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X-WR-CALDESC:Events for Big Car
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TZID:America/Indiana/Indianapolis
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DTSTART:20180311T070000
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DTSTART:20181104T060000
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20190213T200000
DTEND;TZID=America/Indiana/Indianapolis:20190213T230000
DTSTAMP:20260403T161058
CREATED:20181221T181854Z
LAST-MODIFIED:20181221T181926Z
UID:7410-1550088000-1550098800@www.bigcar.org
SUMMARY:99.1 WQRT Rhinestone Country Presents Read Southall
DESCRIPTION:Formed In Stillwater Oklahoma\, The Read Southall Band is comprised of 4 native Oklahoman’s. Read Southall (lead vocals and rhythm guitar) Reid Barber (drums) Jeremee Knipp (Bass) JT Perry (Lead Guitar and harmonies). With all members having different influences in music\, they have come together to create a unique red dirt/southern rock sound. With overdriven guitars and heavy drums the Read Southall Band aims to deliver a rock and roll experience at every show.
URL:https://www.bigcar.org/event/99-1-wqrt-rhinestone-country-presents-read-southall/
LOCATION:Duke’s Indy\, 2352 S West St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/12/https-cdn.evbuc_.com-images-52734101-253741803706-1-original.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20190211T183000
DTEND;TZID=America/Indiana/Indianapolis:20190211T210000
DTSTAMP:20260403T161058
CREATED:20190108T173518Z
LAST-MODIFIED:20190108T173518Z
UID:7528-1549909800-1549918800@www.bigcar.org
SUMMARY:The Legend of Leigh Bowery
DESCRIPTION:“Filmmaker Charles Atlas documents the life and work of Bowery\, up to his AIDS-related death in 1994. Part fashion designer\, part performance artist\, part promoter\, Leigh Bowery is a singular creation of his own making. An imposing-looking man even without his often startling\, always outrageous costuming\, the Australian-born Bowery becomes a legend of the London club and underground art scenes in the 1980s. The film features archival footage and interviews with Bowery’s family and friends.”\n1 hr 23 min. \nPresented in partnership with LOW PONE. Discussion to follow the screening. Admission is free.
URL:https://www.bigcar.org/event/the-legend-of-leigh-bowery/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2019/01/49696334_2403370249677066_3146016836550656000_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20190202T110000
DTEND;TZID=America/Indiana/Indianapolis:20190202T130000
DTSTAMP:20260403T161058
CREATED:20190122T215453Z
LAST-MODIFIED:20190122T215453Z
UID:7583-1549105200-1549112400@www.bigcar.org
SUMMARY:Big Car Builders: Shop Safety Class
DESCRIPTION:Are you wanting to increase your skills with tools and gain confidense in your builder abilities? \nBig Car Builders: Shop Safety Class is an intensive 2 hour class giving you a tour of the shop and all of it’s tools and possibilities. Participants will be taught where the first aid and safety equipment are\, what the rules of the shop are\, and get hands on with a simple example of how to use a few tools. \nThe Shop Safety Class is a requirement for the Builder Volunteer program \nFees: $50 \nThis fee is used to cover staff time and equipment. Reduced Fees are available to those that qualify. Send scholarship requests to email hidden; JavaScript is required. \nSign up HERE!
URL:https://www.bigcar.org/event/big-car-builders-shop-safety-class/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:classes
ORGANIZER;CN="Big Car Collaborative":MAILTO:info@bigcar.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20190201T180000
DTEND;TZID=America/Indiana/Indianapolis:20190420T150000
DTSTAMP:20260403T161059
CREATED:20181221T190240Z
LAST-MODIFIED:20190311T220337Z
UID:7416-1549044000-1555772400@www.bigcar.org
SUMMARY:David Schalliol-Three Communities
DESCRIPTION:We shape our surroundings at the same time our surroundings shape us. Communities and their environments are inseparable. Yet as we go about occupying\, utilizing\, and altering our natural and built worlds\, how much do we think about the connections we share with the others who inhabit the place we call home? \nFor his exhibition at Tube Factory Art Space\, David Schalliol addresses the interdependence of people and place through photographs and video interviews with residents of three geographically and culturally unique places. \nFirst\, he explores the very neighborhood in which this exhibition takes place\, Bean Creek\, a hamlet of homes and businesses on the Southeast Side of Indianapolis. The waterway for which the neighborhood is named has undergone a peculiar evolution as homes\, churches\, and businesses have grown around it. In some places\, Bean Creek flows undisturbed\, a trickling rill winding through thickets of gently bending trees. In other places\, the creek has been covered by roads and other obstructions\, only to remerge more than 100 yards away. The odd evolution of landscape and municipal planning has caused some houses to face the creek—today’s residents enter through the back door\, as the front faces nature. \nNext\, Schalliol takes us to the South Side of Chicago\, where since 2011 a tight-knit group of neighbors has watched their community disappear as the owners of a nearby freight yard buy up houses in order to expand their facilities. The few remaining homeowners have banded together to try to preserve whatever is left of this place and its unique culture. The economic powers that are being exerted\, however\, will likely prove too powerful to bear. \nFinally\,Schalliol visits former coal mining communities in the north of France. Following decades of economic contraction\, the French government ceased all coal mining in the country in the early 2000s. Towns like the one in these photographs must completely re-imagine their future economic and cultural identities. Meanwhile\, the visual and social fabric of the region is affected in every conceivable way by its historic attachment to coal. For example\, the “spoil tip” hills interspersed throughout the town\, created by waste rocks from the mines\, now serve as artificial mountains being re-purposed for motorsports and ecological tourism. \nThough located worlds apart from each other\, the three communities share threads of kinship that hint at possible human universalities. \nDavid Schalliol is a visual sociologist. He is an assistant professor of sociology at St. Olaf College and a principal of Scrappers Film Group. His work has appeared in numerous publications\, including The New York Times\, and been exhibited extensively. Recent exhibitions include the 2017 Chicago Architectural Biennial\, the Belfast Photo Festival\, and the Museum of Contemporary Photography’s Midwest Photographers Project. He is the author of Isolated Building Studies. His directorial film debut\, The Area\, premiered at the Full Frame Documentary Film Festival in April 2018. He earned his BA from Kenyon College\, and his MA and PhD in the Department of Sociology at The University of Chicago.
