, 2620 Shelby St, , Indianapolis, IN, 46203, United States

Art: A Social Practice
2018-05-04 18:00 - 22:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
One night, five University of Indianapolis graduate students: Lauren Ditchley, Linnea Gartin, Brittany Kugler, Emma Landwerlen and Danielle Wilborn have created an interactive show that invites you to explore the Garfield Park Neighborhood.
Presented by University of Indianapolis and Big Car

Steph Renner-Let's Take Care of Each Other
2018-05-04 18:00 - 22:00 | Listen Hear, 2620 Shelby St, , Indianapolis, IN, 46203, United States
New works by Steph Renner, aka Mythmaker.
About Renner
I have always loved to travel and learn about ancient history, so it is of no surprise that my work conveys themes of those foremost cultures that helped shape our world. I have been fortunate enough to live in both Paris and Rome, where I was exposed to millennia-worth of artistic creation. Having focused primarily on relief work and print design, I received my printmaking degree from Ball State in 2011. Since then, I have gleaned the inner workings of the screen-printing industry via working with The Art Press, a team of printmakers in Indianapolis.

Christos Koutsouras: Land Art (Telling Trees)
2018-05-04 08:00 - 2018-07-14 17:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Deeply rooted in place, Land Art (Telling Trees) is inspired by a large-scale fire that tore apart the island of Samos, Greece — the birthplace of the artist. Koutsouras first approached this theme in 1994 after a fire destroyed much of the vegetation on the island. When a massive fire again hit Samos two years ago, he returned to this theme and finished the work he started 20 years ago. Koutsouras envisions the white trees he painted juxtaposed with the black landscape as a visual reference to the act of fire. He shares that his objective was, from the beginning, to talk into the people’s consciousness and show the force of the action. Koutsouras wanted to do more than just create an image. This was a work in progress over several years, starting with a spontaneous reaction back on time.
Land Art (Telling Trees) includes large photographs manipulated by Koutsouras in different ways. Some pieces are painted on, others drawn upon with pencil, and some left intact. The work captures the destruction and rebirth of the forests and fields of Samos from fires that swept through the landscape. He created other works by wrapping paper around the burned trees of Samos and rubbing charcoal imprints. The exhibition also ties Samos and Indianapolis (two places Koutsouras has lived at different times throughout his life) together with a sculpture made from two pine trees from the west side of Indianapolis blown over by straight winds. The 40-year-old trees were saved from rot or becoming mulched by Indy Urban Hardwood.
The upstairs video room features a documentary about Koutsouras and other Greek artists by filmmaker Dia Kontaxis, a professor at the University of Miami. Her work has screened at museums, galleries and festivals including Venice (Art Biennale), New York (Tribeca Film Festival), Montreal (Art Fifa), Paris, Athens, Ankara, Lleida, Taipei and Miami (Art Basel). In another video piece located in the monitors outside of the video room and downstairs, Koutsouras paints the charred trees white to contrast with the blackness of the landscape.
Koutsouras, who studied painting in Germany, often pulls from the instruction of an inspirational teacher and tries to make each work into its own narrative. Each piece must have a beginning, middle and end. The result in this show: a story of the destructive and restorative forces of nature.
The exhibition was made possible by The Efroymson Family Fund, Managed Health Services – MHS, Sun King Brewing Company and Indy Urban Hardwood.

The Immigrant Yarn Project-KnitNights
2018-05-03 17:30 - 18:30, 2018-04-26 17:30 - 18:30 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States

Sound Lab with Oreo Jones
2018-04-25 18:00 - 20:00, 2018-03-28 18:00 - 20:00 | Listen Hear, 2620 Shelby St, , Indianapolis, IN, 46203, United States
Join us the last Wednesday of every month for SOUND LAB- An evening of sound exploration. Bring your synths, drum machines, pedals, theremins, or whatever you use to express yourself.
A re-occuring workshop where we explore ways to communicate and express ourselves through sonic waves, each attendee will be encouraged to play a piece that they have been working on and share ways of how they approached their work. The group will then attempt to work on a collaboration by placeing your name in a bowl. We will draw 2 names at a time and you and your partner will team up in a inprovosation set.

