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DTSTART;TZID=America/Indiana/Indianapolis:20200207T180000
DTEND;TZID=America/Indiana/Indianapolis:20200516T150000
DTSTAMP:20260404T115212
CREATED:20200114T202951Z
LAST-MODIFIED:20200114T205827Z
UID:8695-1581098400-1589641200@www.bigcar.org
SUMMARY:Kipp Normand: Snake Oil\, A Fantastical American History
DESCRIPTION:Artist and historian Kipp Normand’s practice is a physical and conceptual investigation into the power of objects and images as a narrative device. Inspired by the Dada traditions of assemblage\, collage\, construction\, and performance\, Normand employs the acts of appropriation\, reuse\, and recontextualization to explore contemporary perceptions of time\, community\, and memory. In Snake Oil\, Normand distills four centuries of history to illustrate the deep-seated American penchant for fantastical thinking. Part world’s fair exhibit\, huckster wagon\, dime museum\, and midway arcade; Snake Oil is a multifaceted installation that challenges the viewer to re-examine the ideas of American Exceptionalism. Imbued with satire and mixed with painful truths\, this haunted temple of junk casts a sideways glance at the tales we tell our children and ourselves about who we are and how we got here.\nNormand — who maintains a studio and workspace in Indianapolis where he creates dynamic works of visual art infused with narratives of culture\, community\, and history — is a scavenger and an obsessive collector. He searches back streets and alleys\, junk stores and abandoned buildings\, looking for clues to explain the mysteries of our world. Normand finds stories in discarded things: Stories about all of us\, our cities\, and our shared history. He first began making collage images\, shadow boxes\, and installations as a way to justify his relentless collecting. But the work soon became much more than that. It is Normand’s way to dig deeply into the vast attic of this world and to share his finds with anyone who takes the time to look. He holds a Master’s degree in American Studies from the University of Notre Dame and worked nearly 30 years in the field of heritage preservation and housing reform before turning to the practice of art. 
URL:https://www.bigcar.org/event/kipp-normand-snake-oil-a-fantastical-american-history/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2020/01/KippNormand-TubeGallery-6inx6in-MAINsm-01.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20200310T190000
DTEND;TZID=America/Indiana/Indianapolis:20200310T220000
DTSTAMP:20260404T115212
CREATED:20200227T194916Z
LAST-MODIFIED:20200227T194916Z
UID:8747-1583866800-1583877600@www.bigcar.org
SUMMARY:See America First Film Series-Ragtime
DESCRIPTION:Kipp Normand will introduce and host a discussion relating the film to his current exhibition in the Main Gallery at Tube Factory artspace\, ‘Snake Oil’. Attendees will have a chance to win a original Normand sculpture\, “Snake Oil.” \n“A kaleidoscope of tales from E.L. Doctorow’s eponymous novel evokes life in pre-World War I New York City. A white family find a black baby in their yard and takes on the mother as a maid. A black pianist\, Coalhouse Walker Jr. (Howard E. Rollins Jr.)\, returns for his woman and child after finding success in a Harlem jazz band. Firefighters\, dismayed to see a black man own a Model-T Ford\, deface it\, and Walker demands retribution. The white family becomes involved in Evelyn Nesbit’s trial.” \nRuntime -155 minutes
URL:https://www.bigcar.org/event/see-america-first-film-series-ragtime/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2020/02/ccfd2723-7761-4c55-a11e-c32dd3cb6767.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20200311T190000
DTEND;TZID=America/Indiana/Indianapolis:20200311T203000
DTSTAMP:20260404T115212
CREATED:20200227T194250Z
LAST-MODIFIED:20200227T194250Z
UID:8739-1583953200-1583958600@www.bigcar.org
SUMMARY:West African Dance with Uzuri Asad
DESCRIPTION:West African dance is an essential component of West African culture. Over time\, traditional dances incorporated new moves\, rhythms and ideas. Through the slave trade\, and through national production of traditional dance forms\, West African dance has found it’s way around the globe. West African Dance has influenced many popular American dance forms\, such as hip-hop\, salsa and jazz dance. Traditional dances are still practiced by many people today. \nUzuri Asad caters to all levels of students and is part of Big Car’s APLR program. \nTraditional West African Dance\nDance has always played a very important role in the lives of West Africans. Throughout history\, West Africans performed dances to celebrate a birth\, harvest or death. Communities relied on dance to ward off evil spirits\, to ask the gods for prosperity\, or to resolve conflict. Dance continues to serve those functions. For example\, villagers perform the Malinke rhythm Kassa during farming and harvesting work. The singing\, dancing and clapping entertains and motivates the hard-working farmers. \nCharacteristics of West African Dance\nAfrican dance\, according to R.F. Thomson\, has four unique qualities. First\, the body moves in a multi-unit fashion\, where the head and arms may move to one rhythmic pattern while the feet follow a different time signature. Second\, it is percussive; the dancer interprets the rhythmic nature of the music through movement. Third\, though as a whole African dance is a community event\, some dancers follow different parts of the rhythm\, dancing “apart” from the crowd. Finally\, West African dance phrases\, or sets of movements\, overlap\, creating a “call-and-response” pattern. \n$10
URL:https://www.bigcar.org/event/west-african-dance-with-uzuri-asad-2/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2020/02/20200211_160139_0000.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20200314T120000
DTEND;TZID=America/Indiana/Indianapolis:20200314T150000
DTSTAMP:20260404T115212
CREATED:20200227T203547Z
LAST-MODIFIED:20200313T193855Z
UID:8750-1584187200-1584198000@www.bigcar.org
SUMMARY:Spring Zine Jam-Postponed
DESCRIPTION:Join us at Normal Coffee inside the Tube Factory Artspace for a collaborative zine jam just in time for spring to roll around! Supplies will be provided but you’re welcome to bring your own. Drawings\, poetry\, collage\, whatever you think we should put in our spring zine works! Gluestick will print the zine shortly after and it will be available for pickup around Indy and at Normal. Don’t know what a zine is? Come find out!
URL:https://www.bigcar.org/event/spring-zine-jam/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2020/02/86384579_3455973534477317_690807410381553664_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20200318T190000
DTEND;TZID=America/Indiana/Indianapolis:20200318T203000
DTSTAMP:20260404T115212
CREATED:20200227T194346Z
LAST-MODIFIED:20200318T171336Z
UID:8741-1584558000-1584563400@www.bigcar.org
SUMMARY:West African Dance with Uzuri Asad-Cancelled
DESCRIPTION:West African dance is an essential component of West African culture. Over time\, traditional dances incorporated new moves\, rhythms and ideas. Through the slave trade\, and through national production of traditional dance forms\, West African dance has found it’s way around the globe. West African Dance has influenced many popular American dance forms\, such as hip-hop\, salsa and jazz dance. Traditional dances are still practiced by many people today. \nUzuri Asad caters to all levels of students and is part of Big Car’s APLR program. \nTraditional West African Dance\nDance has always played a very important role in the lives of West Africans. Throughout history\, West Africans performed dances to celebrate a birth\, harvest or death. Communities relied on dance to ward off evil spirits\, to ask the gods for prosperity\, or to resolve conflict. Dance continues to serve those functions. For example\, villagers perform the Malinke rhythm Kassa during farming and harvesting work. The singing\, dancing and clapping entertains and motivates the hard-working farmers. \nCharacteristics of West African Dance\nAfrican dance\, according to R.F. Thomson\, has four unique qualities. First\, the body moves in a multi-unit fashion\, where the head and arms may move to one rhythmic pattern while the feet follow a different time signature. Second\, it is percussive; the dancer interprets the rhythmic nature of the music through movement. Third\, though as a whole African dance is a community event\, some dancers follow different parts of the rhythm\, dancing “apart” from the crowd. Finally\, West African dance phrases\, or sets of movements\, overlap\, creating a “call-and-response” pattern. \n$10
URL:https://www.bigcar.org/event/west-african-dance-with-uzuri-asad-3/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2020/02/20200211_160139_0000.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20200322T100000
DTEND;TZID=America/Indiana/Indianapolis:20200322T140000
DTSTAMP:20260404T115212
CREATED:20200303T175526Z
LAST-MODIFIED:20200318T171354Z
UID:8776-1584871200-1584885600@www.bigcar.org
SUMMARY:Spring Equinox with Uzuri Asad-Cancelled
DESCRIPTION:Start the season off right with Uzuri Asad! We get pretty excited about the spring equinox bringing us out of winter and officially starting the season of spring. But what exactly is the spring equinox? And does an equinox happen at the start of every season? \nFirst\, let’s get into the equinox\, which actually occurs just twice a year. The word equinox comes from Latin and means “equality of night and day.” So\, the equinox occurs at two specific moments in time when the sun is exactly above the equator (contrary to popular belief\, the equinox doesn’t last for 24 hours). \nMore details TBA.
