Big Car

Shop Safety and Orientation Part I
2017-06-10 12:00 - 14:00 (America/Indiana/Indianapolis) | Guichelaar Gallery, 1125 Cruft Street, Indianapolis, IN, 46203, United States
Shop Safety and Orientation I is an introduction to The Shop at the Tube Factory Artspace. This 2-hour class will cover basic and safe use of standard stationary machinery, which includes: miter saw, band saw, and drill press.
A few things to note:
*No prior shop experience is necessary; however, this class is required before taking any woodworking classes using Open Shop hours. It is also a prerequisite for Shop Safety and Orientation II.
*Open to ages 16+. For those 16-18, plan to have a parent/guardian on-site for waiver signatures.
*Class size is limited, so register early.
*$25
For further information and inquiries, please contact Brent at email hidden; JavaScript is required.

Brick Street South Poetry Series: Sue Swartz
2017-06-15 18:30 - 21:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Brick Street South Poetry Series features a poet and an open mic the third Thursday of every month. June’s featured poet is Sue Swartz.
Swartz is community organizer by training, born and bred in New York, and now lives happily in Bloomington, Indiana.
“Words. I’ve got a million of them. Some have been published by Ben Yehuda Press in We Who Desire. The poems in this volume use the text of the Torah (aka the 5 Books of Moses) as a starting point to explore themes of belief, covenant, liberation, choice, and yes — desire.
If you want a taste of what I have to say… here tis (below). I’m available for readings as well as teaching both adults & kids about the process of midrash/commentary-making.”

ON THE EIGHTH DAY
Aaron’s sons Nadav & Avihu offered before God strange fire
that had not been commanded—

On the eighth day, Alessandro Volta
put metal coins on his tongue
and prophesied sulfurous electricity.
On the eighth day, Leucippus
considered the true nature of the void,
Teller the true capacity of the sun.
Curie was entranced by radium,
and Maxwell by luminous radiations.
On the eighth day, there were isotopes,
cloud chambers, alpha rays.
Life was vaporized in a simple test
of hydrogen. On that day outside
planned creation, God peered
into the universe and was afraid for us—
Noisy children snapping berries
off a poisonous bush, racing
down the street with pointy twigs—

Didn’t I tell you to knock that off?

And burned to the nub two sons of priestly
inheritance. Before the whole assembly
were they offered up, a soothing savor.
Object lesson: this may you burn
in your copper pan, of this sinew and thigh
may you eat. But this intoxicating notion,
this 4-legged swarming-thing—
It is polluted meat. Strange fire.

Your blowtorch future.
–Sue Swartz

Free admission and parking. Beer and wine for purchase.

Woodworking I - Dimensioning Lumber
2017-06-22 18:00 - 21:00
Woodworking I is an introduction to dimensioning wood- how to take rough sawn lumber and turn them into usable boards.
This 3-hour class will include demonstrations and discussion on wood selection, local suppliers, as well as limited hands-on practice with sample material at the end of the class.
Afew things to note:
*Pre-requisites: Shop Safety and Orientation Part I.
*Woodworking I covers these machines more in depth and includes more hands-on practice than Shop Safety and Orientation II. If you are totally new to the table saw, and jointer, this class is for you.
*Open to ages 16+. For those 16-18, plan to have a parent/guardian on-site for waiver signatures.
*$75
For more information or inquiries, please contact Brent at email hidden; JavaScript is required

Shop Safety and Orientation II
2017-06-24 12:00 - 14:00 | Guichelaar Gallery, 1125 Cruft Street, Indianapolis, IN, 46203, United States
Shop Safety and Orientation II is the second installment that will cover basic and safe use of the jointer, planer, and table saw.
This 2-hour class will act as a refresher or as an orientation to our specific equipment models. Limited hands-on practice will accompany the demonstrations.
A few things to note:
*Pre-requisites: Shop Safety and Orientation I.
*If you are new to the table saw, jointer, and planer, please take Woodworking I which will cover these machines more in depth and include more hands-on practice.
*Open to ages 16+. For those 16-18, plan to have a parent/guardian on-site for waiver signatures.