Brick Street Poetry Series--Laura Beth Johnson
2018-04-18 19:00 - 21:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Open mic and reading by Laura Beth Johnson organized by JL Kato.

Frugal Fugazi
2018-04-18 18:30 - 20:30 | IN
Make fashion art knock offs in this series of workshops with artists Sean Oreo and Nick Witten. Please RSVP to email hidden; JavaScript is required as you will need to purchase supplies to make the works. If you want, works you make during this workshop series will be part of the Left Show exhibition at Guichelaar Gallery opening June 1.

WQRT Public Meeting
2018-04-09 19:00 - 20:30 | Listen Hear, 2620 Shelby St, , Indianapolis, IN, 46203, United States
Learn more about helping out and creating programming for the radio station, 99.1 WQRT.

Danielle Graves-Pure and Sexless
2018-04-06 18:00 - 22:00 | Listen Hear, 2620 Shelby St, , Indianapolis, IN, 46203, United States
It’s common, in the checkout lane at the grocery store, to see nearly naked women on magazine covers. Companies use bodies to sell stuff and sex on the Internet. And parts fly everywhere in video games. Still, something that remains taboo is art that addresses double standards between the sexes and celebrates the female body. This is why the work of Danielle Graves is important, especially in Indianapolis.
“You enter to find that corporate labels have interfered with incorruptibility. That contradiction has met desire. That an idealistic heaven has met an idealistic hell—a good girl has gone bad. She partners with purity to be sexualized—runs with her sexuality to be sanitized. She is made harmless yet is harmful—sinning for pleasure and indulged upon for corporate gain. She, like many — all — women before her, is a body pressured to be pure, a body that is a sexualized commodity of society, a body that has no will. Pure and Sexless is about finding comfort in the absurdity,” says Graves about the exhibit and the accompanying installation, Virgin Mary Vagina, in the unisex restroom at Listen Hear.
Our culture needs to develop further confidence in celebrating and looking directly into the heart (or in the case of the bathroom at Listen Hear, vagina) of what makes women different. The commissioned installation focuses on the part of the body that politicians and religious leaders most want to control. So if these pieces rub you the wrong way, we encourage you to reflect on why. —Shauta Marsh, curator
Virgin Mary Vagina, in the bathroom, a commissioned piece made possible by The Andy Warhol Foundation for the Visual Arts, will remain after this exhibit ends. (*Parental advisory*)
About Danielle Joy Graves
Graves was born and raised at the intersection of 114 and Mr. Rickard’s road. She currently resides in Indianapolis. She received her BFA in Illustration at Herron School of Art and Design and has pushed far from it. From soft sculpture to paper mache, Danielle is working towards creating a world not far from her reality.

