Big Car

Audrey Barcio: Under Influence
2018-02-02 18:00 - 2018-04-14 15:00 (America/Indiana/Indianapolis) | Tube Factory artspace, 1125 Cruft St., Indianapolis, IN, 46203, United States
Heritage is a pressing concern to our generation. Should we allow the past to influence us—are we bound to ancient tools, materials and techniques? Or should we endeavor to make work that is specific to our time, embracing technology and its untested, ambivalent ramifications? If we do, are we at risk of becoming complicit in a catastrophe, or a pale reflection of something fleeting?
In her solo exhibition Under Influence at Tube Factory Artspace in Indianapolis, Audrey Barcio explores these questions in a new series of paintings that examines where the heritage of Modernism intersects with the tools of the Virtual Industrial Age. Her starting point for this body of work is the iconic grey and white checkerboard pattern recognized by contemporary digital designers as a symbol for emptiness waiting to be filled. Transforming that virtual nothingness into concrete form, Barcio employs it to empower interpretations of the iconographic legacy of our Modernist forbearers.
This is a vision of an aesthetic symbology as futuristic as it is rooted in the constructed languages of the past: Suprematism, Geometric Abstraction, Futurism, Orphism, Color Field Painting, Post-painterly Abstraction, Minimalism. The work transcends the accepted cultural raison d’être of this century—the cult of self—to evoke instead the universal.
Under Influence speaks to something ancestral, universal, infinite, and essential. It is a conversation arising not from coteries but from the unifying elements of a common world: shape, color, line, form, material, surface, and the infinite potentialities that arise from relationships.
Commission of these new works were made possible by the Herbert Simon Family Foundation.
Read more about Barcio in this Pattern Magazine story.
Audrey Barcio received her BA from Herron School of Art and Design and her MFA from the University of Nevada, Las Vegas. She attended the Pont-Aven School of Contemporary Art in Brittany, France, and completed a residency at the Vermont Studio Center in 2017. Her work has been published in New American Paintings and has been featured in multiple group exhibitions around the U.S., including Art in America at the Art Miami Satellite Fair and GLAMFA at UC Long Beach. She has had solo exhibitions at Syracuse University in New York, in the Las Vegas Government Center, and at the University of Nevada, Las Vegas. Her work is included in several private collections and in the permanent collection of the Barrick Museum of Art. She currently lives and works in Chicago.
Image: Audrey Barcio, Second Choice, 2017

The Artist as Problem Solver Workshop
2018-03-01 17:00 - 2018-03-02 17:00
The Artist as Problem Solver:
Understanding the Role of Artists and Arts Organizations in
Community Building, Placekeeping, and Cultural Sustainability
Presented by The Joyce Foundation and Big Car Collaborative

Thursday and Friday, March 1-2, 2018
Big Car/Tube Factory artspace
1125 Cruft St.
Indianapolis, IN 46203

As part of its ongoing effort to support the capacity of artists and arts organizations to create artworks and cultural participation opportunities that transform their communities, The Joyce Foundation (based in Chicago and supporting artists cities in the Great Lakes Region — including Indianapolis — through the Joyce Awards), is partnering with Indianapolis-based placemaking and socially engaged arts nonprofit, Big Car Collaborative to host an engaging and immersive, two-day convening beginning with an evening keynote and panel on March 1 at 5 p.m, and ending on March 2 at 5 p.m., after a full day of sessions.

This event (which is open to everyone but limited by space so please RSVP soon — links below) is for individual artists, leaders from arts and community organizations, city and neighborhood leaders who collaborate with artists, community organizers, entrepreneurs, urban planners and placemakers, funders, researchers, and others interested in the role of the arts in fostering community vitality in general in Indianapolis and the Great Lakes Region.

The aim of this interactive convening is to deepen and widen the conversation around placemaking to include the critical work of community building and placekeeping in established, economically vulnerable, or demographically fluctuating communities. Centered around first-hand case studies and tool-sharing, the goal of these two days is to provide opportunities for learning and network building that may lead to future collaborations and exchanges.In addition to nationally and regionally recognized speakers and panelists, everyone who attends will be asked to share their areas of expertise, current initiatives, and needs for additional assistance. Time will be allotted to organize around synergies, themes and resource needs.

Please register as soon as possible via the links below to hold your spot. Again, seats will be limited to ensure an inclusive and interactive convening. The final agenda will be disseminated to all registrants.

Registration details:Please register via the links below by February 16 to help us with planning.
Click here to RSVP for opening keynote panel and reception on March 1
Click here to RSVP for full-day convening featuring panels and workshops on March 2
Please remember to RSVP and register for each day separately

Schedule (full agenda coming soon)
Thursday, March 1, 5-7:30 p.m. (opening keynote panel & reception — followed by optional coordinated small-group dinners)
Friday, March 2, 9 a.m.-5 p.m. (full day of panels and workshops)
