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DTSTART:20160313T070000
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DTSTART:20161106T060000
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DTSTART;TZID=America/Indiana/Indianapolis:20160506T180000
DTEND;TZID=America/Indiana/Indianapolis:20160716T170000
DTSTAMP:20260602T181919
CREATED:20160316T212258Z
LAST-MODIFIED:20160531T215348Z
UID:3789-1462557600-1468688400@www.bigcar.org
SUMMARY:The People's 500
DESCRIPTION:The People’s 500 is a celebration of the relationship between the Indianapolis Motor Speedway and the people of Indianapolis\, marking the 100th Running of the Indianapolis 500 presented by PennGrade Motor Oil. The exhibit will run through July 16.\nIn October of 2015\, Sugarmann chose 100 residents of the Indianapolis community from a pool of applicants to drive two laps in a pace car — the drivers uniting to complete the equivalent of a single running of the Indianapolis 500. Sugarmann and his crew photographed and interviewed each of the drivers\, the resulting documentation serving as the material of the exhibition. Some of the drivers are featured among the 16 large scale photos in the exhibit. There is also video\, and a sculptural piece.\n“The Indianapolis Motor Speedway serves as a cultural beacon within Indianapolis\, a location of shared history and civic identity for all strata of Indianapolis society. Members of the Indianapolis community feel ownership of the Speedway\,” says Sugarmann. “In this exhibit\, the pace car is the vehicle through which this mutual connection is furthered\, the civilian/citizen being able to immerse him or herself in the environment of a professional IndyCar driver. The People’s 500 uses pace cars to bridge the viewer and professional driver and create an even stronger sense of civic ownership.”\nThis exhibit is the first at Tube Factory\, Big Car Collaborative’s new cultural center with a contemporary art exhibition area. Located in what was a boarded-up factory building on a residential street in the Garfield Park neighborhood\, Tube Factory will host a variety of conversations\, performances\, and events — while also serving as the workshop and home base for Big Car artists.\nThe People’s 500 is curated by Shauta Marsh\, funded by The Andy Warhol Foundation for the Visual Arts and Creative Capital\, and coordinated by Big Car Collaborative staff in partnership with the Indianapolis Motor Speedway. Framing provided by Editions Limited. \nAbout Jesse Sugarmann: Sugarmann is an interdisciplinary artist working in video\, photography\, and sculpture. His work has been exhibited both nationally and internationally in venues such as the Getty Institute\, Los Angeles; el Museo Tamayo\, Mexico City; the Portland Institute for Contemporary Art\, Oregon; the Banff Center\, Canada; el Museo de Arte Moderno de Santander\, Spain; and both the Paris and Berlin installations of Les Recontres Internationales. Jesse’s work has been written about in publications including ArtForum\, Art Papers\, the Atlantic\, Frieze Magazine\, the Huffington Post\, and The New York Times. Jesse lives and works in Bakersfield\, CA. You can learn more about his work at www.jessesugarmann.com. \nAbout The Andy Warhol Foundation for the Visual Arts: The Foundation was established in 1987. In accordance with Andy Warhol’s will\, its mission is the advancement of the visual arts. The Foundation’s objective is to foster innovative artistic expression and the creative process by encouraging and supporting cultural organizations that in turn\, directly or indirectly\, support artists and their work. The Foundation values the contribution these organizations make to artists and audiences and to society as a whole by supporting\, exhibiting and interpreting a broad spectrum of contemporary artistic practice. http://warholfoundation.org/ \nAbout Big Car: An Indianapolis-based 501c3 nonprofit\, Big Car uses creativity as a catalyst to a better city. By providing and supporting unique\, educational\, participatory\, playful and personal experiences\, Big Car engages people of all ages and backgrounds in art making and creative problem-solving — inspiring them to be creative thinkers and involved\, connected citizens. Learn more at www.bigcar.org and see examples of our projects at www.bigcar.org/work. \nAbout Creative Capital: Creative Capital supports innovative and adventurous artists across the country through funding\, counsel and career development services. Our pioneering approach—inspired by venture-capital principles—helps artists working in all creative disciplines realize their visions and build sustainable practices. http://www.creative-capital.org/ \nAbout Indianapolis Motor Speedway: Established in 1909\, the Indianapolis Motor Speedway is the world’s largest spectator sporting facility and has long prevailed as an icon of motorsports excellence. After celebrating its Centennial Era in 2009-11\, IMS and racing fans now look forward to the 100th Running of the Indianapolis 500 Mile Race this year. In 2016\, get ready for an unprecedented celebration of the human pursuit of progress as the world’s eyes turn toward the Speedway. For more information\, visit indianapolismotorspeedway.com.
