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DTSTART;TZID=America/Indiana/Indianapolis:20200207T080000
DTEND;TZID=America/Indiana/Indianapolis:20200223T170000
DTSTAMP:20260404T111442
CREATED:20200114T200447Z
LAST-MODIFIED:20200114T200447Z
UID:8688-1581062400-1582477200@www.bigcar.org
SUMMARY:Kevin O. Mooney: 366247•2012
DESCRIPTION:Time. How do you perceive it? Is it fleeting or does it seem to go on forever? When did you first become aware of “time”? Do the minutes\, hours\, days blend together? Are the memories of events just as vivid now as when they actually occurred? Do memories play a significant role in what time means to you?\nWhere does the “time” go? Is it measured in the outcomes of our daily routines or in the singular outliers\, the spectacular moments that occur irregularly and unexpectedly? This piece reveals my regimented routines over the course of a single year. When interacting with the piece\, these routines become patterns. When the patterns change\, the viewer is left to consider the reason why.\nThe images presented are my visual memories of events. In watching the piece\, viewers have the opportunity to consider the past and the future simultaneously\, to see the outcome before the event has actually occurred. The entire year (2012) is presented as a grid\, with each image representing a day in each month of the year\, starting at approximately midnight on the first day of each month and continuing to the final day of the month. From left to right\, January through December is presented in its entirety until each fades into darkness. By de- constructing how a visual representation of a year is normally presented\, the viewer visits an abstract representation of that year. Ultimately\, a year of my life is presented in an hour\, offering the viewer an opportunity to participate and find meaning in my mundane activities while simultaneously reexamining their own unrecognized minutes\, hours and days.\n366247•2012 is a time-based piece\, rooted in still photography\, and can be presented as a video or video projection installation. The more than 256\,000 still images\, presented as a photographic stop-motion animation\, allow the viewer to witness my day-to-day routines\, the same acts that everyone engages in on a regular or daily basis. \nKevin O. Mooney (b. 1957) is an educator and fine artist as well as a successful commercial photographer. He received his BS from Southern Illinois University and his MFA from Indiana University Bloomington. Mooney has been the recipient of Artist Fellowship from the Illinois Arts Council in 1987. His photographic work is included in collections at the Museum of Fine Arts\, Houston\, Kinsey Institute in Bloomington\, Indiana\, the Illinois State Museum in Springfield\, Illinois\, Central Washington University in Ellensburg\, Washington and the Eastman Kodak Company in Rochester\, New York. His work has been exhibited at the MFAH\, Catherine Edelman Gallery Chicago\, Pictura Gallery at FAR Center for Contemporary Arts\, Grunwald Gallery of Art\, Gallery 312 and the Chicago Architecture Foundation as well as internationally at the Lee Yongjae Architects’ Window Gallery\, and the Seoul Lunar Photo Fest\, Lunar Photo Night Seoul\, Korea. His project\, 366247•2012 was just chosen by Center Santa Fe for the 2019 Excellence in Multimedia Award. His current work continues to investigate self\, consciousness\, and individuality through sequentially presented still photographs arranged as a stop-motion animation. He blurs the edges between various disciplines within the photographic field as well as those between photography and other digital media. \nThe exhibit runs through February 22 in the Jeremy D. Efroymson Gallery. \nMade possible by the Arts Council of Indianapolis\, Sun King Brewery and Ash & Elm Cider Co..