URL:https://www.bigcar.org/event/spring-equinox-with-uzuri-asad/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20200325T190000
DTEND;TZID=America/Indiana/Indianapolis:20200325T203000
DTSTAMP:20260404T115212
CREATED:20200227T194449Z
LAST-MODIFIED:20200318T171414Z
UID:8743-1585162800-1585168200@www.bigcar.org
SUMMARY:West African Dance with Uzuri Asad-Cancelled
DESCRIPTION:West African dance is an essential component of West African culture. Over time\, traditional dances incorporated new moves\, rhythms and ideas. Through the slave trade\, and through national production of traditional dance forms\, West African dance has found it’s way around the globe. West African Dance has influenced many popular American dance forms\, such as hip-hop\, salsa and jazz dance. Traditional dances are still practiced by many people today. \nUzuri Asad caters to all levels of students and is part of Big Car’s APLR program. \nTraditional West African Dance\nDance has always played a very important role in the lives of West Africans. Throughout history\, West Africans performed dances to celebrate a birth\, harvest or death. Communities relied on dance to ward off evil spirits\, to ask the gods for prosperity\, or to resolve conflict. Dance continues to serve those functions. For example\, villagers perform the Malinke rhythm Kassa during farming and harvesting work. The singing\, dancing and clapping entertains and motivates the hard-working farmers. \nCharacteristics of West African Dance\nAfrican dance\, according to R.F. Thomson\, has four unique qualities. First\, the body moves in a multi-unit fashion\, where the head and arms may move to one rhythmic pattern while the feet follow a different time signature. Second\, it is percussive; the dancer interprets the rhythmic nature of the music through movement. Third\, though as a whole African dance is a community event\, some dancers follow different parts of the rhythm\, dancing “apart” from the crowd. Finally\, West African dance phrases\, or sets of movements\, overlap\, creating a “call-and-response” pattern. \n$10
URL:https://www.bigcar.org/event/west-african-dance-with-uzuri-asad-4/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2020/02/20200211_160139_0000.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20200401T190000
DTEND;TZID=America/Indiana/Indianapolis:20200401T203000
DTSTAMP:20260404T115212
CREATED:20200227T194541Z
LAST-MODIFIED:20200318T171543Z
UID:8745-1585767600-1585773000@www.bigcar.org
SUMMARY:Western Dance with Uzuri Asad-Cancelled
DESCRIPTION:West African dance is an essential component of West African culture. Over time\, traditional dances incorporated new moves\, rhythms and ideas. Through the slave trade\, and through national production of traditional dance forms\, West African dance has found it’s way around the globe. West African Dance has influenced many popular American dance forms\, such as hip-hop\, salsa and jazz dance. Traditional dances are still practiced by many people today. \nUzuri Asad caters to all levels of students and is part of Big Car’s APLR program. \nTraditional West African Dance\nDance has always played a very important role in the lives of West Africans. Throughout history\, West Africans performed dances to celebrate a birth\, harvest or death. Communities relied on dance to ward off evil spirits\, to ask the gods for prosperity\, or to resolve conflict. Dance continues to serve those functions. For example\, villagers perform the Malinke rhythm Kassa during farming and harvesting work. The singing\, dancing and clapping entertains and motivates the hard-working farmers. \nCharacteristics of West African Dance\nAfrican dance\, according to R.F. Thomson\, has four unique qualities. First\, the body moves in a multi-unit fashion\, where the head and arms may move to one rhythmic pattern while the feet follow a different time signature. Second\, it is percussive; the dancer interprets the rhythmic nature of the music through movement. Third\, though as a whole African dance is a community event\, some dancers follow different parts of the rhythm\, dancing “apart” from the crowd. Finally\, West African dance phrases\, or sets of movements\, overlap\, creating a “call-and-response” pattern.
URL:https://www.bigcar.org/event/western-dance-with-uzuri-asad/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2020/02/20200211_160139_0000.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20200403T080000
DTEND;TZID=America/Indiana/Indianapolis:20200403T233000
DTSTAMP:20260404T115212
CREATED:20200327T173316Z
LAST-MODIFIED:20200327T173355Z
UID:8848-1585900800-1585956600@www.bigcar.org
SUMMARY:First Friday From Home Art Shares and Tours
DESCRIPTION:Usually we’re showing you new art every First Friday. But now we’re asking you to show us yours! Whether you made it or bought it\, use your phone to share photos and videos with us and others by using the hashtag #firstfridayfromhome or by posting pictures or videos (also can go live and tag Tube Factory artspace. We will select different people who share their collections to win Normal Coffee gift cards\, a ceramic piece from Soyong Kang Partington\, and t-shirts from Big Car. \nStart sharing now\, so we can share different artworks through FB and Twitter throughout the night of April 3. When you post\, you can tell us who the artist is\, why you bought it\, how it makes you feel\, whatever you want to say about art you have collected. We will also share some things along the way as we celebrate First Friday via our radio station\, 99.1 WQRT FM (also accessible at www.wqrt.org). \nIf you’re in Indianapolis\, show our friends at the Arts Council of Indianapolis some love and hashtag #indyKeepsCreating \nAll of us at Big Car are sending positive\, healthy vibes your way. Excited to see your collections and see you in person when we get through the pandemic.
URL:https://www.bigcar.org/event/first-friday-from-home-art-shares-and-tours/
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2020/03/20200326-AtHome-FBbg-01.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20200429T180000
DTEND;TZID=America/Indiana/Indianapolis:20200429T200000
DTSTAMP:20260404T115212
CREATED:20200227T204605Z
LAST-MODIFIED:20200304T214833Z
UID:8759-1588183200-1588190400@www.bigcar.org
SUMMARY:SoundLab with Oreo Jones
DESCRIPTION:We are back with another edition of SOUND LAB! Join Oreo Jones at Listen Hear for an evening of sound exploration. Bring your synths\, drum machines\, pedals\, theremins\, or whatever you use to express yourself. \nSound Lab is a reoccurring workshop where we explore ways to communicate and express ourselves through sonic waves. Each attendee will be encouraged to play a piece that they have been working on and share ways of how they approached their work. The group will then attempt to work on a collaboration broadcasted live on 99.1 WQRT.
URL:https://www.bigcar.org/event/soundlab-with-oreo-jones/
LOCATION:Listen Hear\,  2620 Shelby St\, \, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2020/02/86857576_3285799541434453_4754601269950152704_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20200502T110000
DTEND;TZID=America/Indiana/Indianapolis:20200502T150000
DTSTAMP:20260404T115212
CREATED:20200303T171805Z
LAST-MODIFIED:20200318T171523Z
UID:8771-1588417200-1588431600@www.bigcar.org
SUMMARY:Writing Workshop with Mariah Ivey
DESCRIPTION:An interactive workshop led by Mariah Ivey. \nMariah is a graduate of Pike High School\, studied at Columbia College Chicago and is an active Teaching + Performing Artist\, Poet\, MC\, and Host/Coordinator of various local art and community events. She has spent the last five years working within the non-profit sector as a youth program facilitator and project manager where her love of young people\, art\, and education have all simultaneously come alive in order to create a more promising future! \nMost nights and weekends\, Mariah enjoys performing\, hosting\, and creating – both as an individual and alongside her band\, TribeSouL. She also enjoys designing jewelry\, being in nature\, meditating\, eating good food\, and laughing…a lot!