URL:https://www.bigcar.org/event/david-schalliol/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/12/04schsmall.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20190201T180000
DTEND;TZID=America/Indiana/Indianapolis:20190216T180000
DTSTAMP:20260403T161059
CREATED:20190108T173237Z
LAST-MODIFIED:20190121T233816Z
UID:7524-1549044000-1550340000@www.bigcar.org
SUMMARY:Casey No & Taylor Rose: Crashing Through The Front Door
DESCRIPTION:Crashing Through the Front Door is a culmination of photography\, essays\, and oral histories examining queer life in Indianapolis\, Indiana through the lens of once-a-month dance party. \nPhotographer Casey No and writer Taylor Rose met over a decade before the ideation of this project in southern Indiana. Though the town was small\, and seeped in rural midwestern tradition\, the two found a group of LGBTQ friends who were a safe haven. In fact\, Casey was the first person Taylor came out to at the age of 16. Both have developed their individual crafts over the years\, talking about doing a collaboration for several of them. When Low Pone\, an Indy-based queer dance party\, came to life the subject matter was clear — the two would chronicle the lives of their queer community as it intersected over one night every month. \nCasey and Taylor are capturing a rare and novel movement in queer Indianapolis. One where much of the LGBTQ community is hungry for inclusion of all races\, genders\, non-genders\, and expressions. On a sociological level\, they are examining the need for public celebration of holistic queer existence by showing the vibrancy that comes from a space where the queer community can unapologetically show their identities. Low Pone is doing something that’s outside the norm in this city: It’s creating a space for those who have felt displaced. Crashing Through the Front Door is documenting what they view as a historical queer moment of creation and community. \nOver the last eight months\, dozens of people were interviewed about the impact that a small pop-up queer\, trans\, and people-of-color inclusive space had on their lives. By no means is a dance party the solution or even a delineation of the queer community in Indy\, but it does bookmark a moment in time and offers a periscope view into queer life. \nThe culmination is a story about how that one night becomes a sanctuary\, paying homage to the idea of home\, to a chosen family\, to rising above the fragments that society bends us to fit neatly into their stackable boxes. The photographs and personal narratives illuminate the process of finding triumph in the face of tragedy and refusing to be defined by it\, how a chosen family finds one another\, grapples with gender\, sexuality\, and identity in the midst of a cultural movement. \nCasey and Taylor consider themselves documentarians and creative culture makers. Casey is a local musician in the band Spandrels and an award-winning photographer living in Indianapolis. He is interested in closing the negative space between artist\, audience\, and community. Taylor is a non-binary journalist in Indianapolis who has worked as the Arts Editor for NUVO and as the Communications Director for the ACLU of Indiana. Their work has won numerous Society of Professional Journalism awards for social justice and community based content. This relationship between an artist and journalist is collaborative. Both artists have experienced discrimination based on class\, gender\, and sexuality. They both found power in their perspective mediums by boldy claiming their own identities. This project is not only personal\, it is how these artists hope to encourage similar endeavors in the arts community of Indianapolis. \nPhoto: Casey No\, “Mary Fagdalane covered in blood while performing\, November 2018.” \nMade possible by LOW PONE\, Upland Brewing Company\, Printtext\, Roberts Camera\, Big Car Collaborative\, The Andy Warhol Foundation for the Visual Arts\, and Indiegogo sponsors.
URL:https://www.bigcar.org/event/casey-no-emily-taylor-crashing-through-the-front-door/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2019/01/cttfdsmall.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20190201T180000
DTEND;TZID=America/Indiana/Indianapolis:20190201T220000
DTSTAMP:20260403T161059
CREATED:20190129T130826Z
LAST-MODIFIED:20190129T130826Z
UID:7630-1549044000-1549058400@www.bigcar.org
SUMMARY:Bree Jo'ann and Jon Flannelly: Tropical Gift Shop Pop Up
DESCRIPTION:A career retrospective liquidation sale! think of a flea market booth with an assortment of the usual types of things you might find mixed with special art projects\, old and new\, in various mediums
URL:https://www.bigcar.org/event/bree-joann-and-jon-flannelly-tropical-gift-shop-pop-up/
LOCATION:Listen Hear\,  2620 Shelby St\, \, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2019/01/50508772_993239204332_2517531446038495232_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20190119T200000
DTEND;TZID=America/Indiana/Indianapolis:20190119T230000
DTSTAMP:20260403T161059
CREATED:20181221T181646Z
LAST-MODIFIED:20181221T181646Z
UID:7405-1547928000-1547938800@www.bigcar.org
SUMMARY:99.1 WQRT Rhinestone Country Presents JP Harris
DESCRIPTION:Resurrecting the ghosts of a time when real\, hardcore Honky Tonk ruled the airwaves\, JP Harris has lived the songs he writes with the humor\, grit\, and grace that only a truly road-worn author can summon. After nearly 100\,000 miles and over 200 dates\, from Vermont to Louisiana to California\, from festival stages to roadhouses you can’t find on a map\, an album was born\, “Home Is Where The Hurt Is.” \nwww.ilovehonkytonk.com
URL:https://www.bigcar.org/event/99-1-wqrt-rhinestone-country-presents-jp-harris/
LOCATION:Duke’s Indy\, 2352 S West St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/12/https-cdn.evbuc_.com-images-52096065-253741803706-1-original.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20190111T103000
DTEND;TZID=America/Indiana/Indianapolis:20190111T150000
DTSTAMP:20260403T161059
CREATED:20181112T143151Z
LAST-MODIFIED:20181221T180631Z
UID:7341-1547202600-1547218800@www.bigcar.org
SUMMARY:DJ Workshop with Oreo Jones
DESCRIPTION:Hop in the WQRT studio for a one-on-one DJ workshop with resident sound artist Oreo Jones! Come with questions about audio equipment\, learn how to DJ on WQRT\, or how to go live on the air. This workshop is hosted bi-monthly\, with 8 spots available each month. Free\, Open to the Public. \nClick here to sign up.