*Class size is limited, so register early.
*$75
For further information and inquiries, please contact Brent at email hidden; JavaScript is required.

July Art Workshops for ages 6 +
2017-07-05 16:00 - 17:30 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Themed art classes for children 6 + every Wednesday of July. Classes will be mostly in English but Spanish can be used for children who are bilingual/Spanish speaking. Every week will be a new, dynamic and sensory adventure with a small lesson at the beginning. We will learn about patterns, shapes, rhythm, texture, image, line and color through a variety of media and engaging projects. Inspiration for art projects is drawn from the 50 Grand exhibition currently in the gallery at Tube Factory.
Your child can join any time. New registrations will take place before class each week, so plan to come a little early if it is your child’s first time in the class. Children will be broken into age groups and given an activity for their skill level. There is no fee for classes.
RSVP at: email hidden; JavaScript is required
Wednesdays 4-5:30pm
(July 5, July 12, July 19, July 26)
Clases del arte para niños de edades 6+
A Tube Factory artspace: 1125 Cruft St Indianapolis, IN 46203
GRATIS
Clases del arte de diferentes temas cada miércoles en Julio. Clases estará por la mayoría en inglés pero español puede ser usado si hay niños bilingües o hispanohablantes. Cada semana es una nueva aventura dinámica y sensorial con una lección pequeño al principio. La inscripción va a continuar durante el curso de clases, entonces su niño puede juntar en cualquier momento. Inscripciones nuevos tomará lugar antes de la clase cada semana, entonces planea venir un poco temprano si es la primer clase para su niño. Los niños van a estar separados en grupos por sus edades y los acividades van a estar apropiados para sus niveles de habilidad. Clases son totalmente gratuitas.
Dos opciones para la clase:
Los miércoles 4-5:30pm
( Julio 5, Julio 12, Julio 19, Julio 26)

Carlos Rolón/Dzine: 50 GRAND, LIVE Fights
2017-07-07 19:00 - 21:00
50 GRAND, LIVE Fights is a newly commissioned performative installation consisting of Golden Gloves Sanctioned live fights.The participating fighters will wear Rolón’s 50 GRAND robe. The robe is on display in the ring when the ring is not in use. The overall art exhibition, also titled 50 GRAND, is open 6-10 p.m. the same evening.
Seating is limited but fights will be streamed on YouTube Live.
Made possible by Herbert Simon Family Foundation (a Central Indiana Community Foundation affiliate), The Andy Warhol Foundation for the Visual Arts, Top Rank Boxing, and Sun King Brewing Company.

Adrian Matejka-Presented by UIndy's Social Practice Art MA program and Etchings Press
2017-07-07 20:00 - 21:00
With the lean, long jab and agile step of a boxer, Adrian Matejka delivers this knockout dramatization of the larger-than-life life of heavyweight champion Jack Johnson. In dexterous interpolating voices, and in forms ranging from enveloping sonnets to prose letters and interviews, Johnson emerges as a scrappy, hard-edged hero—troubled by his own demons but determined to win the “fight of the century,” a fight that underscored the bitter realities of racism in America. These poems don’t pull no punches.
Presented by UIndy’s Social Practice Art MA program and Etchings Press, a student-run publisher.
ABOUT THE BOOK
The legendary Jack Johnson (1878–1946) was a true American creation. The child of emancipated slaves, he overcame the violent segregationism of Jim Crow, challenging white boxers—and white America—to become the first African-American heavyweight world champion. The Big Smoke, Adrian Matejka’s third work of poetry, follows the fighter’s journey from poverty to the most coveted title in sports through the multi-layered voices of Johnson and the white women he brazenly loved. Matejka’s book is part historic reclamation and part interrogation of Johnson’s complicated legacy, one that often misremembers the magnetic man behind the myth.
ABOUT THE AUTHOR
Adrian Matejka is the author of The Devil’s Garden (Alice James Books, 2003) and Mixology (Penguin, 2009). He is the recipient of two Illinois Arts Council Literary Awards, a National Poetry Series Award, the New York/New England Award, and a fellowship from the Lannan Foundation. He teaches at Indiana University and lives in Bloomington with his wife, Stacey Lynn Brown, and their daughter.

