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DTSTART;TZID=America/Indiana/Indianapolis:20190906T180000
DTEND;TZID=America/Indiana/Indianapolis:20200111T150000
DTSTAMP:20260404T172754
CREATED:20190711T204735Z
LAST-MODIFIED:20190722T211722Z
UID:8156-1567792800-1578754800@www.bigcar.org
SUMMARY:Saya Woolfalk: Empathic Cloud Divination
DESCRIPTION:In this new exhibition\, New-York-based multi-media artist Saya Woolfalk explores our understanding of the human condition — a state of affairs governed by seemingly unavoidable conflicts such as birth\, growth\, and death. This show explores how technology has allowed us to ease our suffering by making change less difficult and transformation more enjoyable. Perhaps the ultimate human technological advancement would be the elimination of mortality by extending human life indefinitely in a biological\, digital\, or other virtual state. Recent advances suggest our species may already be on the cusp of achieving this evolutionary landmark. \nWoolfalk’s exhibit at Tube Factory includes her signature installations\, sculptures\, prints\, video art works\, and the works of artists who influence her practice. It builds on one of her first projects\, No Place (a play on the translation of the word utopia)\, where she collaborated with filmmaker and anthropologist Rachel Lears. Both then in their mid 20s\, they invited people into Woolfalk’s studio to talk about their ideas of utopia and created work from there. \n“Similar to the way you would construct a folktale\, we took these ideas and we constructed the culture of the NoPlaceans. People would come to the studio\, put on costumes and enact the things that they were imagining\,” says Woolfalk who created a six-chapter ethnographic film about this future utopian world based on people’s visions. \nTo explore the conceptual boundaries of this cultural moment\, this also led Woolfalk to create a fictional transhuman species known as the Empathics\, which she describes as a race of women who are able to alter their genetic make-up and fuse with plants. “If you have a utopia\, then how do you actually make that utopia real? I worked with biologists at Tufts University to think about what in nature could occur in order for people to mutate to become more like plants.” \nWoolfalk’s Tube Factory installation will extend the story of the Empathics\, blending multi-media aesthetic phenomena\, spirituality\, cultural hybridization\, capitalism\, technoscience\, and artificial intelligence to conjure a broad network of interconnecting philosophical strands. Informed equally by science fiction and anthropology\, the morally ambiguous future that the exhibit shares is open to the interpretation of its viewers. “Going from modularity to monumentality is how I approach my practice. I work in ways that are incredibly small and I also work in ways that are incredibly big. The work functions like collage.” \nShould we fear the world Woolfalk and other transhumanist artists are mapping? Should we embrace it? Should we shrug it off as a Pollyannic fantasy\, doomed by the human idiot factor? Woolfalk seems to be implying a potentially disturbing fourth option: Some of us — particularly those with special status or outlandish means — have already started to transform. Is this art\, or a warning shot across the cultural bow of the human race? \n\nAbout the artist  \nWoolfalk (b 1979\, Japan) is a pioneer within an emergent\, international aesthetic movement examining transhumanism — a theoretical belief that humans will mobilize technology to transcend their biological limitations and evolve into a non-human\, or “posthuman” race. With each body of work\, Woolfalk continues to build the narrative of The Empathics and questions the utopian possibilities of cultural hybridity. She has exhibited at museums\, galleries\, and alternative spaces throughout Asia\, Europe and the United States including solo exhibitions at the Montclair Art Museum\, Montclair\, NJ (2012); the Chrysler Museum of Art\, Norfolk\, VA (2014); the Asian Art Museum of San Francisco (2014); SCAD Museum\, Savannah\, GA (2016); Everson Museum of Art\, Syracuse\, NY (2016); Sheldon Museum of Art\, Lincoln\, NE (2016); the Mead Museum of Art\, Amherst\, MA (2017) and group shows at the Studio Museum in Harlem; MoMA PS1\, Long Island City\, NY; the Warhol Museum\, Pittsburgh\, PA.\, the Museum of Contemporary Art\, Chicago\, among many others. \n“When I started making work it was very important that it was not autobiographical\,” says Woolfalk. “The work is not about me at all. The work is about talking to people about their ideas and trying to understand what’s going on in the world then taking that material and adapting it into installation based spaces that people can experience.” \nMade possible by The Andy Warhol Foundation for the Visual Arts and The Efroymson Family Fund. \nPart of the Social Alchemy Series\, this exhibition is in partnership with the New Harmony Gallery of Contemporary Art.  \nImage: Saya Woolfalk\, Encyclopedia of Cloud Divination\, Plate 2\, 30”x40”\, 2018.
URL:https://www.bigcar.org/event/saya-woolfalk-the-empathics/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20191206T180000
DTEND;TZID=America/Indiana/Indianapolis:20191221T180000
DTSTAMP:20260404T172754
CREATED:20191202T141213Z
LAST-MODIFIED:20191202T141219Z
UID:8581-1575655200-1576951200@www.bigcar.org
SUMMARY:David Lanch: Visions From Another World.