URL:https://www.bigcar.org/event/dj-workshop-with-oreo-jones-2/
LOCATION:Listen Hear\,  2620 Shelby St\, \, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/07/IMG_6933.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20190104T180000
DTEND;TZID=America/Indiana/Indianapolis:20190121T180000
DTSTAMP:20260403T161059
CREATED:20181209T143316Z
LAST-MODIFIED:20190117T200455Z
UID:7389-1546624800-1548093600@www.bigcar.org
SUMMARY:Rachel Leigh: Light Scheaux
DESCRIPTION:Welcome to a world where grownups still build forts and play with flashlights. Where physics are not a classroom subject but a tender and flamboyant muse. Rachel Leigh teases out the sumptuousness of thrift-store glass and discarded TVs\, bathing visitors in luminous\, improbable delights.\n\nWear comfortable clothing and join us for a 20-minute live interactive audiovisual performance by the artist: Jan 9\, 13\, and 21 at 6pm.\n\nRachel Leigh is an Indianapolis-based graphic designer\, electronic musician\, and all-around visual tinkerer who spent formative years in Europe. Her intricate\, immersive work invokes subtleties of physics\, geometry\, and history. Leigh is a member of performing art collective Know No Stranger\, contributing to numerous original stage shows and multimedia experiences since 2014. Her graphic design work has appeared at the Indianapolis Motor Speedway\, Bankers Life Fieldhouse\, and Simon Malls. Light Scheaux is her debut solo exhibition.\nFollow her projects at majuscule.co. Follow on instagram @reallyearly.
URL:https://www.bigcar.org/event/rachel-leigh-light-scheaux/
CATEGORIES:Garfield Park
ATTACH;FMTTYPE=image/gif:https://www.bigcar.org/wp-content/uploads/2018/12/LS_Event_Cover.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20190104T180000
DTEND;TZID=America/Indiana/Indianapolis:20190104T220000
DTSTAMP:20260403T161059
CREATED:20181221T172136Z
LAST-MODIFIED:20181221T180331Z
UID:7400-1546624800-1546639200@www.bigcar.org
SUMMARY:What It's Like To Be Sarah
DESCRIPTION:Sarah Matthews sound experience comes to Listen Hear First Friday in January. This sensual\, immersive soundscape is a one-night exhibition that includes sound clips of a woman’s sexual responses during pleasurable intimacy with a partner. Her installation\, LUST\, invites participants to listen to a positive sexual experience from a woman’s perspective in order to consider the importance of female sexual empowerment in today’s hyper sexualized and heteronormative world.
URL:https://www.bigcar.org/event/what-its-like-to-be-sarah/
LOCATION:Listen Hear\,  2620 Shelby St\, \, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2018/12/image.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20181207T180000
DTEND;TZID=America/Indiana/Indianapolis:20181216T150000
DTSTAMP:20260403T161059
CREATED:20181026T182136Z
LAST-MODIFIED:20181029T160241Z
UID:7268-1544205600-1544972400@www.bigcar.org
SUMMARY:Absence Presence: Jedediah Johnson\, Tiffany Pierce and Amanda Taves
DESCRIPTION:Image: Jedediah Johnson\, Threesome\, 2018\n\nThree artists use the medium of photography to explore the relationship between identity and the human form.\n\n\nAbout the artists\n\nTiffany Pierce\, born in Indianapolis in 1992\, is a current MFA candidate at Herron School of Art and Design studying photography. Greatly influenced by her degree in Human Development and Family Studies\, as well as the recent\, sudden loss of her father her work explores elements and events that compromise human identity such as gender\, family\, and mortality. The development of one’s identity and the social constructs that influence it are common themes addressed in her work. Always interested in an image’s capability to capture or create identity\, she creates staged photographs\, collages\, and dioramas as a method to explore individual or societal constructs. Set to graduate in the spring of 2019\, Tiffany’s experiences with loss\, her empathetic sensibilities\, and interest in human development influence the work she is doing today. \n\nJedediah Johnson wants you to like him. He was born in 1979 on the east side of Indianapolis. He is an artist currently working and living in the same house in which he was raised on that same east side of Indianapolis. The journey that brought him back to that house took him through Los Angeles\, where in 2009 he received his BFA in Photography from Art Center College of Design\, and Chicago where in 2013 he received his MFA in Studio Art from The School of The Art Institute of Chicago. Jedediah is funny. Jedediah loves television. He enjoys sports but doesn’t watch them often and never plays them. He also believes in justice and equality and is not afraid to tell an authority figure that they are wrong. He has been overweight most of his life and only just recently decided that is just fine. Jedediah believes that a work of art with any real value is going to be beloved by many and hated by some. Jedediah Johnson wants you to like him\, but he doesn’t need you like him because he likes himself just fine. \n\nAmanda Taves is a photographer and installation artist exploring identity against the backdrop of forensic processes. She frequently collaborates with forensic professionals\, city officials\, and community organizations in her practice. Prior to receiving her BFA in Photography from the School of the Art Institute of Chicago\, Taves cultivated a visual literacy program at The Night Ministry and interned with Industry of the Ordinary. Her work has been curated by New York Museum of Modern Art curator\, Kelly Sidley\, and she has participated as a panelist and visiting instructor at the School of the Art Institute of Chicago. Her photographs have been exhibited nationally at venues such as the Phoenix Museum of Art and Indianapolis Museum of Contemporary Art. Taves is the recipient of various awards including a Chicago Cultural Center CAAP Grant\, Goldman Sachs Scholarship\, and an Endsley Fellowship\, among others. She currently resides in Chicago with her husband and parrot.