Portrait Making Meet-up
2017-07-08 11:00 - 15:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Bring your own art supplies and get paired up with someone to do portrait studies in our open, concrete-floor community space. Describe your partner in your own medium (can be paint or charcoal, of course, but also can be writing, clay, or any type of abstraction! Realism is not necessary). We will have basic art supplies like paper, markers, crayons, and such.
All creatives, professional or amateur, are welcome. Even if you just want to come to be a model and hang out, you are welcome!

Art & Entrepreneurship Workshop
2017-07-11 14:00 - 18:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
The Speak Easy, Big Car Collaborative and Central Indiana Community Foundation are set out to grant access and opportunities for collision between art and entrepreneurs! We are blending the two ways artists and entrepreneurs create. Combining the strengths of their practices, they will be able to foster problem solving and design-thinking concepts. The Art and Entrepreneurship Workshop will consist of activities that fuel exploration and ideation through art as well as presentations by Big Car CEO and lead artist, Jim Walker and SmallBox CEO and entrepreneur, Jeb Banner.
Get your ticket at: https://www.eventbrite.com/e/art-entrepreneurship-workshop-tickets-35390882081
Workshop themes you can expect are:
Decoding complexity and ambiguity
Creative leadership
Cultivating creativity & innovation
Improving collaboration and teamwork
Values creation
Appreciative inquiry and leading change
Hosting strategic conversations
Transforming corporate culture
New product development
Capturing and visualizing tacit knowledge
Idea-generation and problem-solving
Role-playing and improving communications
*Optional cocktail hour from 5-6pm*

Art Workshops for ages 6+
2017-07-12 16:00 - 17:30 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States

Brick Street South Poetry Series: Abegunde
2017-07-20 18:30 - 21:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Abegunde is a Memory Keeper, ancestral priest in the Yoruba Orisa tradition, and a Reiki Master with a focus on the recovery and healing of ancestral memory from the Earth and human body. She chooses to forget that words and days have limits. Instead, she chooses to remember – and live by – the words of a young Black woman in the 5th grade: Poetry can change the world. As a result, she spends her days and dreamtime chanting silenced memories into spoken histories. On the weekdays, when she isn’t birthing new words out of sound and images, she shapeshifts into a professor of African American and African Diaspora Studies and the founding director of The Graduate Mentoring Center at Indiana University. Her ongoing research and subsequent creations help us understand how unresolved ancestral emotions shape the lives of descendants of the Middle Passage and the links between ancestral wounding, contemporary violence, and illness and disease. She will read from ​her work-in-progress Learning to Eat the Dead: Juba, USA, ​a meditation on visiting Juba, South Sudan, living in the United States, and poetic transparency.
Brick Street South Poetry Series features a poet and an open mic the third Thursday of every month. Free admission and parking. Beer and wine for purchase.

Pop Up Opera
2017-07-21 19:30 - 23:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Join Whitney Cleveland, Benjamin Holbrook, Toiya Lister, Andrea Tulipana, Julia Gries, Jeremiah Marcéle Sanders, Meghan Bartcsch and the Chamber Ensemble for a night of opera and fun!

What's On Your Mind?
2017-07-22 11:00 - 15:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Have something you want to say? Sound artist Oreo Jones will listen and record your stories and thoughts every third Saturday of the month. If selected, your recording will go on our radio station, 99.1, WQRT. To ensure you have a time slot with Jones, please e-mail: email hidden; JavaScript is required

Art Workshop for Ages 6 +
2017-07-26 16:00 - 17:30 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States

Six Ways To Sunday
2017-08-04 18:00 - 22:00 | Listen Hear, 2620 Shelby St, , Indianapolis, IN, 46203, United States
Stories. Art. Drinks.
Six artist. Six stories. Coming together from Indiana and the Midwest, each artist provides works on paper available for purchase and a live performance the night of the opening. Performances range in topic but all deal with the artist’s personal history and background.

