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How To Get To Us During Construction

How To Get To Us During Construction

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Let’s celebrate transit

Let’s celebrate transit

IndyGo’s Red Line will run from UIndy north through downtown to Broad Ripple, connecting several neighborhoods, major employers and cultural institutions with frequent, comfortable rapid transit service. Throughout most of the day, buses will arrive every 10 minutes, and the Red Line will operate for 20 hours each day, seven days a week. Construction of stations and other improvements to streets, crosswalks, and sidewalks near the stations begins this summer. Check out the plans here.

As artists working with Transit Drives Indy and the Arts Council of Indianapolis — recipients of a Cultural Corridor Consortium grant through Transportation for America — our goals are to gather input, share information, test creative ideas, and bring people together at future Red Line stops in our southside neighborhoods.

We’re also hosting pop-up events at stops in our South Indianapolis neighborhoods. One happened on First Friday on May 4 at Southern and Shelby in partnership with the University of Indianapolis Social Practice Art graduate program. Details here. The second is an outdoor movie screening in partnership with Public House Cinema at Safeway at the Raymond stop area. We’ll be showing the transit-related animation “My Neighbor Totoro” after a short film of Evel Knievel jumping buses on his motorcycle. Two more pop-up events will follow at La Luz Del Mundo at Carson and Shelby just north of Troy on May 19 from 12-2 p.m. and June 23 at the University of Indianapolis near the Hanna stop.

Would you like to help us gather input? Please email email hidden; JavaScript is required your answers to these three questions below.

1. What do you know or believe about The Red Line?

2. What do you want to know, or what information should be shared more with people (maybe out in a public place) about The Red Line project — maybe even during construction?

3. What places should be highlighted within walking distance of station locations for neighbors and visitors? (In South Indianapolis, stations will be located along Shelby Street at Pleasant Run, Raymond, Southern, Troy and Hanna.

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From the Middle West to the Middle East

From the Middle West to the Middle East

It’s 11 p.m. and I’m walking on a palm-tree lined, landscaped path along the water. The air smells of jasmine and the ocean, one sometimes overpowering the other. Numerous boats made of wood and lined with lights, each one different playing club music, over ten skyscrapers lit with various colors, brighten and dim, seemingly moving with the music and waves of the sea.

People are picnicking and exercising. Children are playing at state of the art playground, bushes are pruned into green castle like shapes throughout the park. Workers are setting up temporary structures for an upcoming food festival. Couples, friends, families sit at cafes. And I overhear laughter, conversations full of words I don’t understand. I hold up my iPhone and snap a selfie, not sure if it should focus on the beauty of the city or the sea. And I am also struck by the fact that I’m standing by myself, a woman, alone in Doha, Qatar on the Persian Gulf walking the 4.29 mile long Corniche.

I was in 7th grade when the Persian Gulf War started. I didn’t understand it. I had two uncles going to serve. When they came back, they met my questions with silence and a long stare making it clear, there are some things you don’t ask or speak about.

And being a woman, watching and reading all the various news sources over the years, I was sure I’d be uncomfortable and feel judged by the public being a western woman. I thought of the entire region as a dangerous. I came to Doha with certain ideas, certain expectations. None were true. Except for the one that led me to go in the first place. This is, that despite our differences, people are — overall — innately good and we all want the same things.

Over the next several days I worked with Isabelle St. Louis and her team on the Mari Evans: Carl Pope exhibition. I met and talked with Virginia Commonwealth University Qatar students, alumni, faculty, artists, expats, my driver who took me every morning from the hotel to the university, and an Egyptian vendor at the Souq Waqif.

I didn’t do much sightseeing in other places because I wanted to know the city as much as I could. There are over 2.69 million versions of Doha, all known by the people living there. Over the next few days, I’ll write bits about the people I met.

