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DTSTART;TZID=America/Indiana/Indianapolis:20241218T190000
DTEND;TZID=America/Indiana/Indianapolis:20241218T210000
DTSTAMP:20260403T134920
CREATED:20241202T204135Z
LAST-MODIFIED:20241202T204715Z
UID:12698-1734548400-1734555600@www.bigcar.org
SUMMARY:Winter Solstice NIGHTJAR
DESCRIPTION:Doors at 6:30 pm\, Reading at 7 pm \n\n\nAll open mic\, and no prompt! Please bring your best poem and/or a snack or dessert to share — or just yourself. Join us to celebrate the shortest days of the year with a cozy evening of poetry\, food\, and conversation.  \nRead a poem or short piece that is 317 words maximum\, and challenge yourself to share new work! \n— \n\n\nNIGHTJAR creates an inclusive space for all by bringing together spoken-word performers and page-based poets writing in narrative\, lyric\, and experimental forms. Every third Wednesday\, C.S. Carrier and Michelle Niemann host a reading and invite audience members to share their own poetic responses.
URL:https://www.bigcar.org/event/nightjar-winter-solstice-celebration/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2024/07/NIGHTJAR-Logo_FINAL-grayscale.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20241222T170000
DTEND;TZID=America/Indiana/Indianapolis:20241222T180000
DTSTAMP:20260403T134920
CREATED:20241127T133810Z
LAST-MODIFIED:20241127T133810Z
UID:12686-1734886800-1734890400@www.bigcar.org
SUMMARY:Slow Flow Yoga Series with Cory Cathcart
DESCRIPTION:Celebrating Meditation & Healing for Creatives on Select Sundays: 5-6 p.m. ( 1/5\, 1/12\, 1/19\, 2/2\, and 2/9) \nThis series is part of the exhibit “Julie Xiao: A Journey”\, events in the gallery during this show will center around healing and mediation. Cathcart will explore how movement and meditation benefit the artistic process through rest\, mindful flow\, and breath. \nNo experience necessary. \nBring a mat and water – All levels & bodies welcome. \nThis class is free\, donations are welcome.
URL:https://www.bigcar.org/event/slow-flow-yoga-series-with-cory-cathcart-2/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2024/11/yoga1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20241229T140000
DTEND;TZID=America/Indiana/Indianapolis:20241229T150000
DTSTAMP:20260403T134920
CREATED:20241127T135912Z
LAST-MODIFIED:20241203T164023Z
UID:12692-1735480800-1735484400@www.bigcar.org
SUMMARY:Integrated Sound Healing with Hoai-Huong
DESCRIPTION:Sound Healing promotes relaxation\, release of blockages\, promotes healing and restores balance. The harmonic sound waves of the crystal sound bowls eases stress\, tension\, & emotional distress. These sounds place the brain in alpha & theta states while taking it out of the stress response (flight or fight). The crystal bowls are made of 99.99% quartz tuned to 432Hz. Trauma & stress can manifest in so many unique ways in each one of us & affect the very core of our being; inhibiting true joy to shine through. The interconnectedness between the mind\, body\, & spirit is significant & continues to be researched in the medical & spiritual communities. \nBring your own mat or we have a few you can borrow. During the session attendees lie on their backs in a relaxed position\, listen and stay present with what they are experiencing with the sounds. \nHoai-Huong has practiced as registered nurse since January of 2004 & achieved a Master of Science in Nursing Education in 2016. Her career focus has been in the areas of emergency/trauma\, academia\, & mental health/psych for the pediatric & adult population. “I recognized at an early age that I was destined to care for & serve others in a meaningful way\,” says Huong. “To be vulnerable with you\, I survived emotional\, mental\, & physically traumatic events & had to do deep work to heal. Sometimes I felt lost & struggled through therapy sessions\, doctor’s visits\, and medications which in my case\, only masked what was deeper within me that I needed to address. My search to go deeper led me to Reiki and sound vibrational energy healing. I am beyond grateful that I have been able to shift from surviving to thriving.”
URL:https://www.bigcar.org/event/integrated-sound-healing-with-hoai-huong/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2024/11/IMG_8791.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250102T180000
DTEND;TZID=America/Indiana/Indianapolis:20250102T193000
DTSTAMP:20260403T134920
CREATED:20241114T204504Z
LAST-MODIFIED:20241114T204504Z
UID:12656-1735840800-1735846200@www.bigcar.org
SUMMARY:Supportive Story Time For All
DESCRIPTION:Each Thursday we will have a reader with a pleasant voice read to you from a book that is positive\, expands the imagination and is generally supportive. Bring a blanket\, pillow\, grab a glass of wine at our bar or bring your own water –whatever you need to unwind and set up in the Main Gallery of Tube Factory artspace.\nThis series is part of the exhibit Julie Xiao\, “A Journey.” Events in the gallery during this show will center around healing and mediation.\n\nThe books were selected by Youth Services Librarian Amanda Waller. She is a Youth Services Librarian at a public library in the Chicago suburbs. She believes strongly in the importance of community care and support and has worked in violence prevention\, environmental justice\, and mutual aid work. Community is what will continue to uplift us and keep us whole!
URL:https://www.bigcar.org/event/supportive-story-time-for-all-3/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2024/11/IMG_4595-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250103T090000
DTEND;TZID=America/Indiana/Indianapolis:20250223T150000
DTSTAMP:20260403T134920
CREATED:20241211T181441Z
LAST-MODIFIED:20250102T213427Z
UID:12707-1735894800-1740322800@www.bigcar.org
SUMMARY:Benjamin Berg: ░▓ I Can See the Pixels ▓░
DESCRIPTION:Computers do whatever you tell them to\, even if you tell them to make a mistake. \n\nThere are some seemingly bad ideas behind Benjamin Berg’s exhibition I Can See the Pixels. For starters\, everything is created using the 1980s-era GIF image format\, which is hated by today’s computer programmers for its limited color palette and inefficient storage. Also\, the source images are small and low-resolution. Worst of all\, he forces his computer to use colors that are totally wrong\, nowhere close to the ones it needs. What’s wrong with this picture? \n\nBerg isn’t interested in doing things the “correct” way. He’s more curious about what happens when you do them incorrectly. He tries to misuse technology just enough to make it misbehave\,\nbut not so much that it breaks down entirely. Finding the right amount of wrong is a delicate balance. \n\nThis GIF-based work requires countless screenshots and hours of sifting through those screenshots\, cropping and resizing them\, looking for the best mistakes\, the most interesting failures. \n\nSometimes they don’t fail hard enough the first time and so he sends them back through for a second pass. Often only a small area is good enough and he crops everything else away. Finally\, he takes his favorite failures and blows them up big. The pixels\, once tiny and hard to spot\, are now on display for all to see. \n\nI Can See the Pixels features prints and large-scale projections of animated GIFs\, accompanied by ambient plunderphonic music playing from two sets of speakers. \n\nFor more information\, to stream/download music\, or purchase art prints\, visit animalswithinanimals.com/bent \n\n About the artist: Benjamin Berg is a multidisciplinary artist from Indianapolis. After making glitch music for several years\, he started applying similar techniques to the visual arts in 2005\, documenting his experiments on his blog. His writings from this period culminated in a series of highly influential and widely cited glitch art tutorials. \n\nBy making technologies misbehave\, his work challenges the assumptions built into those technologies\, assumptions which are often unstated and sometimes even unconscious. \n\nHe also releases music with his band Animals Within Animals\, and solo under various names including stAllio! and Old Man Glitch.