Drew Buys
Clare Gatto
Paolo Marino
Alex Meiser
Nick Witten
Liz Wierzbicki

Larissa Hammond: the / a mind the b mind
2017-08-04 18:00 - 2017-10-21 22:00
the/a mind the b mind, is a fully commissioned exhibit featuring four large scale paintings, one in collaboration with poet Ariana Reines.
The exhibit is several years in the making. “Through the years this show has evolved, my body has been attacking itself through my immune system,” says Hammond. “I went down many paths with both my art and physical body before I finally reached a turning point.”
The paintings happened after a series of conversations with Reines. “We spoke about the silence women carry, what it really means and feels like to give consent, communications that result from being mixed race and culture in America, the importance of ownership and protection over one’s own body, taking care, how crucial it is to identify as sane, and the importance of relating to other people with love and humor as a way through any kind of opposition,” says Hammond.
The paintings themselves are an exploration in communication using a collective unconscious that Hammond built through her writings alongside conversations with Reines. “This collective unconscious is a combination of my matrilineal cultural heritage (Afro-Caribbean), past experiences, and direct feedback from my body as I recovered from a brain injury,” says Hammond.
Born in Indianapolis, IN, Larissa Hammond studied Architecture and Linguistics at the University of Cincinnati before earning her BA from Portland State University. In 2012, Hammond earned her MFA from the Pacific Northwest College of Art + Oregon College of Art & Craft. Since graduating, her thesis was purchased by conceptual artist Luis Camnitzer and she was named by Modern Painters Magazine as 1 of 25 Artists to Watch. Her first solo edition, THE REDDENING, was featured by Monograph Bookwerks and Triangular Press at the Codex International and LA Art Book Fairs. THE REDDENING was also purchased by the University of Iowa, Indiana University, and Oregon College of Art & Craft Rare / Artist Book Collections.
Born in Salem, Massachusetts, poet, playwright, and translator Ariana Reines earned a BA from Barnard College, and completed graduate work at both Columbia University and the European Graduate School, where she studied literature, performance, and philosophy. Her books of poetry include The Cow (2006), which won the Alberta Prize from Fence Books; Coeur de Lion (2007); and Mercury (2011). Her poems have been anthologized in Against Expression (2011) and Gurlesque (2010). Known for her interest in bodily experience, the occult, new media, and the possibilities of the long or book-length form, Reines has been described as “one of the crucial voices of her generation” by Michael Silverblatt on NPR’s Bookworm.
Made possible by the Herbert Simon Family Foundation and Sun King Brewery.

Brick Street South Poetry Series:Lisa Devon
2017-08-17 18:30 - 21:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Brick Street South Poetry Series features a poet and an open mic the third Thursday of every month. August’s featured poet is Lisa Devon.
Lisa Devon is a suburban Mom who uses poetry to express her frustrations with the world. With topics ranging from politics to parenting, no one is spared her ire. Luckily for the listener, the madder she gets, the funnier it is. Lisa Devon’s work is heavily influenced by Dr. Seuss, with word play sandwiched between rhythm & rhyme. Her unexpected voice and impassioned performance offers a fun and fresh perspective on the issues we all face.
Free admission and parking. Beer and wine for purchase.

What's On Your Mind?
2017-08-19 11:00 - 15:00, 2017-09-23 11:00 - 15:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Have something you want to say? Sound artist Oreo Jones will listen and record your stories and thoughts every third Saturday of the month. If selected, your recording will go on our radio station, 99.1, WQRT.

Woodworking I - Dimensioning Lumber
2017-08-24 17:00 - 20:00, 2017-09-21 17:00 - 20:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States

Shop Safety and Orientation Part II
2017-08-26 12:00 - 14:00, 2017-09-23 12:00 - 14:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States

Shop Safety and Orientation Part I
2017-09-09 11:00 - 13:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Shop Safety and Orientation I is an introduction to The Shop at the Tube Factory Artspace. This 2-hour class will cover basic and safe use of standard stationary machinery, which includes: miter saw, band saw, and drill press.

