BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Big Car - ECPv6.9.0//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://www.bigcar.org
X-WR-CALDESC:Events for Big Car
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Indiana/Indianapolis
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20190310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20191103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20200308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20201101T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20190906T180000
DTEND;TZID=America/Indiana/Indianapolis:20200111T150000
DTSTAMP:20260405T053605
CREATED:20190711T204735Z
LAST-MODIFIED:20190722T211722Z
UID:8156-1567792800-1578754800@www.bigcar.org
SUMMARY:Saya Woolfalk: Empathic Cloud Divination
DESCRIPTION:In this new exhibition\, New-York-based multi-media artist Saya Woolfalk explores our understanding of the human condition — a state of affairs governed by seemingly unavoidable conflicts such as birth\, growth\, and death. This show explores how technology has allowed us to ease our suffering by making change less difficult and transformation more enjoyable. Perhaps the ultimate human technological advancement would be the elimination of mortality by extending human life indefinitely in a biological\, digital\, or other virtual state. Recent advances suggest our species may already be on the cusp of achieving this evolutionary landmark. \nWoolfalk’s exhibit at Tube Factory includes her signature installations\, sculptures\, prints\, video art works\, and the works of artists who influence her practice. It builds on one of her first projects\, No Place (a play on the translation of the word utopia)\, where she collaborated with filmmaker and anthropologist Rachel Lears. Both then in their mid 20s\, they invited people into Woolfalk’s studio to talk about their ideas of utopia and created work from there. \n“Similar to the way you would construct a folktale\, we took these ideas and we constructed the culture of the NoPlaceans. People would come to the studio\, put on costumes and enact the things that they were imagining\,” says Woolfalk who created a six-chapter ethnographic film about this future utopian world based on people’s visions. \nTo explore the conceptual boundaries of this cultural moment\, this also led Woolfalk to create a fictional transhuman species known as the Empathics\, which she describes as a race of women who are able to alter their genetic make-up and fuse with plants. “If you have a utopia\, then how do you actually make that utopia real? I worked with biologists at Tufts University to think about what in nature could occur in order for people to mutate to become more like plants.” \nWoolfalk’s Tube Factory installation will extend the story of the Empathics\, blending multi-media aesthetic phenomena\, spirituality\, cultural hybridization\, capitalism\, technoscience\, and artificial intelligence to conjure a broad network of interconnecting philosophical strands. Informed equally by science fiction and anthropology\, the morally ambiguous future that the exhibit shares is open to the interpretation of its viewers. “Going from modularity to monumentality is how I approach my practice. I work in ways that are incredibly small and I also work in ways that are incredibly big. The work functions like collage.” \nShould we fear the world Woolfalk and other transhumanist artists are mapping? Should we embrace it? Should we shrug it off as a Pollyannic fantasy\, doomed by the human idiot factor? Woolfalk seems to be implying a potentially disturbing fourth option: Some of us — particularly those with special status or outlandish means — have already started to transform. Is this art\, or a warning shot across the cultural bow of the human race? \n\nAbout the artist  \nWoolfalk (b 1979\, Japan) is a pioneer within an emergent\, international aesthetic movement examining transhumanism — a theoretical belief that humans will mobilize technology to transcend their biological limitations and evolve into a non-human\, or “posthuman” race. With each body of work\, Woolfalk continues to build the narrative of The Empathics and questions the utopian possibilities of cultural hybridity. She has exhibited at museums\, galleries\, and alternative spaces throughout Asia\, Europe and the United States including solo exhibitions at the Montclair Art Museum\, Montclair\, NJ (2012); the Chrysler Museum of Art\, Norfolk\, VA (2014); the Asian Art Museum of San Francisco (2014); SCAD Museum\, Savannah\, GA (2016); Everson Museum of Art\, Syracuse\, NY (2016); Sheldon Museum of Art\, Lincoln\, NE (2016); the Mead Museum of Art\, Amherst\, MA (2017) and group shows at the Studio Museum in Harlem; MoMA PS1\, Long Island City\, NY; the Warhol Museum\, Pittsburgh\, PA.\, the Museum of Contemporary Art\, Chicago\, among many others. \n“When I started making work it was very important that it was not autobiographical\,” says Woolfalk. “The work is not about me at all. The work is about talking to people about their ideas and trying to understand what’s going on in the world then taking that material and adapting it into installation based spaces that people can experience.” \nMade possible by The Andy Warhol Foundation for the Visual Arts and The Efroymson Family Fund. \nPart of the Social Alchemy Series\, this exhibition is in partnership with the New Harmony Gallery of Contemporary Art.  \nImage: Saya Woolfalk\, Encyclopedia of Cloud Divination\, Plate 2\, 30”x40”\, 2018.