URL:https://www.bigcar.org/event/benjamin-berg-i-can-see-the-pixels/
LOCATION:Efroymson Gallery\, 1125 Cruft Street\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2024/12/BenjaminBerg-Promo_Postcard-6x9-Front-scaled.jpg
ORGANIZER;CN="Big Car Collaborative":MAILTO:info@bigcar.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250103T180000
DTEND;TZID=America/Indiana/Indianapolis:20250126T180000
DTSTAMP:20260403T134920
CREATED:20241228T144245Z
LAST-MODIFIED:20241229T225923Z
UID:12733-1735927200-1737914400@www.bigcar.org
SUMMARY:Circle Show
DESCRIPTION:We are kicking off 2025 sharing artworks of some the artists who helped make 2024 SPARK on the Circle happen! Visual artists Katie Faust\, Dillion Imel and Sarah Montañez led daily activities of our work in the pop-up park in the Northwest quad for five months. Kris Komakech was one of our SPARK Artists in Residence. He created a Monument Circle Hidden Picture\, led a clock-making workshops and more. Read more about the artists below. \nKris Komakech is an Indianapolis based multi-media visual artist who has been practicing his work for over 20 years. He is best known for his intricate maps and community focused clocks. He exhibits in non-traditional venues like grocery stores and community spaces. Komakech has also exhibited at The Indianapolis Museum of Art\, Central Library’s Meet The Artists\, Gallery 924 and many other traditional galleries and art spaces.  “Like most people\, I had a very active imagination as a child: I truly lived inside my mind. At a very young age\, I recognized my ability to bring all of my dreams and fantasies into the real world through that creativity\,” says Komakech. \n“Drawing\, painting and building were not just simple activities to me — the need to create was similar to the need to breathe\, and I inhaled with my eyes and exhaled with my hands. In the sixth grade\, I was selected to attend classes at the Herron School of Art in Indianapolis — a turning point in my artistic journey. Everybody was older and more experienced than me\, and as the little kid with the broken glasses\, I’m sure I stuck out in class. Regardless\, I never felt more in my own element than in art class. However\, during high school\, I started neglecting my passion for art and began focusing on the more mainstream pastimes of “normal” teenagers. I thought I was doing myself a favor by trying to fit in\, but it turned out to be a strategy that abandoned my overwhelming strengths and uncovered my true weaknesses. I spent the first 16 years of my life building an identity: I was “Kris the Artist.” I knew exactly how to express myself\, and I let my hands do all of the talking. But\, unfortunately\, I then spent twelve long years trying to fit myself into this image of normalcy that I had stuck in my mind. My story turned out to be a really long and difficult way of figuring out exactly who I am not. At the age of twenty-eight and somewhat lost in life\, I wandered into my current career as a carpenter. Slowly\, my desire to create reemerged. And\, once again\, I began to trust and believe in my hands. Today\, I know them to be my true voice.” \nKatie Faust is a queer and non-binary artist located in Indy. They are a graduate of Indiana University Bloomington with a Bachelors in Studio Art and an Art History minor. Their work has been shown in the Indianapolis Art Center in Broad Ripple\, Indiana and at Indiana University-Bloomington. Faust’s work focuses on cultivating a sense of self beyond heteronormative expectations surrounding sexuality and gender. Through their exploration of personal identity and acceptance\, they aim to create a space that encourages admirers to challenge their perceptions of self and embrace their authentic expression. \nDillon Imel is an Indianapolis-based artist and third-year Illustration major at Herron School of Art. Dillon’s work draws a lot of inspiration from the mundane moments of life. \nSarah Montañez is currently a senior at IU Indianapolis’ Herron School of Art and Design\, pursuing a BFA in Photography and a minor in Art History. An image maker and video artist\, Sarah explores the tense generational dynamics present in her family\, as well as grief\, loss\, and yearning for people and places. \nSPARK on the Circle is a partnership between Big Car Collaborative\, Downtown Indy\, Inc.\, the City of Indianapolis Department of Metropolitan Development\, and the Indiana War Memorials Commission\, and is funded by the Capital Improvement Board.  At Big Car\, we approach our work at the Circle as a site- and community-specific socially engaged art and creative placemaking project. \nArtwork of SPARK on the Circle by Katie Faust
URL:https://www.bigcar.org/event/circle-show/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Downtown Indy,Visual Art
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2024/12/2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250109T180000
DTEND;TZID=America/Indiana/Indianapolis:20250109T193000
DTSTAMP:20260403T134920
CREATED:20241114T204620Z
LAST-MODIFIED:20241114T204620Z
UID:12658-1736445600-1736451000@www.bigcar.org
SUMMARY:Supportive Story Time For All
DESCRIPTION:Each Thursday we will have a reader with a pleasant voice read to you from a book that is positive\, expands the imagination and is generally supportive. Bring a blanket\, pillow\, grab a glass of wine at our bar or bring your own water –whatever you need to unwind and set up in the Main Gallery of Tube Factory artspace.\nThis series is part of the exhibit Julie Xiao\, “A Journey.” Events in the gallery during this show will center around healing and mediation.\n\nThe books were selected by Youth Services Librarian Amanda Waller. She is a Youth Services Librarian at a public library in the Chicago suburbs. She believes strongly in the importance of community care and support and has worked in violence prevention\, environmental justice\, and mutual aid work. Community is what will continue to uplift us and keep us whole!
URL:https://www.bigcar.org/event/supportive-story-time-for-all-4/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2024/11/IMG_4595-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250112T170000
DTEND;TZID=America/Indiana/Indianapolis:20250112T180000
DTSTAMP:20260403T134920
CREATED:20241127T133349Z
LAST-MODIFIED:20250109T013942Z
UID:12682-1736701200-1736704800@www.bigcar.org
SUMMARY:Slow Flow Yoga Series with Cory Cathcart
DESCRIPTION:Celebrating Meditation & Healing for Creatives on Select Sundays: 5-6 p.m. (1/19\, 2/2\, and 2/9) \nThis series is part of the exhibit “Julie Xiao: A Journey\,” events in the gallery during this show will center around healing and mediation. Cathcart will explore how movement and meditation benefit the artistic process through rest\, mindful flow\, and breath. \nNo experience necessary. \nBring a mat and water – All levels & bodies welcome. \nThis class is free\, donations are welcome.
URL:https://www.bigcar.org/event/slow-flow-yoga-series-with-cory-cathcart/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2024/11/yoga1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250115T183000
DTEND;TZID=America/Indiana/Indianapolis:20250115T203000
DTSTAMP:20260403T134920
CREATED:20241228T143050Z
LAST-MODIFIED:20241228T143155Z
UID:12730-1736965800-1736973000@www.bigcar.org
SUMMARY:NIGHTJAR: Alessandra Lynch
DESCRIPTION:Alessandra Lynch will begin reading at 7pm. \nAfter Lynch’s reading and a brief break\, the open mic will begin. Open mic prompt: Write a poem at the intersection of the past and the future. Read a poem or short piece that is 317 words maximum\, and challenge yourself to share new work! \nAbout Alessandra Lynch: \nAlessandra’s fifth book of poetry\, Wish Ave\, was published by Alice James Books in 2024. She is the author of four other poetry collections: Pretty Tripwire\, Daylily Called It a Dangerous Moment (winner of the Balcones Prize\, finalist for the LA Times Book Award and the UNT Rilke Prize\, listed as a NY Times top ten poetry books of 2017)\, It was a terrible cloud at twilight\, and Sails the Wind Left Behind. Her work has appeared in the American Poetry Review\, The New England Review\, The Kenyon Review\, Ploughshares\, and other journals.  \nAlessandra has received residencies from MacDowell\, Yaddo\, the Lannan Foundation\, Virginia Center for the Creative Arts\, and Vermont Studio Center. She has been the recipient of a Barbara Deming Award and a Creative Renewal Fellowship Award. She has also been a featured blogger for the Poetry Foundation’s  Harriet Books. Currently\, Alessandra serves as Butler University’s poet in residence where she teaches in the undergraduate and MFA programs.  \nShe has collaborated with musician Earl Townsend\, composer Harriet Steinke\, painter Richard Rosenblatt\, and artist Carlos Rodriguez-Mendez. \nNIGHTJAR creates an inclusive space for all by bringing together spoken-word performers and page-based poets writing in narrative\, lyric\, and experimental forms. Every third Wednesday\, C.S. Carrier and Michelle Niemann host a reading and invite audience members to share their own poetic responses.