A few things to note:

*No prior shop experience is necessary; however, this class is required before taking any woodworking classes using Open Shop hours. It is also a prerequisite for Shop Safety and Orientation II.

*Open to ages 16+. For those 16-18, plan to have a parent/guardian on-site for waiver signatures.

*Class size is limited, so register early.

*a $25 fee is obtained for this class on the day of class, however (fee waived if taken in conjunction with Steps, Ramps and Rails/home repair project class)

For further information and inquiries, please contact Brent at email hidden; JavaScript is required.

Ramps, Steps and Rails
2017-09-09 13:00 - 16:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Ramps, steps, and rails are important things for homeowners and skateboarders alike to know how to make. At Bottom Level Tool Shop you can learn how to make these over a series of classes and be part of a small crew who’ll help neighbors in need.
During the class you’ll build small skate and home items for Tube and elsewhere. By taking the class, offered free in exchange for your help, we’ll supply wood and hardware needed so you can also take what you make home for your own mini skate park or maybe to help around your house or the house of a neighbor of your choosing.
This class requires the prerequeisite Shop Safety class offered in the morning before this class. Shop safety usually has a cost but this is waived, also, with your commitment to help with this summer community home repair project we’re piloting at Big Car Collaborative with support from INHP.

Belladonna of Sadness
2017-09-20 20:30 - 22:30 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
One of the great lost masterpieces of Japanese animation, never before officially released in the U.S., BELLADONNA OF SADNESS is a mad, swirling, psychedelic light-show of medieval tarot-card imagery with horned demons, haunted forests and La Belle Dame Sans Merci with J.R.R. Tolkien influences.
We will be discussing this film, the role witchcraft and superstition have played in gender roles throughout history, all in relation to our exhibit Larissa Hammond: the/ a mind the b mind.
The last film in the Animerama trilogy produced by the godfather of Japanese anime & manga, Osamu Tezuka and directed by his longtime collaborator Eiichi Yamamoto (ASTRO BOY and KIMBA THE WHITE LION), BELLADONNA unfolds as a series of spectacular still watercolor paintings that bleed and twist together. A young woman, Jeanne (voiced by Aiko Nagayama) is assaulted by the local lord on her wedding night. To take revenge, she makes a pact with the Devil himself (voiced by Tatsuya Nakadai, from Akira Kurosawa’s RAN) who appears as a sprite and transforms her into a black-robed vision of madness and desire.
Extremely transgressive, BELLADONNA is fueled by a mind-blowing Japanese psych rock soundtrack by noted avant-garde jazz composer Masahiko Satoh. The film has been newly restored by Cinelicious Pics using the original 35 mm camera negative and sound elements and including over 8 minutes of surreal footage cut from the negative. On par with Rene Laloux’s FANTASTIC PLANET and Ralph Bakshi’s WIZARDS as an LSD-stoked 1970s head trip, BELLADONNA marks a major rediscovery for animation fans. If Led Zeppelin had a favorite film, this would be it. In other words, Stairway to Hell.

Brick Street South Poetry Series: Gregg DeBoor
2017-09-21 18:30 - 21:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Brick Street South Poetry Series features a poet and an open mic the third Thursday of every month. September’s featured poet and writer is Gregg DeBoor.
Born a bastard adopted by poetry, Gregg DeBoor is an advocate for those who stay up late at night and never stop being good to what they love. He’s a fellow author on Chatter House Press after having published his first book Street Girls Have Guns. He is also the winner of the 2011 Indianapolis Grand Slam. In Gregg’s words, poetry (not sure if this the word you meant by “it’s”. If not, then we can change it.) is all about the inner monologue and trusting yourself to listen.
Gregg is a touring and spoken word performance artist. For the past three years he has toured throughout the Midwest and East Coast at some of the most prominent venues of today.
Free admission and parking. Beer and wine for purchase.