Shauta Marsh

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Tube exports exhibit to Qatar

Tube exports exhibit to Qatar

Big Car-commissioned collaboration Carl Pope: Mari Evans opens this week in Qatar

Indianapolis — Big Car Collaborative is sharing the work of Indianapolis artists on the world stage as an exhibit commissioned and co-curated by the nonprofit arts organization travels to Qatar this week. The exhibit — inspired by and co-created with Indianapolis poet Mari Evans — will be on display at the Virginia Commonwealth University campus in Doha starting March 16.

Carl Pope: Mari Evans, which opened at Tube Factory artspace in 2016, honors the life and legacy of Evans — an Indianapolis-based poet, writer, and artist. She died just over a year ago at age 97. Shauta Marsh, director of programs and exhibitions at Tube Factory, worked with Indianapolis-based artist Carl Pope and Evans herself to curate the multifaceted exhibit.

Virginia Commonwealth University brought Marsh to Qatar to attend the opening, share with students and others about the work and tour Doha, a city known for its focus on art. “I’m excited that Mari’s legacy continues,” says Tube Factory artspace Director of Programming and exhibitons. “I am especially thankful to Carl Pope whose work and application of Mari’s ideas in his work, and that of Carl’s twin sister, Karen Pope‘s writing, translates so well to an international audience. Few artists can do that.”

Big Car Collaborative designer Andy Fry collaborated with Pope on the wall-sized text pieces related to Evans’s book of essays, Clarity as Concept: A Poet’s Perspective. The exhibit also features photographs highlighting the history of black culture in Indianapolis, portraits of Evans, and video from The Black Experience television program produced by Evans in the 1970s. 

Evans, one of the founders of the Black Arts Movement and longtime Indianapolis resident, published her first work “Where Is All the Music” in 1968 followed by “I Am a Black Woman” in 1970. During this time, Evans also worked as a producer, writer, and director of “The Black Experience” (1968-1973) — a history documentary that aired on prime time in Indianapolis.
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We’re Hiring!

We’re Hiring!

If you’d like to apply for any of these three positions, please note the position you are applying for in the subject of your email and include a cover letter and your resume and send to email hidden; JavaScript is required  by March 19, 2018

or by mail:
Tube Factory artspace
1125 Cruft St
Indianapolis, IN 46203-5352


Title: Staff Artist —Lead Builder and Facilities Manager
Reports to: CEO
Status: Ongoing full-time (salaried, exempt)
Salary: Negotiable
Position Description
Big Car’s Builder is involved in (primarily) helping build and maintain physical things for Big Car (including the building and grounds) — with a focus on the shop at The Tube — and (secondarily) helping build community when staffing programs and projects, usually as secondary support. The Builder is a key member of the creative team and follows the guidance of the project management team and works in cooperation and collaboration with the other builder or builders on the team, as well as with volunteers. The Builder’s reports to the CEO and supervises assistants, contract builders, volunteers and other part-time workers — including partnerships such as the summer youth employment program, TeenWorks.

Specific Responsibilities

  • Manage, build and design physical projects with and per the request of the team
  • Interface with the public as a community builder during projects and programs, including working with volunteer groups
  • Maintain Big Car sites (Tube, Listen Hear, warehouse space, artist residency and all related grounds) as welcoming, functioning neighborhood cultural hubs for program and operational purposes (includes public and storage areas)
  • Oversee and supervise daily operations of the Tube Shop, including supervision of related staff
  • Update project managers when tasks are completed through a regular reporting system
  • Keep an updated calendar and to-do list, noting new work requests right away
  • Track time on projects
  • Work in collaboration with other staff artists to complete projects

General Responsibilities

  • Support fellow Big Car staff on their projects when needed
  • Utilize volunteers when possible
  • Participate in weekly staff meetings
  • Reply to Big Car communications
  • Document work in photos and social media

Required Knowledge, Skills and Abilities

  • Creative design/build experience
  • Excellent communication and collaboration skills
  • Problem-solving skills