URL:https://www.bigcar.org/event/nightjar-alessandra-lynch/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Downtown Indy,Garfield Park,Shelby St. Corridor
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2024/07/NIGHTJAR-Logo_FINAL-grayscale.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250116T180000
DTEND;TZID=America/Indiana/Indianapolis:20250116T193000
DTSTAMP:20260403T134920
CREATED:20241114T204711Z
LAST-MODIFIED:20241114T205120Z
UID:12660-1737050400-1737055800@www.bigcar.org
SUMMARY:Supportive Story Time For All
DESCRIPTION:Each Thursday we will have a reader with a pleasant voice read to you from a book that is positive\, expands the imagination and is generally supportive. Bring a blanket\, pillow\, grab a glass of wine at our bar or bring your own water –whatever you need to unwind and set up in the Main Gallery of Tube Factory artspace.\n\nThis series is part of the exhibit Julie Xiao\, “A Journey.” Events in the gallery during this show will center around healing and mediation.\n\nThe books were selected by Youth Services Librarian Amanda Waller. She is a Youth Services Librarian at a public library in the Chicago suburbs. She believes strongly in the importance of community care and support and has worked in violence prevention\, environmental justice\, and mutual aid work. Community is what will continue to uplift us and keep us whole!
URL:https://www.bigcar.org/event/supportive-story-time-for-all-5/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2024/11/IMG_4595-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250119T170000
DTEND;TZID=America/Indiana/Indianapolis:20250119T180000
DTSTAMP:20260403T134920
CREATED:20250109T014046Z
LAST-MODIFIED:20250109T014505Z
UID:12782-1737306000-1737309600@www.bigcar.org
SUMMARY:Slow Flow Yoga Series with Cory Cathcart
DESCRIPTION:Celebrating Meditation & Healing for Creatives on Select Sundays: 5-6 p.m. ( 2/2\, and 2/9) \nThis series is part of the exhibit “Julie Xiao: A Journey\,” events in the gallery during this show will center around healing and mediation. Cathcart will explore how movement and meditation benefit the artistic process through rest\, mindful flow\, and breath. \nNo experience necessary. \nBring a mat and water – All levels & bodies welcome. \nThis class is free\, donations are welcome.
URL:https://www.bigcar.org/event/slow-flow-yoga-with-cory-cathcart/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2024/11/yoga1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250123T180000
DTEND;TZID=America/Indiana/Indianapolis:20250123T193000
DTSTAMP:20260403T134920
CREATED:20241114T205215Z
LAST-MODIFIED:20241114T205215Z
UID:12662-1737655200-1737660600@www.bigcar.org
SUMMARY:Supportive Story Time For All
DESCRIPTION:Each Thursday we will have a reader with a pleasant voice read to you from a book that is positive\, expands the imagination and is generally supportive. Bring a blanket\, pillow\, grab a glass of wine at our bar or bring your own water –whatever you need to unwind and set up in the Main Gallery of Tube Factory artspace.\n\nThis series is part of the exhibit Julie Xiao\, “A Journey.” Events in the gallery during this show will center around healing and mediation.\n\nThe books were selected by Youth Services Librarian Amanda Waller. She is a Youth Services Librarian at a public library in the Chicago suburbs. She believes strongly in the importance of community care and support and has worked in violence prevention\, environmental justice\, and mutual aid work. Community is what will continue to uplift us and keep us whole!
URL:https://www.bigcar.org/event/supportive-story-time-for-all-6/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2024/11/IMG_4595-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250125T140000
DTEND;TZID=America/Indiana/Indianapolis:20250125T150000
DTSTAMP:20260403T134920
CREATED:20241212T185038Z
LAST-MODIFIED:20250127T192354Z
UID:12710-1737813600-1737817200@www.bigcar.org
SUMMARY:Integrated Sound Healing with Hoai-Huong
DESCRIPTION:Bring your own mat or we might few you can borrow. During the session attendees lie on their backs in a relaxed position\, listen and stay present with what they are experiencing with the sounds. \nSound Healing promotes relaxation\, release of blockages\, promotes healing and restores balance. The harmonic sound waves of the crystal sound bowls eases stress\, tension\, & emotional distress. These sounds place the brain in alpha & theta states while taking it out of the stress response (flight or fight). The crystal bowls are made of 99.99% quartz tuned to 432Hz. Trauma and stress can manifest in so many unique ways in each one of us and affect the very core of our being; inhibiting true joy to shine through. The interconnectedness between the mind\, body spirit is significant and continues to be researched in the medical and spiritual communities. \nHoai-Huong has practiced as registered nurse since January of 2004 and achieved a Master of Science in Nursing Education in 2016. Her career focus has been in the areas of emergency/trauma\, academia\, & mental health/psych for the pediatric & adult population. “I recognized at an early age that I was destined to care for & serve others in a meaningful way\,” says Huong. “To be vulnerable with you\, I survived emotional\, mental\, & physically traumatic events & had to do deep work to heal. Sometimes I felt lost & struggled through therapy sessions\, doctor’s visits\, and medications which in my case\, only masked what was deeper within me that I needed to address. My search to go deeper led me to Reiki and sound vibrational energy healing. I am beyond grateful that I have been able to shift from surviving to thriving.” \nCapacity for this event is 50. We can not guarantee a spot.
URL:https://www.bigcar.org/event/integrated-sound-healing-with-hoai-huong-4/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2024/12/IMG_2391-scaled.jpeg
ORGANIZER;CN="Big Car Collaborative":MAILTO:info@bigcar.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250130T180000
DTEND;TZID=America/Indiana/Indianapolis:20250130T193000
DTSTAMP:20260403T134920
CREATED:20241114T205320Z
LAST-MODIFIED:20241114T205343Z
UID:12664-1738260000-1738265400@www.bigcar.org
SUMMARY:Supportive Story Time For All
DESCRIPTION:Each Thursday we will have a reader with a pleasant voice read to you from a book that is positive\, expands the imagination and is generally supportive. Bring a blanket\, pillow\, grab a glass of wine at our bar or bring your own water –whatever you need to unwind and set up in the Main Gallery of Tube Factory artspace.\n\nThis series is part of the exhibit Julie Xiao\, “A Journey.” Events in the gallery during this show will center around healing and mediation.\n\nThe books were selected by Youth Services Librarian Amanda Waller. She is a Youth Services Librarian at a public library in the Chicago suburbs. She believes strongly in the importance of community care and support and has worked in violence prevention\, environmental justice\, and mutual aid work. Community is what will continue to uplift us and keep us whole!