URL:https://www.bigcar.org/event/writing-workshop-with-mariah-ivey/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2020/03/Screen-Shot-2020-03-03-at-12.47.49-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20200606T170000
DTEND;TZID=America/Indiana/Indianapolis:20200606T220000
DTSTAMP:20260404T115212
CREATED:20200313T193606Z
LAST-MODIFIED:20200313T193606Z
UID:8803-1591462800-1591480800@www.bigcar.org
SUMMARY:TransGlam
DESCRIPTION:Indy’s trans community invites you to join us during Pride Week for #TransGlam – A free night of community\, food\, fun\, music and resources. \n#TransGlam invites you to dance\, socialize\, and spend time in community while getting connected to resources. This is an all-inclusive space for all ages and all bodies. On site there will be free food\, harm reduction supplies and education\, trans affirming vendors\, and of course YOU! \nShow up\, show your glam and be a part of the #TransGlam crew! \n⏰ The party starts at 5:00pm. \nIndy Pride is teaming up with QUIT NOW INDIANA to encourage healthy lifestyles for all members of our community with all Pride events being tobacco-free. For support and resources to quit tobacco\, visit them at quitnowindiana.com or call 1-800-QUIT-NOW.
URL:https://www.bigcar.org/event/transglam/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2020/03/88253666_2671782166252682_7719460826951712768_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20200627T140000
DTEND;TZID=America/Indiana/Indianapolis:20200627T160000
DTSTAMP:20260404T115212
CREATED:20200227T204345Z
LAST-MODIFIED:20200313T193655Z
UID:8757-1593266400-1593273600@www.bigcar.org
SUMMARY:Freedom To Be-Book Launch
DESCRIPTION:Will be rescheduled. \nJoin award-winning author Diana Ensign for this celebratory book signing and educational panel discussion on how our community can support transgender people and their families. Hear from Kimberly Acoff\, Indiana Youth Group (IYG) Director of Programming; Sa’hara Miller\, BU Wellness Sophisticated Divas Program; Diana Asberry (parent of a transgender child and a nonbinary child); and Andru Lanning (awesome young adult)! Info table by Matty Slaydon\, Organizer of Queering Indy. A portion of book sales support Trinity Haven\, Indiana’s first transitional housing program for LGBTQ+ youth at risk of homelessness\, and BU Wellness Network.
URL:https://www.bigcar.org/event/freedom-to-be-book-launch/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2020/02/86382693_1560737400733909_768881257168764928_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20200709T140000
DTEND;TZID=America/Indiana/Indianapolis:20200709T190000
DTSTAMP:20260404T115212
CREATED:20200630T153549Z
LAST-MODIFIED:20200630T153549Z
UID:8900-1594303200-1594321200@www.bigcar.org
SUMMARY:Donate Blood
DESCRIPTION:Big Car Collaborative – is partnering with Versiti Blood Centers of Indiana to save community lives. \nPlease come out to support our drive on Thursday\, July 9th\, from 2:00pm to 7:00pm pm at the Tube Factory artspace-Parking Lot. Follow the link below to schedule your donation today! \nHere is the link to schedule your appointment:\nhttps://donate.indiana.versiti.org/donor/schedules/drive_schedule/142962 \nDonor Health & Registration:\nAll donor-facing staff will have their temperature taken prior to beginning their work day\nDonors temperatures will be taken at registration to ensure they are not elevated prior to entering donation areas\nDonors will be asked if they’ve come in contact with someone who’s tested positive for COVID-19\nDonors will be asked to wash hands prior to screening\nDonors will be asked if they are currently experiencing coughing or shortness of breath\nIf any of the above is true\, donors will be asked to self-defer \nSocial Distancing:\nWe encourage all donors to make an appointment to lessen the amount of people waiting at our donor centers\nTo comply with government regulations\, all sponsors and donors must wear personal masks at donor centers and mobile drives\nEnsuring six feet of space between chairs in waiting areas and cafe\nEnsuring six feet of space between donation chairs and/or separation with medical screens\nIf appointment registration congestion occurs\, we will ask for your cell phone number and text when your appointment is ready \nCleaning:\nWe clean all equipment\, beds\, and other surfaces after each donor finishes their donation\nChanging gloves frequently and between donors is part of our normal practice\nWe will maintain sanitized pen bins\, so donors are only using clean pens at sign-in
URL:https://www.bigcar.org/event/donate-blood/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2020/06/image003.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20200912T110000
DTEND;TZID=America/Indiana/Indianapolis:20200913T150000
DTSTAMP:20260404T115212
CREATED:20200805T223856Z
LAST-MODIFIED:20200805T224534Z
UID:8910-1599908400-1600009200@www.bigcar.org
SUMMARY:The Wagon of Wonders at Turkey Run
DESCRIPTION:Become one with nature….and art! The Wagon of Wonders\, Big Car Collaborative’s mobile\, interactive art unit and pop-up public space\, is coming to Turkey Run for third year. Visitors are invited to explore the Wagon and participate in a variety of safe and friendly art activities inspired by the park. Beautiful Turkey Run State Park has something for everyone to enjoy: hiking and bridle trails trails\, camp sites\, historic sites\, and an educational nature center. Explore all that Turkey Run and the Wagon of Wonders have to offer!\n\nJoin us Saturday\, September 12\, from 11am-5pm and Sunday\, September 13\, 11am-3pm.\n\nThis program was made possible by the Arts in the Parks grant program through the Indiana Arts Commission.
URL:https://www.bigcar.org/event/the-wagon-of-wonders-at-turkey-run/
CATEGORIES:Outdoor Activities
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2020/08/49358312631_438ea16ec2_k.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20210325T183000
DTEND;TZID=America/Indiana/Indianapolis:20210325T210000
DTSTAMP:20260404T115212
CREATED:20210323T030205Z
LAST-MODIFIED:20210323T030205Z
UID:9150-1616697000-1616706000@www.bigcar.org
SUMMARY:Power Plant Grant Information Session
DESCRIPTION:Learn more about the new annual Power Plant Grant program made possible by the Andy Warhol Foundation for the Visual Arts on March 25\, 6:30pm\, April 1\, 6:30pm or April 15\, 6:30pm. The grants provide visual artists who live\, work\, or run spaces in Indianapolis with grants ranging from $2\,000 to $10\,000. Applications for this round are due by April 26\, 2021.\nEligible applicants are visual/multidisciplinary artists who create original work in painting\, drawing\, sculpture\, book art\, ceramics\, fiber\, printmaking\, digital/media works\, film\, video\, photography\, performance art\, sound art\, social practice and/or hybrid or interdisciplinary practice of any/all of the above.\nArtists must be over 21 at the time of the application\, and may not be full-time students.\nArtists must live and/or work in Indianapolis.\nEmployees or board members (or immediate family members of employees or board members) of Big Car Collaborative are not eligible for this opportunity.\nTeams\, partnerships\, and unincorporated individuals running spaces are eligible. Nonprofit organizations are not.
URL:https://www.bigcar.org/event/power-plant-grant-information-session/
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2021/01/BigCar-PowerPlantGrant-logo_rev3_horizontal.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20210331T180000
DTEND;TZID=America/Indiana/Indianapolis:20210331T190000
DTSTAMP:20260404T115212
CREATED:20210323T031045Z
LAST-MODIFIED:20210323T031729Z
UID:9162-1617213600-1617217200@www.bigcar.org
SUMMARY:Words & Music-In the Heart of the Heart of the Country
DESCRIPTION:In this first installment of Words & Music: An audio series exploring the life and work of Indiana writers\, Hoosier authors Susan Neville\, Adrian Matejka\, Kevin McKelvey\, and Jim Walker discuss the sublime beauty and challenges of Indiana through the lens of William H. Gass’s 1968 fiction story\, “In the Heart of the Heart of the Country.”\nThe episode features excerpts of the story as well as a conversation about what it means to be a writer living and working in Indiana. This launches an eight-part series made possible by Indiana Humanities and produced by WQRT and Big Car Collaborative.\nYou can listen live via the streaming link or listen on regular FM radio in Indianapolis by tuning in to 99.1 FM. After it debuts on the station\, it will be available for listening online. We’ll share that link here.\nAbout the participants in this show (all Indiana writers):\nSusan Neville is the author of six works of creative nonfiction and her collections of short fiction include The Town of Whispering Dolls\, winner of the Doctorow Prize for Innovative Fiction; In the House of Blue Lights\, winner of the Richard Sullivan prize; and Invention of Flight\, winner of the Flannery O’Connor Award for Short Fiction. She teaches at Butler University.\nAdrian Matejka was born in Nuremberg\, Germany and grew up in Indianapolis\, Indiana. He teaches at Indiana University in Bloomington and served as Poet Laureate of Indiana for 2018-19. He is the author of five award winning books and his first graphic novel\, “Last On His Feet” is forthcoming from Liveright in 2022.\nKevin McKelvey is a place-based poet\, writer\, designer\, and social practice artist. He teaches at University of Indianapolis and directs the M.A. in Social Practice Art and oversees the undergraduate major in Environmental Sustainability. At University of Indianapolis\, he founded Etchings Press\, a student-run publisher\, helped start a community garden and microfarm\, and has contributed to numerous interdisciplinary efforts for students and the community.\nJim Walker is a poet\, artist\, and teacher who believes everyone deserves open access to the joys of art\, creativity\, and great public places. A co-founder and executive director of Big Car Collaborative\, Jim worked previously as a journalist (writer\, photographer\, editor\, and designer). He’s a student of cities and enjoys spending time with his family\, supporting his Garfield Park neighborhood\, walking\, biking\, travel\, reading\, and baseball.