 Education and Experience

  • Some college coursework required; degree preferred
  • Experience with community-building strategies and/or social practice art
  • Training on using wood and metal shop equipment

Physical Demands and Work Environment

  • Must be able to lift at least 50 pounds
  • Must be amenable to a non-traditional workplace setting
  • Must have transportation
  • Ability to move trailers as much of our work is mobile

Benefits: Full-time = 2 weeks vacation + holiday shutdown, health insurance stipend, cell phone paid

Title: Placemaker and Builder in Residence
Reports to: CEO, placemaking/build leads
Status: 1-year contract (potentially renewable depending on performance/available funds)
Timing: May 2018-May 2019
Salary: $40,000 + living space

Position Description

Big Car’s Placemaker and Builder in Residence assists the CEO and other full-time, ongoing Big Car staff in designing, building, and setting up pop-up public places and implementing high-quality placemaking programming at these sites.

We’re seeking an organized self-starter and solid communicator who is comfortable with project management, building things, and interacting with community members during public programming and events. Much of our work is mobile in nature, so we’re also looking for someone who is able to move trailers — or is comfortable with and confident about learning how.

The Placemaker and Builder is a key member of the creative team and follows the guidance of the project management team and works in cooperation and collaboration with the other builder or builders on the team, as well as with volunteers. The Placemaker and Builder should also be comfortable with documenting work through photography, social media, and basic written narrative.


  • Help lead an artistic team to implement creative placemaking projects and events.
  • Coordinate — as a project temporary art projects for programming space; and large days of service, such as Great Indy Cleanup and Indy Do Day.
  • Build and design physical projects per the request of the Project Team
  • Help maintain Big Car sites as welcoming, functioning neighborhood cultural hubs for program and operational purposes (includes public and storage areas)
  • Document work along the way and share it on social media on a regular basis
  • Manage particular projects and update others who may be managing projects when tasks are completed through a regular reporting system
  • Keep an updated calendar and to-do list, noting new work requests right away
  • Track time on projects

Education and Experience

  • Can be a recent college graduate or student in progress
  • Degree or equivalent experience in community engaged art
  • Community development and program design experience

Required Skills and Abilities:

  • Great communication (writing and speaking) skill
  • Creative design/build experience and skills
  • Problem-solving skills
  • Ability to facilitate programming with diverse audiences, including artists and community members

Physical Demands and Work Environment

  • Must be able to lift at least 50 pounds
  • Should be able to move a trailer or be willing to learn how


  • $50/per month cell phone reimbursement
  • Potential for free housing on our Cruft Street campus


Title: Administrative Manager

Reports to: Program Director/development staff
Status: Part-time (20-30 hours)
Salary: Hourly rate negotiable

Position Description

Big Car’s Administrative Manager specializes in making ideas a reality in our work using creativity to build community. The Manager collaborates with all Big Car staff and focuses his or her efforts in three areas of work: volunteer, event, and program coordination, and general administration. In each of these areas, the Program and Administrative Manager provides critical support to ensure Big Car’s capacity to serve its community is maximized.

Volunteer, Event and Program Coordination: 60% of time
• Serve as Big Car’s volunteer liaison / coordinator for individuals and volunteer groups
• Serve as liaison to the community at The Tube in Garfield Park
• Coordinate community events that lead to increased donors, volunteers and other supporters
• Act as lead events logistics coordinator for facility rental and community events at The Tube and Listen Hear

Fund Development: 5% of time
• Enter new contacts and notes, update addresses and other information, merge duplicate files, reset passwords in appropriate databases.
• Coordinate organizational mailings

Administrative Responsibilities: 35% of time

• Generate name tags, labels, and other materials for meetings and events
• Provide staff support for meetings including taking minutes, booking meeting rooms and ensuring room set-up, and logistical support for other projects
• Maintain organizational calendar, book meeting rooms, coordinate meeting handouts, and provide drinks and snacks
• Help maintain office supply inventory at The Tube and Listen Hear
• Respond to general information requests to email hidden; JavaScript is required and in-person at The Tube
-Field requests for Big Car presence and participation at external events
• Attend weekly staff meetings
• Light cleaning