URL:https://www.bigcar.org/event/supportive-story-time-for-all-7/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2024/11/IMG_4595-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250201T170000
DTEND;TZID=America/Indiana/Indianapolis:20250201T210000
DTSTAMP:20260403T134920
CREATED:20250102T231025Z
LAST-MODIFIED:20250123T174425Z
UID:12770-1738429200-1738443600@www.bigcar.org
SUMMARY:Year of the Snake - Lunar New Year Celebration
DESCRIPTION:Welcome the Year of the Snake with Big Car Collaborative and the Indianapolis Chinese Performing Arts’ Lunar New Year celebration! Join us on February 1st from 5 to 8:30 PM at the Tube Factory artspace in Garfield Park for a night filled with fun for the whole family! \n\nExperience traditional dance performances by the Indianapolis Chinese Performing Arts from 6-7pm\, as well as fireworks\, and hands-on activities like cut paper art\, lantern decorating\, fan painting\, and so much more! Plus\, delicious food will be available for purchase by a local food truck! \n\nThe Indianapolis Chinese Performing Arts\, Inc. (ICPAI) will perform traditional dances from 6-7pm. \n\nTickets are $10 and can be purchased HERE. \n\n\n—\n\nLunar New Year is one of the most important celebrations of the year among East and Southeast Asian cultures\, including Chinese\, Vietnamese and Korean communities\, among others. The New Year celebration is usually celebrated for multiple days—not just one day as in the Gregorian calendar’s New Year.\n\nIn 2025\, Lunar New Year begins on January 29. China’s Lunar New Year is known as the Spring Festival or Chūnjié in Mandarin\, while Koreans call it Seollal and Vietnamese refer to it as Tết.Tied to the lunar calendar\, the holiday began as a time for feasting and to honor household and heavenly deities\, as well as ancestors. The New Year typically begins with the first new moon that occurs between the end of January and spans the first 15 days of the first month of the lunar calendar—until the full moon arrives.
URL:https://www.bigcar.org/event/lunar/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Downtown Indy,Garfield Park,Shelby St. Corridor
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2025/01/2025-LunarNewYear-Postcard-FRONT.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250202T170000
DTEND;TZID=America/Indiana/Indianapolis:20250202T180000
DTSTAMP:20260403T134920
CREATED:20250109T014351Z
LAST-MODIFIED:20250109T014351Z
UID:12786-1738515600-1738519200@www.bigcar.org
SUMMARY:Slow Flow Yoga Series with Cory Cathcart
DESCRIPTION:Celebrating Meditation & Healing for Creatives on Select Sundays: 5-6 p.m. ( also 2/9) \nThis series is part of the exhibit “Julie Xiao: A Journey\,” events in the gallery during this show will center around healing and mediation. Cathcart will explore how movement and meditation benefit the artistic process through rest\, mindful flow\, and breath. \nNo experience necessary. \nBring a mat and water – All levels & bodies welcome. \nThis class is free\, donations are welcome.
URL:https://www.bigcar.org/event/slow-flow-yoga-series-with-cory-cathcart-3/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2024/11/yoga1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250206T180000
DTEND;TZID=America/Indiana/Indianapolis:20250206T193000
DTSTAMP:20260403T134920
CREATED:20241114T205503Z
LAST-MODIFIED:20241114T205503Z
UID:12667-1738864800-1738870200@www.bigcar.org
SUMMARY:Supportive Story Time For All
DESCRIPTION:Each Thursday we will have a reader with a pleasant voice read to you from a book that is positive\, expands the imagination and is generally supportive. Bring a blanket\, pillow\, grab a glass of wine at our bar or bring your own water –whatever you need to unwind and set up in the Main Gallery of Tube Factory artspace.\n\nThis series is part of the exhibit Julie Xiao\, “A Journey.” Events in the gallery during this show will center around healing and mediation.\n\nThe books were selected by Youth Services Librarian Amanda Waller. She is a Youth Services Librarian at a public library in the Chicago suburbs. She believes strongly in the importance of community care and support and has worked in violence prevention\, environmental justice\, and mutual aid work. Community is what will continue to uplift us and keep us whole!
URL:https://www.bigcar.org/event/supportive-story-time-for-all-8/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2024/11/IMG_4595-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250207T180000
DTEND;TZID=America/Indiana/Indianapolis:20250207T220000
DTSTAMP:20260403T134920
CREATED:20250129T211032Z
LAST-MODIFIED:20250206T204705Z
UID:12850-1738951200-1738965600@www.bigcar.org
SUMMARY:February 2025 First Friday - New Show Opening\, Sound Performances\, & More
DESCRIPTION:Join us at Tube Factory artspace on Friday\, Feb. 7 from 6 – 10pm for First Friday celebrations including: \n\nThe opening of Tierras in Guichelaar Gallery\, an exhibition “dedicated to Latine women\, daughters\, and femme-presenting individuals highlighting the traditional and creative artmaking skills passed down through generations” curated by Alejandra Carrillo and Leyda Melgar.\nAn ASMR performance by Landon Caldwell in the Main Gallery in coordination with Julie Xiao’s exhibit A Journey Caldwell will consist of improvised compositions of performed and sampled ASMR sounds accompanied by microtonal drones to create an adventurous & meditative sonic environment.\nA glitch audio performance by Benjamin Berg (Old Man Glitch / stallio!) in the Jeremy D. Efroymson gallery in coordination with his exhibit I Can See the Pixels.\nThe continued display of “A Journey“ by Julie Xiao in the Main Gallery.\nThe continued display of “I Can See the Pixels” by Benjamin Berg in the Jeremy D. Efroymson Gallery\nThe continued screening of “Inner Voice Transplant” by Wong Kit Yi in the video room\nThe “Chicken Chapel of Love” opening up\, featuring the recent “Fire Mother” mural by Julie Xiao\nNormal Coffee\, serving alcoholic and non-alcoholic beverages for purchase\n\nFree for all ages!
URL:https://www.bigcar.org/event/february-2025-first-friday/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2025/01/Untitled-design-35-2.png
ORGANIZER;CN="Big Car Collaborative":MAILTO:info@bigcar.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250207T180000
DTEND;TZID=America/Indiana/Indianapolis:20250328T180000
DTSTAMP:20260403T134920
CREATED:20250127T154657Z
LAST-MODIFIED:20250127T154712Z
UID:12842-1738951200-1743184800@www.bigcar.org
SUMMARY:Tierras
DESCRIPTION:Tierras is dedicated to Latine women\, daughters\, and femme-presenting individuals highlighting the traditional and creative artmaking skills passed down through generations. Regardless of how distant we may be from our roots or motherland\, we remain connected through the matriarchal fibers that stitch us together. \nTierras will showcase both local and out-of-state emerging and established artists. The reception is Friday\, February 7th from 6-9:30 pm and the exhibition will run through March 28th for Women’s History Month. \n\nArtists: \nAlexandria Canchola @alexandriacanchola \nDiana Fernandez Caumol @dididinosauriooo \nKamilah Valentin Diaz @kams_conchispas \nLuna @luna_mari_c \nSarah Montañez @ss.monta \nPaloma Núñez- Regueiro @palomaprintmaking \nElena Guadiana Segovia @lamentos_ceramicas_ \nSheila Clemente-Zoto @_sncz_ \n\nCurated by: \nAlejandra Carrillo @elrallonadero \nLeyda Melgar @leydamelgarart \n\nFlyer credit: Alejandra Carrillo \n\nCurator Bios \nAlejandra Carrillo is a multimedia Chicana artist based in Indianaplis\, IN by way of Chihuahua\, MX. Carrillo has received a double bachelor’s degree in Art Education and Fine Arts in Printmaking from Indiana University.  Carrillo teaches multidisciplinary printmaking at the Indianapolis Art Center and is an artist in residence for the Big Car Collaborative.  Her most notable achievements include receiving awards from the 2023 Manhattan Graphics Center\, the 2024 100th Annual Hoosier Salon Juried Exhibition\, and developing a mural for the Indianapolis Mexican Consulate. \nLeyda Melgar is a Salvadoran-American artist and educator in Indianapolis. Her work centers themes of her mental health\, experiences of assimilation\, and her personality through sculptural and mixed-media works. She attended Herron School of Art and Design where she graduated with a Bachelor of Art Education in 2022. Becoming a teacher\, Leyda wanted to keep her artistic roots and continue to grow as an artist in the Indianapolis community. She recently completed the Latino Artist Mentorship Program in Indianapolis by participating in a group exhibition at Newfields. She is currently working towards developing a body of work and currently works as a high school digital art teacher.