URL:https://www.bigcar.org/event/words-music-in-the-heart-of-the-heart-of-the-country/
CATEGORIES:Garfield Park,Listen Hear,Shelby St. Corridor,The Show Room,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2021/03/WordsAndMusic_logo_horizontal-crop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20210401T183000
DTEND;TZID=America/Indiana/Indianapolis:20210401T210000
DTSTAMP:20260404T115212
CREATED:20210323T030328Z
LAST-MODIFIED:20210323T030328Z
UID:9158-1617301800-1617310800@www.bigcar.org
SUMMARY:Power Plant Grant Information Session
DESCRIPTION:Learn more about the new annual Power Plant Grant program made possible by the Andy Warhol Foundation for the Visual Arts on March 25\, 6:30pm\, April 1\, 6:30pm or April 15\, 6:30pm. The grants provide visual artists who live\, work\, or run spaces in Indianapolis with grants ranging from $2\,000 to $10\,000. Applications for this round are due by April 26\, 2021.\nEligible applicants are visual/multidisciplinary artists who create original work in painting\, drawing\, sculpture\, book art\, ceramics\, fiber\, printmaking\, digital/media works\, film\, video\, photography\, performance art\, sound art\, social practice and/or hybrid or interdisciplinary practice of any/all of the above.\nArtists must be over 21 at the time of the application\, and may not be full-time students.\nArtists must live and/or work in Indianapolis.\nEmployees or board members (or immediate family members of employees or board members) of Big Car Collaborative are not eligible for this opportunity.\nTeams\, partnerships\, and unincorporated individuals running spaces are eligible. Nonprofit organizations are not.
URL:https://www.bigcar.org/event/power-plant-grant-information-session-2/
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2021/01/BigCar-PowerPlantGrant-logo_rev3_horizontal.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20210407T180000
DTEND;TZID=America/Indiana/Indianapolis:20210407T190000
DTSTAMP:20260404T115212
CREATED:20210323T031552Z
LAST-MODIFIED:20210323T031552Z
UID:9165-1617818400-1617822000@www.bigcar.org
SUMMARY:Social Alchemy Listening Party-Father George Rapp
DESCRIPTION:Some call him a cult leader\, some call him a religious leader. An alchemist and successful business man\, Father George Rapp set the stage for the future of Indiana when he purchased 20\,000 acres of land in Southern Indiana to build New Harmony. Learn more about this man and the myths behind him through the eyes of author Marguerite Young\, Jim Walker and Shauta Marsh. With music and sound design from Andy Fry\, you won’t want to miss this audio masterpiece.\nIn this episode of Social Alchemy\, we follow religious leader from the early 1800s\, Father George Rapp’s mystical — and often tragic — journey\, some of it in New Harmony\, Indiana toward a heavenly utopia of his own design. Social Alchemy is an ongoing series of in-person and on-air events and programs by the nonprofit arts organization Big Car Collaborative that explores subjects and themes surrounding utopia and dystopia.\nEncore April 10\, at noon.\nSpecial thanks to Aaron Scamihorn for the illustration.\nOur partners in the Social Alchemy Project are: University of Southern Indiana (USI)\, Historic New Harmony\, Indiana State Museum and Pattern Magazine.\nThe series — including this show produced by and airing first on 99.1 WQRT Indianapolis — is made possible with the support of Indiana Humanities and the Efroymson Family Fund.
URL:https://www.bigcar.org/event/social-alchemy-listening-party-father-george-rapp/
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2019/11/utopia_sticker_no_name.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20210411T120000
DTEND;TZID=America/Indiana/Indianapolis:20210411T171500
DTSTAMP:20260404T115212
CREATED:20210323T023249Z
LAST-MODIFIED:20210323T023249Z
UID:9145-1618142400-1618161300@www.bigcar.org
SUMMARY:Art Dog
DESCRIPTION:Join us for the first event of 2021 at Tube Factory! We are partnering with food artist extrodinaries\, Thin Glizzy. We are excited to share with you foot long hot dogs like we’ve never seen or tasted before! Also on site will be Cat Head Press\, doing demos and selling merchandise from some of Indianapolis’s best artists\, live music from Preston Ott\, and War Pig Beer available. Littleton\, CO native Natasha Vidger will have her artwork up in the Main Gallery at Tube. Reserve your tickets now for indoor seating. No groups of more than 4. And this ticket will reserve your seat for 45 minutes. Franklin Food Pantry will be accepting canned good donations. Masks required. Hot dogs range in price from $10-12.
URL:https://www.bigcar.org/event/art-dog/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2021/03/IMG_9529.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20210415T183000
DTEND;TZID=America/Indiana/Indianapolis:20210415T210000
DTSTAMP:20260404T115212
CREATED:20210323T030446Z
LAST-MODIFIED:20210323T030446Z
UID:9160-1618511400-1618520400@www.bigcar.org
SUMMARY:Power Plant Grant Information Session
DESCRIPTION:Learn more about the new annual Power Plant Grant program made possible by the Andy Warhol Foundation for the Visual Arts on March 25\, 6:30pm\, April 1\, 6:30pm or April 15\, 6:30pm. The grants provide visual artists who live\, work\, or run spaces in Indianapolis with grants ranging from $2\,000 to $10\,000. Applications for this round are due by April 26\, 2021.\nEligible applicants are visual/multidisciplinary artists who create original work in painting\, drawing\, sculpture\, book art\, ceramics\, fiber\, printmaking\, digital/media works\, film\, video\, photography\, performance art\, sound art\, social practice and/or hybrid or interdisciplinary practice of any/all of the above.\nArtists must be over 21 at the time of the application\, and may not be full-time students.\nArtists must live and/or work in Indianapolis.\nEmployees or board members (or immediate family members of employees or board members) of Big Car Collaborative are not eligible for this opportunity.\nTeams\, partnerships\, and unincorporated individuals running spaces are eligible. Nonprofit organizations are not
URL:https://www.bigcar.org/event/power-plant-grant-information-session-3/
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2021/01/BigCar-PowerPlantGrant-logo_rev3_horizontal.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20210513T190000
DTEND;TZID=America/Indiana/Indianapolis:20210513T200000
DTSTAMP:20260404T115212
CREATED:20210510T203741Z
LAST-MODIFIED:20210510T204333Z
UID:9223-1620932400-1620936000@www.bigcar.org
SUMMARY:Artists & Community Conversation Series- Juan William Chavez\, Dr. Jarrod Dortch and David Kirkland
DESCRIPTION:Join us for the first installment of this four part series developed with artists and neighbors who are doing work related to or influencing our thinking with the Artist and Public Life affordable artist housing residency in our neighborhood on the near Southside of Indianapolis.\nThis episode will include Juan William Chávez artist\, activist and director of Northside Workshop\, APLR artist\, Dr. Jarrod Dortch and Chef David Kirkland.\n\nE-mail email hidden; JavaScript is required to receive the Zoom link.\n\nMade possible by PNC Bank.\n\nAbout Juan William Chávez\nJuan William Chávez is an artist\, activist and director of Northside Workshop. His studio practice focuses on sculpting space within urban ecosystems through partnerships and collaborations as a way to address social and environmental issues. His work includes public sculptures\, multimedia installations\, paintings\, drawings\, and unconventional forms of beekeeping and agriculture. His exhibitions focus on themes of the urban environment\, ecology\, sustainability\, craft/labor\, activism\, identity and archaeology of place. Chavez has exhibited at ArtPace\, Van Abbemuseum\, McColl Center for Art\, Tube Factory Artspace\, 21c Museum Hotel\, Laumeier Sculpture Park\, and Contemporary Art Museum St. Louis. Currently Chavez’s work was included in El Museo’s survey of contemporary Latinx art\, ESTAMOS BIEN – LA TRIENAL 20/21. His interdisciplinary approach to art has gained the attention and support of prestigious institutions like the John Simon Guggenheim Foundation\, Creative Capital\, Graham Foundation\, ArtPlace America\, Andy Warhol Foundation\, and Art Matters Foundation. Chávez holds a BFA from the Kansas City Art Institute and an MFA from the School of the Art Institute of Chicago.\nRead More: https://juanwilliamchavez.com/home.html\n\nAbout Chef David Kirkland\nDavid Kirkland\, the owner and executive chef of Turn Restaurant and David Kirkland Catering\, believes food and music brings people together. He began his career in the early-1990’s\, bouncing from the Café at St. Louis Art Museum (Catering St. Louis) to Frazier’s Brown Bag\, and then Venice Café. Kirkland learned everything he could from some of the city’s best. In 1996\, he moved to San Francisco and began focusing on his music interests\, becoming a resident DJ at several clubs throughout the city. However\, he never lost his love for the culinary arts\, cooking for friends and family and exploring the area’s now famous farm-to-table approach to food. After moving back to St. Louis\, Kirkland returned to the kitchen with a mission\, taking the helm at Café Osage in 2007. He opened Turn Restaurant and David Kirkland Catering in Spring of 2016.\nRead More https://www.stlmag.com/…/hot-seat-a-conversation-with…/\n\nAbout Dr. Jarrod Dortch\nDr. Jarrod Nicholas Dortch is a Professor of Communication at Ivy Tech Community College in Muncie\, Indiana. He also serves as the owner and operator of Solful Gardens\, a local urban agriculture startup specializing in bringing Fresh.Urban.Natural produce to clients’ properties and working with community gardens. He has been affiliated with Big Car as a Community Artist and as Community Gardener at the Tube Factory artspace. He is currently working with Listen Hear and WQRT 99.1 FM. He enjoys bringing together art\, education\, and gardening to help to enrich the experiences of communities and their denizens.
