Sunken Beer Gardens
2018-07-26 18:00 - 21:30, 2018-08-02 18:00 - 21:30, 2018-08-09 18:00 - 21:30, 2018-08-16 18:00 - 21:30, 2018-08-30 18:00 - 21:30, 2018-09-13 18:00 - 21:30, 2018-09-20 18:00 - 20:30, 2018-09-27 18:00 - 21:30 (America/Indiana/Indianapolis) and 2 more dates | Garfield Park Sunken Gardens, 2505 Conservatory Dr., IN, 46203, United States
Celebrate one of our city’s most beautiful gardens and public places every Thursday evening. Play some games, relax, get creative, and socialize at this family friendly place while taking in the sunset and fountains. And enjoy local craft beer. In partnership with Indianapolis Parks Foundation and Indy Parks and Recreation. And we’re excited to team up, as well, with Friends of Garfield Park, Inc. and multiple local breweries including Sun King Brewing Company, Centerpoint Brewing, Upland Brewing Company, Flat12 Bierwerks Indianapolis and our neighborhood’s own Garfield Brewery. Part of Big Car’s Spark Placemaking program with promotional support from 99.1 WQRT FM.
Kids and dogs are allowed. You can bring in a picnic. Food trucks will be on hand most nights. All ages. Beer is for 21-plus only and must be purchased. Otherwise free to attend. Some seating available, including hammocks. You can bring your own blanket or lawn chair. The Conservatory will be open to visitors with restrooms at no charge. Art activities, projects, and low-key performances will vary each week. You can always decorate and write your own special sunken garden postcards that we’ll mail for you for free.

Masters Retrospectives: Social Practice & Placemaking
2018-08-03 18:00 - 22:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Showcasing the work of UIndy Social Practice students! In the last year, they have engaged many communities, cultures & arts practices. The gallery show will highlight thesis projects & other projects from throughout the program.
Additional events are planned during the show to highlight individual projects in social practice art and creative placemaking.
About the thesis projects:
In Place is a series of pop-up events that create space for community connection through social exchange. For example, this summer Lauren Ditchley and a team of five TeenWorks youth employees collaborated with Joanna Taft of the Harrison Center to produce seven porch parties at the homes of longtime residents in the Monon 16 neighborhood. At each porch party, teens and residents shared lunch and responded to prompts such as, “How long have you lived here?” and “What was your first job?” The collaborative team share these conversations and tips for hosting your own porch party in a zine based on video and sound recordings, photos, and journals.
Arranged Encounters is a project by Linnea Gartin that records and archives the stories of women in the Midwest experiencing contemporary society. Through podcast episodes and a curated exhibition of artifacts from the interview experience, the goal is to expose the common woman’s wisdom, story, and perspective on the world. The twist is each episode is recorded in a different environment and questions are pulled at random by the guest.
Brittany Kugler, with No Exit Performance, is launching the Theatrical Assets Library in the late summer of 2018. The Theatrical Assets Library is an opportunity for performance groups in Indianapolis to join their assets, like costumes and sets, together. This will allow those groups to save money, increase green initiatives, and grow professional opportunities.
Emma Landwerlen’s Queer Between Coasts is an ongoing archive examining LGBT lives in the Midwest through personal interviews, ephemera, and art. The project also explores what it means to be visibly queer in the midwest, an act that can feel simultaneously powerful and vulnerable.
Easel Eats, by Danielle Wilborn, combines thoughtful discussion of the meaning behind an artists work with an informal shared meal of the artists choosing in an attempt to share the power of storytelling through art and how it can be used to launch community conversations. Participating artists will be shadowed during their work and all project documentation will be placed in a multimedia collection and made public.

