BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Big Car - ECPv6.9.0//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Big Car
X-ORIGINAL-URL:https://www.bigcar.org
X-WR-CALDESC:Events for Big Car
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Indiana/Indianapolis
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20180311T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20181104T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20180504T080000
DTEND;TZID=America/Indiana/Indianapolis:20180714T170000
DTSTAMP:20260408T012658
CREATED:20170710T201158Z
LAST-MODIFIED:20180501T235633Z
UID:5527-1525420800-1531587600@www.bigcar.org
SUMMARY:Christos Koutsouras: Land Art (Telling Trees)
DESCRIPTION:Deeply rooted in place\, Land Art (Telling Trees) is inspired by a large-scale fire that tore apart the island of Samos\, Greece — the birthplace of the artist. Koutsouras first approached this theme in 1994 after a fire destroyed much of the vegetation on the island. When a massive fire again hit Samos two years ago\, he returned to this theme and finished the work he started 20 years ago. Koutsouras envisions the white trees he painted juxtaposed with the black landscape as a visual reference to the act of fire. He shares that his objective was\, from the beginning\, to talk into the people’s consciousness and show the force of the action. Koutsouras wanted to do more than just create an image. This was a work in progress over several years\, starting with a spontaneous reaction back on time. \nLand Art (Telling Trees) includes large photographs manipulated by Koutsouras in different ways. Some pieces are painted on\, others drawn upon with pencil\, and some left intact. The work captures the destruction and rebirth of the forests and fields of Samos from fires that swept through the landscape. He created other works by wrapping paper around the burned trees of Samos and rubbing charcoal imprints. The exhibition also ties Samos and Indianapolis (two places Koutsouras has lived at different times throughout his life) together with a sculpture made from two pine trees from the west side of Indianapolis blown over by straight winds. The 40-year-old trees were saved from rot or becoming mulched by Indy Urban Hardwood. \nThe upstairs video room features a documentary about Koutsouras and other Greek artists by filmmaker Dia Kontaxis\, a professor at the University of Miami. Her work has screened at museums\, galleries and festivals including Venice (Art Biennale)\, New York (Tribeca Film Festival)\, Montreal (Art Fifa)\, Paris\, Athens\, Ankara\, Lleida\, Taipei and Miami (Art Basel). In another video piece located in the monitors outside of the video room and downstairs\, Koutsouras paints the charred trees white to contrast with the blackness of the landscape. \nKoutsouras\, who studied painting in Germany\, often pulls from the instruction of an inspirational teacher and tries to make each work into its own narrative. Each piece must have a beginning\, middle and end. The result in this show: a story of the destructive and restorative forces of nature. \nThe exhibition was made possible by The Efroymson Family Fund\, Managed Health Services – MHS\, Sun King Brewing Company and Indy Urban Hardwood.
URL:https://www.bigcar.org/event/christos-koutsouras-land-art/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Shelby St. Corridor,Visual Art
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2017/07/20171208_133719.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20180523T090000
DTEND;TZID=America/Indiana/Indianapolis:20180523T120000
DTSTAMP:20260408T012658
CREATED:20180523T212648Z
LAST-MODIFIED:20180523T212648Z
UID:6669-1527066000-1527076800@www.bigcar.org
SUMMARY:Red Line Craft Fair
DESCRIPTION:Big Car and The University of Indianapolis are teaming up to throw a free craft market at the UIndy Christel Dehaan center. This event will be a way for Big Car staff to engage with the University Heights and Carson heights to gain useful feedback on our Red Line Public Art Project. \nThere will be music\, games and free art activities in addition to our vendors! \nBecome a vendor! local art/craft/vintage vendors are encouraged to apply! There is no vending fee and we will not ask a percentage of your sales. https://www.surveymonkey.com/r/DRPSLLH
URL:https://www.bigcar.org/event/red-line-craft-fair/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20180523T183000
DTEND;TZID=America/Indiana/Indianapolis:20180523T213000
DTSTAMP:20260408T012658
CREATED:20180430T145854Z
LAST-MODIFIED:20180430T145854Z
UID:6549-1527100200-1527111000@www.bigcar.org
SUMMARY:Landscape in the Mist
DESCRIPTION:“Landscape in the Mist\,” the final chapter in Angelopoulos’ ‘Trilogy of Silence’\, was both a political film and a personal one. This mesmerizing\, heartbreaking and hauntingly beautiful allegorical tale was a poignant portrait of the perennial yet futile search for identity and a compassionate father figure by the people of Greece\, a country tormented along the better part of 20th century by political turbulence and disillusionment. The story chronicles the journey of two kids – Voula (Tania Palaiologou)\, a prepubescent girl\, and her little brother Alexandros (Michalis Zeke) – in search of their father who\, they believe\, is residing in Germany. For Theo the destination was far less important vis-à-vis the incredible leap of faith that these two kids take with hope as their sole driving force. Along the road they face moments of gut-wrenching tragedy\, as when Voula is callously violated by a truck driver\, as well as simple joy\, as in their motorbike ride with a young\, lonely actor named Orestes (Stratos Tzortzoglou)\, and profound catharsis\, as when Voula\, who had been maintaining an impassive demeanour till then\, finally breaks down in the arms of the young guy. The film was\, therefore\, also a fascinating coming-of-age tale – a personal one for the kids\, and a political one for the rootless\, disenchanted generation they symbolized. Washed-out vistas of Greek countryside\, marvelous long takes\, and the evocative score\, laced the layered\, lyrical storyline with pathos and melancholia\, as did the devastatingly brilliant turn by the young Tania. Interestingly\, the theatre troupe of The Travelling Players made a brief return in it\, perhaps signifying the inherently cyclical nature of both life and history. \nRated R\n2 hours 17 minutes\nRelease date: September 14\, 1990 (New York City)\nDirector: Theo Angelopoulos\nMusic composed by: Eleni Karaindrou\nCinematography: Giorgos Arvanitis \nFree\, discussion will follow.
URL:https://www.bigcar.org/event/landscape-in-the-mist/
ATTACH;FMTTYPE=image/jpeg:https://www.bigcar.org/wp-content/uploads/2018/04/Landscape-in-the-Mist3.jpg
END:VEVENT
END:VCALENDAR