Education and Experience
Degree or equivalent experience in nonprofit management, program or event management
Fund development experience a plus
Community development experience desired

Required Skills and Abilities:
Comfort with many different types of software
Great communication (writing and speaking) skills
Willing to work with diverse stakeholders

Physical Demands and Work Environment
Must be able to lift at least 20 lbs.
Must be amenable to a non-traditional workplace, be able to work from home, and have own computer and phone.

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The Artist as Problem Solver: Joyce Foundation convening

The Artist as Problem Solver: Joyce Foundation convening

The Artist as Problem Solver:
Recognizing the Role of the Artist in Civic Life & Sustainability
The Joyce Foundation 2018 Creative Placekeeping/Placemaking Summit

March 1 & 2, 2018
Hosted by Big Car Collaborative
at Tube Factory artspace

This is a free workshop. You are welcome to attend.

Click here for a PDF of the full schedule for download or viewing (text also below).

Bios of speakers are found here.


4:00p Registration & Refreshments in Resource Center
5:00p Opening Session
Welcome: Jim Walker, CEO & Lead Artist, Big Car Collaborative
The Artist as Problem Solver: Tracie D. Hall, Culture Program Director, The Joyce Foundation

Keynote Conversation: Artists & Arts Organizers as Community Builders
Carol Bebelle, Executive Director, Ashe Cultural Center, New Orleans
LaShawnda Crowe-Storm, Artist, Indianapolis

Moderated by Juana Guzman & Roy Priest, Arts & Community Development Consultants

6:00p Focus on Indianapolis Creative Placekeepers/Placemakers
Phyllis Boyd, Groundwork Indy
Jarrod Dortch, Solful Gardens
Oreo Jones, Big Car Collaborative Listen Hear & WQRT Radio
Kavita Mahoney, IndyParks
Cari Morales, LISC Indianapolis
Moderated by Jim Walker, Big Car Collaborative

6:45p Reception & Artists’ Performances
Featuring Abegunde (poetry), Clint Breeze (drums), & Lauren Curry (dance)
7:15p Dinner & Small Group Discussion
8:30p Adjourn


8:15a Registration & Continental Breakfast in Resource Center
9:00a Opening Session
Welcome: Jim Walker, CEO & Lead Artist, Big Car Collaborative
Placekeeping As Manifesto: Tracie D. Hall, Culture Program Director, The Joyce Foundation

Creative Placekeeping National Case Studies (Pecha Kucha Style)
Diop Adisa, Kheprw Institute, Indianapolis
Justin Moore, NYC Dept. of City Planning & Urban Patch, Indianapolis
Tracy Taft, Curley School, Ajo, AZ
DaHuang Zhou, Artist, Chicago
Moderated by Elka Gotfryd, Project for Public Spaces, NYC

10:30a Break
10:45a Practitioners’ Introductions Lightning Round.
Attendees have 1 minute to introduce themselves & the focus of their work
Moderated by Shauta Marsh, Big Car Collaborative

12:00p Open Technology/Working Lunch
Attendees organize around primary or secondary interests in groups of 10 or less.

1:15p Concurrent Workshops: Creative Placemaking/Placekeeping
Case Studies Round 1

Session A: Focus on Chicago, Cincinnati, & Cleveland
Chicago: Tonika Lewis Johnson, Artist & Community Organizer
Cleveland: Daniel Gray Kontar, Twelve Literary Arts
Cincinnati: Eric Avner & Megan Trischler, People’s Liberty; Linnea Gartin, ArtWorks
Moderated by Juana Guzman & Roy Priest, Arts & Community Development Consultants