Brick Street South Poetry Series: Nancy Chen Long
2017-10-19 18:30 - 21:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Brick Street South Poetry Series features a poet and an open mic the third Thursday of every month. October’s featured poet and writer is Nancy Chen Long.
Nancy Chen Long is the author of Light into Bodies, winner of the 2016 Tampa Review Prize for Poetry (forthcoming, University of Tampa Press, 2017) and the chapbook Clouds as Inkblots for the War Prone (Red Bird Chapbooks, 2013). She is the grateful recipient of an NEA Creative Writing Fellowship in Poetry. You’ll find her recent and forthcoming work in Prairie Schooner, Ninth Letter, Crab Orchard Review, Zone 3, Briar Cliff Review, Alaska Quarterly Review, Pleiades, Bat City Review, the Anthology of Contemporary Indiana Writers, and elsewhere.
​As a volunteer with the local Writers Guild, Nancy coordinates a reading series and works with others to offer free poetry workshops to the public. To give back to the writing community at-large, she reviews poetry books and interview poets at the blog Poetry Matters, as well as on her blog nancychenlong.blogspot.com. She has a bachelor’s degree in Electrical Engineering Technology and an MBA, worked as an electrical engineer, software consultant, and project manager, and more recently earned an MFA. She works at Indiana University.
Free admission and parking. Beer and wine for purchase.

Ariana Reines
2017-10-21 13:00 - 15:00
Join us for a reading and talk with Ariana Reines. Named one of Flavorwire’s 100 best living writers and “a crucial voice of her generation” by Michael Silverblatt, Ariana Reines lives in Queens, mostly. Text from a Reines poem was used in the Larissa Hammond piece, Initiation. Hammond’s exhibit, The / a mind the b mind, is currently on display at Tube Factory. This event will mark the close of the exhibition. To ensure a seat, RSVP at email hidden; JavaScript is required
More about Ariana Reines:
Her books include The Cow (Alberta Prize, 2006), Coeur de Lion (2007); Mercury (2011), A Sand Book (2017), from FENCE, and The Origin of the World (2014) from Semiotext(e). TELEPHONE, her first play (2009) was commissioned by The Foundry Theatre and received two Obie Awards; a Norwegian translation will premiere in Mollebyen, Norway in 2017. FRANCESCA, a play by Nathalie Rozanes based on writings & performances by Reines premiered at the National Theatre of Belgium in 2016. Other performance & theatrical works include: MORTAL KOMBAT (2015), commissioned by Le Mouvement Biel/Bienne & performed at The Whitney Museum, New York, NY, USA, & Gallery TPW, Toronto, CA, and LORNA (2013) at Martin E. Segal Theatre, New York, USA, both in collaboration with Jim Fletcher, The Origin of the World (2013) at Modern Art, London UK, & many others. Art exhibitions include PUBIC SPACE (2016), a collaboration with Oscar Tuazon at Modern Art in London, UK, EXHAUST (2016) at Contemporary Art Tasmania, AU, and JANE DARK (2014) at Western Front, Vancouver, CA. Reines is the translator of Baudelaire’s My Heart Laid Bare (Mal-O-Mar, 2009); Jean-Luc Hennig’s The Little Black Book of Grisélidis Réal:Days and Nights of an Anarchist Whore(Semiotext(e) 2009); and Tiqqun’s Preliminary Materials Toward a Theory of the Young-Girl (Semiotext(e) 2012). She has taught at Columbia University, the European Graduate School, NYU, Tufts, Naropa, The New School, & many other places. In 2009 she was Roberta C. Holloway Lecturer in Poetry at the University of California-Berkeley. She astrologizes at lazyeyehaver.com.
This event is in partnership with University of Indianapolis and made possible by a grant through Indiana Humanities.

Homeless Voices
2017-11-03 08:00 - 2017-11-18 17:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
November 3-18
Join CHIP Indianapolis for a powerful, museum-like art experience filled with educational vignettes and audio and video stories from individuals experiencing homelessness in Indy. Combining audio, video, and tactile components, Homeless Voices immerses the visitor in the lives of individuals and families experiencing homelessness in Indianapolis. The exhibition will feature a collection of zines created by individuals experiencing homelessness, a virtual reality experience of what it’s like to live in a family shelter, and other artistic and educational opportunities.