Juan William Chávez: Mesa Hive:Indianapolis Bee Sanctuary
2018-08-03 18:00 - 2018-10-20 18:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Mesa Hive: Indianapolis Bee Sanctuary
Opening reception August 3, 6-10pm
These connected projects — related to bees, beekeeping, culture, and community — include an outdoor living sculpture and a resulting exhibit developed by Juan William Chávez, an artist and cultural activist based in St. Louis, during his six-week residency at Tube Factory.
The Indianapolis Bee Sanctuary is a 5-year project in the green space adjacent to Tube Factory that promotes environmental stewardship with the philosophy that a better environment for bees is a healthy environment for humans. This is fostered through Chávez’s pollinator-friendly hexagon design and is associated with a multi layered community outreach program. Located in the Tube Factory’s community garden, the Bee Sanctuary features a multi-color hexagon pattern concrete floor that houses two beehives. Surrounding the hives is a hexagon-shaped cedar eco wall filled with organic soil and is filled with an abundance of native plants and flowers for bees throughout the seasons. The Bee Sanctuary invites the public to wear beekeeping suits to observe and interact with the hives through a multi layered community outreach program that embraces the urban ecosystem, arts education and job training. The Bee Sanctuary embraces the concept of working as a hive. Chávez teamed up with TeenWorks Indianapolis on the construction of the sanctuary. TeenWorks is a six-week summer employment and college readiness program for high school seniors. Along with helping build, TeenWorks young people experienced several educational workshops that focus on ecology, plant biology, landscape design, beekeeping and entrepreneurship. Public programming continues over the next five years related to the Bee Sanctuary.
In Tube Factory’s main gallery, Chávez exhibits Mesa Hive, a multimedia Installation that highlights the process and construction of the Indianapolis Bee Sanctuary. The installation is presented on a large Mylar survival blanket with carefully arranged objects and artifacts created and harvested during the construction process. These objects are juxtaposed with new paintings made by Chávez during the residency. The survival blanket is inspired by Chávez’s Peruvian heritage. It references Mesa, a multicolored bundle containing various sacred objects used for healing in Andean shamanic rituals typically associated with a Huaca, a monument or natural location that represents something revered. The exhibition also includes photo and video documentation of TeenWorks, Chávez, and Big Car artists — led by Elliot Thornton — working on the sanctuary. Documentation includes preparing over 300 hexagon concrete pavers and beekeeping and gardening activities in partnership with Bee Public and Solful Gardens. Mesa Hive is curated by Shauta Marsh.
“I’m inspired by artist Joseph Beuys’ works with bees. He viewed bees as a symbol of society due to the nature of how they live and work together. He was also fascinated by the alchemy of honey production and used honey in many of his works. The collectiveness of the hive is a powerful and natural way of living and working. Working together to transform ideas and space plays a major role in my work. Bees teach me how to work within a group, how to build space as a group, how to transform ideas to make honey, and the alchemy of the studio within an ecosystem. For me bees and humans are the same. We enjoy a lot of the same plants and smells. We need them and they need us. A better environment for the bees is a better environment for humans, and as humans we forget that we are part of an ecosystem. Bees remind me of that, which keeps me grounded and connected.
Over the last five years in St. Louis we’ve been honing our concept and practice of a bee sanctuary and feel we were in a position and had the right partnership to try to take that concept to a different city. We are super excited that Indianapolis and the Tube Factory were an ideal partnership for this project.” – Juan William Chávez
The project is made possible by Andy Warhol Foundation for the Visual Arts, PNC, Penrod Arts Fair, The Indiana Office of Community and Rural Affairs, Sun King Brewing and Managed Health Services.
About Chávez
Juan William Chávez is an artist and cultural activist who creates and shares space in the built and natural environments to address community-identified issues. At the heart of Chavez’s practice is his studio research, which includes drawings, films, photographs, craft, labor, architectural interventions, and unconventional forms of beekeeping and agriculture. Chávez utilizes art as a way of researching, developing, and implementing projects of creative placemaking and social engagement. His exhibitions feature his studio research in the form of multimedia installations. Chavez has exhibited his work at venues such as ArtPace, Van Abbemuseum, McColl Center for Art + Innovation, 21c Museum Hotel, Laumeier Sculpture Park and Contemporary Art Museum St. Louis. His interdisciplinary approach to art has gained the attention and support of prestigious institutions like the John Simon Guggenheim Foundation, Creative Capital, Graham Foundation for Advanced Studies in the Fine Arts, ArtPlace America and Art Matters Foundation. Chávez holds a BFA from the Kansas City Art Institute and a MFA from the School of the Art Institute of Chicago.