URL:https://www.bigcar.org/event/the-peoples-500/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor
ORGANIZER;CN="Big Car Collaborative":MAILTO:info@bigcar.org
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20160512T180000
DTEND;TZID=America/Indiana/Indianapolis:20160512T200000
DTSTAMP:20260602T181919
CREATED:20160419T181056Z
LAST-MODIFIED:20160419T215648Z
UID:3840-1463076000-1463083200@www.bigcar.org
SUMMARY:Latino Americans-Foreigners in their Own Land (1565-1880)
DESCRIPTION:One hundred years after Columbus’ arrival in the Caribbean\, Spanish Conquistadors and Priests\, push into North America in search of gold and to spread Catholicism. With the arrival of the British in North America\, the two colonial systems produce contrasting societies that come in conflict as Manifest Destiny pushes the U.S into the Mexican territories of the South West. \nApolinaria Lorenzana provides a window to the Spanish Mission System while Mariano Vallejo personifies the era of the Californio rancheros an elite class who thrive after Mexico gains its independence from Spain. Juan Seguín\, a third generation Tejano or Texan\, is caught between two worlds; his commitment to an Independent Texas and his identity as a Mexican. Through the Mexican American War\, the U.S. takes a full half of Mexico’s territory by 1848. Over seventy thousand Mexicans are caught in a strange land and many become American citizens. \nAs the Gold Rush floods California with settlers\, complex and vital communities are overwhelmed. The elites\, including Mariano Vallejo and Apolinaria Lorenzana lose their land. Mexicans and Mexican Americans are treated as second-class citizens\, facing discrimination and racial violence. Resistance to this injustice appears in New Mexico as Las Gorras Blancas (The White Caps)\, burn Anglo ranches and cut through barbed wire to prevent Anglo encroachment. At the same time\, New Mexicans manage to transform themselves through education\, managing to preserve Hispano culture in New Mexico and their standing in the midst of an era of conquest and dispossession. \nLatino Americans: 5oo Years of History\, a public programming initiative produced by the National Endowment for the Arts (NEH) and the American Library Association (ALA)\, is part of the NEH initiative\, The Common Good: Humanities in the Public Square.
URL:https://www.bigcar.org/event/latino-americans-foreigners-in-their-own-land/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Film,Garfield Park,Shelby St. Corridor
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DTSTART;TZID=America/Indiana/Indianapolis:20160521T133000
DTEND;TZID=America/Indiana/Indianapolis:20160521T163000
DTSTAMP:20260602T181919
CREATED:20160316T221000Z
LAST-MODIFIED:20160521T012710Z
UID:3795-1463837400-1463848200@www.bigcar.org
SUMMARY:Nick Redfern
DESCRIPTION:1:30 p.m. Nick Redfern is the author of 36 books on UFOs\, lake-monsters\, the Roswell UFO crash\, zombies\, and Hollywood scandal\, including Men in Black; Chupacabra Road Trip; The Bigfoot Book; and Close Encounters of the Fatal Kind. Nick has appeared on many TV shows\, including: Fox News; the BBC’s Out of This World; the SyFy Channel’s Proof Positive; the History Channel’s Monster Quest\, America’s Book of Secrets\, Ancient Aliens and UFO Hunters; the National Geographic Channel’s Paranatural; and MSNBC’s Countdown with Keith Olbermann. He can be contacted at: http://nickredfernfortean.blogspot.com/ \n3 p.m. Stewart Hill\nStewart Hill has been the State Director for the Indiana Chapter of the Mutual UFO Network for the last six years and served previously as the state Chief Investigator and a state section director. He holds a Bachelor’s Degree in Electronic Engineering and worked for 26 years in the medical diagnostics industry working with state-of-the-art technology and chemistries. Prior to that he worked with commercial and military electronic applications and spent six years in the U.S. Air Force working in airborne navigation. First interested in UFO’s with the 1952 national wave\, he lost interest when the subject of ‘flying saucers’ was discontinued in the popular media but regain interest when the Internet became an informational tool in the 1990’s. He has managed\, investigated\, researched and documented hundreds of Indiana UFO reports over the last sixteen years. \n3:40 p.m. Phil Leech\nPhil Leech\, MUFON Indiana State Section Director\, worked 25 years in public service in various departments: city police department 911 communications training officer\, fireman\, chief fire rescue ambulance\, and for the county coroners office. He joined MUFON due to his interest Ufology and desire to search for the Truth. Being able to work with field investigators and those who share their experiences with MUFON creates a unique opportunity to look for that Truth. \nFree\nSee the MUFON Indiana website for more information: http://indianamufon.homestead.com/
URL:https://www.bigcar.org/event/nick-redfern/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor
ORGANIZER;CN="Big Car Collaborative":MAILTO:info@bigcar.org
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20160526T180000
DTEND;TZID=America/Indiana/Indianapolis:20160526T200000
DTSTAMP:20260602T181919
CREATED:20160419T181658Z
LAST-MODIFIED:20160419T215604Z
UID:3852-1464285600-1464292800@www.bigcar.org
SUMMARY:Latino Americans-War and Peace (1942-1954)
DESCRIPTION:World War II is a watershed event for Latino Americans with hundreds of thousands of men and women serving in the armed forces\, most fighting side by side with Anglos. In the Pacific\, East L.A.’s Guy Gabaldon becomes a Marine Corp legend when he singlehandedly captures more enemy soldiers than anyone in US military history. But on the home front\, discrimination is not dead: in 1943\, Anglo servicemen battle hip young “Zoot suitors” in racially charged riots in southern California. \nAfter the war\, Macario Garcia becomes the first Mexican National to earn the Congressional Medal of Honor for his exploits fighting in Europe\, only to be refused service in a Texas diner. The experience during the war pushes Latinos to fight for civil rights back home. A doctor from South Texas\, Hector Garcia\, organizes the American GI Forum\, transforming himself into a tireless advocate for civil rights and the friend of a future president. Although Latinos make significant gains\, the journey for equality is far from over. \nLatino Americans: 5oo Years of History\, a public programming initiative produced by the National Endowment for the Arts (NEH) and the American Library Association (ALA)\, is part of the NEH initiative\, The Common Good: Humanities in the Public Square.
URL:https://www.bigcar.org/event/latino-americans-war-and-peace-1942-1954/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Film,Garfield Park,Shelby St. Corridor
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