URL:https://www.bigcar.org/event/saya-woolfalk-the-empathics/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2019/07/SW_Encyclopedia-of-Cloud-Divination-Plate2_HR.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20191026T130000
DTEND;TZID=America/Indiana/Indianapolis:20191026T160000
DTSTAMP:20260405T053605
CREATED:20190924T155126Z
LAST-MODIFIED:20190924T155126Z
UID:8420-1572094800-1572105600@www.bigcar.org
SUMMARY:MUFON featuring Thomas Wertman
DESCRIPTION:–Army Reserve Helicopters Encounter with the Unknown–\nRecent announcements indicate the Pentagon funded a program to identify unknown aerial threats between 2007-2012. Naval aviators encounter with UFOs in 2004 have been connected to the programs many areas of study. While of high interest\, have there been equal if not more interesting cases since this event.\nIn 1973 an Army Reserve helicopter was on what the crew assumed would be a non-eventful flight from Columbus to Cleveland\, Ohio. Little did they know they would have a close encounter with an object of unknown origin near Mansfield\, Ohio. The crew reported their encounter to their superiors who appeared to do nothing. But certain facts raise the question that their superiors knew more than they let on. Additional research and interviews with not only crew\, but ground witnesses who revealed previously unknown details.\nThe program interlaced with graphics in order to experience the event through the crew and ground witness’s perspective. \nAbout Thomas Wertman\nIt is said we are all products of our environment. Growing up in the 60’s and watching television shows such as The Twilight Zone and The Outer Limits fueled an interest in space and the unknown. Television shows and movies soon led to books\, but unfortunately this interest had to be put aside to build a career\, raise a family\, and earn a bachelors in business and master’s in education.\nNow with my family grown and pursing their own careers I decided to return to my lifelong interest in the unknown. The first step was in 2008 by joining the Ohio based group the Cleveland Ufology Project (CUP). CUP was primarily a discussion group that provided an avenue to explore various areas associated with ufology. In 2018 I stepped down as co-director of the group in order to allow more time for private UFO research.\nThe second step also in 2008 was becoming a member of the Mutual UFO Network (MUFON). Since that time\, I have advanced from field investigator to State Director of Ohio. Currently have investigated over 300 cases in Ohio with one of the most interesting involving two fisherman who experienced over three and one-half hours of missing time. In addition to working Ohio cases I have also conducted over 230 investigations in Canada\, the United Kingdom\, and Puerto Rico for MUFONS Case Assistance Group.\nIf that was not enough\, I have participated in over 200 community outreach programs discussing UFO’s\, been a featured guest on radio and television shows\, participated in three documentaries\, played an alien in a short film\, and host a podcast called UFOdyssey.\nIn the back of my mind I’ve often wondered why I’m so passionate about ufology. A series of regressions explored my past in search of a possible connection. The regressions indicated personal encounters with UFOs and nonhuman beings beginning in the 1960s. These experiences if true explain that connection.
URL:https://www.bigcar.org/event/mufon-featuring-thomas-wertman/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
END:VEVENT
END:VCALENDAR