URL:https://www.bigcar.org/event/absence-presence-jedediah-johnson-tiffany-pierce-amanda-taves/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/10/threesome.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20181207T060000
DTEND;TZID=America/Indiana/Indianapolis:20181207T220000
DTSTAMP:20260403T161059
CREATED:20181021T001907Z
LAST-MODIFIED:20181026T181512Z
UID:7236-1544162400-1544220000@www.bigcar.org
SUMMARY:Hands Opening Reception
DESCRIPTION:Join Big Car for First Friday this December as we unveil the opening reception of “Hands” by visual artist Britney Pendleton. \nAs an artist from Baltimore practicing in Indianapolis Pendleton offers a raw perspective\, using the photography of hands to do the storytelling of our urban communities.
URL:https://www.bigcar.org/event/hands-opening-reception/
LOCATION:Listen Hear\,  2620 Shelby St\, \, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/10/image1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20181206T190000
DTEND;TZID=America/Indiana/Indianapolis:20181206T210000
DTSTAMP:20260403T161059
CREATED:20181021T001543Z
LAST-MODIFIED:20181026T181435Z
UID:7231-1544122800-1544130000@www.bigcar.org
SUMMARY:Collectors' Night : Britney Pendleton
DESCRIPTION:Listen Hear is proud to present Baltimore-made\, Indianapolis Artist Britney Pendleton as our December exhibiting artist. \nPendleton’s series “Hands” shares empathetic and eye opening storytelling through documentation of hands in our community. \nJoin us for Collectors’ Night to get an intimate look at the exhibition and chat with the artist.
URL:https://www.bigcar.org/event/7231/
LOCATION:Listen Hear\,  2620 Shelby St\, \, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/10/image1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20181201T190000
DTEND;TZID=America/Indiana/Indianapolis:20181201T220000
DTSTAMP:20260403T161059
CREATED:20181021T001354Z
LAST-MODIFIED:20181026T181401Z
UID:7229-1543690800-1543701600@www.bigcar.org
SUMMARY:#Trash
DESCRIPTION:Experience #Trash a solo printmaking exhibition by Herron School of Art graduating senior\, Hannah Clare. \nThis one night exhibition illuminates the power of personal choice while trying to enjoy life in an overworked and underpaid lifestyle. \n#Trash features drawing\, illustration and printmaking to describe that underneath a seemingly fun and exciting lifestyle\, there is just a bunch of garbage.
URL:https://www.bigcar.org/event/trash/
LOCATION:Listen Hear\,  2620 Shelby St\, \, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2018/10/listenhear-trash-flyer.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20181128T180000
DTEND;TZID=America/Indiana/Indianapolis:20181128T200000
DTSTAMP:20260403T161059
CREATED:20180118T214810Z
LAST-MODIFIED:20180118T214810Z
UID:6267-1543428000-1543435200@www.bigcar.org
SUMMARY:Sound Lab with Oreo Jones
DESCRIPTION:Join us the last Wednesday of every month for SOUND LAB- An evening of sound exploration. Bring your synths\, drum machines\, pedals\, theremins\, or whatever you use to express yourself. \nA re-occuring workshop where we explore ways to communicate and express ourselves through sonic waves\, each attendee will be encouraged to play a piece that they have been working on and share ways of how they approached their work. The group will then attempt to work on a collaboration by placeing your name in a bowl. We will draw 2 names at a time and you and your partner will team up in a inprovosation set.
URL:https://www.bigcar.org/event/sound-lab-with-oreo-jones-20/
LOCATION:Listen Hear\,  2620 Shelby St\, \, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2017/06/33350988021_85b4af81e6_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20181109T100000
DTEND;TZID=America/Indiana/Indianapolis:20181109T150000
DTSTAMP:20260403T161059
CREATED:20181024T162940Z
LAST-MODIFIED:20181026T180429Z
UID:7246-1541757600-1541775600@www.bigcar.org
SUMMARY:Dj Workshop with Oreo Jones
DESCRIPTION:Hop in the WQRT studio for a one-on-one DJ workshop with resident sound artist Oreo Jones! Come with questions\, learn how to DJ\, go live on the air\, or record a radio show. This workshop is hosted bi-monthly\, with 8 spots available each month. \nFree\, Open to the Public. \nSign up below: \nhttps://doodle.com/poll/fm56atffmku6htmq
URL:https://www.bigcar.org/event/dj-workshop-with-oreo-jones/
LOCATION:Listen Hear\,  2620 Shelby St\, \, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/08/Screen-Shot-2018-08-29-at-3.24.04-PM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20181103T200000
DTEND;TZID=America/Indiana/Indianapolis:20181103T230000
DTSTAMP:20260403T161059
CREATED:20181026T184626Z
LAST-MODIFIED:20181026T185041Z
UID:7275-1541275200-1541286000@www.bigcar.org
SUMMARY:99.1 WQRT Rhinestone Country Presents Dallas Moore
DESCRIPTION:Dallas Moore’s old-school country sound developed honestly\, following over 20 years of sharing stages and studios with his honky-tonk heroes. Satellite radio support\, paired with a willingness to perform over 300 shows a year\, finds the seasoned veteran positioned to reach the Americana masses with his forthcoming album Mr. Honky Tonk. \nTastemakers have taken note already\, with the Dallas Moore Band crowned the Ameripolitan Music Awards’ 2017 Outlaw Group of the Year. The award came after three prior nominations for the band No Depression credits with bringing “hangovers and excitement to outlaw country fans everywhere.” \nRecent career strides caught the attention of producer/country-music heavyweight Dean Miller\, son of Roger Miller and an accomplished songwriter himself\, having penned tunes with George Jones\, Hank Williams III\, Jamey Johnson and more. Miller entered Baird Music Group’s Nashville studio with Moore and his band to record what was originally planned to be a five-song EP. “Out of all the things we’ve ever done\, I think Dean captured what I do way better than anyone else we’ve ever worked with\,” Moore says. “It was the best recording experience I ever had.” \nThe EP turned album after its barnstorming title track—a song Moore actually wrote 20 years prior—gained serious traction on Sirius XM satellite radio’s Outlaw Country channel. The album’s other tunes came more recently\, all of them written in the past year and a half\, making them clearer snapshots of how sharing stages (and rounds of shots) with his country-music idols has impacted his songwriting. “In the last several years\, I’ve been real blessed to tour with a lot of my songwriting influences\, and they’ve helped me improve my craft\,” Moore says. “Guys like Dean Dillon\, Billy Joe Shaver\, and Ray Wylie Hubbard have been so supportive. It’s really cool when your heroes become your friends\, and that’s what happened in the past several years.” \nMoore’s stage show—already seen in years past by fans of Willie Nelson\, Merle Haggard The Allman Brothers Band and Lynyrd Skynyrd—has improved