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DTSTART;TZID=America/Indiana/Indianapolis:20190906T180000
DTEND;TZID=America/Indiana/Indianapolis:20200111T150000
DTSTAMP:20260404T171639
CREATED:20190711T204735Z
LAST-MODIFIED:20190722T211722Z
UID:8156-1567792800-1578754800@www.bigcar.org
SUMMARY:Saya Woolfalk: Empathic Cloud Divination
DESCRIPTION:In this new exhibition\, New-York-based multi-media artist Saya Woolfalk explores our understanding of the human condition — a state of affairs governed by seemingly unavoidable conflicts such as birth\, growth\, and death. This show explores how technology has allowed us to ease our suffering by making change less difficult and transformation more enjoyable. Perhaps the ultimate human technological advancement would be the elimination of mortality by extending human life indefinitely in a biological\, digital\, or other virtual state. Recent advances suggest our species may already be on the cusp of achieving this evolutionary landmark. \nWoolfalk’s exhibit at Tube Factory includes her signature installations\, sculptures\, prints\, video art works\, and the works of artists who influence her practice. It builds on one of her first projects\, No Place (a play on the translation of the word utopia)\, where she collaborated with filmmaker and anthropologist Rachel Lears. Both then in their mid 20s\, they invited people into Woolfalk’s studio to talk about their ideas of utopia and created work from there. \n“Similar to the way you would construct a folktale\, we took these ideas and we constructed the culture of the NoPlaceans. People would come to the studio\, put on costumes and enact the things that they were imagining\,” says Woolfalk who created a six-chapter ethnographic film about this future utopian world based on people’s visions. \nTo explore the conceptual boundaries of this cultural moment\, this also led Woolfalk to create a fictional transhuman species known as the Empathics\, which she describes as a race of women who are able to alter their genetic make-up and fuse with plants. “If you have a utopia\, then how do you actually make that utopia real? I worked with biologists at Tufts University to think about what in nature could occur in order for people to mutate to become more like plants.” \nWoolfalk’s Tube Factory installation will extend the story of the Empathics\, blending multi-media aesthetic phenomena\, spirituality\, cultural hybridization\, capitalism\, technoscience\, and artificial intelligence to conjure a broad network of interconnecting philosophical strands. Informed equally by science fiction and anthropology\, the morally ambiguous future that the exhibit shares is open to the interpretation of its viewers. “Going from modularity to monumentality is how I approach my practice. I work in ways that are incredibly small and I also work in ways that are incredibly big. The work functions like collage.” \nShould we fear the world Woolfalk and other transhumanist artists are mapping? Should we embrace it? Should we shrug it off as a Pollyannic fantasy\, doomed by the human idiot factor? Woolfalk seems to be implying a potentially disturbing fourth option: Some of us — particularly those with special status or outlandish means — have already started to transform. Is this art\, or a warning shot across the cultural bow of the human race? \n\nAbout the artist  \nWoolfalk (b 1979\, Japan) is a pioneer within an emergent\, international aesthetic movement examining transhumanism — a theoretical belief that humans will mobilize technology to transcend their biological limitations and evolve into a non-human\, or “posthuman” race. With each body of work\, Woolfalk continues to build the narrative of The Empathics and questions the utopian possibilities of cultural hybridity. She has exhibited at museums\, galleries\, and alternative spaces throughout Asia\, Europe and the United States including solo exhibitions at the Montclair Art Museum\, Montclair\, NJ (2012); the Chrysler Museum of Art\, Norfolk\, VA (2014); the Asian Art Museum of San Francisco (2014); SCAD Museum\, Savannah\, GA (2016); Everson Museum of Art\, Syracuse\, NY (2016); Sheldon Museum of Art\, Lincoln\, NE (2016); the Mead Museum of Art\, Amherst\, MA (2017) and group shows at the Studio Museum in Harlem; MoMA PS1\, Long Island City\, NY; the Warhol Museum\, Pittsburgh\, PA.\, the Museum of Contemporary Art\, Chicago\, among many others. \n“When I started making work it was very important that it was not autobiographical\,” says Woolfalk. “The work is not about me at all. The work is about talking to people about their ideas and trying to understand what’s going on in the world then taking that material and adapting it into installation based spaces that people can experience.” \nMade possible by The Andy Warhol Foundation for the Visual Arts and The Efroymson Family Fund. \nPart of the Social Alchemy Series\, this exhibition is in partnership with the New Harmony Gallery of Contemporary Art.  \nImage: Saya Woolfalk\, Encyclopedia of Cloud Divination\, Plate 2\, 30”x40”\, 2018.
