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X-WR-CALDESC:Events for Big Car
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DTSTART:20160313T070000
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DTSTART:20161106T060000
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DTSTART;TZID=America/Indiana/Indianapolis:20160506T180000
DTEND;TZID=America/Indiana/Indianapolis:20160716T170000
DTSTAMP:20260405T102255
CREATED:20160316T212258Z
LAST-MODIFIED:20160531T215348Z
UID:3789-1462557600-1468688400@www.bigcar.org
SUMMARY:The People's 500
DESCRIPTION:The People’s 500 is a celebration of the relationship between the Indianapolis Motor Speedway and the people of Indianapolis\, marking the 100th Running of the Indianapolis 500 presented by PennGrade Motor Oil. The exhibit will run through July 16.\nIn October of 2015\, Sugarmann chose 100 residents of the Indianapolis community from a pool of applicants to drive two laps in a pace car — the drivers uniting to complete the equivalent of a single running of the Indianapolis 500. Sugarmann and his crew photographed and interviewed each of the drivers\, the resulting documentation serving as the material of the exhibition. Some of the drivers are featured among the 16 large scale photos in the exhibit. There is also video\, and a sculptural piece.\n“The Indianapolis Motor Speedway serves as a cultural beacon within Indianapolis\, a location of shared history and civic identity for all strata of Indianapolis society. Members of the Indianapolis community feel ownership of the Speedway\,” says Sugarmann. “In this exhibit\, the pace car is the vehicle through which this mutual connection is furthered\, the civilian/citizen being able to immerse him or herself in the environment of a professional IndyCar driver. The People’s 500 uses pace cars to bridge the viewer and professional driver and create an even stronger sense of civic ownership.”\nThis exhibit is the first at Tube Factory\, Big Car Collaborative’s new cultural center with a contemporary art exhibition area. Located in what was a boarded-up factory building on a residential street in the Garfield Park neighborhood\, Tube Factory will host a variety of conversations\, performances\, and events — while also serving as the workshop and home base for Big Car artists.\nThe People’s 500 is curated by Shauta Marsh\, funded by The Andy Warhol Foundation for the Visual Arts and Creative Capital\, and coordinated by Big Car Collaborative staff in partnership with the Indianapolis Motor Speedway. Framing provided by Editions Limited. \nAbout Jesse Sugarmann: Sugarmann is an interdisciplinary artist working in video\, photography\, and sculpture. His work has been exhibited both nationally and internationally in venues such as the Getty Institute\, Los Angeles; el Museo Tamayo\, Mexico City; the Portland Institute for Contemporary Art\, Oregon; the Banff Center\, Canada; el Museo de Arte Moderno de Santander\, Spain; and both the Paris and Berlin installations of Les Recontres Internationales. Jesse’s work has been written about in publications including ArtForum\, Art Papers\, the Atlantic\, Frieze Magazine\, the Huffington Post\, and The New York Times. Jesse lives and works in Bakersfield\, CA. You can learn more about his work at www.jessesugarmann.com. \nAbout The Andy Warhol Foundation for the Visual Arts: The Foundation was established in 1987. In accordance with Andy Warhol’s will\, its mission is the advancement of the visual arts. The Foundation’s objective is to foster innovative artistic expression and the creative process by encouraging and supporting cultural organizations that in turn\, directly or indirectly\, support artists and their work. The Foundation values the contribution these organizations make to artists and audiences and to society as a whole by supporting\, exhibiting and interpreting a broad spectrum of contemporary artistic practice. http://warholfoundation.org/ \nAbout Big Car: An Indianapolis-based 501c3 nonprofit\, Big Car uses creativity as a catalyst to a better city. By providing and supporting unique\, educational\, participatory\, playful and personal experiences\, Big Car engages people of all ages and backgrounds in art making and creative problem-solving — inspiring them to be creative thinkers and involved\, connected citizens. Learn more at www.bigcar.org and see examples of our projects at www.bigcar.org/work. \nAbout Creative Capital: Creative Capital supports innovative and adventurous artists across the country through funding\, counsel and career development services. Our pioneering approach—inspired by venture-capital principles—helps artists working in all creative disciplines realize their visions and build sustainable practices. http://www.creative-capital.org/ \nAbout Indianapolis Motor Speedway: Established in 1909\, the Indianapolis Motor Speedway is the world’s largest spectator sporting facility and has long prevailed as an icon of motorsports excellence. After celebrating its Centennial Era in 2009-11\, IMS and racing fans now look forward to the 100th Running of the Indianapolis 500 Mile Race this year. In 2016\, get ready for an unprecedented celebration of the human pursuit of progress as the world’s eyes turn toward the Speedway. For more information\, visit indianapolismotorspeedway.com.