have your cake and eat it too (congratulations)
2018-04-06 18:00 - 22:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Herron School of Art and Design Painting Thesis exhibition featuring: Chase Palmer, Tillman Reyes, Genevieve St. Arnaud, Lydia Crouse and Tom Day.
About Lydia Crouse
Crouse describes her work as “a romanticized collision of my honest identity—an individualized American woman— with elements from our glorified popular culture. All the while embracing my own naiveté, experience, and passion with skepticism and humor.”
About Tom Day
Day’s work centers around culture and bridging societal gaps through portraiture. “I paint people in attempt to learn about other cultures, but mostly to understand them,” says Day. ” Although there are many social divides in the world, I’m wanting to convey a sense of togetherness and equality of the human race.”
About Chase Palmer
“Today, we are more frequently exposed to a multitude of imagery than ever before,” says Palmer. “We are surfing the internet, looking at the social media postings of our friends and even strangers, and taking photographs on our phones. While looking at so much imagery on the internet, we are unconsciously reading more frequently than any other previous culture. We do this while working, commuting, socializing, or lounging at home, and while munching on conveniently obtained artificially flavored junk foods that are slowly suffocating our disgusting arteries.”
Palmer’s dilemma as a young contemporary artist is how does he accurately reflect this culture? His answer: Paint it all at once. “In my work, I assault the space with an over-construction of activity made up of various painterly inventions that come from improvised intuition. All of this comes from a process that is completely automatic and improvised,” says Palmer.
“The question of how to approach painting a figure is so shrouded in questions. Whenever I paint the figure in a traditional manner, I feel like a deadpan mechanical printer that has mastered the long-outdated technology of applying pigmented glue to canvas. I invent my own space that exists solely in the world of images. I layer these invented compositions over a more traditional subject in order to mimic augmented reality technology that is becoming more present in our smartphones, video games, and GPS technology. However, in my work, the digital does not replace reality, paint does.”
About Tillman Reyes
Reyes work serves as a “record” of a place in time. His paintings, installations, and sculptures highlight a seemingly insignificant event in everyday life, recreated in a gallery setting.
About Genevieve St. Arnaud
St. Arnaud’s artwork is an interpretation of her childhood through the perspective of a young woman finding her identity away from home. Her pallet is warm and inviting to characterize the optimism in youth with the use of color and texture to spark senses and emotions from childhood. She also incorporates non-traditional materials such as fabric, paper, thread and wire in the works to exemplify a feeling or place. “For example, patterned fabric can be soft and comforting, and remind me of home. Yet, wire can be aggressive and give a feeling of anxiety or edge. I use materials that serve as the base of many functioning objects to signify origin. I combined the paint and mixed materials to represent the push and pull between the past and present. Just as I remember these childhood moments in fragments, I apply mixed media in various parts,” says St Arnaud.
Process is important to her practice. “There is a self-discovery that occurs when I compare new and old materials. I use memorable stories, and photographs to inspire my collage-like paintings”, says St. Arnaud. “By combining my inspiration and materials I am able to transform a past moment. The moment becomes an understanding or vision of how I see it now.”
Symbolism also pervades her work to represent the innocence of childhood. These symbols at times are a stand in for important figures in her life. “Such as a strawberry signifying my mother. I merge my abstract collages with distinct imagery to recreate a scene or memory,” says St Arnaud. She invites the audience to be a part of her stories so they can understand the growth she’s made in discovering her authentic identity since leaving home. “When I revisit a memory I find that not only has my view of the memory transformed, but also so have I.”

Heart of the Ghost Trio
2018-03-27 19:00 - 21:00 | Listen Hear, 2620 Shelby St, , Indianapolis, IN, 46203, United States
Heart of the Ghost is an improvisational unit from the Baltimore/Washington, DC area. Comprised of Jarrett Gilgore (Alto Saxophone), Luke Stewart (Double Bass), and Ian McColm (Drums), this group is the culmination of years of encircling orbits. Collectively encompassing a massive variety of interests and collaborations and themselves known players in the circles of improvised music, these three find common ground within their individual vocabularies: an aim to deconstruct and reshape canonized creative tropes into a new & stunning language.

Have You Seen This? …. Hold Up Let Me Find It Real Quick
2018-03-26 19:00 - 21:00 | Listen Hear, 2620 Shelby St, , Indianapolis, IN, 46203, United States
Grab a beer, share a laugh, shed a tear and share YouTube videos on the big screen. “Have You Seen This? …. Hold Up Let Me Find It Real Quick” is a new installment into which we hand you the reigns to the fabulous world wide web. Attendees will be free to contribute to a sign up sheet where you will present that one Youtube video that captivates your soul. Got this wild Kpop music video you’ve been dying to share? Let it rip! You have this weird mini doc about recycling sea trash gathering in our oceans? Seems pretty chill.
The evening will begin with a few videos curated by professional Youtube watchers.
Image still from ZIBER by Andrey Kasay

De Aquí y De Allá (From Here and There)
2018-03-24 14:00 - 15:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Latino artists talk about their experiences living in two culture and how it shapes their art practice. This session will feature Alexis Zarco.
Alexis graduated from Shortridge IB High School, and is eager to learn anything and everything possible about art and the community. He is serving at Big Car Collaborative as an AmeriCorps member, focusing on building and sustaining relationships for the better of not only the community, but for immigrants and refugees as well. When not at The Tube Factory, you’ll probably find Alexis at Super Tortas, making fresh Mexican food as he’s been doing since ’08.