URL:https://www.bigcar.org/event/artists-community-conversation-series-juan-william-chavez-dr-jarrod-dortch-and-david-kirkland/
CATEGORIES:conference,Garfield Park
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2019/01/IMG_7864.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20210515T170000
DTEND;TZID=America/Indiana/Indianapolis:20210515T190000
DTSTAMP:20260404T115212
CREATED:20210421T215325Z
LAST-MODIFIED:20210510T205747Z
UID:9209-1621098000-1621105200@www.bigcar.org
SUMMARY:The Indianapolis Anthology Reading & Book Release
DESCRIPTION:“As a child\, I thought Naptown was a cool nickname for Indianapolis. Little did I know it was more pejorative than cool. Indianapolis used to—and sometimes still does—have a reputation for being boring and lacking culture. The Indianapolis Anthology proves otherwise. We see the beauty\, the ugliness\, the racism\, the diversity\, the past\, and the present. It’s all here. Through each story\, you see Naptown isn’t a sleepy little city\, and I was right all along.” —Oseye Boyd\, editor of the Indianapolis Recorder\n“A must-read for anyone who thinks they know the city.” —Rachel Sahaidachny\, associate editor of The Indianapolis Review\nThe Indianapolis Anthology (May 4\, 2021)\, edited by Norman Minnick\, showcases Naptown’s vibrancy and diversity with pieces from journalists\, poets\, historians\, established community voices\, and first-time writers. Indianapolis is more than the home of the Indianapolis 500\, John Dillinger\, Kurt Vonnegut\,and Wonder Bread. In these pages you’ll find lawn chairs in the beds of pick-ups; the magnificent stench of diesel\, sweat\, and sweetly hissing charcoal; suffragists and entrepreneurs; cement Pietàs; sneakers dangling from power lines; dog bakeries and yoga studios; red brick bungalows and war memorials; steakburgers and Mexican seafood; Pho and sauerbraten. In other words\, you’ll find not Naptown\, or flyover country\, but a vibrant city that is truly a cross section of today’s America.\nBelt books are distributed by Publishers Group West.\nMasks are required
URL:https://www.bigcar.org/event/the-indianapolis-anthology-reading-book-release/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20210515T170000
DTEND;TZID=America/Indiana/Indianapolis:20210627T160000
DTSTAMP:20260404T115212
CREATED:20210421T224609Z
LAST-MODIFIED:20210421T224609Z
UID:9217-1621098000-1624809600@www.bigcar.org
SUMMARY:Audrey Barcio and Rachel Leah Cohn: Sapientia Gloria Corona Est
DESCRIPTION:New Harmony Gallery of Contemporary Art is proud to present “Sapientia Gloria Corona Est\,” curated by Shauta Marsh and featuring works by Audrey Barcio and Rachel Leah Cohn.\n“Sapientia Gloria Corona Est” runs from May 15 through June 27\, 2021 and opens with a limited reception on Saturday\, May 15 from 5 p.m. to 7 p.m. CT. Gallery hours are 10 a.m. to 5 p.m. Tuesday through Saturday and noon to 4 p.m. on Sundays.\nAs part of the ongoing Social Alchemy partnership with Indianapolis-based Big Car Collaborative\, this exhibition taps into the history\, art\, and architecture that has long made New Harmony a source of creative and spiritual energy for artists and thinkers. Sapientia Gloria Corona Est—or\, Wisdom is the Crown of Glory—is the motto of the Minerva Society\, one of the first women’s clubs in America. Founded in New Harmony\, the leaders of the Minerva Society nurtured critical conversation\, political debate\, and community engagement. Curator Shauta Marsh finds similar qualities in the works and practices of Audrey Barcio and Rachel Leah Cohn.\nIdeas of utopia and dystopia have long influenced these artists and their work. Through large-scale floor sculptures and reflective wall pieces\, Audrey Barcio and Rachel Leah Cohn each explore concepts of memory\, mythology\, and community. “Sapientia Gloria Corona Est” unifies Barcio and Cohn not only as artists\, but as teachers\, provocateurs\, feminists\, and catalysts for change. This exhibit\, like Social Alchemy as a whole\, simultaneously looks back and ahead and strives to make progress as a society.\nWomen are what they think.\n……\nAudrey Barcio is an artist and assistant professor at Ball State University. Through the use of universal symbology that is rooted in the language of the early abstractionists\, her work strives to change the accepted cultural raison d’être by positing a heritage of abstraction voiced in the feminine present. Barcio received her BAE from Herron School of Art and Design and her MFA from the University of Nevada\, Las Vegas. She attended the Pont-Aven School of Contemporary Art in Brittany\, France\, and completed a Vermont Studio Center residency in 2017 and is a 2019 Pollock – Krasner Foundation Grant recipient. Her work has been published in New American Paintings and has been featured in multiple group exhibitions around the U.S.\, including Art in America at the Art Miami Satellite Fair\, ART IN CONTEXT: Selections from the Marjorie Barrick Museum of Art Collection\, Las Vegas\, NV\, and GLAMFA at UC Long Beach. Recent solo exhibitions include Syracuse University\, New York\, the Las Vegas Government Center\, Las Vegas\, NV\, University of Nevada\, Las Vegas\, and Tube Factory in Indianapolis. Barcio’s work is included in several public and private collections\, including that of the Barrick Museum of Art.\n\nRachel Leah Cohn is an interdisciplinary artist working with painting\, sculpture\, video and performance. She values experimentation\, collaboration and trying to find new ways to describe the world around her. Recent projects have included building a portable sauna with green tea steam\, searching for mirages out in the desert of Zekreet\, Qatar and trying to send a painting by radio waves to New Zealand. Rachel exhibits her work internationally\, including recent exhibitions in collaboration with the Qatar Museums\, the Istanbul Design Biennial and Aterlierhaus Salzamt in Linz\, Austria. She has attended many international artist residency programs\, recently including Signal Culture\, Otis College of Art and Design and the Fire Station in Doha\, Qatar. She holds an MFA in Painting from Virginia Commonwealth University and is the Foundations Coordinator for the School of Art at Ball State University in Muncie specializing in 4D Foundations.\n\nThe Social Alchemy project is a multifaceted\, multiyear\, interdisciplinary project in partnership with Big Car Collaborative\, University of Southern Indiana\, Historic New Harmony\, New Harmony Gallery of Contemporary Art\, Working Men’s Institute\, Indiana State Museum\, Efroymson Family Fund\, and Indiana Humanities. This project explores historical and contemporary examples of utopian experiments\, fictional utopias and dystopias\, and social design projects. It offers a deeper understanding of the relationship between the built environment and social good. For more information\, visit the Social Alchemy project at bigcar.org/utopia.\n\nNew Harmony Gallery of Contemporary Art provides a not-for-profit exhibition space for Midwestern artists and to promote discourse about and access to contemporary art in the southern Indiana region. Since its inception in 1975\, the gallery has provided an exhibition space for young and midcareer artists to show their work in a professional setting and a venue for contemporary art for the general public. The cornerstone of the Gallery’s mission is education and access through a carefully planned series of seven exhibitions per year. The exhibition series explores contemporary art concepts and provides increased opportunity for artists and the public to engage in discourse on and about the arts and culture.\nNew Harmony Gallery of Contemporary Art is a proud outreach partner of the University of Southern Indiana.\n\nThis exhibition is made possible in part by the Arts Council of Southwestern Indiana and the Indiana Arts Commission\, which receives support from the State of Indiana and the National Endowment for the Arts.