with every opportunity to open for an iconic country or Southern-rock artist. “If you’re playing in the slot before Dean Dillon\,” Moore says\, “You’d better not suck.” \nAnother crew of country luminaries performed on the album\, including harmonica legend Mickey Raphael (Willie Nelson\, Waylon Jennings\, Chris Stapleton)\, famed Nashville session bassist Michael Rhodes and pedal-steel master Steve Hinson. “We walked into the studio and saw all of these incredible players lined up\,” Moore says. “I thought they were there to play with someone else!” \nEven with such ample backing\, the main attraction on Mr. Honky Tonk is still Moore and his deft skill as a songwriter and lyricist. Like so many of his inspirations\, he’s an ace at spinning relatable stories. On “Killing Me Nice and Slow\,” he weaves an impactful tale of lost love (“It’s a long way down when you’re higher than a Georgia pine on love and whiskey the night before / Then you hear the slamming of the door”). From there\, Moore puts his spin on time-tested country tropes such as celebrating place (“Texahio\,” a nod to splitting time between Texas and his native Cincinnati) and balancing Saturday-night hellraising with Sunday-morning God praising (“Shoot Out the Lights”). \nMoore’s mother—a bluegrass and gospel performer herself—bought her son his first guitar when he was 16 years old. Before that\, sports had been his first priority. “My big claim to fame back in those days—one year I beat out Ken Griffey Jr. for the most home runs in the league\,” Moore says. “But then I got a guitar the next year\, and I quit—I walked away as a winner!” \nA few years later\, Moore enrolled at Northern Kentucky University to study jazz and classical guitar. But he found his true calling in a less high-brow environment around the same time\, performing on the local bar scene in a country house band. Multi-night stints playing classic covers set a precedent for the Dallas Moore Band’s sound and unrelenting tour schedule. And Moore’s gruff vocals have made him an ideal singer of songs about hard luck and harder living as far back as his 1991 debut LP\, My Heroes Have Always Been Cowboys. \nOnce Mr. Honky Tonk arrives in February\, expect Moore to play nonstop in support of his new album. He played a whopping 327 shows in 2017\, and that was without an album to promote. Who knows\, he might just play solo or with his band every single night in 2018. \nFAQs\nAre there ID or minimum age requirements to enter the event?\n21+ only event
URL:https://www.bigcar.org/event/99-1-wqrt-rhinestone-country-presents-dallas-moore/
LOCATION:Duke’s Indy\, 2352 S West St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/10/https-cdn.evbuc_.com-images-45645910-256922862328-1-original.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20181102T200000
DTEND;TZID=America/Indiana/Indianapolis:20181102T233000
DTSTAMP:20260403T161059
CREATED:20181026T185003Z
LAST-MODIFIED:20181026T185013Z
UID:7278-1541188800-1541201400@www.bigcar.org
SUMMARY:WQRT 99.1 FM Rhinestone Country Presents Town Mountain
DESCRIPTION:Raw\, soulful\, and with plenty of swagger\, Town Mountain has earned raves for their hard-driving sound\, their in-house songwriting and the honky-tonk edge that permeates their exhilarating live performances\, whether in a packed club or at a sold-out festival. The hearty base of Town Mountain’s music is the first and second generation of bluegrass spiced with country\, old school rock ‘n’ roll\, and boogie-woogie. It’s what else goes into the mix that brings it all to life both on stage and on record and reflects the group’s wide-ranging influences – from the Grateful Dead’s Jerry Garcia and the ethereal lyrics of Robert Hunter\, to the honest\, vintage country of Willie\, Waylon\, and Merle.
URL:https://www.bigcar.org/event/wqrt-99-1-fm-rhinestone-country-presents-town-mountain/
LOCATION:Duke’s Indy\, 2352 S West St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/10/37342154_434991910313628_8223227986460016640_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20181102T180000
DTEND;TZID=America/Indiana/Indianapolis:20190112T150000
DTSTAMP:20260403T161059
CREATED:20180830T214759Z
LAST-MODIFIED:20181209T183653Z
UID:7088-1541181600-1547305200@www.bigcar.org
SUMMARY:Laura Ortiz Vega:No USA return
DESCRIPTION:For her debut solo exhibition at Tube Factory Art Space\, Laura Ortiz Vega presents a new series of “thread paintings” inspired by the rhetoric surrounding President Trump’s proposed US-Mexico border wall. \nVega takes as her departure point the now famous images of the eight border wall samples President Trump browsed in 2017 as they were being tested along the actual border between San Diego and Tijuana. Listening to the speeches Trump has given about the wall\, and reading his tweets on the subject\, Vega then extracted the eight adjectives the President most frequently used to describe the project. \nGREAT\, BIGGEST\, IMPENETRABLE\, PHYSICAL\, TALL\, POWERFUL\, BEAUTIFUL\, INCREDIBLE \nEach word an imposing declaration; each wall sample an impenetrable facade. \nSeizing the chance to subvert public perception of these messages\, Vega presents the adjectives like graffiti on the border wall samples\, turning each section of wall into a billboard advertising its own hyperbolically alleged attributes. \nSays Vega\, “I saw the opportunity to present this matter in a positive note. I envisioned the wall as a blank canvas for expression\, and in a way\, made him eat his own words. [It is] a chance to reject the negativity and turn this around.” \nVega models her distinctive thread painting method after the traditional craft techniques of the indigenous Huichol people of western Mexico. She first covers a surface with cera de Campeche\, a natural beeswax from the Mexican state of Campeche. She then “draws” on that surface with cotton Perlé embroidery thread\, using a palette knife to embed the thread into the wax. It is a long\, delicate\, and sometimes messy process\, and takes weeks to finish a single piece. The resulting image-object has a texture reminiscent of a woven textile\, yet is inflexible. \nVega was born in Mexico City in 1975. She studied Industrial Design at Universidad Iberoamericana in Mexico City\, earning her BFA in 2000. Her work has been exhibited extensively\, including at the Museo de Arte Popular de la Ciudad de Mexico\, Lyons Weir Gallery in New York\, The Shooting Gallery in San Francisco\, Breeze Block Gallery in Portland\, OR\, and Galerie Ernst Hilger in Vienna\, Austria. It has been featured at Zona MACO\, Pulse LA and MIAMI\, Houston Fine Art Fair\, Art Chicago NEXT\, Art Market San Francisco\, Art Toronto\, London Art Fair\, PINTA Art Fair\, and Supermarket Art Fair\, Sweden. It was selected for the Tequila CENTENARIO Award at Zona MACO and was awarded with an Honorific Mention at the Bienal de Artes Visuales de Yucatán in 2009.