URL:https://www.bigcar.org/event/the-peoples-500/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Garfield Park,Shelby St. Corridor
ORGANIZER;CN="Big Car Collaborative":MAILTO:info@bigcar.org
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DTSTART;TZID=America/Indiana/Indianapolis:20160623T180000
DTEND;TZID=America/Indiana/Indianapolis:20160623T200000
DTSTAMP:20260405T102255
CREATED:20160419T181811Z
LAST-MODIFIED:20160419T215752Z
UID:3853-1466704800-1466712000@www.bigcar.org
SUMMARY:Latino Americans:The New Latinos (1946-1965)
DESCRIPTION:Until World War II\, Latino immigration to the United States was overwhelmingly Mexican-American. Now three new waves bring large-scale immigration from Puerto Rico\, Cuba\, and the Dominican Republic. As the Puerto Rican government implements a historic overhaul over a million Puerto Ricans are encouraged to leave for the US mainland\, to alleviate the economic pressure. A young Juanita Sanabria arrives in New York\, works hard in the garment district\, but encounters hostility and discrimination. Ethnic tensions explode in youth gang warfare depicted in films like West Side Story\, etching the stereotype of the knife wielding Puerto Rican in the American consciousness. \nIn the film\, Rita Moreno plays the role of Anita and wins an Oscar. But for most Puerto Ricans empowerment remains elusive. A young Puerto Rican lawyer\, Herman Badillo\, takes on the political establishment\, opening the door for unprecedented Puerto Rican participation in electoral politics. In the early 60s\, the first Cubans flee the left-wing Castro regime\, a relatively white\, middle-class flight that soon forms a refugee enclave in Miami. A child of 11 at the time\, Gustavo Perez Firmat believes like most refugees\, that it is only a matter of weeks before the American government will wrest Cuba from the Communist regime. But Castro survives. Maria de los Angeles Torres is only six years old when she leaves Havana without her parents\, one of 14\,000 children are smuggled out through an underground network. Unable to leave legally\, Manuel Capo and his two military age sons – make a dramatic journey to the US. With skills honed in the family furniture business in Cuba and support from the federal government\, the Capos build thriving business marketing to the growing Cuban population. \nIn 1965\, fearing another Communist takeover in the Caribbean\, President Johnson sends Marines to the Dominican Republic\, triggering a third wave of immigration. With a US visa in hand\, 20 year-old university student\, Eligio Peña\, flees to New York. Eventually he brings his family to New York as Dominicans build a new home in Washington Heights. Julia Alvarez would take the immigrant experience – her own and that of her fellow Dominicans – to unprecedented literary heights in How the Garcia Girls Lost Their Accents. In her work\, she explores the hybrid identity taking shape in a new generation of Latinos\, who are now demanding their place in America. \nLatino Americans: 5oo Years of History\, a public programming initiative produced by the National Endowment for the Arts (NEH) and the American Library Association (ALA)\, is part of the NEH initiative\, The Common Good: Humanities in the Public Square.
URL:https://www.bigcar.org/event/latino-americansthe-new-latinos-1946-1965/
CATEGORIES:Film,Garfield Park,Shelby St. Corridor
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DTSTART;TZID=America/Indiana/Indianapolis:20160623T180000
DTEND;TZID=America/Indiana/Indianapolis:20160623T200000
DTSTAMP:20260405T102255
CREATED:20160419T182317Z
LAST-MODIFIED:20160419T215443Z
UID:3856-1466704800-1466712000@www.bigcar.org
SUMMARY:Latino Americans: Peril and Promise (1980-2000)
DESCRIPTION:In the 80s the nature of the Latino Diaspora changes again. From Cuba a second wave of refugees to United States – the Mariel exodus – floods Miami . The same decade sees the sudden arrival of hundreds of thousands of Central Americans (Salvadorans\, Guatemalans\, and Nicaraguans) fleeing death squads and mass murders at home like activist\, Carlos Vaquerano. By the early 1990s\, a political debate over illegal immigration – has begun. Globalization\, empowered by NAFTA\, means that as U.S. manufacturers move south\, Mexican workers head north in record numbers. A backlash ensues: tightened borders\, anti-bilingualism\, state laws to declare all illegal immigrants felons. But a sea change is underway: the coalescence of a new phenomenon called Latino American culture-as Latinos spread geographically and make their mark in music\, sports\, politics\, business\, and education. Gloria Estefan leads the Miami Sound Machine creating cross over hits in Spanish and English. Oscar de la Hoya\, a Mexican-American boxer from L.A.\, becomes an Olympic gold medalist and the nation’s Golden Boy. Is a new Latino world being created here as the Latino population and influence continues to grow? Alternatively\, will Latinos in America eventually assimilate into invisibility\, as other groups have done so many times? Latinos present a challenge and an opportunity for the United States. America’s largest and youngest growing sector of the population presents what project advisor Professor Marta Tienda calls\, The Hispanic Moment.Their success could determine the growth of the United States in the twenty-first century; however their failure\, contributing to an underclass\, could also pull this country down. The key\, according to Tienda and Eduardo J. Padron\, Ph.D.\, President of Miami Dade Community College\, is education. \nLatino Americans: 5oo Years of History\, a public programming initiative produced by the National Endowment for the Arts (NEH) and the American Library Association (ALA)\, is part of the NEH initiative\, The Common Good: Humanities in the Public Square.
URL:https://www.bigcar.org/event/latino-americans-peril-and-promise-1980-2000/
LOCATION:Contemporary Art Museum of Indianapolis (CAMi)\, 1125 Cruft St.\, Indianapolis\, IN\, 46203\, United States
CATEGORIES:Film,Garfield Park,Shelby St. Corridor
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