URL:https://www.bigcar.org/event/saya-woolfalk-the-empathics/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2019/07/SW_Encyclopedia-of-Cloud-Divination-Plate2_HR.jpg
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DTSTART;TZID=America/Indiana/Indianapolis:20200103T180000
DTEND;TZID=America/Indiana/Indianapolis:20200124T180000
DTSTAMP:20260404T171639
CREATED:20191104T222022Z
LAST-MODIFIED:20191227T180231Z
UID:8518-1578074400-1579888800@www.bigcar.org
SUMMARY:Neil Cain: Shadow's Prism
DESCRIPTION:“These works are a reaction to what I view as a consciousness bias in our culture towards ordered states of being and thinking. I believe this bias contributes to individualistic resource management\, social division\, and centralized state control\, and that the artist must counteract these forces by presenting harmonious alternatives. I paint to present the beauty of ordered and non-ordered states interacting. I see each as integral to the full expression of the other and essential to true understanding.” \nNeil Cain is an Indianapolis-native who began painting in 2002. His collections pull inspiration from his work in photography\, utilizing movement\, exposure\, layering\, and an increasingly polarized dialogue between ordered and chaotic elements. Trained as a music composer\, Neil uses similar foundational concepts in his painting by working in harmonic terms\, with ratios of frequencies juxtaposed against one another with or without bounding. ‘Form in flux’ and ‘magnetism of coherence’ form the conceptual framework for his most recent collections. He lives and works in Bloomington\, Indiana with his wife\, Jenny Ollikainen\, their cat daughter\, Little Cow\, and many plants friends. His work has been exhibited nationally and internationally. \nJoin us for First Friday in January to catch the opening reception of Shadow’s Prism from 6-10pm. \nThis show will be available from January 3-24. \nGuichelaar Gallery\n1135 Cruft Street Indianapolis\, IN 46203\nAvailable by appointment
URL:https://www.bigcar.org/event/neil-cain-shadows-prism/
LOCATION:Guichelaar Gallery\, 1125 Cruft Street\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2019/11/GerminationWEB.jpg
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DTSTART;TZID=America/Indiana/Indianapolis:20200106T180000
DTEND;TZID=America/Indiana/Indianapolis:20200106T200000
DTSTAMP:20260404T171639
CREATED:20191227T172641Z
LAST-MODIFIED:20191227T172641Z
UID:8664-1578333600-1578340800@www.bigcar.org
SUMMARY:2020 Pride Month Planning Volunteer Call-Out Meeting
DESCRIPTION:Join us to learn how you can get involved in planning for our 2020 Indy Pride Month events! \nEvery year Indy Pride hosts our annual Cadillac Barbie Indy Pride Parade\, Indy Pride Festival\, and 14 other community events to celebrate Pride Month with our community. \nAll of these efforts are powered by our incredible volunteers\, gathered together within our Festival Planning Committee. \nPlease join us for our 2020 Volunteer Call-Out Meeting to provide your input and discuss how you can get more involved in our Planning Committee and the following events:\n– Rainbow 5k\n– Indy Pride Pageant\n– John Alexander Hoosier 250\n– Pet Pride\n– TransGlam\n– Community Picnic\n– Bat N’ Rouge charity softball game\n– Interfaith Celebration\n– Pride Skate\n– Deaf Pride\n– Bi and Pan Pride\n– Music and Movie Night\n– Girl Pride\n– Shabbat at Indy Pride\n– Cadillac Barbie Indy Pride Parade\n– Indy Pride Festival \nWe would love your input and support as we engage in planning for our 2020 events. Please bring your ideas for how you would like to support these events\, and ideas for a theme for our 2020 Pride Month event season! \nRefreshments will be provided for attendees\, so please RSVP using the ticket link above so we know how much food and drinks to provide. \nIndy Pride will provide an ASL interpreter.
URL:https://www.bigcar.org/event/2020-pride-month-planning-volunteer-call-out-meeting/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2019/12/80085296_2517712264993007_129073692914221056_o.jpg
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