BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Big Car - ECPv6.9.0//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Big Car
X-ORIGINAL-URL:https://www.bigcar.org
X-WR-CALDESC:Events for Big Car
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Indiana/Indianapolis
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20241101T080000
DTEND;TZID=America/Indiana/Indianapolis:20241215T150000
DTSTAMP:20260412T191602
CREATED:20241023T144439Z
LAST-MODIFIED:20250212T163106Z
UID:12602-1730448000-1734274800@www.bigcar.org
SUMMARY:Alejandra Carrillo: Reflejos Grabados
DESCRIPTION:Reflejos Grabados is an exhibition exploring the evolution of Brown healing. The artist invites you to explore her Chicana experience in the Midwest through her works of awareness\, rage\, protest\, and visibility. The showcase of the artist’s materials\, inspirations\, and artistry reflects her connectedness with her community. She argues this reflection is necessary for self-preservation and self-actualization. This is a declaration of an artist’s becoming.\nThis body of work is a direct response to the multi-generational lasting effects of historical displacement on Latines living in the United States. This is platformed by a combination of imagery that challenges the oppressor and simultaneously provides a sense of comfort to the oppressed.  How can these stories re-humanize Brown life and encourage the unlearning of harmful cycles caused by cultural displacement?  Can sharing these experiences be a vehicle for revolution but also allow the resting and healing of La Raza? \nAbout the artist \nAlejandra Carrillo is a multimedia artist based out of Indianapolis by way of Chihuahua\, MX. Carrillo has a double bachelor’s degree in Printmaking and Art Education from Indiana University. She is a multidisciplinary printmaking instructor at the Indianapolis Art Center. Carrillo has earned awards from the 2023 El Paso’s Print Pachanga\, Once: Emerging Artist Exhibition at Cleve Carney Museum of Art\, the 2023 Manhattan Graphics Center\, and the 100th Annual Hoosier Salon Juried Exhibition. \nThe exhibition is made possible by the Andy Warhol Foundation for the Visual Arts\, Efroymson Family Fund\, and the Institute of Museum and Library Services.
URL:https://www.bigcar.org/event/alejandra-carrilloreflejos-grabados/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2024/10/raices-de-nogal-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20241101T180000
DTEND;TZID=America/Indiana/Indianapolis:20241220T150000
DTSTAMP:20260412T191602
CREATED:20241023T143710Z
LAST-MODIFIED:20250212T163135Z
UID:12595-1730484000-1734706800@www.bigcar.org
SUMMARY:Christen Baker: New! and Impervious to Natural Elements
DESCRIPTION:New! and Impervious to Natural Elements is an exhibition and gallery activation of sculptural glass\, photography\, and motion-activated neon lights by artist\, Christen Baker. This work explores the complex interplay between our internal and external worlds and examines the aesthetics and structural elements of built environments. Baker’s specific use of glass and light has deep ties to our desires\, which fuels her interest in mapping the visceral\, physical\, digital\, and ephemeral experiences of hyper-attention. These materials possess qualities of necessity\, utility\, optics\, and opulence that resonate deeply with our psyches. This work arises from the collision of intuition and observation that Baker experiences daily\, and is an evaluation of perception\, development and disrepair. This intangible feeling is the foundation for her exploration of the economy of attention and desire\, as it relates directly to the necessity for care in our current moment. With this work\, Baker articulates the slippage that exists in built environments contributed by exponential growth\, surveillance\, digital technologies\, streams of material use and waste\, and the architecture of information hierarchies. \nAbout the artist \nChristen Baker is a multidisciplinary artist that explores the intersection of our internal and external worlds. With a BFA in Ceramics from the Kansas City Art Institute and an MFA in Glass from Tyler School of Art and Architecture\, she merges technology and visual art across mediums like glass\, neon\, sculpture\, 3D rendering and photography. Baker’s work delves into how attention and desire influence material use\, space\, and information hierarchies. She has completed residencies at Belger Arts in Kansas City MO\, The International Ceramics Studio in Kecskemet\, Hungary\, The Museum of Craft and Design in San Francisco\, and received the Leroy Nieman Fellowship in Glass at Ox-Bow School of Art. Recently moved from Philadelphia\, PA\, she continues to explore the geographies of public spaces and objects\, real and imagined\, in Indianapolis\, IN. \nThe exhibition is made possible by the Andy Warhol Foundation for the Visual Arts and Efroymson Family Fund.