Shop Safety and Orientation Part 2
2018-03-24 10:00 - 13:00 | IN
This class will teach you how to turn rough sawn lumber into useable boards. It’s one of the first building blocks of woodworking. We focus on how to choose wood, where to get it locally, and how each machine can help you prep wood for your projects. This class will give you in-depth instruction on how to use the table saw, planer, and jointer. Completion of this class grants you access to use these machines during Open Shop. We supply sample materials and give you the last hour to practice.
Prerequisite – Shop Safety Part 1
Tools used – table saw, jointer, planer
Materials (all provided) – Wood!
Class time – 3.5 hours
Cost: $75.00

Derek Mong-Brick Street Poetry Series
2018-03-21 19:00 - 21:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Brick Street Poetry Series is a monthly reading and open mic organized by writer, JL Kato. Beer and wine available for purchase.
About Derek Mong
Mong is a poet, essayist, translator, and scholar. In 2016 he became the Byron K. Trippet Assistant Professor of English at Wabash College. From 2008-2010 he held the Axton Fellowship in Poetry at the University of Louisville, where he designed and coordinated “The Soul That Grows in Darkness: The Axton Festival of Film and Verse.” From 2006-2007 he held the Jay C. and Ruth Halls Poetry Fellow at the University of Wisconsin-Madison. He has previously taught at the University of Michigan, SUNY-Albany, Stanford University, the Edna St. Vincent Millay Society, and with young writer’s workshops at Kenyon College and Denison University, his alma mater.
In October 2015, he successfully defended his doctoral dissertation at Stanford, having written on marriage in the lives and afterlives of Walt Whitman and Emily Dickinson. His texts included Edward Weston’s illustrated edition of Leaves of Grass (1942), with captions provided by his wife, Charis Wilson; Jerome Charyn’s The Secret Life of Emily Dickinson (2010); and a steampunk novella, “Walt and Emily” (1995), in which the two poets fall in love. In one chapter he examines Whitman and Dickinson’s role in American weddings, both gay and straight. He holds an M.F.A. from the University of Michigan, where he received a Cornwell Fellowship and two Hopwood Awards. He was the Dunbar Scholar in the Humanities at Denison.
His awards include The Missouri Review’s Editors’ Choice Prize, five Pushcart nominations, Alehouse’s Happy Hour Poetry Award, and the Cliff Becker Translation Prize (with his wife and co-translator, Anne O. Fisher). His poems, translations, and prose have appeared in the Southern Review, Crazyhorse, the Kenyon Review, Poetry Daily, Michigan Quarterly Review, Colorado Review, Poetry Northwest, Two Lines, Court Green, and various other venues, including 99 Poems for the 99 Percent (2014) and Writers Resist: Hoosier Writers Unite (2017). He reviews new poetry for the Gettysburg Review and blogs at the Kenyon Review Online.
His first book, Other Romes (Saturnalia Books) appeared in 2011. His second, The Identity Thief (Saturnalia Books), will be published in 2018. A chapbook of his Latin adaptations, The Ego and the Empiricist (2017) was a finalist for the Two Sylvias Press Chapbook Prize. In the fall of 2018, he and his wife, Anne O. Fisher, will publish The Joyous Science: Selected Poems of Maxim Amelin, a collaborative translation from the Russian. This project was supported by an NEA grant for Translation.
Born in Portland, Oregon, and raised outside of Cleveland, he has lived in San Francisco, Western Massachusetts, and throughout the Midwest. He and his wife, Anne O. Fisher, currently make their home in Crawfordsville, Indiana. They are the parents of a young son.

Frugal Fugazi
2018-03-21 18:30 - 20:30 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Make fashion art knock offs in this series of workshops with artists Sean Oreo and Nick Witten. Please RSVP to email hidden; JavaScript is required as you will need to purchase supplies to make the works. If you want, works you make during this workshop series will be part of the Left Show exhibition at Guichelaar Gallery opening May 4.
Gif from Kreayshawn video “Gucci Gucci”
Directed By: @JOSEPHZENTIL
Produced By: @STRANGEARMAND
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kreayshawn.tumblr.com
@KREAYSHAWN
