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X-WR-CALDESC:Events for Big Car
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DTSTART:20210314T070000
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DTSTART:20211107T060000
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DTSTART;TZID=America/Indiana/Indianapolis:20210903T180000
DTEND;TZID=America/Indiana/Indianapolis:20211114T180000
DTSTAMP:20260527T225631
CREATED:20210602T193658Z
LAST-MODIFIED:20210629T212729Z
UID:9268-1630692000-1636912800@www.bigcar.org
SUMMARY:Nick May: Fag Family
DESCRIPTION:“Fag Family is a series of double portraits of individuals in my queer community. These portraits capture the queer relationships\, queer spaces\, and the liberating magic of queer world-building that I have the privilege to observe and be a part of\,” says May.\n“Historically\, portraiture was a display of wealth and power; a luxury afforded only to the rich\, affluent\, white aristocracy. Queer individuals\, especially queer individuals of color\, have been totally erased from that history. I vehemently reject the stink of white supremacy and classism that continues to infect the art world\, and my goal with these portraits is to subvert that ugly history by capturing my fellow queer friends with all of the luxuriance and beauty of oil painting.\n\nCreated with photo references\, my portraits are nearly life-size and meticulously painted in order to earnestly catalog and celebrate the human lives I observe. Painting is an incredibly physical process: building the stretcher bar\, stretching the canvas\, priming and the process of painting demands an inordinate amount of energy. This painstaking process is compulsory however\, because it is crucial for me to match the energy of the sitter I portray. Exerting so much energy into the surface of the canvas itself injects a kind of life into the portrait\, as a homage to the living person themself.\n\nMany of my fundamental artistic influences derive from the trauma I endured as a queer child. The escapist avenues I ventured in adolescence like children’s novels\, campy movie musicals\, fantasy video games made an invariable impression upon me. Growing up with image-dump platforms like Tumblr and Instagram exposed me to many artists who influence my work: Alice Neel\, Mickalene Thomas\, and Jordan Casteel to name a few. As a queer adult\, drag queens\, experimental pop music\, and queer literature has indelibly impacted me. The apotheosis of these influences has left me obsessed with beautiful images\, creating fantasies\, and the human lives around me.\n\nThe power and beauty of my queer community inspired me to create this body of work. Despite existing in predominantly conservative midwestern towns and within an oppressive society\, we create safe spaces for one another to brazenly enjoy our queerness. Within these spaces we transform ourselves\, celebrate\, and love one another. Within these spaces we create a whole new world that celebrates and uplifts us.”\n\nNick May is a portrait artist whose practice is deeply rooted in community and queerness. They received their Bachelors of Fine Arts with emphasis in Painting from Ball State University and are currently working as a portrait artist in Indianapolis\, Indiana. Created from photographs\, their portraits are nearly life-size and meticulously painted in order to earnestly capture and celebrate the human lives they encounter.\n\nMade possible by The Andy Warhol Foundation for the Visual Arts.