URL:https://www.bigcar.org/event/christen-baker-new-and-impervious-to-natural-elements/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2024/10/IMG_0515.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20241101T180000
DTEND;TZID=America/Indiana/Indianapolis:20250223T150000
DTSTAMP:20260412T191602
CREATED:20241023T143031Z
LAST-MODIFIED:20250212T162802Z
UID:12589-1730484000-1740322800@www.bigcar.org
SUMMARY:Julie Xiao: A Journey
DESCRIPTION:Thirty-foot-long scrolls telling a story of self acceptance and belonging will fill the Main Gallery of Tube Factory artspace starting November 1. The “Jellyfish Person” is the central character in Indianapolis-based artist Julie Xiao’s large-scale ink and gouache works. In Xiao’s immersive exhibit\, the audience will follow — and may identify with — Jellyfish’s pursuit of finding a place to feel welcomed at\, to fit in\, and to feel at home. \n“I have always been interested in jellyfish because they are mesmerizing creatures\,” Xiao said. “They adapt very easily to different environments in the water. They have their own defense mechanisms and are just really beautiful creatures. I was thinking about how many individuals have to adapt to their environments in order to fit in\, through that idea the Jellyfish became this anthropomorphic traveler wandering through this natural —yet dystopic and dark — landscape.” \nJellyfish first emerged as a painting when Xiao was working on her BFA in Animation at Ball State University. It hung in her house for a while. Then\, while applying to the MFA program at Herron School of Art and Design\, Jellyfish reappeared. Xiao was thinking a lot about environmental issues and spiritual symbols in relation to her own journey moving from China to the United States as a child. \nBy making the character anthropomorphic\, it allows for a wider range of interpretations and personal connections. When a character has human-like traits but also embodies other forms\, it becomes a versatile symbol that can represent various experiences and identities.  \n“I was thinking\, maybe\, in this way\, audiences can always interpret and have their own meanings. Or they can relate with the character more. It can embody everyone in a sense\,” Xiao said. “Then all these other images emerged\, like the orbs in the background. They’re similar to spiritual guides. Drawing from my roots\, I think back on how ancestors are there to protect and guide you in life. I also think a lot about roots and trees. That’s why you see a lot of them in the works. Trees tell a lot of history. They are like living time capsules\, holding a wealth of historical information within their rings and roots.” \nThe first large-scale scroll\, The Keeper\, was inspired by an apple tree from her childhood. And\, it led Xiao to create scrolls ranging between 30 and 40 feet long by 4 feet wide. “I would wait for the bus every day under the tree\,” says Xiao. “But then\, one day\, it was suddenly chopped down. I still pass by it sometimes because it’s near where my parents’ restaurant is. You can see it regrowing again. So\, I was just thinking about that when I created this tree\, it was a landmark in a sense. Trees are like little landmarks of places.” \nXiao creates the pieces on the scrolls by rolling them out a section at a time. And with the work being very detailed\, it requires her to use her full body to paint back and forth on the 4-foot wide scroll. The newer pieces in the exhibit are the gouache paintings and the large scale tapestry. These continue her use of auspicious Chinese symbols such as gourds\, chrysanthemums\, beans\, and lanterns. \n“Much of my work is inspired by Japanese print and traditional Chinese painting and landscape work. Some works from China and Japan are very similar because they have inspired each other throughout history. A lot of the superstitions\, mythologies\, and symbolism in the work are from Chinese beliefs and symbols I’ve grown up with\,” Xiao said. \nOverall\, Xiao hopes the audience will find hope\, guidance\, and optimism in her work — while also acknowledging the difficulty of moving through life and change. \n“Everyone’s on this journey to find a place of acceptance. I think a lot of people can relate and identify with that\,” Xiao said.“But this work is also a reflection of my life and experience as a multicultural person. I am tethered between two different worlds and identities but not fully embraced by either.” \nXiao’s body of work is meant to challenge and question our perceptions of identity and to consider how our experiences and environment influence who we are. With its unique imagery and symbolism\, A Journey invites viewers to engage with the profound and often unconscious forces that shape understanding of ourselves and our place in the world. \n\nAbout the artist: Julie Xiao received her Bachelor of Fine Art degree in Animation in 2019 from Ball State University (Muncie\, Indiana) and a Master of Fine Art in Visual Art in 2023 from the Herron School of Art and Design (Indianapolis). As a multicultural artist\, she has felt caught in a constant state of displacement and suspension. This has led her to ask several questions through her work like: How is our identity shaped? How do we embrace and accept the different fragments that contribute to our sense of “home” as it relates to our identity? Much of her research centers around how art can be a vehicle to explore our fragmented histories and contemplate where we come from\, as well as where we are heading in an ever-changing and uncertain world. Through various visual elements\, she explores the ways in which our sense of self is shaped by factors such as society\, culture\, and history. She works in multiple mediums: digital\, oil\, acrylic\, watercolor\, and gouache\, but is best known for her use of ink on expansive paper scrolls that pay homage to the rich tradition of Chinese ink painting. Her work is in the Eskenazi Health Public Art Collection and various murals she has painted — such as Chilled Water Cycle\, City of Carmel\, and Scottsburg —can be found throughout Indiana.   \n\nThe exhibition is made possible by the Andy Warhol Foundation for the Visual Arts\, Efroymson Family Fund\, and the Institute of Museum and Library Services.
