BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Big Car - ECPv6.9.0//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Big Car
X-ORIGINAL-URL:https://www.bigcar.org
X-WR-CALDESC:Events for Big Car
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Indiana/Indianapolis
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20220313T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20221106T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220304T180000
DTEND;TZID=America/Indiana/Indianapolis:20220325T180000
DTSTAMP:20260427T120953
CREATED:20220114T222321Z
LAST-MODIFIED:20220204T164343Z
UID:9497-1646416800-1648231200@www.bigcar.org
SUMMARY:Kelvin Burzon and Jenny Delfuego: Process/Progress
DESCRIPTION:Multi-genre visual artists Kelvin Burzon and Jenny Delfuego are creating movement-based work to accompany their visual art as part of a partnership between Big Car Collaborative and Indy Movement Arts.\nIn the fall of 2020\, Indy Movement Arts began experimenting with small\, digital fellowships as a small contribution towards the arts economy and keeping artistic production viable. The Process/Progress residency is the latest iteration of this experiment\, paying intermedia artists to reflect on their creative process and how they incorporate movement into their practice.\nThe residency was conceived as a digital one but given that Indy Movement Arts is rooted in movement and dance\, a discipline that often involves some immediate interchange between artist and audience\, the artists were commissioned in partnership between the two organizations to make a new work involving such an interchange.\n\nAbout the artists:\nKelvin Burzon’s recent work addresses\, but does not attempt to resolve\, the tension between religion and homosexuality. He examines religion’s traditions\, imagery\, theatricality\, and psychological vestige. By appropriating religious imagery and language\, the work is recontextualized by the insertion of LGBTQ members and activists. Burzon’s work has been exhibited abroad and all over the country and is part of several permanent collections including the Kinsey Institute and The Center for Photography at Woodstock.\n\nJenny Delfuego was born in Chicago to immigrant parents and has been exhibiting work under different monikers since the 90s. She examines ephemerality\, light and shadow\, and the edges of impermanence. The indications of our existence are often made and unmade in the time it takes to observe them. Her involvement with Indy Movement Arts has promoted experiments in communal conversation and collaboration. What marks\, what indications do these conversations leave? Delfuego studied painting at Indiana University and her work is in private and corporate collections on five continents.\n\nThe exhibit is made possible by The Allen Whitehill Clowes Charitable Foundation\, The Arts Council of Indianapolis\, The City of Indianapolis and The Andy Warhol Foundation for the Visual Arts.\n\nPerformances will take place March 25th
URL:https://www.bigcar.org/event/kelvin-burzon-and-jenny-delfuego-process-progress/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Downtown Indy,Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2022/01/Burzon_009.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220317T080000
DTEND;TZID=America/Indiana/Indianapolis:20220801T170000
DTSTAMP:20260427T120953
CREATED:20220317T204219Z
LAST-MODIFIED:20220317T210105Z
UID:9661-1647504000-1659373200@www.bigcar.org
SUMMARY:pLopLop Vol. 14 Submission Form
DESCRIPTION:Are you a writer? Have something to say? Want to put it in print? Submit your work to PLopLop! 100 word limit. Submissions are due by August 1.\npLOpLop is an “Antholozine” of Poetry\, Prose and Artwork published by Indianapolis\, IN based visual artist\, Big Car co-founder and writer John Clark since 1992.\npLopLop has published the work of writers like Kurt Vonnegut\, Charles Bukowski\, Jack Kerouac\, Fielding Dawson\, Eileen Myles\, Gerald Locklin and more.\nInfluences: Surrealism\, Dada\, Henry Miller\, Patchen\, lo-fi indie rock\, DIY activities\, indie publishers and bookshops\, British Invasion\, mimeo-revolution\, underground writers\, garage rock and improvisation.
URL:https://www.bigcar.org/event/ploplop-vol-14-submission-form/
CATEGORIES:Downtown Indy,Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2022/03/IMG_9429.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220323T193000
DTEND;TZID=America/Indiana/Indianapolis:20220323T210000
DTSTAMP:20260427T120953
CREATED:20220215T221257Z
LAST-MODIFIED:20220215T221257Z
UID:9537-1648063800-1648069200@www.bigcar.org
SUMMARY:The Color of Pomegranates
DESCRIPTION:Join Kan-Kan Cinema and Big Car Collaborative for the screening of “The Color of Pomegranates” (Sayat Nova). The late Soviet director\, Sergei Paradjanov\, makes an earnest attempt to fuse poetry and film by seriously exploring the poetic potential of the cinema.\nA breathtaking fusion of poetry\, ethnography\, and cinema\, Sergei Parajanov’s masterwork overflows with unforgettable images and sounds. In a series of tableaux that blend the tactile with the abstract\, “The Color of Pomegranates” revives the splendors of Armenian culture through the story of the eighteenth-century troubadour Sayat-Nova\, charting his intellectual\, artistic\, and spiritual growth through iconographic compositions rather than traditional narrative. The film’s tapestry of folklore and metaphor departed from the realism that dominated the Soviet cinema of its era\, leading authorities to block its distribution\, with rare underground screenings presenting it in a restructured form. This edition features the cut closest to Parajanov’s original vision\, in a restoration that brings new life to one of cinema’s most enigmatic meditations on art and beauty.\nA deliriously beautiful film “The Color of Pomegranates” stays in the mind long after the film has run its course.\nBig Car Co-founder & Director of Programming and Exhibitions\, Shauta Marsh will host a discussion and Q&A post the film.
URL:https://www.bigcar.org/event/the-color-of-pomegranates/
LOCATION:Kan-Kan Cinema\, 1258 Windsor St.\, Indianapolis\, IN\, 46201\, United States
CATEGORIES:Downtown Indy,Garfield Park,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2022/02/AL.053118.pomegranates.crop_.jpg
END:VEVENT
END:VCALENDAR