URL:https://www.bigcar.org/event/tierras/
LOCATION:Guichelaar Gallery\, 1125 Cruft Street\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2025/01/tierrasgo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250207T190000
DTEND;TZID=America/Indiana/Indianapolis:20250207T200000
DTSTAMP:20260403T134920
CREATED:20250121T211500Z
LAST-MODIFIED:20250122T193737Z
UID:12817-1738954800-1738958400@www.bigcar.org
SUMMARY:ASMR Live-Landon Caldwell
DESCRIPTION:Join us in the Main Gallery for a live performance of ASMR with artist Landon Caldwell. \nAutonomous Sensory Meridian Response (ASMR) is a previously unstudied sensory phenomenon\, in which individuals experience a tingling\, static-like sensation across the scalp\, back of the neck and at times further areas in response to specific triggering audio and visual stimuli. This sensation is widely reported to be accompanied by feelings of relaxation and well-being. The current study identifies several common triggers used to achieve ASMR\, including whispering\, personal attention\, crisp sounds and slow movements. Data obtained also illustrates temporary improvements in symptoms of depression and chronic pain in those who engage in ASMR. \nLandon Caldwell is a multi-disciplinary artist and composer based in Indianapolis. His work explores environment\, family\, and class\, using sound\, words\, color\, and other materials\, presenting immersive environments that redirect attention to the present and reveal hidden layers of reality. Landon has toured extensively across the US\, Canada\, and Europe and regularly collaborates with artists and musicians in the Midwest and beyond\, having served time in improvisational units like Eternal Husk\, Crazy Doberman\, and the Open Sex. With Mark Tester\, he curates and runs Medium Sound\, a focal point of adventurous music in Indianapolis. Since 2020\, he has host free sound art programming\, installations\, and workshops through Sonic Potluck\, a collaboration with Rob Funkhouser. His installation work has been exhibited at the Indianapolis Museum of Art\, The Terminal Kyoto\, the Indiana State Museum\, and more. \nThis series is part of the exhibit Julie Xiao\, “A Journey.” Events in the gallery during this show will center around healing and mediation.
URL:https://www.bigcar.org/event/asmr-live-landon-caldwell/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Downtown Indy,Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2025/01/IMG_2935-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250209T170000
DTEND;TZID=America/Indiana/Indianapolis:20250209T180000
DTSTAMP:20260403T134920
CREATED:20250109T014713Z
LAST-MODIFIED:20250109T014713Z
UID:12788-1739120400-1739124000@www.bigcar.org
SUMMARY:Slow Flow Yoga Series with Cory Cathcart
DESCRIPTION:Celebrating Meditation & Healing for Creatives \nThis series is part of the exhibit “Julie Xiao: A Journey\,” events in the gallery during this show will center around healing and mediation. Cathcart will explore how movement and meditation benefit the artistic process through rest\, mindful flow\, and breath. \nNo experience necessary. \nBring a mat and water – All levels & bodies welcome. \nThis class is free\, donations are welcome.
URL:https://www.bigcar.org/event/slow-flow-yoga-series-with-cory-cathcart-4/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2024/11/yoga1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250213T183000
DTEND;TZID=America/Indiana/Indianapolis:20250213T200000
DTSTAMP:20260403T134920
CREATED:20250121T213046Z
LAST-MODIFIED:20250122T193804Z
UID:12822-1739471400-1739476800@www.bigcar.org
SUMMARY:ASMR Live- Rob Funkhouser
DESCRIPTION:Join us in the Main Gallery for a live performance of ASMR with artist Rob Funkhouser. \nDoors are at 6:30pm\, performance starts at 7pm. \nAutonomous Sensory Meridian Response (ASMR) is a previously unstudied sensory phenomenon\, in which individuals experience a tingling\, static-like sensation across the scalp\, back of the neck and at times further areas in response to specific triggering audio and visual stimuli. This sensation is widely reported to be accompanied by feelings of relaxation and well-being. The current study identifies several common triggers used to achieve ASMR\, including whispering\, personal attention\, crisp sounds and slow movements. Data obtained also illustrates temporary improvements in symptoms of depression and chronic pain in those who engage in ASMR. \nRob Funkhouser is a composer\, performer\, and instrument builder who can never quite sit still. His work is concerned with ideas of place\, memory\, and pattern and he is interested in interrogating the interstitial spaces between established genres. He holds an M.M. from Butler University in Music Composition\, and most recently completed Peace of Mind\, Speed of Thought for Classical Music Indy. He has released projects through various labels in three different countries\, but finds his home turf on Auris Apothecary and Medium Sound. His current projects include an ongoing series of recordings and writing under the title Walking Music\, building a new set of instruments in collaboration with artist Justin Cooper\, and ongoing work on new performance tools for music and installations. In 2020\, he began a long-term living residency with Big Car as part of their APLR program. He also serves as Education Manager for the Rhythm Discovery Center\, where he runs public programming for schools and community members. He has collaborated with diverse groups including Forward Motion\, Los Angeles Percussion Quartet\, So Percussion\, No Exit Theater\, and Chicago-based director Ryan Gleason. \nThis series is part of the exhibit Julie Xiao\, “A Journey.” Events in the gallery during this show will center around healing and mediation.
URL:https://www.bigcar.org/event/asmr-live-rob-funkhouser/
CATEGORIES:Downtown Indy,Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2025/01/IMG_2935-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250219T190000
DTEND;TZID=America/Indiana/Indianapolis:20250219T210000
DTSTAMP:20260403T134920
CREATED:20250110T185237Z
LAST-MODIFIED:20250110T185237Z
UID:12795-1739991600-1739998800@www.bigcar.org
SUMMARY:NIGHTJAR: Angelita Hampton
DESCRIPTION:Doors at 6:30 pm\, Reading at 7 pm \nOpen mic prompt: Write a poem that does justice.  \nRead a poem or short piece that is 317 words maximum\, and challenge yourself to share new work! \n— \nBio: Angelita Hampton is a writer\, visual artist\, activist\, sister\, and daughter. Her undergraduate studies in psychology and African American Studies at Earlham College and graduate studies at the Ohio State University\, along with her time living abroad in Mexico\, deeply inform her creative work. She identifies as a Black queer feminist revolutionary inspired by and dedicated to social justice. \nAngelita is an Indianapolis native who enjoys the arts\, nature\, and maintaining close ties to family. She has self-published several books of poetry in addition to having poems published in Rigorous\, Bay Windows\, RagShock\, and Coffee People Zine. \n— \nNIGHTJAR creates an inclusive space for all by bringing together spoken-word performers and page-based poets writing in narrative\, lyric\, and experimental forms. Every third Wednesday\, C.S. Carrier and Michelle Niemann host a reading and invite audience members to share their own poetic responses.