URL:https://www.bigcar.org/event/julie-xiao-a-journey/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2024/10/IMG_0518.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20241101T180000
DTEND;TZID=America/Indiana/Indianapolis:20250223T150000
DTSTAMP:20260412T191602
CREATED:20241025T133001Z
LAST-MODIFIED:20250212T162822Z
UID:12605-1730484000-1740322800@www.bigcar.org
SUMMARY:Wong Kit Yi: Inner Voice Transplant
DESCRIPTION:Inner Voice Transplant explores the links between subjects as disparate as ancient Egyptian practices of dream interpretation; jiāngshī (Chinese hopping vampires); and the first voice-box transplant\, which took place at the Cleveland Clinic in 1998. These inquiries are connected through her signature video essay mode\, which incorporates newly composed songs with karaoke-style running subtitles into associative\, essayistic narratives. This novel format opens up the videos to viewers’ embodied interactions\, something expanded further by her live presentation of a karaoke performance-lecture during FRONT 2022’s opening days\, and then at Tate Modern in London as well as M+ Museum in Hong Kong.  \nThe artist has also made a traveling kit that allows other art venues around the world to present a version of the project.  \nAs the artist states\, “Ancient temples were the precursors of hospitals\, places where body and spirit were meant to be treated together. Modern medicine\, however\, appears to divorce the concept of treatment from care of the soul.” In her thoroughly interdisciplinary approach\, the perceived separation between bodies of knowledge and types of experience are broken down and imagined anew. In the spaces between established genres\, Wong considers the question of illness and the need for some to simply live with it rather than heal in the way we are often commanded to do. \nAbout the Artist \nWong Kit Yi lives and works between New York and Hong Kong. Her works have been included in recent projects organized by M+ (Hong Kong\, 2023); Tate Modern (London\, 2023); FRONT Triennial (Cleveland\, 2022); Tai Kwun Contemporary (Hong Kong\, 2021); Public Art Fund (New York\, 2020); Para Site (Hong Kong\, 2019). She was a resident in the Chinati Foundation Artist in Residence program (Marfa\, 2021) and received an MFA from Yale University. She has taught university courses about performance\, video art\, and new media and currently teaches at the School of Visual Arts (New York) in the MFA Fine Arts program. Even when not teaching\, she can’t quit lecturing people and continues to do so in her signature karaoke-inspired lecture format. Wong is currently preparing for a new commission by the Lahore Biennial 03\, as well as a co-commission by LIAF 2024 (which is the longest-running art biennial in Scandinavia) and The Kitchen (New York).  \nThis exhibition is made possible by The Andy Warhol Foundation for the Visual Arts\, The Allen Whitehill Clowes Charitable Foundation\, Efroymson Family Fund\, Institute of Museum and Library Services\, and The Arts Council of Indianapolis and City of Indianapolis.
URL:https://www.bigcar.org/event/wong-kit-yi-inner-voice-transplant/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2024/10/Inner-Voice-Transplant-2022_still_01.jpg
END:VEVENT
END:VCALENDAR