URL:https://www.bigcar.org/event/laura-ortiz-vegano-usa-return/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/08/2-ORTIZVEGA-PULSE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20181102T180000
DTEND;TZID=America/Indiana/Indianapolis:20181118T180000
DTSTAMP:20260403T161059
CREATED:20181026T180824Z
LAST-MODIFIED:20181026T185216Z
UID:7262-1541181600-1542564000@www.bigcar.org
SUMMARY:Aaron Scamihorn and Jason Roemer: Freaks & Geeks
DESCRIPTION:Freaks & Geeks is a collection of hand-painted and screen-printed portraits by Aaron Scamihorn\, along with a unique collaboration with writer and Lodge principal Jason Roemer. With a focus on perceived beauty\, Aaron’s portraits break social convention by inviting you to stare into the intriguing faces of those we see around us everyday. The show’s pairing of three stream-of-consciousness narratives with over-sized portraits forces you to come face-to-face with a set of distinctly American characters who hope for the best\, but ultimately cope with the worst.
URL:https://www.bigcar.org/event/aaron-scamihorn-jason-roemer-freaks-and-geeks/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/10/Moss_TexturedWeb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20181102T180000
DTEND;TZID=America/Indiana/Indianapolis:20181102T220000
DTSTAMP:20260403T161059
CREATED:20181021T001232Z
LAST-MODIFIED:20181026T180316Z
UID:7227-1541181600-1541196000@www.bigcar.org
SUMMARY:On The Nose Opening Reception
DESCRIPTION:Join us First Friday for the Opening Reception of On The Nose\, new paper works by Indianapolis Artist Jacob Mullins. Explore themes of absurdity\, failure and dark humor.
URL:https://www.bigcar.org/event/on-the-nose-opening-reception/
LOCATION:Listen Hear\,  2620 Shelby St\, \, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/10/IMG_1573.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20181101T190000
DTEND;TZID=America/Indiana/Indianapolis:20181101T210000
DTSTAMP:20260403T161059
CREATED:20181021T001048Z
LAST-MODIFIED:20181026T180354Z
UID:7221-1541098800-1541106000@www.bigcar.org
SUMMARY:Collectors' Night : Jacob Mullins
DESCRIPTION:We welcome the public to experience Collectors’ Night at Listen Hear\, with Indianapolis visual artist Jacob Mullins. Catch Mullins’ solo exhibition On The Nose Thursday November 1st from 7-9 pm for a first look at the show\, and a chance to chat with the artist. \nOn The Nose highlights new works on paper\, exploring themes of absurdity\, failure and dark humor.
URL:https://www.bigcar.org/event/collectors-night-jacob-mullins/
LOCATION:Listen Hear\,  2620 Shelby St\, \, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/10/IMG_1644.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20181025T110000
DTEND;TZID=America/Indiana/Indianapolis:20181025T120000
DTSTAMP:20260403T161059
CREATED:20181003T221520Z
LAST-MODIFIED:20181003T221520Z
UID:7202-1540465200-1540468800@www.bigcar.org
SUMMARY:On The Menu
DESCRIPTION:On the Menu\, with hosts costume designer Brittany Kugler and photographer Lauren Ditchley\, encourages visitors of all ages to make a meal out of craft supplies inspired by a rotating\, food-based prompt. You might make “Last Night’s Dinner” “Mom’s Favorite Recipe” or “Holiday Staple”! Once the food is plated\, Ditchley will photograph the creator and their meal as a gift. \nWe encourage people to share about their personal history and culture through food! \nLockerbie Square (by Needler’s Fresh Market | N New Jersey): Thursdays\, September 6\, 13\, and October 25 \nFor more information visit:\nwww.laurenditchley.com\nwww.brittanykugler.com \nThis is a FREE activity for all! There are other free activities to enjoy at both locations like games\, live music\, and the farmers market! \nBrought to you by Big Car Collaborative\, Spark Placemaking and Indianapolis City Market with support from Southwest Airlines and Project for Public Spaces through the Heart of the Community program.
