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X-WR-CALDESC:Events for Big Car
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TZID:America/Indiana/Indianapolis
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DTSTART:20190310T070000
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DTSTART:20191103T060000
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20190405T180000
DTEND;TZID=America/Indiana/Indianapolis:20190622T150000
DTSTAMP:20260405T160226
CREATED:20190228T194446Z
LAST-MODIFIED:20190604T212447Z
UID:7741-1554487200-1561215600@www.bigcar.org
SUMMARY:Bauhaus Imaginista - Collected Research
DESCRIPTION:Jeremy Efroymson Gallery\n“Bauhaus Imaginista” is a major international project that marks the German art school’s 100th anniversary. Operational from 1919 to 1933\, Bauhaus is famous for the approach to design that combined high art and industry. This exhibition rethinks the school from a global perspective\, and reads its entanglements against a century of geopolitical change. \nThe exhibition presents the 4 Gegenstande (Objects) in order to communicate the essential elements of bauhaus imaginista.\n“The Bauhaus Manifesto” (1919) is shown through a specially commissioned essay film\, exploring the hybrid and transnational influences that shaped its conception and the school’s origins. Marcel Breuer’s collage ein Bauhaus film (1927) was reproduced in the Bauhaus Journal No. 1\, an edition of the journal will be reprinted and displayed in the gallery as a stacked multiple available for audiences to take away. Paul Klee’s “Carpet” drawing will be shown in reproduction on a study table detailing the artist’s North African journeys. Kurt Schwerdtfeger’s “Reflective Light Game” is shown through a film projection. \nPhoto: Paul Klee Rug (kilim)\, (1927); Hans Snoeck Private Collection\, New York \nProject partners:\nGoethe-Institut\, Bauhaus Kooperation\, Haus der Kulturen der Welt. \nFunded by:\nDie Beauftragte der Bundesregierung für Kultur und Medien\, Auswärtiges Amt\, Kulturstiftung des Bundes. \nOn the occasion of 100 Jahre bauhaus (100 Years of Bauhaus). \nAdmission is free\nVISIT US\nMonday-Friday\, 9 a.m. to 6 p.m.\nSaturday 11 a.m. to 3 p.m.\nTube is also open until 10 p.m. each First Friday.\nClosed Holidays
URL:https://www.bigcar.org/event/bauhaus-imaginista/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2019/02/hans-snoeck.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20190503T180000
DTEND;TZID=America/Indiana/Indianapolis:20190804T150000
DTSTAMP:20260405T160226
CREATED:20190311T154109Z
LAST-MODIFIED:20190711T204336Z
UID:7810-1556906400-1564930800@www.bigcar.org
SUMMARY:Yvette Mayorga-High Maintenance
DESCRIPTION:Yvette Mayorga’s multi-media installation High Maintenance is a flamboyantly chilling revelation\, offering unsettling insights into how the forces of violence\, make-believe\, and consumerism infiltrate the contemporary immigrant experience\, and subvert our understanding of identity. \nDrawing inspiration from the politics of America’s southern border with Mexico\, her own life as a first generation Latinx-American\, and her parents’ often dangerous experiences as immigrants in the 1970s\, Mayorga’s work examines how pain and uncertainty are covered with a veneer of celebration. \nHigh Maintenanceconjures up an absurdist\, Rococo Candy Land\, where frivolity intersects with fear\, as soldiers and ICE agents come face to face with quinceanera cakes\, white swans\, and Polly Pocket adventure sets. \nEvery aspect of Mayorga’s built world is adorned with spectacular\, rapacious iconography. Monumental fashion accessories and gendered toys interrogate the true meaning of “status\,” while decadent\, Colonial aesthetics remind us how fragile national identity is\, and how frequently it depends on appearances. \nIs this a place of joy or fear? Does it welcome us in all our diversity\, or demand our assimilation? Like the guileless inhabitants of Mayorga’s thickly impastoed paintings\, the second we enter this uncanny\, celebratory-looking tableau\, we realize we are caught between a nightmare and a dream. \nIn partnership with Nopal Cultural and University of Indianapolis. \nMade possible by The Andy Warhol Foundation for the Visual Arts\, Christ Church Cathedral\, The Arts Council of Indianapolis\, Managed Health Services – MHS\,and Sun King Brewing Company. \nYvette Mayorga lives and works in Chicago. She earned her MFA in Fiber and Material Studies from the School of the Art Institute of Chicago in 2016. Recent solo exhibitions include the Lubeznik Center for the Arts\, EXPO Chicago 2018\, The Vincent Price Art Museum\, The Chicago Cultural Center\, and The National Museum of Mexican Art. Her work has been featured in Hyperallergic\, The Guardian\, Art News\, and Teen Vogue\, among others.
URL:https://www.bigcar.org/event/yvette-mayorga-high-maintenance/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2019/03/Mayorga-TubeGallery-6inx6in-Front-01.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20190520T180000
DTEND;TZID=America/Indiana/Indianapolis:20190626T200000
DTSTAMP:20260405T160226
CREATED:20190520T185729Z
LAST-MODIFIED:20190520T185729Z
UID:7993-1558375200-1561579200@www.bigcar.org
SUMMARY:Sound Lab with Oreo Jones
DESCRIPTION:We are back with another edition of SOUND LAB! Join Oreo Jones at Listen Hear for an evening of sound exploration. Bring your synths\, drum machines\, pedals\, theremins\, or whatever you use to express yourself. \nSound Lab is a reoccurring workshop where we explore ways to communicate and express ourselves through sonic waves. Each attendee will be encouraged to play a piece that they have been working on and share ways of how they approached their work. The group will then attempt to work on a collaboration broadcasted live on 99.1 WQRT.