Session B: Focus on Indianapolis & Minneapolis-St. Paul
Indianapolis: Mark Latta, Marian University; Joyce Moore, Urban Patch; Carmen Lethig, IHCDA; Keith Wildstyle Paschall, The Learning Tree; Derrin Slack, ProAct Indy
Minneapolis-St. Paul: Peter Haakon Thompson, Springboard for the Arts
Moderated by Kevin McKelvey, University of Indianapolis Social Practice Art program
2:15p Break

2:30p Concurrent Workshops: Creative Placemaking/Placekeeping
Case Studies Round 2

Session C: Focus on Chicago, Cincinnati, & Cleveland
Chicago: Tonika Lewis Johnson, Artist & Community Organizer
Cleveland: Daniel Gray Kontar, Twelve Literary Arts
Cincinnati: Eric Avner & Megan Trischler, People’s Liberty; Linnea Gartin, ArtWorks
Moderated by Juana Guzman & Roy Priest, Arts & Community Development Consultants

Session D: Focus on Indianapolis & Minneapolis-St. Paul
Indianapolis: Justin Ferguson, Ball State University; Paige Sharp, Indiana Arts Commission; Ash Robinson, Artist; Jingo De La Rosa, Artist; Drew Klacik, IU Public Policy Institute
Minneapolis-St. Paul: Peter Haakon Thompson, Springboard for the Arts
Moderated by Danicia Malone, Artist
3:30p Break

3:45p Spotlight Panel: Working at the Systems Level—Conversation with City of Indianapolis Planners & Designers
Andre Denman, Parks & Greenways Planner
Jamison Hutchins, Bike & Pedestrian Coordinator
Katie Robinson, Director, Office of Sustainability
Nathan Sheets, Transportation Engineer
Eduardo Luna, Artist, Big Car Collaborative
Moderated by Jim Walker, Big Car Collaborative

4:15p Closing Session: Placekeeping & Community Building—What We Said & What We Do Next
Responses from attendees (one from each city represented)
Facilitated by DeAmon Harges, The Roving Listener
4:45p Closing
Planning Team: Juana Guzman, Tracie D. Hall, Roy Priest, & Jim Walker

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lockerbie Marketplace

lockerbie Marketplace

Lockerbie Night Market from Big Car Collaborative on Vimeo.

In October 2017, our Indianapolis Spark Placemaking crew teamed up with CitiMark and Gershman Partners to bring short-term public programming to the Lockerbie Marketplace small park area between Alabama, New York, New Jersey, and Vermont streets in the heart of Downtown. This previously underutilized green space is surrounded by a grocery store and other office and retail spaces and is located just off of the Indianapolis Cultural Trail.

In addition to bringing this pop-up public space to the general public, our staff was testing ideas to help inform long-term use of the green space. Through this testing period, Big Car staff members spent up to four hours every weekday out at the space, testing placemaking ideas, hosting pop-up programming, and keeping up with games (ping pong, foosball, cornhole chess and checkers) — all while observing and collecting data. We then are able to share insights and ideas on long-term ways to design and program the space to benefit the public and others who work and live nearby and visit this area.

For the entire month of October, our Spark Placemkaing staff led by our Placemaker and Planner in Residence, Amber Janzen, offered special programming — like live music, yoga, a night market (in the video above), an outdoor film night and more. These were all free to the public.

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Thanks for helping us meet our CreatINg Places match!

Thanks for helping us meet our CreatINg Places match!

We want to thank our individual donors who helped us with a successful campaign this fall to raise funds matched by the IHCDA CreatINg Places program with the State of Indiana. This campaign — which brought in $50,000 from donors matched by $50,000 from IHCDA — is supporting improvements underway to Tube, Listen Hear, and our artist residency house and grounds. Many donated anonymously and we aren’t listing their names.