URL:https://www.bigcar.org/event/audrey-barcio-and-rachel-leah-cohn-sapientia-gloria-corona-est/
LOCATION:New Harmony Gallery of Contemporary Art\, 506 Main St\, New Harmony\, IN\, 47631\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2021/04/images-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20210527T190000
DTEND;TZID=America/Indiana/Indianapolis:20210527T200000
DTSTAMP:20260404T115212
CREATED:20210510T204643Z
LAST-MODIFIED:20210510T204834Z
UID:9228-1622142000-1622145600@www.bigcar.org
SUMMARY:Artists & Community Speaker Series with Daniel Gray-Kontar\, Raymond Bobgan\, and Uzuri Asad
DESCRIPTION:Join us for the second installment of this four part series developed with artists and neighbors who are doing work related to or influencing our thinking with the Artist and Public Life affordable artist housing residency in our neighborhood on the near Southside of Indianapolis.\nThis episode will include Executive Artistic Director of Twelve Literary Arts Daniel Gray-Kontar\, Executive Artistic Director of the Cleveland Public Theater Raymond Bobgan\, and APLR artist Uzuri Asad.\n\nE-mail email hidden; JavaScript is required for the Zoom link.\n\nMade possible by PNC Bank.\n\nAbout Daniel Gray-Kontar\nDaniel Gray-Kontar is a poet\, teacher\, youth mentor\, rapper\, journalist\, and education activist. He has worked as an advocate for social transformation in the city of Cleveland for more than 25 years. Gray-Kontar is an education consultant for the Kennedy Center for the Performing Arts; writer-in-residence at MOCA Cleveland; the former chair of the Literary Arts Department at the Cleveland School of the Arts; and a former graduate school fellow at UC Berkeley’s College of Education. His work in arts education has been showcased on PBS Newshour\, The UK Guardian\, NPR\, and The Christian Science Monitor\, among other news media outlets. Gray-Kontar has lectured at universities\, public schools\, arts organizations and scholarly conferences across the US. His Ted Talk discussing youth leadership in public school education has affected the ways public school administrators think about the inclusion of youth and their families in the process of re-making school cultures and curricula.\n\nAbout Uzuri Asad\nOriginally from Cleveland\, Ohio\, Uzuri Asad now lives and works in the Garfield Park neighborhood of Indianapolis as part of Big Car Collaborative’s Artist in Public Life Residency program. She’s a singer\, dancer\, choreographer\, and jewelry-maker. Formally trained in West African dance and contemporary movement\, her art is guided by lived experiences and her cultural upbringing. Her style is a unique blend of fluid\, free flowing\, yet intentional movements. For Asad\, dance is a sacred means of individual expression that lives and breathes through her.
URL:https://www.bigcar.org/event/artists-community-speaker-series-with-daniel-gray-kontar-raymond-bobgan-and-uzuri-asad/
CATEGORIES:conference,Downtown Indy,Film,Garfield Park
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2020/02/APLR-logo_square1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20210604T180000
DTEND;TZID=America/Indiana/Indianapolis:20210604T220000
DTSTAMP:20260404T115213
CREATED:20210421T215907Z
LAST-MODIFIED:20210421T220806Z
UID:9212-1622829600-1622844000@www.bigcar.org
SUMMARY:Amanda Strong:Animations
DESCRIPTION:“Biidaaban”\nIn Amanda Strong’s astonishing short film\, Biidaaban sets out to harvest sap from sugar maples in urban Ontario neighbourhoods. The practice of harvesting sap to create syrup goes back to time immemorial for the Anishinaabe\, people but the lands have since been covered over by urban development and occupation. Biidaabaan can see the traces of the people\, creatures\, land and time as they work to continue in their ancestors’ movements. Biidaaban is a young Anishinaabe gender non-binary person that can see through multiple dimensions while existing and moving in their present time and space. They are sometimes accompanied by their friend Sabe (a 10\,000-year-old shape shifter who some have called a Sasquatch)\, Ghost Caribou\, and Ghost Wolf — but only Biidaaban can see them. They act as reminders of what exists in this space and provide lessons about honesty\, humility and working for the people.\n19 minutes 14 secs\n\n“Four Faces of the Moon”\nThis animated documentary follows the journey of an Indigenous photographer as she travels through time. She witnesses moments in her family’s history and strengthens her connection to her Metis\, Cree and Anishnaabe ancestors. This is a personal story told through the eyes of director and writer Amanda Strong. The oral and written history of her family reveals the story — we witness the impact and legacy of the railways\, the slaughter of the buffalo and colonial land policies.\n12 minutes 54 secs\n\nAbout Amanda Strong\nAmanda Strong is an Michif interdisciplinary artist with a focus on filmmaking\, stop motion animations and media art. Currently based on unceded Coast Salish territories also known as Vancouver\, BC\, Canada. Strong received a BAA in Interpretative Illustration and a Diploma in Applied Photography from the Sheridan Institute. With a cross-discipline focus\, common themes of her work are reclamation of Indigenous histories\, lineage\, language and culture. Strong is the Owner/Director/Producer of Spotted Fawn Productions Inc. (SFP). Under her direction\, SFP utilizes a multi-layered approach and unconventional methods that are centered in collaboration on all aspects of their work.\nStrong’s work is fiercely process-driven and takes form in various mediums such as: virtual reality\, stop-motion\, 2D/3D animation\, gallery/museum installations\, published books and community-activated projects. Strong and her team at Spotted Fawn Productions are currently working on the research and development of bringing these works into more interactive spaces.\nMost recently she was selected by renowned filmmaker Alanis Obamsawin to receive $50\,000 in post-services through the Clyde Gilmour Technicolour Award. In 2016 she received the Vancouver Mayor’s Arts Awards for Emerging Film and Media Artist. In 2013\, Amanda was the recipient of K.M. Hunter Artist Award for Film and Video. Her films have screened across the globe\, most notably at Cannes\, TIFF\, VIFF\, and Ottawa International Animation Festival. She has received grants from the Canada Council for the Arts\, Ontario Arts Council\, BC Arts Council and the NFB. Spotted Fawn Productions is currently developing new short animations Wheetago War and Spirit Bear. SFP’s latest short animations Biidaaban (The dawn comes) Four Faces of the Moon and Flood are available online through CBC Short Docs and CBC Arts.\n\nMasks are required. Made possible by the Andy Warhol Foundation for the Visual Arts.