URL:https://www.bigcar.org/event/nick-may-fag-family/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
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DTSTART;TZID=America/Indiana/Indianapolis:20210918T130000
DTEND;TZID=America/Indiana/Indianapolis:20210918T143000
DTSTAMP:20260527T225631
CREATED:20210911T005107Z
LAST-MODIFIED:20210918T164259Z
UID:9335-1631970000-1631975400@www.bigcar.org
SUMMARY:Maria E. Hamilton Abegunde-Remembering What I’d Rather Forget
DESCRIPTION:Join us for a reading\, talk about writing as a process and act of witnessing\, remembering\, healing\, imagining and activating healing and justice.\n\nAudience Q& A with Maria E. Hamilton Abegunde follows. The event will also play live on 99.1 WQRT. You can stream at www.wqrt.org\n\nMaria E. Hamilton Abegunde\, Ph.D. is a Memory Keeper\, poet\, ancestral priest in the Yoruba Orisa tradition\, healing facilitator\, doula\, and a Reiki Master. Her research and creative work are grounded in contemplative and ritual practices and respectfully approach the Earth and human bodies as sites of memory\, and always with the understanding that memory never dies\, is subversive\, and can be recovered to transform transgenerational trauma and pain into peace and power. She is the inaugural recipient of the Ph.D. in African American and African Diaspora Studies at Indiana University.\n\nDr. Abegunde is the author of three poetry chapbooks\, including Wishful Thinking about the 2001 disappearance of Tionda and Diamond Bradley in Chicago. Anthologized poems are included in Gathering Ground\, Beyond the Frontier: African American Poetry for the 21st Century\, and Catch the Fire. Her poetry has also been published in Tupelo Quarterly\, The Massachusetts Review\, Cogzine\, and Rhino.\n\nExcerpts of her memory work\, The Ariran’s Last Life\, have been published in Trouble the Waters: Tales from the Deep Blue\, Let Spirit Speak!\, Warpland\, Best African American Fiction\, and The Kenyon Review. Co-edited works include Jane’s Stories III with Glenda Bailey-Mershon with whom she and others co-founded Jane’s Stories Press.\n\nDr. Abegunde is a Cave Canem poetry fellow. She has also received writing fellowships from Sacatar\, Ragdale\, and Norcroft. Her awards for poetry include the New Discovery Award from the Poetry Center of Chicago and a COG poetry finalist award (Judge: Juan Felipe Herrera). In 2021 she was one of the inaugural poets selected for the Poets & Scholars Retreat at the Rutgers University Institute for the Study of Global Racial Justice.\nHer creative work and research was recognized through the NEH summer institute fellowship Black Aesthetics and African Centered Cultural Expressions: Sacred Systems in the Nexus between Cultural Studies\, Religion and Philosophy\, under the directorship of Dr. Pellom McDaniels III and Paul Carter Harrison. Her book chapter “Seeing as a Ritual for a Good Death: The Spiritual Construction of Alain Gomis’ Film Tey” appears in Ashe: Ritual Poetics in African Diasporic Expressivity (edited by Michael Harris\, Paul Carter Harrison\, and Pellom McDaniels III).\n\nBecause of her work on intergenerational/ancestral trauma\, community healing\, arts-based practices\, she was invited to join faculty in the School of Education at the University of Juba\, South Sudan to help create a two-year Master’s program in Teaching Emergencies. Dr. Abegunde is also a trained Civic Reflection Dialogue and Powerful Conversations on Race facilitator for Spirit & Place\, which she used to launch the initial symposium and dialogues for the anti-Black racism critical conversations on race for the IU College of Arts and Sciences.\n\nShe is an inaugural winner of the Dr. James E. Mumford Excellence in Extraordinary Teaching Awards from the IU Faculty Academy on Excellence in Teaching (FACET) and an Inclusive Excellence Award for teaching during extraordinary times.\nDr. Abegunde was the founding director of The Graduate Mentoring Center in the University Graduate School\, where she directed the center between 2014-2021. As director she developed the Five-Fold Path for mentoring as a contemplative practice as well as nationally recognized student-centered mentoring practices\, including trauma-informed practices\, for students\, faculty\, and staff.\n\nBefore coming to IU Dr. Abegunde worked in elementary school education for over 20 years and as an independent teaching artist. She was the lead team teacher for the Middle Passage Project and sailed from Puerto Rico to Brazil with Captain Bill Pinkney to retrace and teach about Middle Passage routes. She also served as poet and ritualist-in-residence for the UNESCO-Transatlantic Slave Trade Route-USA Project.\nWhen Dr. Abegunde is not teaching and working\, she enjoys watching/reading science fiction.\nMade possible by the Midwest Gig Fund
URL:https://www.bigcar.org/event/maria-e-hamilton-abegunde-memory-keeper/
LOCATION:Zoom\, United States
CATEGORIES:Garfield Park,Listen Hear,Shelby St. Corridor
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