The Netherliegh Fund, Diana Mutz and Howard Schrott, Impact 100 Justin Stuehrenberg, Emily Scott, Dan Elliott and Stef Krevda, Jacquelyn Nolen, Thomas Battista, Sheri Hacker, Kipp Normand, Edmund Mahern, Robin Hedge, Mary Sauer, Alex Toumey, Jeb Banner, Emily Watson, Lynn Hammond, Andrew Quinn, Jole Kelley, Amber Ross, Ann W. King, Taylor Martin, Brenda Barker, Connie Christofanelli, Joel Hammond, Jill Willey, Becky and Ken Honeywell, Mark Nagle, Gloria Mallah, Stephen Williams, Laura Dahlem, Andrea Liebross, Ashley Brooks, Lynné Colbert, Gina Rakers, Lauren Ditchley, Frank Sauer, Julia Whitehead, Russell Clemens, Susan Haber, Sarah Powers, Neil Ahrendt, Perry and Michelle Griffith, Andrew Howard, Marilyn Gatin, Geoffrey Lapin, Holly and Matt Sommers, Stanley Kiwor, David Yosha, JD Schuyler, Murphy Mahaffey, Tracy Wolfe, Anne Laker, Eric and Katie Williams, Ben and Connie Berg, Kelly Brown, Matt Krack, Katie Carlson, Ursula David, Aryn & Nick Schounce/Zuckerman, Mary Jane Mahern, The RoundUps, Megan Briscoe Fernandez, Jane Alexander, neighbors and friends from our fundraiser (85 patrons), Anthony Mahern, Rok Cerne, Robert Peoni, Amy Peddycord, Sun King, Katie Robinson, Sharon Adams, Donna Jacobsen, Jon Rangel, Marc Allan, Rose Shingledecker, Peggy Herrod, Scott Hall, Abraham Martinez, Jen Peden, Chad Duran, Jim & Linda Simmons, Jordan Updike, Jeremy Shubrook, Shauta Marsh and Jim Walker.

Learn more about this ongoing work here:

Garfield Park Creative Community — an overview 2017 from Big Car Collaborative on Vimeo.

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Internship Reflection-Anna Hopkins

Internship Reflection-Anna Hopkins

Pictured after deinstall of Carlos Rolón/Dzine:50 GRAND, left to right: Jim Bayse, Anna Hopkins and Brose Partington.

Driving home from my first interview at The Tube Factory last fall I remember that the sky was spectacular. It had been pouring all day but for some reason the storm decided to take a break just at sunset. Fading rays of light brilliantly outlined the inky black storm clouds in bright orange and both the slick highway and glassy windows of downtown reflected the golden hues from above, washing everything in an amber haze. I spent countless nights in high school watching storms roll by from my porch and I’d stare into them for hours, wondering what on earth I was going to do with my life. I knew that I had passions- for art and creativity, for helping those around me, for building better communities. But I had no idea how to translate that into a career path. Most nights my muddled thoughts would fade into the darkness of the passing storm and I’d convince myself that surely someday I would end up somewhere that I loved, where my passions could be put into practice, where I could envision a future of opportunity and growth. Looking into the clouds from my car that evening, it suddenly struck me that maybe this internship was going to be one of those somewheres.

Over the course of my (nearly) 3 ½ month experience, I was lucky enough to have the opportunity to work on multiple projects. Some of these included helping with kids art classes, photographing events, editing some video footage, documenting books that were to be sent oversees as part of an exhibition, planning my own fiber event at the Tube Factory, working on getting the tool library project started again, painting tabletops for a new playground at Emma Donnan Middle School, assisting with the de-install of a gallery show, running the Wagon of Wonders at the Indiana State Fair, and even lending my hand in the garden out back or the shop downstairs to paint bocce ball courts for a day. Each of these experiences taught me not only practical knowledge, such as the basics of video editing software or how to advertise an event, but also strengthened my interpersonal skills as I learned to work and communicate with my fellow interns, the Big Car staff, members of the community, and children who came for classes.