URL:https://www.bigcar.org/event/amanda-stronganimations/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2021/04/Biidaaban_still_01.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20210604T180000
DTEND;TZID=America/Indiana/Indianapolis:20210718T220000
DTSTAMP:20260404T115213
CREATED:20200313T192339Z
LAST-MODIFIED:20210421T221200Z
UID:8800-1622829600-1626645600@www.bigcar.org
SUMMARY:Natasha Vidger:Common Ground
DESCRIPTION:Life-sized\, sprawling canvases house images of animals that learned to live in new worlds\, in habitats created by humans. Vidger’s painted canvases are aged with natural elements to move away from traditional\, romanticized landscapes. She removes the animals from their environments\, from their homes so we see them in this state of limbo\, wondering where they go next. “By utilizing natural pigments to age my canvases\, I present an alternative landscape that expresses the duality of desolation and splendor.” \nVidger explores common themes of survival and struggle that life confronts us all with. Her work offers the viewer opportunities to question human-focused hierarchy. “I want to confront the viewers with the power\, mystery\, fear\, and beauty that is encapsulated within the animal gaze and the animal form to bridge the perceived line between animals and humans.” \nVidger’s work also examines society’s perceived superiority over animals. “I seek to reforge a broken relationship between people and animals by creating a physical space that viewers can reflect on the niches animals inhabit in a human-dominated landscape. My paintings balance refined and unrefined areas to represent the fracturing of animal populations and the surreal and isolated environments that animals are increasingly forced to navigate.” \nBorn and raised in Colorado\, Vidger experienced nature growing up with day trips in the Rocky Mountains. “Subconsciously\, there was a division in my mind between myself and animals. They were among the trees and rocks. And I was between ranch style homes and manicured lawns. Despite this division\, I developed a kinship with animals. They felt familiar and relatable. Eventually\, I developed a deep love and insatiable curiosity for wildlife. Art has long served as a way for me to satisfy and explore this passion.” \nVidger received a BFA from Adams State University and an MFA from Herron School of Art and Design with emphasis in painting and drawing. After the typical structured study of art in form\, shape\, and light\, Vidger progressed into a focus of animal art. In her early years\, surreal platforms gave way to animal form\, composing voices for her subjects and their plights.  \nMasks are required. Made possible by the Andy Warhol Foundation for the Visual Arts.
URL:https://www.bigcar.org/event/natasha-vidger/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2020/03/BisonStampede.jpeg
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DTSTART;TZID=America/Indiana/Indianapolis:20210624T190000
DTEND;TZID=America/Indiana/Indianapolis:20210624T200000
DTSTAMP:20260404T115213
CREATED:20210511T213647Z
LAST-MODIFIED:20210511T213730Z
UID:9232-1624561200-1624564800@www.bigcar.org
SUMMARY:New Harmony Community Conversation-Social Alchemy
DESCRIPTION:New Harmony residents are invited to our help plan for our reboot of Social Alchemy\, a series of events connecting New Harmony and Indianapolis! These meet ups in New Harmony invite residents to meet those involved in proposing in the project and become part of it.\nThis meeting we will discuss the symposium which is scheduled for April 10-13\, 2022.\n\nE-mail email hidden; JavaScript is required for the Zoom link. This meeting is at 6pm in New Harmony\, IN.\n\nWhy is this called Social Alchemy? In our research about New Harmony\, we discovered that Father George Rapp — founder of the Harmonists\, the first utopian experiment in New Harmony — studied alchemy and was trying to make gold and other precious commodities to fund his vision of utopia. Today\, with New Harmony already a successful town with much to offer (including events and public programs)\, this project and symposium combines all the assets of New Harmony: the people who live there\, the architecture\, art\, and food to celebrate and expand the town’s magic to Indianapolis and hopefully even further. We’re calling this mixture of everything Social Alchemy.\n\nNew Harmony\, Indiana brims with art\, history\, architecture\, and a strong sense of place. The impact of past and current efforts within this community have created a town that continues to represent the universal human condition.\n\nWhat can we in urban Indianapolis learn from rural New Harmony’s social alchemy? Tons. With support of Indiana Humanities and the Efroymson Family fund and our partners — University of Southern Indiana\, Indiana State Museum\, Historic New Harmony\, New Harmony Workingmen’s Institute Central Library\, and lots of individuals –– we will explore\, learn and share how the pursuit of utopia forms places and pursuits.\n\nWHY IS BIG CAR INVOLVED?\nWe’re fascinated by people who strive for utopia and by intentional communities: Past\, present\, and future. Our overarching goal for the Cruft Street Commons project in Garfield Park is to develop an arts-focused\, socially cohesive block. And a key inspiration is the southwestern Indiana town\, New Harmony — location of multiple and varied utopian experiments.\n\nTHE PROGRAM\nThis idea started with visits by Big Car Collaborative/Tube Factory artspace curator\, Shauta Marsh\, and artist and writer Jim Walker\, to New Harmony over the past several years and conversations with artist\, writer\, and philanthropist Jeremy Efroymson — who lives\, part-time\, in New Harmony — and former New Harmony Gallery of Contemporary Art director Garry Holstein. It is made possible by Indiana Humanities and The Efroymson Family Fund.\n\nWHAT WE’RE DOING:\n• An interdisciplinary exhibition at the New Harmony Gallery of Contemporary Art focused on New Harmony’s visionary civic leader and preservationist Jane Owen (1915–2010).\n• An exhibition at the Tube Factory about the history and art of New Harmony (designed to travel)\, with emphasis on Angel in the Forest and visual interpretations of this lyrical text.\n• A series of radio shows.\n• A symposium in April 2022 in New Harmony to include philosophers\, writers\, historians\, designers\, architects\, placemakers\, urban and rural city planners\, politicians\, and community organizers.\n• Two Tube Factory exhibitions by Native American artists Elisa Harkins and Wendy Red Star: both creative responses to their peoples’ forced dystopias\, with ideas for cultural renewal.\n\nTHE IMPACT\nThis project explores historical and contemporary examples of utopian experiments\, fictional utopias and dystopias\, and social design projects. It offers a deeper understanding of the relationship between the built environment and social good.\n\nPROJECT PARTNERS\nUniversity of Southern Indiana: As the administrator of both Historic New Harmony and the New Harmony Gallery\, USI is encouraging staff\, professors\, and students to participate in the project.\n\nHistoric New Harmony: HNH will host programs\, help to develop the exhibitions\, and help travel the New Harmony exhibition about after its Indianapolis debut.\nNew Harmony Gallery of Contemporary Art: The gallery will host the Jane Owen exhibition.\nIndiana State Museum: The museum will be assisting with research\, and help with didactics.\nPattern will be a promotional partner alongside Big Car’s low-power radio station 99.1 WQRT FM.