Spice Listening Party
2018-08-04 19:00 - 22:00 | Listen Hear, 2620 Shelby St, , Indianapolis, IN, 46203, United States
Join us for the Spice Listening Party, hosted by Indianapolis local Baby Ebony. DJ Shawshank will be spinning on the decks with a special live performance by HeyZeus.

Free, all ages.

Old Soul Presents:The DOJO
2018-08-17 19:00 - 21:00 | Listen Hear, 2620 Shelby St, , Indianapolis, IN, 46203, United States
The DOJO; a (MONTHLY) Hip-Hop showcase that highlights the art of REAL MCing. The DOJO honors tradition and provides a platform to strengthen the local HIP-HOP CULTURE.
All ages welcome. Appropriate for ages 16 & over.
​Hosted by Indy artists, Gritty N’ The Craftman.
Every month, they feature the best Indy emcees.

Sunken Beer Gardens
2018-08-23 18:00 - 21:30 | IN

Flava Fresh
2018-09-07 18:00 - 22:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Annual juried exhibition contemporary art with over 50 participating Artists curated by D. Del Reverda-Jennings. At Tube Efroymson Gallery, 6-10 pm

Teacher Story Slam
2018-09-13 19:30 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Listen to true stories from Indy area educators told live at this free event at the Tube Factory Artspace! Indianapolis’ sixth Teacher Story Slam kicks of the school year with hilarious, heartbreaking, and inspiring tales from Hoosier teachers.
Co-sponsored by Big Car Collaborative, Chalkbeat Indiana, and Teachers Lounge Indy.

Danicia Monét: Blue Black
2018-10-05 18:00 - 22:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
A photo exhibition exploring black and brown bodies, the power of touch and the many forms of intimacy.
Danicia Monét is an arts & culture ambassador and urban planner pursuing her PhD on the User-Experience of Race. Her research uses a multidisciplinary approach to examining Black & Brown bodies in public space as she focuses on the context of Race & Space – Growing Critical Cultural Capacity in the Built Environment.
The exhibit runs through October 13 in the Jeremy Efroymson Gallery at Tube Factory, Monday-Friday 9am-6pm Saturdays 11am-3pm.

The Designer's Road Map
2018-10-24 18:00 - 20:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
An honest panel discussion on the pathways for a creative professional
The Indianapolis creative community offers a variety of pathways to a career as a design professional. Some are straight, most are windy and none of them are for the faint of heart. There is no singular experience because our community is made up of a tapestry of traditional ad agencies, boutique design shops, freelancers and in-house creative teams. And while we benefit from the array of options, it can also isolate us to our own experience, leaving us to make assumptions about what it must be like on the other side. Are all agency gigs 60+ hour workweeks? Do freelancers hang out at coffee shops all day and sip lattes? What is it like to work in-house? When does a side hustle become a business? And what the hell is a boutique design shop anyway?
What if we had the opportunity to have a candid conversation with Indy’s most talented and gracious design leaders to get answers to some of these questions? What if we could dig into the similarities and differences between these pathways and how to know what to expect? More mentorship, more honesty, less romanticization, fewer assumptions.
Please join AIGA at The Tube Factory on Oct. 24 for a guided panel discussion that will leave you better educated about your opportunities and more equipped to build the type of creative community that cares for one another.
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PANELIST
Ryan Hunley // Owner and Art Directory, 2nd Street Creative
Amy McAdams-Gonzales //Co-Founder and Designer, Matinee Creative
Aaron Scamihorn // Principal, RONLEWHORN Industries
Anna Saraceno // Product Designer, Trello
Katie Clements // Associate Creative Director, CVR
MODERATOR
Kolby McElvain // Senior Designer, High Alpha
Special thanks to our Presenting Sponsor:
Artisan is a boutique recruitment agency that has a unique approach to making the right connections – and they’ve honed, mastered, and put it to work over the past few decades. Their secret? It’s the realization that they’re humans helping humans.