URL:https://www.bigcar.org/event/on-the-menu-2/
LOCATION:Needler’s Market\, 320 N New Jersey\, Indianapolis\, IN\, 46204\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/10/41008070_2090598191054367_3293692178852741120_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20181024T180000
DTEND;TZID=America/Indiana/Indianapolis:20181024T200000
DTSTAMP:20260403T161059
CREATED:20181003T215105Z
LAST-MODIFIED:20181003T215146Z
UID:7184-1540404000-1540411200@www.bigcar.org
SUMMARY:The Designer's Road Map
DESCRIPTION:An honest panel discussion on the pathways for a creative professional\nThe Indianapolis creative community offers a variety of pathways to a career as a design professional. Some are straight\, most are windy and none of them are for the faint of heart. There is no singular experience because our community is made up of a tapestry of traditional ad agencies\, boutique design shops\, freelancers and in-house creative teams. And while we benefit from the array of options\, it can also isolate us to our own experience\, leaving us to make assumptions about what it must be like on the other side. Are all agency gigs 60+ hour workweeks? Do freelancers hang out at coffee shops all day and sip lattes? What is it like to work in-house? When does a side hustle become a business? And what the hell is a boutique design shop anyway? \nWhat if we had the opportunity to have a candid conversation with Indy’s most talented and gracious design leaders to get answers to some of these questions? What if we could dig into the similarities and differences between these pathways and how to know what to expect? More mentorship\, more honesty\, less romanticization\, fewer assumptions. \nPlease join AIGA at The Tube Factory on Oct. 24 for a guided panel discussion that will leave you better educated about your opportunities and more equipped to build the type of creative community that cares for one another. \n—- \nPANELIST\nRyan Hunley // Owner and Art Directory\, 2nd Street Creative \nAmy McAdams-Gonzales //Co-Founder and Designer\, Matinee Creative \nAaron Scamihorn // Principal\, RONLEWHORN Industries \nAnna Saraceno // Product Designer\, Trello \nKatie Clements // Associate Creative Director\, CVR \nMODERATOR\nKolby McElvain // Senior Designer\, High Alpha \nSpecial thanks to our Presenting Sponsor:\nArtisan is a boutique recruitment agency that has a unique approach to making the right connections – and they’ve honed\, mastered\, and put it to work over the past few decades. Their secret? It’s the realization that they’re humans helping humans.
URL:https://www.bigcar.org/event/7184/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/10/41968102_10160922148645261_8453600823807574016_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20181024T180000
DTEND;TZID=America/Indiana/Indianapolis:20181024T200000
DTSTAMP:20260403T161059
CREATED:20180118T214609Z
LAST-MODIFIED:20180118T214707Z
UID:6264-1540404000-1540411200@www.bigcar.org
SUMMARY:Sound Lab with Oreo Jones
DESCRIPTION:Join us for SOUND LAB- An evening of sound exploration. Bring your synths\, drum machines\, pedals\, theremins\, or whatever you use to express yourself. \nA re-occuring workshop where we explore ways to communicate and express ourselves through sonic waves\, each attendee will be encouraged to play a piece that they have been working on and share ways of how they approached their work. The group will then attempt to work on a collaboration by placeing your name in a bowl. We will draw 2 names at a time and you and your partner will team up in a inprovosation set. \nNote: Usually we meet the last Wednesday but we moved it up a week because of Halloween.
URL:https://www.bigcar.org/event/sound-lab-with-oreo-jones-19/
LOCATION:Listen Hear\,  2620 Shelby St\, \, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2017/06/33350988021_85b4af81e6_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20181024T180000
DTEND;TZID=America/Indiana/Indianapolis:20181024T193000
DTSTAMP:20260403T161059
CREATED:20181003T221145Z
LAST-MODIFIED:20181003T221145Z
UID:7195-1540404000-1540409400@www.bigcar.org
SUMMARY:Walking Wednesday-Indianapolis City Market with Stevi Stoesz
DESCRIPTION:The Indianapolis City Market is a historic landmark that offers distinct foods\, products and services. Take a moment to explore the widely unknown aspects of this city center\, including a tour of the catacombs\, with Executive Director Stevi Stoesz. \nFree and open to the public // All ages\nMEET on the East Plaza of City Market. We don’t walk if the weather is terrible. Walks are free but bring some money if you’d like to stop for a snack or drink in the middle. \nBrought to you by Spark Placemaking and Indianapolis City Market with support from Southwest Airlines and Project for Public Spaces through the Heart of the Community program. \nAbout Stoesz\nAs executive director of City Market\, Stoesz manages all aspects of the Downtown organization. This includes handling day-to-day operations\, anticipating culinary trends\, promoting the market as a local cultural destination\, managing leasing agreements and maintaining corporate relationships. With a degree in communications and public relations from Indiana Statue University\, Stoesz began her work at City Market in 1994 as the commercial real estate leasing representative. Stoesz took on the role of marketing and public relations director in 1996. After leaving in 2001\, Stoesz returned in 2008 as director of business development and public relations\, and was named executive director in 2011.
URL:https://www.bigcar.org/event/walking-wednesday-indianapolis-city-market-with-stevi-stoesz/
LOCATION:Indianapolis City Market\, 222 E Market St\, Indianapolis 
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/10/37866488_1882514291803644_6440520768517308416_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20181024T103000
DTEND;TZID=America/Indiana/Indianapolis:20181024T120000
DTSTAMP:20260403T161059
CREATED:20181003T221354Z
LAST-MODIFIED:20181003T221408Z
UID:7198-1540377000-1540382400@www.bigcar.org
SUMMARY:On The Menu
DESCRIPTION:On the Menu\, with hosts costume designer Brittany Kugler and photographer Lauren Ditchley\, encourages visitors of all ages to make a meal out of craft supplies inspired by a rotating\, food-based prompt. You might make “Last Night’s Dinner” “Mom’s Favorite Recipe” or “Holiday Staple”! Once the food is plated\, Ditchley will photograph the creator and their meal as a gift. \nWe encourage people to share about their personal history and culture through food! \nFor more information visit:\nwww.laurenditchley.com\nwww.brittanykugler.com \nThis is a FREE activity for all! There are other free activities to enjoy at both locations like games\, live music\, and the farmers market! \nBrought to you by Big Car Collaborative\, Spark Placemaking and Indianapolis City Market with support from Southwest Airlines and Project for Public Spaces through the Heart of the Community program.