URL:https://www.bigcar.org/event/new-harmony-community-conversation-social-alchemy/
CATEGORIES:Outdoor Activities,SPARK,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2019/11/NewHarmony-symbols_eventbrite.jpg
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DTSTART;TZID=America/Indiana/Indianapolis:20210722T190000
DTEND;TZID=America/Indiana/Indianapolis:20210722T200000
DTSTAMP:20260404T115214
CREATED:20210510T204255Z
LAST-MODIFIED:20210719T194419Z
UID:9225-1626980400-1626984000@www.bigcar.org
SUMMARY:Artists & Community Conversation Series- Cal Cullen\, Allen Woods\, Dr. Jarrod Dortch
DESCRIPTION:Join us for the third installment of this four part series developed with artists and neighbors who are doing work related to or influencing our thinking with the Artist and Public Life affordable artist housing residency in our neighborhood on the near Southside of Indianapolis.\nThis episode will include Executive Director of Wavepool Cal Cullen\, Executive Director of Mortar Allen Woods\, and APLR artist Dr. Jarrod Dortch\nMade possible by PNC Bank.\n\nE-mail email hidden; JavaScript is required to receive the Zoom link.\n\nAbout Cal Cullen\nCalcagno Cullen is a social practice artist\, arts educator\, and curator. She is founder and Executive Director of Wave Pool Arts Center\, a gallery\, studio space\, and socially-engaged arts activator in Cincinnati\, and the co-founder of The Welcome Project\, a social-enterprise and makerspace for and by Cincinnati’s refugees and immigrants. She has previously worked in the education department of SFMOMA\, the Community School of Music and Arts in Mountain View\, California and was the Director of Adobe Books Backroom Gallery in San Francisco\,. She is a member of the women’s art collective The FemFour\, and collaboratively organizes the traveling exhibition and catalog of Women’s March posters entitled ‘Still They Persist.’ She has also curated and organized a multitude of exhibitions including ‘Dial Collect’ in 2013 at SOMArts in San Francisco\, ‘Social Medium’ at Wave Pool\, a segment of ‘Bay Area NOW 7’ at the Yerba Buena Center for the Arts\, and Survival Adaptations at Adobe Books Backroom Gallery. She has been artist in residence at The Center for Great Neighborhoods in Covington\, KY\, Lo Studio dei Nipoti in Calabria\, Italy\, Teple Misto in Ivano Frankivsk\, Ukraine\, and in Sardegna\, Italy. Her work has been shown in solo shows at Adobe Books Backroom Gallery\, the Contemporary Arts Center in Cincinnati\, and elsewhere. Her personal mission is to “create empathy and social change through contemporary art.”\n\nAbout Allen Woods\nManaging Partner & Creative Director of Mortar\n\n\nWoods is a devoted husband\, father and entrepreneur – in that order. A lifelong Midwesterner\, he’s never allowed the size of a city to place a limit on the size of his dreams. Allen is the creative force behind the MORTAR brand\, as well as a business consultant and training facilitator for incoming students. \nHis determination (or stubbornness – as his mom would call it) has allowed him to develop a resiliency that has grown with him on his entrepreneurial journey. Recognized as a 2016 Cincinnati Business Courier 40 under 40 Business Leader\, 2017 John F. Barrett Entrepreneur Vision Award and 2017 Echoing Green BMA Fellow\, Woods is also a sought-after public speaker who recently shined on the TEDx stage. As a brand strategist and designer\, Allen assisted directly in the growth of hundreds of small businesses and personal brands across the globe. \nWhen Allen isn’t at MORTAR\, he’s probably somewhere with his wife\, Kyla\, planning or recording the next episode of their brand new marriage podcast\, Permanent Plus One. \n\n\n\nAbout Dr. Jarrod Dortch\nDr. Jarrod Nicholas Dortch is a Professor of Communication at Ivy Tech Community College in Muncie\, Indiana. He also serves as the owner and operator of Solful Gardens\, a local urban agriculture startup specializing in bringing Fresh.Urban.Natural produce to clients’ properties and working with community gardens. He has been affiliated with Big Car as a Community Artist and as Community Gardener at the Tube Factory artspace. He is currently working with Listen Hear and WQRT 99.1 FM. He enjoys bringing together art\, education\, and gardening to help to enrich the experiences of communities and their denizens.
URL:https://www.bigcar.org/event/artists-community-conversation-series-cal-cullen-allen-woods-dr-jarrod-dortch/
CATEGORIES:conference,Downtown Indy,Garfield Park
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2020/02/APLR-logo_square1.png
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DTSTART;TZID=America/Indiana/Indianapolis:20210903T080000
DTEND;TZID=America/Indiana/Indianapolis:20211017T170000
DTSTAMP:20260404T115214
CREATED:20210629T213255Z
LAST-MODIFIED:20210629T213715Z
UID:9282-1630656000-1634490000@www.bigcar.org
SUMMARY:Taylor and Grant Lewandowski: Pathology
DESCRIPTION:“I never thought about death until I was forced to confront it\, which fortunately wasn’t till much later in my life. But for some\, and for most of us eventually\, it is a source of fear and animosity. It is the very propelling mechanism pushing us toward a gradual disintegration and by this natural process we imprint ourselves into the places we’ve been\, the things we’ve done\, the people we’ve encountered. And\, like it or not\, these images\, objects\, and voices form a life once here\, later vanished\, and eventually slipping outside living memory to a complete oblivion. It is this obsession with mortality that the idea of art\, specifically photography\, hopes to transcend. \nWhen my brother and I unearthed these photographs in our grandpa’s attic\, we were not horrified at their unrelenting depiction of violence and death\, because we both knew he was a pathologist for over thirty years. It wasn’t out of the ordinary as a kid to browse his computer and happen upon a folder filled with gruesome snapshots of a man’s head blown apart by a shotgun. But what struck us both was a novel approach to understanding and excavating a very familiar person in our family and a place we consider our home. \nAll of these photographs were taken between 1981 and 1990 when our grandpa served as coroner in northern Indiana. (He likes to boast\, “I had more votes than Reagan.”) It isn’t surprising he was chosen as the obvious candidate. The previous coroner owned the funeral home and preferred to ship the cadavers out\, rather than investigating the cause of their death. Also\, our grandpa has always been meticulous and\, something I’ve always admired\, an auto-didact. He has that natural bent to seek out the solution to a problem or investigate a topic till there’s nothing left to discover. From the time I can remember\, he’s always had a book in hand\, reading with a true\, catholic interest. \nWhen I asked him\, “Why did you choose to be a pathologist?” He answered with an anecdote: When he was ten\, he spent the whole year in bed with rheumatoid arthritis. The doctors\, hoping to save time\, decided to wheel him into the lab and run various tests\, rather than go back and forth between the lab and his sickbed. While in the lab\, listening to the doctors talk jargon and watching the vials and equipment around him\, he developed an affinity for the medical sciences. He never forgot this obsessive\, scientific procedure to diagnose and solve human ailments. I also asked him about the constant proximity to death and tragedy\, assuming this had some deleterious effect on his psyche\, but he described the cadaver as a thing without a soul. The only incident which bothered him was an early autopsy of a child who choked on a jellybean. She was coincidentally the same age as his daughter at the time. \nHe moved with my grandma to a small town in Indiana shortly after finishing medical school. They have lived the majority of their life surrounded by the flat\, Midwest landscape. It is this same place I romanticized growing up. The cash crops rotating through the seasons\, or the empty storefronts downtown\, or the faded signs pointing nowhere – they all had this tarnished emblem of time past\, which I thought had a bucolic\, timeless quality\, as if this Indiana never changed. I had no conscious awareness of the very real\, apparent violence shown in these photographs. To me\, the slowness and consistency of rural Indiana was a quick salve to my adolescent anxieties. This was not anchored in reality\, but a fantasy to suspend my ordinary life back in the suburbs of Indianapolis and indulge in the idea that the country had a sort of unchanging innocence. \nThis\, of course\, was far from the truth. Like most America\, it is still struggling with an abhorrent intolerance to anything considered different than the status quo. It is deeply scarred by a heritage of racial violence\, specifically against the Miami tribe and the egregious history of sundown towns. The stereotype of the backward\, rural person today is not a complete picture\, but there is an element of truth in the stubbornness to see outside the tight reign of American Christianity\, or the systemic problems of valuing ignorance over intelligence\, and toughness over understanding. This does not always translate to a general judgement for each individual\, but it does serve\, especially in today’s political climate\, as a sweeping preoccupation at the forefront of American life (and\, it could be argued\, for the last hundred years). \nIn conversation with my grandpa\, our own separate ideologies were apparent\, not only by the political connotations\, but also his generational tropes: skepticism towards emotions (“I can love you and not feel much about you\,” he told me over the phone)\, a belief in one’s own honest work\, and Judeo-Christian values. Some of these attributes (determination\, responsibility\, commitment\, trying to live a good life) are admirable and can be clearly seen in our grandpa’s life\, but it is always more complicated than we believe. \nIt is these photographs\, by their perhaps shocking reality\, that enliven a unique perspective and showcase distinct contrasts\, like those between the violence of a car wreck or isolated suicide to an almost timeless\, rural landscape. The tragic nature of these photographs emphasizes the end of a person’s life and informs their entire past. The end always turns back to the beginning. These are not complete portraits\, only a fragmented collection. They serve as a great reminder that the life examined never ends but continues well beyond our period of disappearance.” –Taylor Lewandowski
URL:https://www.bigcar.org/event/taylor-and-grant-lewandowski-pathology/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2021/06/pathology_121.jpg
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