What It's Like To Be Sarah
2019-01-04 18:00 - 22:00 | Listen Hear, 2620 Shelby St, , Indianapolis, IN, 46203, United States
Sarah Matthews sound experience comes to Listen Hear First Friday in January. This sensual, immersive soundscape is a one-night exhibition that includes sound clips of a woman’s sexual responses during pleasurable intimacy with a partner. Her installation, LUST, invites participants to listen to a positive sexual experience from a woman’s perspective in order to consider the importance of female sexual empowerment in today’s hyper sexualized and heteronormative world.

Rachel Leigh: Light Scheaux
2019-01-04 18:00 - 2019-01-21 18:00 | IN
Welcome to a world where grownups still build forts and play with flashlights. Where physics are not a classroom subject but a tender and flamboyant muse. Rachel Leigh teases out the sumptuousness of thrift-store glass and discarded TVs, bathing visitors in luminous, improbable delights.

Wear comfortable clothing and join us for a 20-minute live interactive audiovisual performance by the artist: Jan 9, 13, and 21 at 6pm.

Rachel Leigh is an Indianapolis-based graphic designer, electronic musician, and all-around visual tinkerer who spent formative years in Europe. Her intricate, immersive work invokes subtleties of physics, geometry, and history. Leigh is a member of performing art collective Know No Stranger, contributing to numerous original stage shows and multimedia experiences since 2014. Her graphic design work has appeared at the Indianapolis Motor Speedway, Bankers Life Fieldhouse, and Simon Malls. Light Scheaux is her debut solo exhibition.
Follow her projects at majuscule.co. Follow on instagram @reallyearly.

99.1 WQRT Rhinestone Country Presents Read Southall
2019-02-13 20:00 - 23:00 | Duke’s Indy, 2352 S West St., Indianapolis, IN, 46203, United States
Formed In Stillwater Oklahoma, The Read Southall Band is comprised of 4 native Oklahoman’s. Read Southall (lead vocals and rhythm guitar) Reid Barber (drums) Jeremee Knipp (Bass) JT Perry (Lead Guitar and harmonies). With all members having different influences in music, they have come together to create a unique red dirt/southern rock sound. With overdriven guitars and heavy drums the Read Southall Band aims to deliver a rock and roll experience at every show.

Workshop: Discover Design – Discover Bauhaus
2019-03-16 12:00 - 14:00 | IN
The workshop Discover Design – Discover Bauhaus by the German Design Museum Foundation provides an opportunity to acquire new knowledge of a shared German – American cultural heritage in a practice-oriented fashion. Why are the ideas of the Bauhaus as a legendary school of architecture, design and art still relevant today? How can we use its ideas for our future? This exciting journey of discovery through the world of design is linked to the celebration of 100 Years of Bauhaus!
The design workshop combines intercultural content with imagination and creativity. Trained designers will provide support and advice. During the theoretical section, key facts about Bauhaus as an evolutionary movement, its leading figures, important projects and ideas will be taught. During the hands on section, the participants can let their creativity run wild and produce their own designs.Theeducational and cultural initiative Entdecke Design(Discover Design) has thus far enabled around 15,000 children and adolescents to discover the world of design.
This workshop is recommended for ages 10-17.
Space is limited. RSVP to email hidden; JavaScript is required
This workshop is part of the Year of German-American Friendship initiated by the German Federal Foreign Office and the Goethe-Institut, and supported by the Federation of German Industries (BDI).
Photo Credit: Christof Jakob