DESCRIPTION:Presented in partnership with the Consulado de México en Indianápolis \n.\nFor the last 40 years\, David Lanch has worked with plastic\, which is part of the industrial technology of our current world\, and it has been his research work to apply it to painting\, and architectural integration to find man in his habitat.\nIn his work he uses fiberglass\, polymers and resins\, materials that had not been used in our society until after World War II. In his search\, he uses science fiction as an indispensable concept for mass catharsis.\nIn fiberglass painting he found the ideal means to express his vision of other worlds; textures\, colors\, surfaces illuminated and reflected in stainless steel\, mirrors\, natural or artificial light; an ideal world for your vision of a different landscape\, the mountains\, the seas\, the unknown habitat\, where the physical and chemical phenomena\, and the realities of the micro and macro cosmos\, follow the same principles that govern our planet and as far as We know\, of the universe.\nWhen exploring all these materials\, he found a new technique\, painting and etching in fiberglass\, which can help the development of plastic arts in this new millennium. \nDavid Lach was born June 26\, 1949 in Mexico City. \nVersión en español a continuación. \nDavid Lach \nPor los últimos 40 años\, David Lach ha trabajado con plástico\, que es parte de la tecnología industrial de nuestro mundo actual\, y ha sido su labor de investigación aplicarlo a la pintura\, y a la integración arquitectónica para encontrar al hombre en su hábitat.\nEn su trabajo utiliza fibra de vidrio\, polímeros y resinas\, materiales que no habían sido utilizados en nuestra sociedad sino después de la Segunda Guerra Mundial. En su búsqueda\, utiliza la ciencia-ficción como concepto indispensable para la catarsis masiva.\nEn la pintura en fibra de vidrio encontró el medio ideal para expresar su visión de otros mundos; las texturas\, los colores\, las superficies iluminadas y reflejadas en acero inoxidable\, espejos\, luz natural o artificial; un mundo ideal para su visión de un paisaje diferente\, las montañas\, los mares\, el hábitat desconocido\, donde los fenómenos físicos y químicos\, y las realidades del micro y macro cosmos\, siguen los mismos principios que se rigen en nuestro planeta y hasta donde conocemos\, del universo.\nAl explorar todos estos materiales\, encontró una nueva técnica\, la pintura y grabado en fibra de vidrio\, que pueden ayudar al desarrollo de las artes plásticas en este nuevo milenio.
URL:https://www.bigcar.org/event/david-lanch-visions-from-another-world/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20191207T110000
DTEND;TZID=America/Indiana/Indianapolis:20191207T123000
DTSTAMP:20260404T172754
CREATED:20191203T155237Z
LAST-MODIFIED:20191203T170202Z
UID:8589-1575716400-1575721800@www.bigcar.org
SUMMARY:Artist Housing Information Session
DESCRIPTION:Are you an artist who wants to engage and help shape a community? Located on a block in both the Garfield Park and Bean Creek neighborhoods on the near southside of Indianapolis\, the Artist and Public Life Residency (APLR) program is an innovative and experimental approach to supporting artists who use their talents and skills to help drive positive change in the community. \nCome today to learn more. \nClick here to apply or go to https://www.surveymonkey.com/r/PHZ6YFV \nFor this program\, we view the label of artists to include creatives\, makers\, and designers. Fields include — and are not limited to — architecture\, culinary art\, curation\, visual art\, public art\, furniture\, fashion\, craft\, design\, film and video\, creative writing and journalism\, performing arts\, music\, theater\, placemaking\, socially engaged art\, etc. \nThe APLR — taking applications for resident artists now through December 23\, 2019 — is a long-term\, affordable and community-invested artist home ownership program as part of a community land trust approach. \nApplicants will be notified if they moved on as semi-finalists by January 6. Finalists will be selected by mid January. Public information sessions will be at Tube Factory art space December 5th\, 6 pm and December 7th\, 11 am. \nIn partnership with Riley Area Development and supported by Indianapolis Neighborhood Housing Partnership (INHP)\, the APLR’s goal is to provide artists enjoyable and equitable home ownership while they work — in part — to collaborate with other neighbors and boost the culture\, creativity\, diversity\, livability\, safety\, health\, and economy of the local and greater community. This is a reboot of the program launched two years ago before pausing to work out various aspects of the program and partnership. So far three families have been placed into the homes.
URL:https://www.bigcar.org/event/artist-housing-information-session-2/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2017/10/APLR_house.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20191207T200000
DTEND;TZID=America/Indiana/Indianapolis:20191207T233000
DTSTAMP:20260404T172754
CREATED:20191203T170002Z
LAST-MODIFIED:20191203T170050Z
UID:8591-1575748800-1575761400@www.bigcar.org
SUMMARY:Shane Smith & The Saint presented by 99.1 WQRT's Rhinestone Country
DESCRIPTION:Now three albums and nearly 10 years into their career\, Shane Smith & the Saints are ready to go for broke. “It pretty much summarizes where we are as a band and where I am as an individual after pursuing this for practically the last decade\,” Smith says of Hail Mary. “We’re a scrappy group of guys and this is more or less one of those moments where we’re really trying to put it all out there. We’re trying to give it our best shot on this record.”
URL:https://www.bigcar.org/event/shane-smith-the-saint-presented-by-99-1-wqrts-rhinestone-country/
LOCATION:Duke’s Indy\, 2352 S West St.\, Indianapolis\, IN\, 46203\, United States
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