URL:https://www.bigcar.org/event/nightjar-angelita-hampton/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2025/01/Untitled-design.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250220T183000
DTEND;TZID=America/Indiana/Indianapolis:20250220T200000
DTSTAMP:20260403T134920
CREATED:20250121T215610Z
LAST-MODIFIED:20250122T193837Z
UID:12828-1740076200-1740081600@www.bigcar.org
SUMMARY:ASMR Live - Sesseka
DESCRIPTION:Join us in the gallery for a live performance of ASMR with artist Jessica Dunn\, aka\, Sesseka\, who will lead an audiovisual meditation experience.\n\nDoors 6:30pm.\nPerformance 7pm\n\nAutonomous Sensory Meridian Response (ASMR) is a previously unstudied sensory phenomenon\, in which individuals experience a tingling\, static-like sensation across the scalp\, back of the neck and at times further areas in response to specific triggering audio and visual stimuli. This sensation is widely reported to be accompanied by feelings of relaxation and well-being. The current study identifies several common triggers used to achieve ASMR\, including whispering\, personal attention\, crisp sounds and slow movements. Data obtained also illustrates temporary improvements in symptoms of depression and chronic pain in those who engage in ASMR.\nJessica Dunn (sesseka) is a multimedia artist known for her immersive\, dreamlike worlds combining video\, sound\, and physical installations. With a scientific curiosity\, she finds inspiration by investigating the natural world as well as psychological realms of consciousness. Dunn graduated from Herron School of Art + Design with a double major in painting and sculpture. Caught between 2D and 3D practices\, she found her calling in 4D art including experimental animation\, performance\, and experiential works. With a medium-agnostic mindset\, Dunn utilizes a wide variety of materials allowing the concept to drive the process. Lately\, Dunn has extended her practice into filmmaking including short documentaries and narrative animations. No matter the format\, Dunn’s work invites the viewer to open their perception to explore new realms of reality. \nThis series is part of the exhibit Julie Xiao\, “A Journey.” Events in the gallery during this show will center around healing and mediation.
URL:https://www.bigcar.org/event/asmr-live-sesseka/
CATEGORIES:Downtown Indy,Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2025/01/IMG_2935-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250222T140000
DTEND;TZID=America/Indiana/Indianapolis:20250222T150000
DTSTAMP:20260403T134920
CREATED:20241212T185229Z
LAST-MODIFIED:20250127T192402Z
UID:12712-1740232800-1740236400@www.bigcar.org
SUMMARY:Integrated Sound Healing with Hoai-Huong
DESCRIPTION:Bring your own mat or we might few you can borrow. During the session attendees lie on their backs in a relaxed position\, listen and stay present with what they are experiencing with the sounds. \nSound Healing promotes relaxation\, release of blockages\, promotes healing and restores balance. The harmonic sound waves of the crystal sound bowls eases stress\, tension\, & emotional distress. These sounds place the brain in alpha & theta states while taking it out of the stress response (flight or fight). The crystal bowls are made of 99.99% quartz tuned to 432Hz. Trauma and stress can manifest in so many unique ways in each one of us and affect the very core of our being; inhibiting true joy to shine through. The interconnectedness between the mind\, body spirit is significant and continues to be researched in the medical and spiritual communities. \nHoai-Huong has practiced as registered nurse since January of 2004 and achieved a Master of Science in Nursing Education in 2016. Her career focus has been in the areas of emergency/trauma\, academia\, & mental health/psych for the pediatric & adult population. “I recognized at an early age that I was destined to care for & serve others in a meaningful way\,” says Huong. “To be vulnerable with you\, I survived emotional\, mental\, & physically traumatic events & had to do deep work to heal. Sometimes I felt lost & struggled through therapy sessions\, doctor’s visits\, and medications which in my case\, only masked what was deeper within me that I needed to address. My search to go deeper led me to Reiki and sound vibrational energy healing. I am beyond grateful that I have been able to shift from surviving to thriving.” \nCapacity for this event is 50. We can not guarantee a spot.
URL:https://www.bigcar.org/event/integrated-sound-healing-with-hoai-huong-2/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2024/12/IMG_2391-scaled.jpeg
ORGANIZER;CN="Big Car Collaborative":MAILTO:info@bigcar.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250307T180000
DTEND;TZID=America/Indiana/Indianapolis:20250307T220000
DTSTAMP:20260403T134920
CREATED:20250221T184105Z
LAST-MODIFIED:20250307T150217Z
UID:12941-1741370400-1741384800@www.bigcar.org
SUMMARY:March 2025 First Friday at Tube Factory artspace
DESCRIPTION:Join us on Friday\, March 7 from 6 to 10 pm at Tube Factory artspace for the opening receptions of Jason Wesaw’s “Sovereign Spirits” in the Main Gallery; Steven Yazzie and Nancy Baric’s “The Nearness of Distance” in the Efroymson Gallery; and Davis Henderson’s BODEWADMI NDAW in the Video Room. And\, “Tierras” is continuing in the Guichelaar house gallery until March 28. \nQue Tacos Food Truck will be on-site serving up delicious Mexican food for purchase. And Normal Coffee will be offering beverages for purchase\, as well.
URL:https://www.bigcar.org/event/march-2025-first-friday-at-tube-factory-artspace/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2025/02/1.png
ORGANIZER;CN="Big Car Collaborative":MAILTO:info@bigcar.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250307T180000
DTEND;TZID=America/Indiana/Indianapolis:20250420T150000
DTSTAMP:20260403T134920
CREATED:20250115T222606Z
LAST-MODIFIED:20250115T222731Z
UID:12805-1741370400-1745161200@www.bigcar.org
SUMMARY:Steven Yazzie and Nancy Baric: The Nearness of Distance
DESCRIPTION:Jeremy Efroymson Gallery \n“My Child\, I will feed you\, give you good health\, and I will give you strength and courage.” \n“These are the opening words of Steven J. Yazzie’s 2015 video\, Mountain Song\, which appear scrawled across the inky blank screen in white letters. The work evokes that of an epic poem akin to Homer or Virgil\, signifying a journey that lies before the one who watches and listens to it. Vacillating between testimonies from Indigenous community members and archival audio bytes of the Apollo 11 lunar landing in 1969\, the piece creates a tension between power structures\, sacred knowledges\, and the struggle between living in balance with the natural world and the relentless march of colonial progress through the mechanism and machinations of capitalism – pushing humanity to reach new heights at the expense of the natural order and health of the world. \nYazzie focuses in on the devastating impacts that uranium and its mining have had not only on Indigenous communities\,  but on the environment writ large\, linking uranium to Indigenous cosmologies and histories – referring to the chemical element as an invisible monster. The development of uranium extraction and its weaponization forced/es a wedge between traditional ways of living\, replacing a way to live with a colonial sickness that poisons the land\, pollutes the water\, and creates a level of radioactivity within the consciousness. When Yazzie writes “My child\, what I am dressed with is what you are dressed with. I am your home and mother and father\,” in the fourth and final verse of his poem\, he reminds us that what we do to the earth\, to our mother\, our father\, we do unto ourselves. A caution that the monsters we awaken cannot be put back into slumber. \nThe idea of monsters and the monstrous continues in the 2021 film by Nancy Barić\, Electric Water. The film creates a pastiche of memory\, histories\, and connection – looking at her own heritage and ancestral arrival to North America from the Adriatic Sea and the origin stories and cosmologies of the Haudenosaunee and their connection to Niagara Falls. Barić illuminates the power of water\, in natural understandings\, capitalistic understandings\, and spiritual understandings. In tying her connection to place\, Barić speaks of Nikola Tesla\, whose shared country of origin as her families also creates a binding of herself and her genetic memory to the site of Niagara. Tesla’s invention and design of the first hydro-electric power plant at the Falls\, which he envisioned for good and to provide power for free to the people\, was corrupted by the long tentacles of capitalism. Capitalism and its reach exist like a mutant creature – distorting\, corrupting\, and poisoning what it touches. \nIn the film\, Barić interviews Rick Hill\, a member of the Haudenosaunee community – who grew up near the Falls. Hill shares portions of the Nation’s story of origin\, talking about the Creator and his malevolent brother known as Flint. For every good thing the Creator brought into being\, Flint would create a wicked counterpart\, monsters. During a time of duel between the brothers\, they threw and thrashed each other around  cataclysmically shifting and shaping the landscape\, which Hill believes is what molded the Falls in its current form. To counteract the monsters of his brother’s making\, the Creator brought to life Thunder Beings\, that with the clap and shock of their existence\, drove the monsters back into the ground; Beings which left the Falls when tourism took over – heading west to the Rockies – returning to bring rain every season. The film illuminates the severed connection to culture through colonial abuses and extractive methodological approaches to ‘progress.’ Through the commercialization of the natural world\, the spiritual connection is cut – fissured in ways that create barriers to the holy relation to place. Barić and Yazzie show the fissures that occur when the pollution\, extraction\, and forced control over the earth take over\, urging a return to the stories and power of living in balance.” \n–Eric Joyce \nSteven Yazzie — Mountain Song (11 mins) Mountain Song is part of a series of video/film installation work exploring Diné/Navajo sacred mountains. Structured in four verses\, the film explores indigenous knowledge\, mystery\, resource exploitation (uranium)\, and post-colonial reflections on community life. Conversations I recorded with elders\, friends\, and community members are set against the backdrop of a personal journey to a sacred Diné/Navajo mountain\, Dibé Nitsaa\, in southern Colorado\, eventually ending at a mountain outside my backyard where I once lived in Phoenix\, Arizona. Concurrently throughout the film\, the radio chatter of the first humans landing on the Moon in 1969 (Apollo Mission) can be heard. The intersection of moon landing audio\, indigenous stories\, and aerial views of tribal territories echo memories of our shared histories while complicating the experience of the perpetual outsider with subjective indigeneity. \nNancy Baric — Electric Water (25 mins)\, an experimental documentary and a meditation on the poetics and politics of water\, moving between my heritage from the Adriatic Sea and the Haudenosaunee perspective on Niagara Falls. While our connection to water is disrupted by pollution\, dams\, and the tourist’s gaze\, there are stories and insights that lead back to water’s power and teachings. \nSteven and I met and quickly realized there was a shared world view especially regarding our relationship to land and water. I feel that the two films speak to each and offer a great opportunity to provide a dialogue due to commonality from an Indigenous and non-Indigenous perspective and one of which also extends to the audience. The two films explore issues of representation\, ecology and stewardship\, and are examples of connection/disconnection due to colonialism. The films together also offer hope for a better future through mutual care. \nSteven Yazzie — is a multidisciplinary artist working in painting\, installation\, video/film\, and community collaborations. His work explores the complexities of post-colonial indigenous identity and an ever-evolving community relationship\, with a fundamental view that land is the source of life\, story\, conflict\, and healing. \nNancy Baric is Montreal-based artist and filmmaker working at the intersection of cinema and installation. Her practice explores the relationship between ecology\, human perception\, and intuitive procedures.
URL:https://www.bigcar.org/event/steven-yazzie-and-nancy-baric-the-nearness-of-distance/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Downtown Indy,Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2025/01/Nearness-of-Distance-Promo-2.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250307T180000
DTEND;TZID=America/Indiana/Indianapolis:20250825T193000
DTSTAMP:20260403T134920
CREATED:20250206T200652Z
LAST-MODIFIED:20250724T174830Z
UID:12882-1741370400-1756150200@www.bigcar.org
SUMMARY:Jason Wesaw: Sovereign Spirits
DESCRIPTION:Potawatomi (Turtle Clan) artist Jason Wesaw’s exhibit consisting of sculpture\, drawings\, prints\, and installation is linked to the beliefs of his culture related to land\, specifically the ground where Tube Factory now sits. This land has been part of Potawatomi lands at different times in history before the United States existed. For this reason\, Wesaw used earth and materials from Terri Sisson Park on the Tube Factory campus to create some of the works in this fully commissioned show. \nTube Factory’s chief curator\, Shauta Marsh\, looked to Wesaw because she felt his work offers a form of time travel — connecting us to a time before and to the present and ways to envision a future with shared connections and value tied to the land. And\, in doing so\, Wesaw brings people together today and across generations. “An overarching tenant of my practice is a commitment to examining relationships\,” he said. “Relationships act as a guidepost for me\, whether it’s connecting to family and community\, to spirit and my observations in the natural world\, or to materials: those which are considered modern art mediums\, or found and harvested materials.” \nTwo pieces anchoring Wesaw’s Sovereign Spirits exhibit to the place where the Tube Factory sits are the tall flowing installations of shimmering satin and taffeta ribbon.  \n“They address the way that I interact with the underside of life\, the places beneath the surface where spirit moves in subtle and powerful ways that only focused reflection and observation can reveal\,” Wesaw said.  \nWabshkya Sen or White Stone\, is a piece about the help we receive through ceremonies that bring us healing and good health\, both physically\, emotionally\, mentally\, and spiritually. Bean Creek draws attention to the urban stream just outside the walls of the gallery\, where we can be reminded that the cleansing\, moving spirit of the water can often be found sharing its life force if we simply pause long enough to let our senses guide us to her flowing banks for a quiet moment. \nWesaw will also create an installation composed of black ash baskets or Gokpenagenek. A quintessential and ancient art form amongst the Potawatomi\, black ash baskets are not merely functional or decorative objects\, they weave together ancient cultural knowledge about the importance of maintaining relationships to the land and each other with a value system based upon reciprocity.   \n“These baskets are a reflection of our community’s ongoing presence on this Land and they remain a treasured art form practiced by the Potawatomi and many other Tribal Nations. Many of the baskets on view in this collection were made by ancestors of the Pokagon Potawatomi people of northern Indiana and southwest Michigan\, with others having been made by their descendants who now carry on this beautiful\, customary art form\,” Wesaw said.   \nThe intimate\, small-scale oil pastel drawings that line the wall illustrate Wesaw’s process of observation and structure\, ideas that often are fleshed out even further in his larger works.  The textile pieces from his ongoing Blanket Series explore ideas around the transfer of knowledge that occurs between spirit\, nature\, and human beings\, what he sees as a subtle\, gentle ceremony of offerings and giveaways.   \nIn the textile and ceramic works\, lies an interest in the power of ornamentation\, with materials like dyed deer tail and shiny\, small objects drawing your gaze closer into the work. Collectively\, the work in Sovereign Spirits shows a wide breadth of materials being used\, but there is a united spiritual aesthetic of the pieces\, regardless of the time\, space and dimension in which they are constructed.   \n“In a quest for connection and common ground\,” Wesaw said. “Where is it you look to find the source which helps you move with meaningful purpose\, fulfillment\, and Love?  With Sovereign Spirits\, I hope to take you on a journey where you can explore the power of Self\, including the connections we have to the communities around us\, the longing we feel to belong\, and our desires to understand our place amongst all of creation. As we so casually ask for help or guidance from a higher power in difficult times throughout our lives – we must also understand that when spirit comes looking for something from us – that we need to be ready to give back without hesitation or fear; in essence\, to have faith. The work in this exhibition recognizes the role of land\, water\, and skies as we seek a deeper\, clearer understanding of Spirit and Self.” \nThe exhibition’s title\, Sovereign Spirits\, resonates with meaning across history. “Sovereign is a word most-often used to describe the undisputed authority of political entities\, or to imply supreme power and autonomy.  