URL:https://www.bigcar.org/event/on-the-menu/
LOCATION:Indianapolis City Market\, 222 E Market St\, Indianapolis 
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/10/41008070_2090598191054367_3293692178852741120_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20181022T183000
DTEND;TZID=America/Indiana/Indianapolis:20181022T203000
DTSTAMP:20260403T161059
CREATED:20180928T184820Z
LAST-MODIFIED:20181002T192321Z
UID:7162-1540233000-1540240200@www.bigcar.org
SUMMARY:Nicholas Mirzoeff Talk and Dinner
DESCRIPTION:Nicholas Mirzoeff is a visual activist\, working at the intersection of politics\, race and global/visual culture. \nAmong his many publications\, The Right to Look: A Counterhistory of Visuality (2011) won the Anne Friedberg Award for Innovative Scholarship from the Society of Cinema and Media Studies in 2013. \nHow To See The World was published by Pelican in the UK (2015) and by Basic Books in the US (2016). It has been translated into ten languages and was a New Scientist Top Ten Book of the Year for 2015. \nHis new project\, The Appearance of Black Lives Matter was published in 2017 as a free e-book\, and in 2018 as a limited edition print book with the art project “The Bad Air Smelled Of Roses”  by Carl Pope and a poem by Karen Pope\, both by NAME Publications\, Miami. \nSince Charlottesville\, he has been active in the movement to take down statues commemorating settler colonialism and/or white supremacy and convened the collaborative syllabus All The Monuments Must Fall. \nA frequent blogger and writer\, his work has appeared in the New York Times\, the Guardian\, Time and The New Republic. \nRSVP to email hidden; JavaScript is required
URL:https://www.bigcar.org/event/nicholas-mirzoeff/
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/09/1603-30-100-e1459890785853.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20181020T130000
DTEND;TZID=America/Indiana/Indianapolis:20181020T150000
DTSTAMP:20260403T161100
CREATED:20180822T161331Z
LAST-MODIFIED:20180831T145253Z
UID:7017-1540040400-1540047600@www.bigcar.org
SUMMARY:Juan William Chávez Artist Talk and Lunch
DESCRIPTION:Join us for the close of the exhibit Juan William Chávez: Mesa Hive with an artist talk and lunch. RSVP to email hidden; JavaScript is required \n About Chávez \nJuan William Chávez is an artist and cultural activist who creates and shares space in the built and natural environments to address community-identified issues. At the heart of Chavez’s practice is his studio research\, which includes drawings\, films\, photographs\, craft\, labor\, architectural interventions\, and unconventional forms of beekeeping and agriculture. Chávez utilizes art as a way of researching\, developing\, and implementing projects of creative placemaking and social engagement. His exhibitions feature his studio research in the form of multimedia installations. Chavez has exhibited his work at venues such as ArtPace\, Van Abbemuseum\, McColl Center for Art + Innovation\, 21c Museum Hotel\, Laumeier Sculpture Park and Contemporary Art Museum St. Louis. His interdisciplinary approach to art has gained the attention and support of prestigious institutions like the John Simon Guggenheim Foundation\, Creative Capital\, Graham Foundation for Advanced Studies in the Fine Arts\,  ArtPlace America and Art Matters Foundation. Chávez holds a BFA from the Kansas City Art Institute and a MFA from the School of the Art Institute of Chicago.
URL:https://www.bigcar.org/event/juan-william-chavez-artist-talk-and-lunch/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/08/IMG_7789.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20181018T200000
DTEND;TZID=America/Indiana/Indianapolis:20181018T230000
DTSTAMP:20260403T161100
CREATED:20180928T194207Z
LAST-MODIFIED:20180928T194207Z
UID:7171-1539892800-1539903600@www.bigcar.org
SUMMARY:ROBBIE FULKS\, LINDA GAIL LEWIS & RED VOLKAERT
DESCRIPTION:Robbie Fulks is a singer\, recording artist\, instrumentalist\, composer\, and songwriter. His most recent release\, 2017’s Upland Stories\, earned year’s-best recognition from NPR and Rolling Stone among many others\, as well as two Grammy® nominations\, for folk album and American roots song (“Alabama At Night”). \nFulks was born in York\, Pennsylvania\, and grew up in a half-dozen small towns in southeast Pennsylvania\, the North Carolina Piedmont\, and the Blue Ridge area of Virginia. After 1980s stints playing with Greg Cahill’s Special Consensus Bluegrass Band and teaching at Chicago’s Old Town School of Folk Music\, Robbie worked as a staff songwriter on Music Row in Nashville (1993-1998). His early solo work includes the influential early “alternative-country” records Country Love Songs (1996) and South Mouth (1997). His music from the last several years hews mainly to acoustic instrumentation; it returns him in part to his earlier bluegrass days\, and extends the boundaries of that tradition with sparely orchestrated reflections on love\, the slings of time\, and the troubles of common people. \nRadio: multiple appearances on WSM’s “Grand Ole Opry\,” PRI’s “Whadd’ya Know” and “Prairie Home Companion\,” NPR’s “Fresh Air\,” “Mountain Stage\,” and “World Cafe.” TV: PBS’s Austin City Limits; NBC’s Today\, Late Night with Conan O’Brien\, Later with Carson Daly\, and 30 Rock. Artists who have covered his songs include Sam Bush\, Kelly Hogan\, Hiss Golden Messenger\, Andrew Bird\, Mollie O’Brien\, Rosie Flores\, John Cowan\, and Old 97s. Festivals he’s played include Hardly Strictly Bluegrass\, Calgary Folk Festival\, Bumbershoot\, Birmingham City Stages\, IBMA\, Walnut Valley Festival (Winfield KS)\, Wakarusa (Lawrence KS)\, Americanafest (Nashville)\, Hideout Block Party\, Milwaukee’s Summerfest\, Taste of Chicago\, Rhode Island Rhythm and Roots\, Whispering Beard\, and Pickathon.
URL:https://www.bigcar.org/event/robbie-fulks-linda-gail-lewis-red-volkaert/
LOCATION:Duke’s Indy\, 2352 S West St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/09/wildx3_cover_1500.jpg
END:VEVENT
END:VCALENDAR