URL:https://www.bigcar.org/event/sound-lab-with-oreo-jones-21/
LOCATION:Listen Hear\,  2620 Shelby St\, \, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2017/03/17553784_1633980226616401_3858437329337198275_n.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20190607T120000
DTEND;TZID=America/Indiana/Indianapolis:20190607T130000
DTSTAMP:20260405T160226
CREATED:20190520T230209Z
LAST-MODIFIED:20190520T230405Z
UID:8011-1559908800-1559912400@www.bigcar.org
SUMMARY:Live Music Lunch-Scrapper & Skelton
DESCRIPTION:Guitarist/Singer/Songwriter Steve “Scrapper” Brown has over 55 years as a solo musician and bandleader. Blessed with a smooth baritone voice steeped in Blues/Jazz\, Gospel and Funk\, Brown brings a wealth of experience and versatility to the stage. He has appeared on 6 CDs including songwriting and production credits. ​ \nBlues Harmonica/Vocals Ken Skelton is a Blues enthusiast with a love for classic acoustic Blues. Skelton has received local recognition for his performances in the genre in which he hopes “not only entertains\, but produces thought in the listener.
URL:https://www.bigcar.org/event/live-music-lunch/
LOCATION:Lugar Plaza\, 200 E Washington St\, Indianapolis\, 46204\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20190607T180000
DTEND;TZID=America/Indiana/Indianapolis:20190607T220000
DTSTAMP:20260405T160226
CREATED:20190520T185212Z
LAST-MODIFIED:20190520T185212Z
UID:7989-1559930400-1559944800@www.bigcar.org
SUMMARY:Michael Bauchert : Faux Ambiance
DESCRIPTION:Faux Ambiance is an audio/video installation that wildly exaggerates the sound of a room. Created by Michael Bauchert\, Faux Ambiance turns an ordinary space into an other-worldly cathedral which slowly morphs in character over time. All sound made by those present to Faux Ambiance has dramatic\, sonic and visual consequences. \nProjected onto the wall is a wash of vibrant color in the form of a gas\, or is it a liquid? The sound of the room displaces this substance like a hand moving through water. It’s texture and shape morphs over time\, reflecting the ever-changing timbre of the Faux Ambiance. \nThis installation is inspired by the diverse\, acoustic properties of rooms and spaces. A hand clap sounds very dry and compact outdoors\, yet thunderous and prolonged in a tall stairwell; the same action can have a very different reaction depending on its location. Faux Ambiance seeks to pay tribute and parody to this aspect of sound through technology.
URL:https://www.bigcar.org/event/michael-bauchert-faux-ambiance/
LOCATION:Listen Hear\,  2620 Shelby St\, \, Indianapolis\, IN\, 46203\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2019/05/fauxAmbiance_Bauchert.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20190607T180000
DTEND;TZID=America/Indiana/Indianapolis:20190607T220000
DTSTAMP:20260405T160226
CREATED:20190529T165019Z
LAST-MODIFIED:20190529T165019Z
UID:8050-1559930400-1559944800@www.bigcar.org
SUMMARY:Lugao Kasberg: Balay Means Home
DESCRIPTION:Curated by Danicia Monét \nLugao Kasberg is a Mangyan-American artist based in New York City. His earliest memories were with family and community speaking his native Hanunó’o-Mangyan tongue in the Philippines. Balay means home in his traditional Hanuó’o language. Growing up in Indianapolis\, IN as an indigenous person he experienced the hardships of poverty\, depression\, and abuse when his parents separated. Through the strength of family\, education\, entrepreneurship\, and the arts he learned the importance of hard work and dedication as he was determined to attain a better life while also helping others. \n\nDuring high school and college Lugao orchestrated community outreach initiatives which helped hundreds of youth explore\, share\, and celebrate art. This effort also ignited his love for film\, photography\, and documentation. As a successful commercial artist in New York City he was involved in creating works for some of the top brands in the world. After feeling creatively drained and unfulfilled in 2018 Lugao decided to reunite with his Mangyan family in the Philippines and live in the village. \n\nHe documented his journey through film\, photography\, and audio recording. Lugao is the first of his eight Mangyan-siblings and mother to return to their ancestral land after leaving for the United States in 1992. He shares the importance of family\, community\, and the connection to the land. Mangyans are the indigenous people of Mindoro Island in the Philippines. They have inhabited the land for thousands of years by practicing sustainable farming and developed tightly knit communities with their own language\, writing systems\, and government. \n\nLike many other indigenous people\, Mangyans also face issues of discrimination\, land rights\, and access to resources. As a solution\, Lugao is using his platform to create visibility while also helping to grow the culture by developing initiatives for the youth and community through education and the arts. One such initiative is “Rice 4 Kidz”. This endeavor has had an impact by serving over 55\,000 hot meals to one thousand Mangyan schoolchildren with the help of rice sponsors\, faculty\, and international community during the hunger months of August through October. Service being at the core of his work\, Lugao aspires to bring positive change to this present generation for future generations. \n\nTo learn more about the artist visit \nhttp://www.lugao.co \nInstagram: @Lugao.co and @lugaokasberg
URL:https://www.bigcar.org/event/lugao-kasberg-balay-means-home/
LOCATION:Guichelaar Gallery\, 1125 Cruft Street\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2019/05/image1.jpeg
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