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DTSTART;TZID=America/Indiana/Indianapolis:20251107T180000
DTEND;TZID=America/Indiana/Indianapolis:20260118T150000
DTSTAMP:20260425T074237
CREATED:20250825T205927Z
LAST-MODIFIED:20251029T201355Z
UID:13701-1762538400-1768748400@www.bigcar.org
SUMMARY:Amy Kligman: Shrines of the Luminous Halo
DESCRIPTION:Main Gallery  \nImagine you are stepping into a bubble\, a space filled with all the thoughts that drift through your mind in a single day. What do you surround yourself with? What defines you? And how do you interact with or move around these objects that symbolize yourself? \nAmy Kligman’s series of 23 paintings glimpses an inner world\, specifically focusing on the objects we choose to surround us. Arranged in a deliberate\, symmetrical way\, these objects represent who we are.  \n“I love objects and environments that carry the history of the people that have shared space and time with them. I think about lineage — the patina of the world handed from generation to generation\, and what it means to try to make something of the world as we receive it from others\,” says Kligman\, who lives and works in Kansas City\, Missouri. “Generations of women\, generations of artists\, generations of family. In my paintings I pull together elements from these histories to suggest a kind of ‘bubble world’ where those disparate pieces come together in a place of hope\, reverence\, acknowledgment\, or sometimes a sort of aspiration for a future where the efforts of the past inform progress.” \nThroughout the history of art\, depictions of the table and its contents have been used as a storytelling device to convey skillfully coded meaning and sociocultural significance to the viewer. Taking the genre of still lifes as its entry point\, this exhibition expands upon art historical precedents to think about the table (or toolcart) not only as a site and signifier of power\, position\, and social status but also as a shrine. \nKligman’s series also gives form to Virginia Woolf’s idea of a “luminous halo” — a semi-transparent layer that envelops us from the moment we become conscious until the end. Kligman’s works act like a book focusing on how we remember and what we think we know. \n“In the assembling of objects I’m often pulling together references and symbols as an invitation to a specific state of being or meditation or reflection. By creating these spaces and inviting others into them\, I’m inviting them into these states of reflection as well\, though folks are not meant to understand all the symbols and the visual language in a didactic way. I believe intention has its own halo\, echoing out into the universe\, subtly encouraging movement.” \n\nAbout the artist \nAmy Kligman is a painter and installation artist whose work is mostly about people\, even when it takes the form of rooms full of layered\, disposable party goods. Kligman holds her BFA from Ringling College of Art & Design. At the end of 2024\, after nine years in the role\, she stepped down as executive director at Charlotte Street Foundation to create her own opportunities by identifying gaps in the Kansas City arts ecosystem. She launched Special Effects gallery to make local artists more nationally visible. In March of 2025 she opened Salon for Possible Futures\, an artwork that doubles as a community gathering space on view at the Nerman Museum of Contemporary Art. Additionally her work was featured in New American Paintings and she received the Charlotte Street Foundation Visual Art Award\, ArtsKC Inspiration Grant\, Art in the Loop Public Art Commission\, residency at the Luminary in St. Louis\, Missouri Bank Artboards Commission\, and the Byron C. Cohen Artist Award. 
URL:https://www.bigcar.org/event/amy-kligman-shrines-of-the-luminous-halo/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2025/08/Toolbox-scaled.jpg
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DTSTART;TZID=America/Indiana/Indianapolis:20251107T180000
DTEND;TZID=America/Indiana/Indianapolis:20260125T150000
DTSTAMP:20260425T074237
CREATED:20251023T175345Z
LAST-MODIFIED:20251030T143738Z
UID:13902-1762538400-1769353200@www.bigcar.org
SUMMARY:Ilana Harris-Babou: Selected Works
DESCRIPTION:Nov. 7\, 2025 – Jan. 25\, 2026 | Video Gallery \n​​Red Sourcebook\, 2018\, 4:12 minutes\, color\, stereo\, HD video \nCooking with the Erotic\, 2016\, 11:37 minutes\, color\, stereo\, 2-channel\, HD video \nFinishing a Raw Basement\, 2017\, 6:41 minutes \, color\, stereo\, HD video \nReparation Hardware\, 2018\, 4:05 minutes\, color\, stereo\, HD video \nIlana Harris-Babou is a multimedia artist whose video works are an important component of a practice that includes sculpture and object making\, performance\, and installation. In her projects\, Harris-Babou mines the aesthetics of YouTube tutorials\, home improvement and cooking shows\, and corporate ad campaigns to call attention to how personal and social identities are constructed—and co-opted—by dominant ideologies. \nHarris-Babou unsettles the anodyne tone of these vehicles with wit and creative whimsy\, utilizing and re-contextualizing mainstream media forms to make explicit the forces that are elided by slick production strategies: social stratification; legacies of structured oppression; and the homogenizing push of consumerism. Fit within a history of artists using satire and mimicry to critique media and communication platforms\, Harris-Babou’s videos\, many of which feature her own mother\, also draw from her personal experience and lexicon of references to infuse her humor with deeply resonant meaning. \nHarris-Babou has presented solo exhibitions of her work at Candice Madey Gallery\, New York\, NY (2023); Storefront for Art and Architecture\, New York\, NY (2023); The Ezra and Cecile Zilkha Gallery\, Wesleyan University (2023); Artspace New Haven (2022); Kunsthaus Hamburg\, Hamburg\, Germany (2021); Goucher College\, Baltimore\, MD (2021); Jacob Lawrence Gallery\, University of Washington\, Seattle\, WA (2020); and The Museum of Arts and Design\, New York\, NY (2017). In spring 2023\, the artist installed Liquid Gold in Times Square for the Midnight Moment series. Harris-Babou has participated in major exhibitions including the Istanbul Design Biennial\, Turkey (2020); and the Whitney Biennial\, Whitney Museum of American Art\, New York\, NY (2019)\, and group exhibitions at The Wellcome Collection\, London\, UK (2023); California College of the Arts Wattis Institute\, San Francisco\, CA (2021); The Aldrich Contemporary Art Museum\, Ridgefield\, CT (2021); and Queens Museum\, Queens\, NY (2020). She lives and works in Brooklyn and Middletown\, CT. \nMade possible by The Andy Warhol Foundation for the Visual Arts \nScreen still from “Decision Fatigue.”
URL:https://www.bigcar.org/event/ilana-harris-babou-selected-works/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
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DTSTART;TZID=America/Indiana/Indianapolis:20251205T180000
DTEND;TZID=America/Indiana/Indianapolis:20251205T220000
DTSTAMP:20260425T074237
CREATED:20251126T205626Z
LAST-MODIFIED:20260122T174124Z
UID:13986-1764957600-1764972000@www.bigcar.org
SUMMARY:December 2025 First Friday at Tube Factory artspace
DESCRIPTION:Come join us for First Friday festivities on Dec. 5 from 6 to 10 p.m. at the Tube Factory campus! \nContinuing exhibits include: \n\nAmy Kligman’s Shrines of the Luminous Halo in the Main Gallery\nSelected Works by Ilana Harris-Babou in the Video Gallery\n\nAs always\, enjoy coffee\, beer\, and wine available for purchase from Normal Coffee.
URL:https://www.bigcar.org/event/december-first-friday-at-tube-factory-artspace/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/png:https://www.bigcar.org/wp-content/uploads/2025/09/First-Frtidya.png
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