URL:https://www.bigcar.org/event/kevin-o-mooney-366247%e2%80%a22012/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2020/01/Export.00_28_09_29.Still010.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20200207T180000
DTEND;TZID=America/Indiana/Indianapolis:20200222T150000
DTSTAMP:20260404T111442
CREATED:20200114T202525Z
LAST-MODIFIED:20200131T194017Z
UID:8692-1581098400-1582383600@www.bigcar.org
SUMMARY:TJ Reynolds:We Catch the Light\, Reflections on Black Skin
DESCRIPTION:Those of African descent are the most underrepresented group in the world of fine art.  Black faces are beautiful. Digging deeper\, we see that by working on black surfaces with white ink & paint\, Reynolds draws in the light instead of the shadow\, with emotive figures emerging from the deep\, catching light in the way only melanin can. The stylized nature of the drawings reveals a complexity of shapes and linework\, in patterns that evoke both ancient art and futuristic graphic design. The artist is also exploring his own ethnic heritage\, examining roots he can only piece together\, going so far as to trace his last name to the tradition of slaves taking on the surname of their master\, in this case the RJ Reynolds tobacco fields. Prints will also be available of all work.\nTJReynolds.net\n\n~~~~~~~~~~\n\nTJ Reynolds is a multi-discipline artist and educator whose mission it is to spread the power of creativity and community. Visual artist\, animator\, director\, M.C.\, producer\, multi-instrumentalist and poet are just some of the creative avenues Reynolds travels on his exploits. As an educator\, he has worked with thousands of students and adults in every conceivable setting; preschool through college\, prisons and gifted schools\, though his message remains the same; we must use art and expression to connect to each other and the world around us. Reynolds has been the recipient of numerous awards\, including a Nuvo Cultural Visionary Award\, Spirit of Herron (School of Art) Award\, and the first ever hip-hop artist to be named a Creative Renewal Fellow from the Arts Council of Indianapolis. His music has been featured nationally on NPR\, and he has won rap battles\, poetry slams and a Moth Story Slam. This is Reynolds first solo art show.\n\n~~~~~~~~~\n\nWith performances by TJ Reynolds\, Teresa Reynolds\, Tatjana Rebelle\, Derrick Slack\n\n\nAs part of my We Catch the Light\, Reynolds asked some prominent black Indianapolis poets & singers to select someone who was influential to them in their life. He will create a portrait of that person\, and the guest artist will perform a piece dedicated to them at the opening Feb 7 for a unique\, one time happening bringing poetry\, song and visual art together.
URL:https://www.bigcar.org/event/tj-reynoldswe-catch-the-light-reflections-on-black-skin/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2020/01/Headwrap-draped.jpg
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DTSTART;TZID=America/Indiana/Indianapolis:20200207T180000
DTEND;TZID=America/Indiana/Indianapolis:20200516T150000
DTSTAMP:20260404T111442
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LAST-MODIFIED:20200114T205827Z
UID:8695-1581098400-1589641200@www.bigcar.org
SUMMARY:Kipp Normand: Snake Oil\, A Fantastical American History
DESCRIPTION:Artist and historian Kipp Normand’s practice is a physical and conceptual investigation into the power of objects and images as a narrative device. Inspired by the Dada traditions of assemblage\, collage\, construction\, and performance\, Normand employs the acts of appropriation\, reuse\, and recontextualization to explore contemporary perceptions of time\, community\, and memory. In Snake Oil\, Normand distills four centuries of history to illustrate the deep-seated American penchant for fantastical thinking. Part world’s fair exhibit\, huckster wagon\, dime museum\, and midway arcade; Snake Oil is a multifaceted installation that challenges the viewer to re-examine the ideas of American Exceptionalism. Imbued with satire and mixed with painful truths\, this haunted temple of junk casts a sideways glance at the tales we tell our children and ourselves about who we are and how we got here.\nNormand — who maintains a studio and workspace in Indianapolis where he creates dynamic works of visual art infused with narratives of culture\, community\, and history — is a scavenger and an obsessive collector. He searches back streets and alleys\, junk stores and abandoned buildings\, looking for clues to explain the mysteries of our world. Normand finds stories in discarded things: Stories about all of us\, our cities\, and our shared history. He first began making collage images\, shadow boxes\, and installations as a way to justify his relentless collecting. But the work soon became much more than that. It is Normand’s way to dig deeply into the vast attic of this world and to share his finds with anyone who takes the time to look. He holds a Master’s degree in American Studies from the University of Notre Dame and worked nearly 30 years in the field of heritage preservation and housing reform before turning to the practice of art. 
URL:https://www.bigcar.org/event/kipp-normand-snake-oil-a-fantastical-american-history/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park
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