Out of all those things the two which I did most consistently were photograph events at the Tube Factory or elsewhere and assist with art classes for students from the Boys and Girls Club. Since I am minoring in Studio Art at Indiana University (my major is Nonprofit Management) I really loved getting to do hands on art projects. One of the classes I even had the chance to lead independently, a class on making nonrepresentational self-portraits (all credit for the lesson plan goes to Jordan, however!). As the kids worked I walked around to help them with their projects or listen as they explained to me why they chose the images they did to represent themselves. On other days I got to make up examples of the project we would be doing that week like crayon melting on canvas or drawing zentangles and mandalas. I also spent a lot of time with my camera. Some of the events I got to take pictures of were First Fridays, a podcast listening party, the 50 GRAND exhibition, the building of a rain garden at City Market, and a painting class with Innocente, a visiting artist. Afterwards I would edit my images and put them on the Big Car Flickr page for the public to see. Most events were also photographed by Big Car’s wonderful professional photographer which gave me the opportunity to experiment with my shooting and try new things without having to worry about getting the perfect shot.

I think one of the most valuable aspects of being involved with Big Car that I noticed this summer was being able to witness firsthand how a nonprofit functions. Everyone on the staff very much had their own role, their little niche within the organization. The weekly staff meetings brought everyone together so that information from the past seven days could be shared and analyzed, while upcoming events could be planned for and tasks could be delegated. Despite the fact that I rarely had anything to contribute, sitting in on these meetings was a fascinating experience, as I learned communication, hard work, and passion were really the propelling forces at the heart of Big Car- and probably most other nonprofits for that matter. It never ceased to amaze me how much a single group of people could get done week after week or how big of an impact this little arts nonprofit could have on the community. Now granted maybe my perspective as an intern was unique because I wasn’t subject to the same stresses that many of the “real” staff members were, but I always felt very honored and inspired to be working with such motivated and creative individuals every day.

If you are someone who happened upon this post because you are thinking of getting involved at the Tube Factory or with Big Car in general, I would whole heartedly encourage you to do so. In times like today when technology seems to be diminishing our need for genuine human connectedness, community building organizations like this one are invaluable. I saw this many times over this summer- in the brilliant eyes of kids as they sprinkled sparkles over their Wednesday art class masterpieces, in the smile of a wizened, gentle grandmother who helped her granddaughters address postcards at the Wagon of Wonders, on the rapt faces of a captivated audience watching a First Friday boxing match. I could go on, but I don’t want you to take my word for it- go see for yourself. Interning with Big Car has opened my eyes to so many opportunities and has offered me so much clarity in what I want to do with my future endeavors. Though I’m sure this will only be the first of many internships in my college career, it is one that I will not soon forget.

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Help us make art happen!

Help us make art happen!

Update: Thanks to the generosity of our friends and supporters, including many neighbors, we met our goal for a $50,000 match by the Indiana Housing & Community Development Authority for Big Car Collaborative’s cultural community work on the southside on Indianapolis. Stay tuned for updates on what’s next! And thank you again to all who gave!

You can support an exciting lineup of connected projects in Garfield Park knowing that every dollar you give is matched 100 percent! We’re raising funds for opening a community audio studio for WQRT at Listen Hear, expanding our Tube Factory artspace tool shop to lend tools to the community, furthering our community garden efforts with Solful Gardens, and getting the house next to Tube on Cruft Street ready for exhibits by local artists and short-term artist visits and residencies. Click here to go to the campaign and donate. We offer great thank you gifts than range from a supporter party at Tube, to T-shirts, to a custom portrait or poem from one of our artists!

Every dollar you give is matched by IHCDA (Indiana Housing and Community Development Authority). So that means, when we raise $50,000 through Patronicity, we’ll have $100,000 to help us get rolling on all of this work in the Garfield Park Neighbors Association and Bean Creek Neighborhood Association area south of downtown Indianapolis. These funds will be a big start in a larger campaign to launch all of these projects in our home-base neighborhood. Donate today!