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DTSTART:20190310T070000
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DTSTART;TZID=America/Indiana/Indianapolis:20190405T180000
DTEND;TZID=America/Indiana/Indianapolis:20190622T150000
DTSTAMP:20260427T112533
CREATED:20190228T194446Z
LAST-MODIFIED:20190604T212447Z
UID:7741-1554487200-1561215600@www.bigcar.org
SUMMARY:Bauhaus Imaginista - Collected Research
DESCRIPTION:Jeremy Efroymson Gallery\n“Bauhaus Imaginista” is a major international project that marks the German art school’s 100th anniversary. Operational from 1919 to 1933\, Bauhaus is famous for the approach to design that combined high art and industry. This exhibition rethinks the school from a global perspective\, and reads its entanglements against a century of geopolitical change. \nThe exhibition presents the 4 Gegenstande (Objects) in order to communicate the essential elements of bauhaus imaginista.\n“The Bauhaus Manifesto” (1919) is shown through a specially commissioned essay film\, exploring the hybrid and transnational influences that shaped its conception and the school’s origins. Marcel Breuer’s collage ein Bauhaus film (1927) was reproduced in the Bauhaus Journal No. 1\, an edition of the journal will be reprinted and displayed in the gallery as a stacked multiple available for audiences to take away. Paul Klee’s “Carpet” drawing will be shown in reproduction on a study table detailing the artist’s North African journeys. Kurt Schwerdtfeger’s “Reflective Light Game” is shown through a film projection. \nPhoto: Paul Klee Rug (kilim)\, (1927); Hans Snoeck Private Collection\, New York \nProject partners:\nGoethe-Institut\, Bauhaus Kooperation\, Haus der Kulturen der Welt. \nFunded by:\nDie Beauftragte der Bundesregierung für Kultur und Medien\, Auswärtiges Amt\, Kulturstiftung des Bundes. \nOn the occasion of 100 Jahre bauhaus (100 Years of Bauhaus). \nAdmission is free\nVISIT US\nMonday-Friday\, 9 a.m. to 6 p.m.\nSaturday 11 a.m. to 3 p.m.\nTube is also open until 10 p.m. each First Friday.\nClosed Holidays
URL:https://www.bigcar.org/event/bauhaus-imaginista/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2019/02/hans-snoeck.jpg
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DTSTART;TZID=America/Indiana/Indianapolis:20190503T180000
DTEND;TZID=America/Indiana/Indianapolis:20190804T150000
DTSTAMP:20260427T112533
CREATED:20190311T154109Z
LAST-MODIFIED:20190711T204336Z
UID:7810-1556906400-1564930800@www.bigcar.org
SUMMARY:Yvette Mayorga-High Maintenance
DESCRIPTION:Yvette Mayorga’s multi-media installation High Maintenance is a flamboyantly chilling revelation\, offering unsettling insights into how the forces of violence\, make-believe\, and consumerism infiltrate the contemporary immigrant experience\, and subvert our understanding of identity. \nDrawing inspiration from the politics of America’s southern border with Mexico\, her own life as a first generation Latinx-American\, and her parents’ often dangerous experiences as immigrants in the 1970s\, Mayorga’s work examines how pain and uncertainty are covered with a veneer of celebration. \nHigh Maintenanceconjures up an absurdist\, Rococo Candy Land\, where frivolity intersects with fear\, as soldiers and ICE agents come face to face with quinceanera cakes\, white swans\, and Polly Pocket adventure sets. \nEvery aspect of Mayorga’s built world is adorned with spectacular\, rapacious iconography. Monumental fashion accessories and gendered toys interrogate the true meaning of “status\,” while decadent\, Colonial aesthetics remind us how fragile national identity is\, and how frequently it depends on appearances. \nIs this a place of joy or fear? Does it welcome us in all our diversity\, or demand our assimilation? Like the guileless inhabitants of Mayorga’s thickly impastoed paintings\, the second we enter this uncanny\, celebratory-looking tableau\, we realize we are caught between a nightmare and a dream. \nIn partnership with Nopal Cultural and University of Indianapolis. \nMade possible by The Andy Warhol Foundation for the Visual Arts\, Christ Church Cathedral\, The Arts Council of Indianapolis\, Managed Health Services – MHS\,and Sun King Brewing Company. \nYvette Mayorga lives and works in Chicago. She earned her MFA in Fiber and Material Studies from the School of the Art Institute of Chicago in 2016. Recent solo exhibitions include the Lubeznik Center for the Arts\, EXPO Chicago 2018\, The Vincent Price Art Museum\, The Chicago Cultural Center\, and The National Museum of Mexican Art. Her work has been featured in Hyperallergic\, The Guardian\, Art News\, and Teen Vogue\, among others.
URL:https://www.bigcar.org/event/yvette-mayorga-high-maintenance/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2019/03/Mayorga-TubeGallery-6inx6in-Front-01.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20190614T190000
DTEND;TZID=America/Indiana/Indianapolis:20190614T210000
DTSTAMP:20260427T112533
CREATED:20190529T154800Z
LAST-MODIFIED:20190529T154800Z
UID:8037-1560538800-1560546000@www.bigcar.org
SUMMARY:Dinner and Poetry with Bryan Thao Worra
DESCRIPTION:Join Bryan Thao Worra author of DEMONSTRA (2013); BARROW (2009); Winter Ink (2008); On the Other Side of the Eye (2007) and The Tuk-Tuk Diaries: Our Dinner with Cluster Bombs (2003) for a reading and dinner at Tube Factory artspace. \nWorra’s work appears in over 100 international publications\, including Astropoetica\, Cha\, Asian Pacific American Journal\, Hyphen\, Lantern Review\, Kartika Review\, Journal of the Asian American Renaissance\, Expanded Horizons\, Quarterly Literary Review Singapore\, Strange Horizons\, Tales of the Unanticipated\, and Innsmouth Free Press. \nHe was selected as a Cultural Olympian during the 2012 London Summer Olympics’ Poetry Parnassus convened by the Southbank Centre. His work is part of the Smithsonian traveling exhibit “I Want the Wide American Earth: An Asian Pacific American Story.” He is the first Lao American to be accepted as a professional member of the Horror Writer Association and the Science Fiction Poetry Association\, to which he currently serves as president. He is the first Lao American to hold an National Endowment for the Arts Fellowship in Literature and is a 2019 The Joyce Foundation Fellow. \nIn 2018\, he was appointed by Governor Mark Dayton to serve on the Council on Asian Pacific Minnesotans to advise state legislators on policy. He works on Lao and Southeast Asian American refugee resettlement issues across the United States. Bryan Thao Worra is the Lao Minnesotan Poet Laureate\, and the president of the international Science Fiction and Fantasy Poetry Association (est. 1978). \nHis forthcoming book is “Before We Remember We Dream” from Sahtu Press.
URL:https://www.bigcar.org/event/worra/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2019/05/44149989_10156762185101060_3123321778387025920_n.jpg
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