Indeed\, this is a word that the Potawatomi — and all Tribal Nations — have become eerily familiar with in our centuries-long fights to maintain our traditional culture and inherent human rights\, in a country founded on freedoms for all\,” Wesaw said. “By stripping away themes centered around history or distinguishing labels like ‘Indian’ and ‘Native American’\, what we may find as those layers are peeled back is a deep awareness of the natural world around and within us\, and the connection we have to beings other than humans. In an increasingly fast-changing world where the land and people are being eaten up as a resource\, there is a humble acknowledgement we can make in understanding the power of reciprocity and the place Spirit holds in the physical world we are living.” \n About the Artist: Jason Wesaw works in an array of media including ceramics\, textiles\, works on paper\, and traditional cultural pieces. His projects relate stories about the Potawatomi people’s ancient and evolving connection to the Land\, the Sky\, the Water\, and Beyond. He balances being an artist with working in his Tribal community as a Peacemaker and participating in traditional cultural ceremonies across the Great Lakes. Wesaw is Potawatomi (Turtle Clan) and lives near the historic Pokagon Potawatomi settlement of Rush Lake in southwestern Michigan. His work is in the permanent collections of the Eiteljorg Museum\, Grand Valley State University in Michigan\, the University of Notre Dame\, the Field Museum in Chicago\, the Indiana State Museum\, and many other regional institutions. He was recently a Mellon Artist-in-Residence at the Newberry Library for the ‘Indigenous Chicago’ exhibition and is a core artist in the current “Woven Being” group exhibition at The Block Museum of Art at Northwestern University.  \nLearn more about Wesaw by visiting his Instagram account @jasonwesaw. \nThe exhibition is made possible by the National Endowment for the Arts\, The Andy Warhol Foundation for the Visual Arts\, Efroymson Family Fund\, the Institute of Museum and Library Services. \nThe show is part of a long term project\, Social Alchemy\, conceived by Big Car co-founders Shauta Marsh and Jim Walker and artist and philanthropist Jeremy Efroymson\, explores historical and contemporary examples of utopian experiments\, fictional utopias and dystopias\, and social and cooperative-living design projects. \nAbout Tube Factory artspace: Tube Factory is a contemporary art campus and community center. There are four galleries on the campus\, two are commissioning galleries. Admission is free. It is also the home base for Big Car Collaborative’s work across Indianapolis and beyond. Tube Factory features rotating exhibits\, interactive projects\, community space\, a reference library\, an outdoor gathering space\, and much more to find through exploring. Tube Factory is an independent\, noncommercial\, nonprofit public place.  \nTube Factory is run by the 501(c)(3) arts nonprofit\, Big Car Collaborative. As an artist-run nonprofit organization\, we utilize tools of culture and creativity to build community and social cohesion — connecting people as a way to boost quality of life. We support our community by supporting artists. \nMuch of our work happens on a single block where we own or co-own more than 20 properties — including a long-term affordable housing program for artists and Tube Factory — a contemporary art museum with a cafe\, studios\, and community space. At our campus of adaptive reuse buildings and public greenspace\, we host community and cultural programs to promote social connectivity\, cooperation\, and creativity. \nWe also facilitate people-focused placemaking and place keeping projects across the city and beyond through Spark. Tune in to our experimental\, community-focused radio station\, WQRT 99.1 FM — also streaming at wqrt.org. Learn more at BigCar.org and TubeFactory.org. \nAbout Indiana and Tribal Land (from the Indiana State website): \nThere are two tribes that have land in Indiana. \nThe Pokagon Band of Potawatomi received a small portion of their land back from their removal in Indiana. The Pokagon Band of Potawatomi is a federally recognized tribe. It is one of 573 federally recognized tribes in the United States. The Bureau of Indian Affairs contacted Chairman John Warren to state that their tribe\, Pokagon Band of Potawatomi\, had been approved on November 18\, 2016 to receive 166 acres of land in trust in South Bend\, Indiana. The tribe successfully put a few housing units and tribal government buildings to assist their tribal members living in Indiana. It also built a 175\,000 square foot and 1\,800 Class II gaming devices\, four restaurants\, a player’s lounge\, a coffee shop\, two bars\, a retail outlet and approximately 4\,500 parking spaces including an enclosed parking structure. \nThe second tribe that has land in Indiana is the Miami Tribe of Oklahoma. The tribe was given land to put a Cultural Extension Office for their tribal members living in Indiana to attend specific gatherings\, ceremonies and education events at this office located in Fort Wayne\, Indiana.  \nThere are approximately 25\,000 other tribal members who live in Indiana\, from the Apache\, Cherokee\, Navajo\, Comanche\, Lakota Sioux\, and other federally recognized tribes. \nInformation via: faqs.in.gov/hc/en-us/articles/360033547051-Are-there-any-Native-American-tribes-in-Indiana
URL:https://www.bigcar.org/event/jason-wesaw-sovereign-spirits/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Outdoor Activities,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2025/02/Directions-of-the-Sun.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250307T180000
DTEND;TZID=America/Indiana/Indianapolis:20250825T193000
DTSTAMP:20260403T134920
CREATED:20250225T183023Z
LAST-MODIFIED:20250724T174853Z
UID:12944-1741370400-1756150200@www.bigcar.org
SUMMARY:Davis Henderson: BODEWADMI NDAW
DESCRIPTION:Video Room Gallery\n\nBODEWADMI NDAW is a documentary about the efforts of the Potawatomi people to revitalize their language\, Bodwéwadmimwen. The title is a declaration. It means I am Potawatomi.\n“My people have spent centuries unable to be ourselves lest we face malice\, persecution\, and death. It has only been 25 years that the federal government has recognized us as our own people and it is through our distinct language and culture. Our language\, however\, has been rapidly disappearing\,” says Henderson. “To my knowledge\, there is no other film in the world that covers this subject. This story needs to be told. Our language is beautiful. My people are beautiful. We do not deserve to disappear.”\n\nAbout the artist\nDavis Henderson is a filmmaker\, voice actor\, and storyteller. As a citizen of the Match-E-Be-Nash-She-Wish Band of Potawatomi Indians (also known by the community as the Gun Lake Tribe). Kalamazoo born and based\, they wish to share stories about the land that we gather on that are not written in history books.
URL:https://www.bigcar.org/event/davis-henderson-bodewadmi-ndaw/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2025/02/davishenderson-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20250312T150000
DTEND;TZID=America/Indiana/Indianapolis:20250312T170000
DTSTAMP:20260403T134920
CREATED:20250227T172125Z
LAST-MODIFIED:20250227T172125Z
UID:12959-1741791600-1741798800@www.bigcar.org
SUMMARY:Sketch Club with India Hines
DESCRIPTION:If you love sketching and are looking for community\, come hang out and draw with our longterm artist in residence\, India Hines. \nIndia Hines\, a self-taught artist from Denver\, CO\, and raised in Indianapolis\, IN\, uses ink\, watercolor\, and oil paints to explore spirituality and the subconscious. Their intuitive process results in figurative faces and organic shapes that reflect a journey of growth\, resilience\, and love. India’s art is deeply meditative\, rich with emotional depth\, and narrates stories of overcoming adversity. Active in community projects and exhibitions\, India believes in art’s power to unite and continues to push creative boundaries while exploring personal growth and self-discovery.”
URL:https://www.bigcar.org/event/sketch-club-with-india-hines/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2025/02/SKETCH.jpg
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