Artists Talk-Osamu James Nakagawa and Conner Green
2019-03-23 16:00 - 18:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Join us for the closing reception of Fences/Imperia and a discussion with Nakagawa and Green.
About the artists:
Osamu James Nakagawa was born in New York City in 1962 and raised in Tokyo. He returned to the United States, moving to Houston, Texas, at the age of 15. He received a Bachelor of Arts from the University of St. Thomas, Houston in 1986 and a Master of Fine Arts from the University of Houston in 1993. Currently, Mr. Nakagawa is the Ruth N. Halls Distinguished Professor of Photography at Indiana University, where he directs the Center for Integrative Photographic Studies. He lives and works in Bloomington, Indiana.
Nakagawa is a recipient of the 2009 Guggenheim Fellowship, the 2010 Higashikawa New Photographer of the Year, and 2015 Sagamihara Photographer of the Year in Japan. Nakagawa’s work has been exhibited internationally, solo exhibitions include: Eclipse, PGI, Tokyo (2018); Kai, sepia EYE, New York (2018); OKINAWA TRILOGY: Osamu James Nakagawa, Kyoto University of Art and Design (2013);GAMA Caves, PGI, Tokyo; Banta: Stained Memory, Sakima Art Museum, Okinawa, Japan (2009); Kai: Osamu James Nakagawa, SEPIA International Inc., New York (2003).
His work is included in numerous public collections, including the Metropolitan Museum of Art; George Eastman Museum; Tokyo Metropolitan Museum of Photography; Museum of Fine Arts, Houston; Sakima Art Museum, Okinawa; The Museum of Contemporary Photography Chicago, Nelson-Atkins Museum of Art, Indianapolis Museum of Art, Grand Rapid Museum of Art and others. Nakagawa’s monograph GAMA Cavesis available from Akaaka Art Publisher in Tokyo, Japan.
Conner Green (born 1984) is an artist from Indianapolis, IN. He studied art and literature at Indiana University and received his MFA from the University of Wisconsin, Madison. His work has been exhibited both nationally and internationally. Much of his work combines disciplines, incorporating found sculptural and print-based elements. His work explores concepts of institutional critique, myth, desire, and master narratives. He finds all of these concepts rife for excavation in the consumer-based material world and the built environment. His process allows for a certain degree of chance or disorder to come into play, which he believes enables the phenomenal world to speak for itself.
Made possible by the Arts Council of Indianapolis.

99.1 WQRT's Rhinestone Country presents The Currys w/Steve Everett
2019-03-26 19:30 - 23:30 | Duke’s Indy, 2352 S West St., Indianapolis, IN, 46203, United States
Brought together by family ties and a shared appreciation for folk, rock, and roots music, The Currys are an Americana trio featuring brothers Jimmy and Tommy and cousin Galen Curry. Like many family groups, their songs are anchored by the sort of elastic, entwined harmonies that only seem to exist among kin. On their second record, West of Here, their songwriting chops match those interlocking voices, with all three members contributing songs to an album that deals with the constant search for home.

Bauhaus Imaginista - Collected Research
2019-04-05 18:00 - 2019-06-22 15:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Jeremy Efroymson Gallery
“Bauhaus Imaginista” is a major international project that marks the German art school’s 100th anniversary. Operational from 1919 to 1933, Bauhaus is famous for the approach to design that combined high art and industry. This exhibition rethinks the school from a global perspective, and reads its entanglements against a century of geopolitical change.
The exhibition presents the 4 Gegenstande (Objects) in order to communicate the essential elements of bauhaus imaginista.
“The Bauhaus Manifesto” (1919) is shown through a specially commissioned essay film, exploring the hybrid and transnational influences that shaped its conception and the school’s origins. Marcel Breuer’s collage ein Bauhaus film (1927) was reproduced in the Bauhaus Journal No. 1, an edition of the journal will be reprinted and displayed in the gallery as a stacked multiple available for audiences to take away. Paul Klee’s “Carpet” drawing will be shown in reproduction on a study table detailing the artist’s North African journeys. Kurt Schwerdtfeger’s “Reflective Light Game” is shown through a film projection.
Photo: Paul Klee Rug (kilim), (1927); Hans Snoeck Private Collection, New York
Project partners:
Goethe-Institut, Bauhaus Kooperation, Haus der Kulturen der Welt.
Funded by:
Die Beauftragte der Bundesregierung für Kultur und Medien, Auswärtiges Amt, Kulturstiftung des Bundes.
On the occasion of 100 Jahre bauhaus (100 Years of Bauhaus).
Admission is free
VISIT US
Monday-Friday, 9 a.m. to 6 p.m.
Saturday 11 a.m. to 3 p.m.
Tube is also open until 10 p.m. each First Friday.
Closed Holidays

WQRT Rhinestone Country Film Series- Nine to Five
2019-04-10 18:45 - 21:00 | Duke’s Indy, 2352 S West St., Indianapolis, IN, 46203, United States
Frank Hart is a pig. He takes advantage of the women who work with him in the grossest manner. When his three assistants managed to trap him in his own house, they assume control of his department and productivity leaps, but just how long can they keep Hart tied up?
Presented by Upland Brewing Co.

99.1 WQRT Noise-A-Thon 2019
2019-04-17 18:00 - 2019-04-18 18:00 | Listen Hear, 2620 Shelby St, , Indianapolis, IN, 46203, United States
WQRT’s 24 hour Noise – A -Thon is back! Tune in or join in as we celebrate with live experimental music from artists around the city of Indianapolis raising funds to keep WQRT rolling into the future. The phone lines will be open for calls from all committees as well as live interviews from all artists participating. The Noise-A-Thon is intended to showcase all the intriguing experimental artists in our community on the most uniquely weird station.
SCHEDULE OF PERFORMANCES/ ARTIST ANNOUNCED SOON!
http://wqrt.org

Yvette Mayorga-High Maintenance
2019-05-03 18:00 - 2019-08-04 15:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Yvette Mayorga’s multi-media installation High Maintenance is a flamboyantly chilling revelation, offering unsettling insights into how the forces of violence, make-believe, and consumerism infiltrate the contemporary immigrant experience, and subvert our understanding of identity.
Drawing inspiration from the politics of America’s southern border with Mexico, her own life as a first generation Latinx-American, and her parents’ often dangerous experiences as immigrants in the 1970s, Mayorga’s work examines how pain and uncertainty are covered with a veneer of celebration.
High Maintenanceconjures up an absurdist, Rococo Candy Land, where frivolity intersects with fear, as soldiers and ICE agents come face to face with quinceanera cakes, white swans, and Polly Pocket adventure sets.
Every aspect of Mayorga’s built world is adorned with spectacular, rapacious iconography. Monumental fashion accessories and gendered toys interrogate the true meaning of “status,” while decadent, Colonial aesthetics remind us how fragile national identity is, and how frequently it depends on appearances.
Is this a place of joy or fear? Does it welcome us in all our diversity, or demand our assimilation? Like the guileless inhabitants of Mayorga’s thickly impastoed paintings, the second we enter this uncanny, celebratory-looking tableau, we realize we are caught between a nightmare and a dream.
In partnership with Nopal Cultural and University of Indianapolis.
Made possible by The Andy Warhol Foundation for the Visual Arts, Christ Church Cathedral, The Arts Council of Indianapolis, Managed Health Services – MHS,and Sun King Brewing Company.
Yvette Mayorga lives and works in Chicago. She earned her MFA in Fiber and Material Studies from the School of the Art Institute of Chicago in 2016. Recent solo exhibitions include the Lubeznik Center for the Arts, EXPO Chicago 2018, The Vincent Price Art Museum, The Chicago Cultural Center, and The National Museum of Mexican Art. Her work has been featured in Hyperallergic, The Guardian, Art News, and Teen Vogue, among others.

Indiana MUFON Spring Symposium with Barry Gaunt
2019-05-04 13:00 - 15:00 | Contemporary Art Museum of Indianapolis (CAMi), 1125 Cruft St., Indianapolis, IN, 46203, United States
Barry Gaunt will speak about alien abduction and the effect of the phenomenon on one’s life.
Barry, currently serves as a member of the renowned Society of the Supernatural. He is the MUFON (Mutual UFO Network) State Director of Kentucky and is a STAR Team Certified Field Investigator for MUFON. He is also a Cohost of “Into The Fire” a podcast on Blog Talk Radio. He is the Managing Director of the NightStalkers Paranormal Research Team, which researches, and investigates Hauntings, UFO Reports, Alien Abductions, and Strange Creature reports on a case by case basis.
Barry is a full-time volunteer at the famed and haunted Octagon Hall Museum and assists the Museum Director with the daily operations of the Museum, along with hosting the Museum’s popular Novice Hunts with his paranormal team, Nightstalkers Paranormal. He is an Administrator for the Kentucky UFO Research Center on Facebook, and he is currently writing a book on the UFO Phenomenon in Kentucky, which will be published by Leprechaun Publishing in late 2019 or early 2020.
Barry remains science minded, but always keeps an open mind, striving to find the truth, looking for the key to unlock the mysteries of the world we live in, with hopes of answering humanity’s oldest questions. What happens next, and are we alone in the universe?
